Download or read book Theater as Metaphor written by Elena Penskaya and published by Walter de Gruyter GmbH & Co KG. This book was released on 2019-05-20 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: The papers of the present volume investigate the potential of the metaphor of life as theater for literary, philosophical, juridical and epistemological discourses from the Middle Ages through modernity, and focusing on traditions as manifold as French, Spanish, Italian, German, Russian and Latin-American.
Download or read book Theatrical Design written by Kevin Lee Allen and published by Taylor & Francis. This book was released on 2016-09-13 with total page 271 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theatrical Design: An Introduction is a guide for designers, creatives, and artists to create a design idea for a project and then audio/visually interpret and communicate that idea. Emphasizing story analysis, creation, and interpretation specifically for designers and artists, the narrative describes a method to release meaning and design inspiration from story. After interpretation, the artistic elements and principles of design - the skills necessary to create the design - are laid out in clear terms. Concepts are illustrated with examples from theatre, film, art, architecture, and fashion that explore professional and historic use of conceptualization and metaphor. Theatrical Design: An Introduction imparts the tools all designers, in all pursuits, need to innovate off the page. A textbook suitable for Art, Architecture, Exhibitions, Interior Spaces, Culinary Presentation, Design, Film, and Theatre university courses, general readers and hobbyists will also find the methodology can be applied to any creative pursuits.
Download or read book Theater as Metaphor written by Elena Penskaya and published by Walter de Gruyter GmbH & Co KG. This book was released on 2019-05-20 with total page 467 pages. Available in PDF, EPUB and Kindle. Book excerpt: The papers of the present volume investigate the potential of the metaphor of life as theater for literary, philosophical, juridical and epistemological discourses from the Middle Ages through modernity, and focusing on traditions as manifold as French, Spanish, Italian, German, Russian and Latin-American.
Download or read book Musicality in Theatre written by David Roesner and published by Routledge. This book was released on 2016-04-29 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: As the complicated relationship between music and theatre has evolved and changed in the modern and postmodern periods, music has continued to be immensely influential in key developments of theatrical practices. In this study of musicality in the theatre, David Roesner offers a revised view of the nature of the relationship. The new perspective results from two shifts in focus: on the one hand, Roesner concentrates in particular on theatre-making - that is the creation processes of theatre - and on the other, he traces a notion of ‘musicality’ in the historical and contemporary discourses as driver of theatrical innovation and aesthetic dispositif, focusing on musical qualities, metaphors and principles derived from a wide range of genres. Roesner looks in particular at the ways in which those who attempted to experiment with, advance or even revolutionize theatre often sought to use and integrate a sense of musicality in training and directing processes and in performances. His study reveals both the continuous changes in the understanding of music as model, method and metaphor for the theatre and how different notions of music had a vital impact on theatrical innovation in the past 150 years. Musicality thus becomes a complementary concept to theatricality, helping to highlight what is germane to an art form as well as to explain its traction in other art forms and areas of life. The theoretical scope of the book is developed from a wide range of case studies, some of which are re-readings of the classics of theatre history (Appia, Meyerhold, Artaud, Beckett), while others introduce or rediscover less-discussed practitioners such as Joe Chaikin, Thomas Bernhard, Elfriede Jelinek, Michael Thalheimer and Karin Beier.
Download or read book Role Playing and Identity written by Bruce Wilshire and published by . This book was released on 1982 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: "[Wilshire] establishes a phenomenology of theatre, a theory of enactment, and a theory of appearance, none of which American theatre... has ever had." —Performing Arts Journal "... Wilshire makes unique contributions to understanding major aspects of the human condition in its necessary search for selfhood." —Process Studies "It is one of the American classics." —Human Studies
Download or read book Theater Enough written by Jeffrey H. Richards and published by Duke University Press. This book was released on 1991 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: The early settlers in America had a special relationship to the theater. Though largely without a theater of their own, they developed an ideology of theater that expressed their sense of history, as well as their version of life in the New World. Theater Enough provides an innovative analysis of early American culture by examining the rhetorical shaping of the experience of settlement in the new land through the metaphor of theater. The rhetoric, or discourse, of early American theater emerged out of the figures of speech that permeated the colonists' lives and literary productions. Jeffrey H. Richards examines a variety of texts--histories, diaries, letters, journals, poems, sermons, political tracts, trial transcripts, orations, and plays--and looks at the writings of such authors as John Winthrop and Mercy Otis Warren. Richards places the American usage of theatrum mundi--the world depicted as a stage--in the context of classical and Renaissance traditions, but shows how the trope functions in American rhetoric as a register for religious, political, and historical attitudes.
