Download or read book The Theme of Music in Flemish Paintings of the Seventeenth Century written by Richard D. Leppert and published by . This book was released on 1977 with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Theme of Music in Flemish Paintings of the Seventeenth Century written by Richard D. Leppert and published by . This book was released on 1977 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The theme of music in Flemish paintings of the seventeenth century written by and published by . This book was released on 1977 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Theme of Music in Flemish Paintings of the Seventeenth Century I II written by Richard D. Leppert and published by . This book was released on 1977 with total page 349 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The theme of music in Flemish paintings of the seventeenth century written by Richard D. Leppert and published by . This book was released on 1977 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Theme of Music in Flemish Paintings of the Seventeenth Century written by Richard D. Leppert and published by . This book was released on 1977 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Sight of Sound written by Richard Leppert and published by Univ of California Press. This book was released on 1993-12-01 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: Richard Leppert boldly examines the social meanings of music as these have been shaped not only by hearing but also by seeing music in performance. His purview is the northern European bourgeoisie, principally in England and the Low Countries, from 1600 to 1900. And his particular interest is the relation of music to the human body. He argues that musical practices, invariably linked to the body, are inseparable from the prevailing discourses of power, knowledge, identity, desire, and sexuality. With the support of 100 illustrations, Leppert addresses music and the production of racism, the hoarding of musical sound in a culture of scarcity, musical consumption and the policing of gender, the domestic piano and misogyny, music and male anxiety, and the social silencing of music. His unexpected yoking of musicology and art history, in particular his original insights into the relationships between music, visual representation, and the history of the body, make exciting reading for scholars, students, and all those interested in society and the arts.
Download or read book Musical Scenes in Seventeenth Century Dutch and Flemish Art written by Cathy Schwartz Curtis and published by . This book was released on 1975 with total page 606 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Musical Instruments and Performing Ensembles in Flemish Paintings of the Seventeenth Century written by Richard D. Leppert and published by . This book was released on 1974 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Musical Instruments and Performing Ensembles in Flemish Paintings of the Seventeenth Century written by Richard Leppert and published by . This book was released on 1973 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Place of Music written by Andrew Leyshon and published by Guilford Press. This book was released on 1998-03-21 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music is omnipresent in human society, but its language can no longer be regarded as transcendent or universal. Like other art forms, music is produced and consumed within complex economic, cultural, and political frameworks in different places and at different historical moments. Taking an explicitly spatial approach, this unique interdisciplinary text explores the role played by music in the formation and articulation of geographical imaginations--local, regional, national, and global. Contributors show how music's facility to be recorded, stored, and broadcast; to be performed and received in private and public; and to rouse intense emotional responses for individuals and groups make it a key force in the definition of a place. Covering rich and varied terrain--from Victorian England, to 1960s Los Angeles, to the offices of Sony and Time-Warner and the landscapes of the American Depression--the volume addresses such topics as the evolution of musical genres, the globalization of music production and marketing, alternative and hybridized music scenes as sites of localized resistance, the nature of soundscapes, and issues of migration and national identity.
Download or read book Musical Instruments and Performing Ensembles in Flemish Painting of the Seventeenth Century written by Richard David Leppert and published by . This book was released on 1973 with total page 217 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Sound Judgment written by Richard Leppert and published by Taylor & Francis. This book was released on 2023-05-31 with total page 401 pages. Available in PDF, EPUB and Kindle. Book excerpt: The essays in Sound Judgment span the full career of Richard Leppert, from his earliest to work that appears here for the first time, on subjects drawn from early modernity to the present concerning music both popular and classical, European and North American. Noted for his path-breaking interdisciplinary scholarship on music and visual culture, the collection includes key essays on music's visualization in art practices in virtually all visual media, including film. The fourteen essays comprising this volume demonstrate Leppert's many contributions to critical musicology, particularly in the areas of aesthetics as well as social and intellectual history, all of it grounded in a heterodox body of critical and cultural theory, with the work of Theodor W. Adorno particularly noteworthy. The collection is preceded by an introduction in which Leppert traces his intellectual development, defined in large part by the social, cultural, and political upheavals of the 1960s and their aftermath both in the academy and in society at large.
Download or read book Music and Image written by Richard Leppert and published by CUP Archive. This book was released on 1993-06-24 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: An examination of the place and practice of musical life in eighteenth-century England among the upper classes.
Download or read book Questions of Meaning written by E. de Jongh and published by G & B International. This book was released on 2000 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: Consists of articles by the author, originally published individually between 1968/69 and 1993.
Download or read book Painting Music in the Sixteenth Century written by H. Colin Slim and published by Taylor & Francis. This book was released on 2024-10-28 with total page 391 pages. Available in PDF, EPUB and Kindle. Book excerpt: Professor Slim deals here with the several roles that music can play in the artworks of the Renaissance, looking in particular at Italian painting of the 16th century. For understandable reasons, art historians sometimes neglect the role of music and, especially, that of musical notation when studying works of art. These studies not only identify musical compositions, wholly or partially inscribed in paintings - and tapestries, ceramics, prints as well - but also seek reasons why these particular musical compositions were included and analyse their relevance to the scene depicted. Furthermore, as many of these studies show, identifying a musical composition, especially if it has a text, leads to the formation of ideas about iconographical functions and thus augments interpretations of the visual art.
Download or read book Visible Deeds of Music written by Simon Shaw-Miller and published by Yale University Press. This book was released on 2002-01-01 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: This thoughtful and provocative book explores the relationship between music and the visual arts in the late nineteenth and twentieth centuries, focusing on the modernist period. Reassessing the work of composers and artists such as Richard Wagner, Pablo Picasso, Paul Klee, Josef Matthias Hauer, and John Cage, Simon Shaw-Miller argues that despite modernism's advocacy of media purity and separation, the boundaries between art and music were permeable at this time, as they have been throughout history. Shaw-Miller begins by discussing the place of Wagner's music and ideas at the time of the birth of modernism, presenting Wagner's aesthetic of the Gesamtkunstwerk as an alternative paradigm for modernist art. He goes on to analyze Picasso's use of musical subjects in his cubist works and Klee's adoption of music and the issue of temporality in his paintings and drawings. He concludes with the radical aesthetic of Cage, the silencing of sound, and the promotion of intermediality in the work of Fluxus artists. Through these fascinating examples, Shaw-Miller raises questions about both art and music history that will be of interest to students of both disciplines.