Download or read book The Art of Resonance written by Anne Bogart and published by Bloomsbury Publishing. This book was released on 2021-08-26 with total page 185 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is artistic resonance and how can it be linked to one's life and one's art? This latest book of essays from legendary theatre director Anne Bogart, considers the creation of resonance in the artistic endeavour, with a focus on the performing arts. The word 'resonance' comes from the Latin meaning to 're-sound' or 'sound together'. From music to physics, resonance is a common thread that evokes a response and, in general, is understood as a quality that makes something personally meaningful and valuable. For Bogart, curiosity is a key personal quality to be nurtured throughout life and that very same curiosity, as an artist, thinker and human being. Creating pathways between performance theory, art history, neuroscience, music, architecture and the visual arts, and consistently forging new thought-paths, the writing draws upon Anne Bogart's own life and artistic journeys to illuminate potent philosophical ideas. Woven with personal anecdotes, stories and reflections, this is a book that will be of interest to any theatre artist and anyone who reflects on the power of the arts, of theatre-making and what it means to be engaged in the artistic process.
Download or read book What s the Story written by Anne Bogart and published by Routledge. This book was released on 2014-04-16 with total page 202 pages. Available in PDF, EPUB and Kindle. Book excerpt: Anne Bogart is an award-winning theatre maker, and a best-selling writer of books about theatre, art, and cultural politics. In this her latest collection of essays she explores the story-telling impulse, and asks how she, as a ‘product of postmodernism’, can reconnect to the primal act of making meaning and telling stories. She also asks how theatre practitioners can think of themselves not as stagers of plays but ‘orchestrators of social interactions’ and participants in an on-going dialogue about the future. We dream. And then occasionally we attempt to share our dreams with others. In recounting our dreams we try to construct a narrative... We also make stories out of our daytime existence. The human brain is a narrative creating machine that takes whatever happens and imposes chronology, meaning, cause and effect... We choose. We can choose to relate to our circumstances with bitterness or with openness. The stories that we tell determine nothing less than personal destiny. (From the introduction) This compelling new book is characteristically made up of chapters with one-word titles: Spaciousness, Narrative, Heat, Limits, Error, Politics, Arrest, Empathy, Opposition, Collaboration and Sustenance. In addition to dipping into neuroscience, performance theory and sociology, Bogart also recounts vivid stories from her own life. But as neuroscience indicates, the event of remembering what happened is in fact the creation of something new.
Download or read book American Theater in the Culture of the Cold War written by Bruce A. Mcconachie and published by University of Iowa Press. This book was released on 2005-06 with total page 365 pages. Available in PDF, EPUB and Kindle. Book excerpt: 1. A theater of containment liberalism -- 2. Empty boys, queer others, and consumerism -- 3. Family circles, racial others, and suburbanization -- 4. Fragmented heroes, female others, and the bomb.
Download or read book In the Theater of Consciousness written by Bernard J. Baars and published by Oxford University Press, USA. This book was released on 1997 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt: Topics like hypnosis, absorbed states of mind, adaptation to trauma, and the human propensity to project expectations on uncertainty, all fit into the expanded theater metaphor.
Download or read book Jasmin Vardimon s Dance Theatre written by Libby Worth and published by Taylor & Francis. This book was released on 2017-01-12 with total page 203 pages. Available in PDF, EPUB and Kindle. Book excerpt: Jasmin Vardimon’s Dance Theatre offers an unusual, intimate insight into the devising and training processes of a choreographer in the midst of her practice. Libby Worth and Jasmin Vardimon take a collaborative approach to recording and exploring the working processes of Vardimon and her company, chronicling the development of specific productions rather than offering a single choreographic blueprint. Focusing on the techniques, strategies and creative activities necessitated by each project, Worth and Vardimon address: The initial ‘triggers’ which lead to research, expansion, and performance; The social, political and psychological content of Vardimon’s work; The relationship between accessibility of content and complexity of ideas; Drawing on texts to enhance and shape a piece of dance work; The editing process, and its inherent messiness; The contribution of a company’s different voices and viewpoints to the development of a production. Based on extended conversations and interviews, this highly illustrated, full -colour volume is a unique reflection on Jasmin Vardimon’s vibrant, continually developing practice. It is a must-read for students and practitioners of dance and physical theatre.
Download or read book The Show and the Gaze of Theatre written by Erika Fischer-Lichte and published by University of Iowa Press. This book was released on 1997 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theatre, in some respects, resembles a market. Stories, rituals, ideas, perceptive modes, conversations, rules, techniques, behavior patterns, actions, language, and objects constantly circulate back and forth between theatre and the other cultural institutions that make up everyday life in the twentieth century. These exchanges, which challenge the established concept of theatre in a way that demands to be understood, form the core of Erika Fischer-Lichte's dynamic book. Each eclectic essay investigates the boundaries that separate theatre from other cultural domains. Every encounter between theatre and other art forms and institutions renegotiates and redefines these boundaries as part of an ongoing process. Drawing on a wealth of fascinating examples, both historical and contemporary, Fischer-Lichte reveals new perspectives in theatre research from quite a number of different approaches. Energetically and excitingly, she theorizes history, theorizes and historicizes performance analysis, and historicizes theory.
Download or read book All the World s a Stage written by Hemda Ben-Yehuda and published by Routledge. This book was released on 2020-09-15 with total page 191 pages. Available in PDF, EPUB and Kindle. Book excerpt: Classroom role-playing simulations bring the drama of politics to life and enrich traditional learning by plunging students into the midst of historical or current events. Ben-Yehuda gives students and instructors the resources and confidence to embark on a careful enactment of scenarios that will inspire enthusiasm in participants and stick in the memory long after the curtain falls. The book includes in-depth discussions of three possible theatrical simulations: appeasement in 1938 Munich, the regional turmoil following the 1947 UN Palestine Partition decision, and the Syrian civil war and ongoing global confrontation with ISIS. It is appropriate for students in global studies courses at all levels.
Download or read book On Consciousness Science Subjectivity Updated Works on Global Workspace Theory written by Bernard J. Baars and published by Nautilus Press. This book was released on 2019-09-26 with total page 682 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The works of Bernard Baars collected here are among the foundational texts of the scientific study of consciousness. Their influence in cognitive science and philosophy of mind is enormous, and their impact on my own thinking has been profound." --Murray Shanahan, Professor of Cognitive Robotics, Dept of Computing, ICL Global Workspace Theory (GWT) began with this question: "How does a serial, integrated and very limited stream of consciousness emerge from a nervous system that is mostly unconscious, distributed, parallel and of enormous capacity?" GWT is a widely used framework for the role of conscious and unconscious experiences in the functioning of the brain. A set of explicit assumptions that can be tested, as many of them have been. These updated works, from the recipient of INNS 2019 Hermann von Helmholtz Life Contribution Award, form a coherent effort to organize a large and growing body of scientific evidence about conscious brains. Throughout human history, people have perceived the conscious brain as the great nexus of human life, of social relationships, of their personal identities and histories, in encounters with new challenges. Consciousness under its many labels and manifestations is widely seen to be one of the core mysteries of life. Many therapeutic approaches can be viewed in a global workspace framework, including traditional psychodynamics and depth psychology, but also cognitive behavioral techniques, and, indeed, many other kinds of carefully studied human functions. Making progress in understanding consciousness therefore has an endless number of implications - philosophical, metaphysical, scientific, medical, clinical, and practical. A valuable reference for technical audiences and a vigorous intellectual hike for the layman." --Kirkus Reviews How can we understand the evidence? The best answer today is a 'global workspace architecture, ' first developed by cognitive modeling groups led by Alan Newell and Herbert A. Simon. The term "global workspace" comes from Artificial Intelligence, where it refers to a fleeting memory domain that allows for cooperative problem-solving by large collections of specialized programs. Global Workspace Theory (GWT) therefore assumes that the brain can be viewed as a "society of mind." Global Workspace (GW) theory is consistent with our current knowledge, and can be enriched to include other aspects of human experience. Stan Franklin and co-workers have built on GWT to sketch out a more general theory of cognition - LIDA: Cognitive Architecture's Computational Implementation of GWT. Stanislas Dehaene and Jean-Pierre Changeux in Paris developed experimentally testable models, making further testable claims about the brain basis of visual consciousness - The Dehaene-Changeux Model (DCM): Global Neuronal Workspace is Part of GWT. Global Workspace Dynamics (GWD) is the most current version of GWT - attempting to account for complexities of the living brain. These updated works trace the beginnings of GWT/GWD through the continued rise of brain evidence and psychological understanding. On Consciousness is an indispensable addition to the library of both students and experts studying mind, brain, and behavior. "Bernie Baars is a giant on whose shoulders the future science of consciousness will stand." --Antti Revonsuo, PhD, Professor of Cognitive Neuroscience, University of Skövde, Sweden
Download or read book Life as Theater written by Dennis Brissett and published by Routledge. This book was released on 2017-09-04 with total page 804 pages. Available in PDF, EPUB and Kindle. Book excerpt: Life as Theater is about understanding people and how the dramaturgical way of thinking helps or hinders such understanding. A volume that has deservedly attained the status of a landmark work, this was the first book to explore systematically the material and subject matter of social psychology from the dramaturgical viewpoint. It has been widely used and quoted, and has sparked ferment and debate in fields as diverse as sociology, psychology, anthropology, political science, speech communication, and formal theater studies.Life as Theater is organized around five substantive issues in social psychology: Social Relationships as Drama; The Dramaturgical Self; Motivation and Drama; Organizational Dramas; and Political Dramas. This classic text was revised and updated for a second edition in 1990, and includes approximately 66 percent new materials, all featuring individual introductions that provide the dramaturgical perspective and reflect the most learned thinking and work being done within this point of view. This book's sophistication will appeal to the scholar, and its clarity and conciseness to the student. Like its predecessor, it is designed to serve as a primary text or supplementary reader in classes. This new paperback edition includes an introduction by Robert A. Stebbins that explains why, even fifteen years after its publication,Life as Theater remains the best single sourcebook on the dramaturgic perspective as applied in the social sciences.
Download or read book This Wide and Universal Theater written by David Bevington and published by University of Chicago Press. This book was released on 2009-05 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study examines how Shakespeare's plays have been transformed for the stage by the demands of theatrical spaces and staging conventions.
Download or read book Staging Philosophy written by David Krasner and published by University of Michigan Press. This book was released on 2010-02-11 with total page 343 pages. Available in PDF, EPUB and Kindle. Book excerpt: The fifteen original essays in Staging Philosophy make useful connections between the discipline of philosophy and the fields of theater and performance and use these insights to develop new theories about theater. Each of the contributors—leading scholars in the fields of performance and philosophy—breaks new ground, presents new arguments, and offers new theories that will pave the way for future scholarship. Staging Philosophy raises issues of critical importance by providing case studies of various philosophical movements and schools of thought, including aesthetics, analytic philosophy, phenomenology, deconstruction, critical realism, and cognitive science. The essays, which are organized into three sections—history and method, presence, and reception—take up fundamental issues such as spectatorship, empathy, ethics, theater as literature, and the essence of live performance. While some essays challenge assertions made by critics and historians of theater and performance, others analyze the assumptions of manifestos that prescribe how practitioners should go about creating texts and performances. The first book to bridge the disciplines of theater and philosophy, Staging Philosophy will provoke, stimulate, engage, and ultimately bring theater to the foreground of intellectual inquiry while it inspires further philosophical investigation into theater and performance. David Krasner is Associate Professor of Theater Studies, African American Studies, and English at Yale University. His books include A Beautiful Pageant: African American Theatre, Drama, and Performance in the Harlem Renaissance, 1910-1920 and Renaissance, Parody, and Double Consciousness in African American Theatre, 1895-1910. He is co-editor of the series Theater: Theory/Text/Performance. David Z. Saltz is Professor of Theatre Studies and Head of the Department of Theatre and Film Studies at the University of Georgia. He is coeditor of Theater Journal and is the principal investigator of the innovative Virtual Vaudeville project at the University of Georgia.
