Download or read book The Status and Role of the Australian Composer written by and published by . This book was released on 1973* with total page 28 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Sitsky written by Jim Cotter and published by National Library Australia. This book was released on 2004 with total page 132 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over the past 40 years, composer and pianist Larry Sitsky has played a significant role in Australian musical culture. In honour of his 70th birthday, the National Library presents this celebratory publication. In conversation with fellow composer Jim Cotter, Professor Sitsky discusses his early experiences as a migrant from China to Australia, studying under Eugene Goossens at the Sydney Conservatorium in the 1950s, the development of contemporary music in Australia and his life as a composer.
Download or read book Peter Sculthorpe written by Graeme Skinner and published by NewSouth. This book was released on 2015-10-01 with total page 551 pages. Available in PDF, EPUB and Kindle. Book excerpt: Peter Sculthorpe, who died in 2014, remains Australia’s best-known composer and is widely held to be the most important creative musical spirit the country has produced. Beautifully written and fastidiously researched, this authorised biography provides an insight into Sculthorpe’s formation years: his quest for personal voice, and his arrival – through many creative friendships and collaborations – at a place in the collective heart of the nation. It charts the realisation of a youthful vocation to become not merely a composer, but an Australian composer. Graeme Skinner’s biography is also a social history, examining Sculthorpe’s unique role in the creation of Australian musical modernism in the 1960s – an important era in Australia’s cultural evolution.
Download or read book The Contemporary Australian Composer and Society written by David Tunley and published by Department of Music University of Western Australia. This book was released on 1971-01-01 with total page 88 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Take Note Interviews with Australian Composers written by Madeline Roycroft and published by Lyrebird Press lyrebirdpress.music.unimelb.edu.au. This book was released on 2021-12-01 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is the creative process? Is there an Australian voice? Does tonality have a place in music of this century? These and many other questions relating to composition, its philosophy and individual works are answered by nineteen Australian composers in a fascinating collection of interviews dating from 1996 to 2021. Composers in the spotlight are: Larry Sitsky, Elena Kats-Chernin, Chris Dench, Julian Yu, Brenton Broadstock, Richard Mills, Nigel Westlake, Neil Kelly, Carl Vine, Elliott Gyger, Joseph Twist, Felicity Wilcox, Gordon Kerry, Liza Lim, Linda Kouvaras, Helen Gifford, Paul Stanhope, Stuart Greenbaum and Melody Eötvös.
Download or read book A Chronological History of Australian Composers and Their Compositions written by Stephen Pleskun and published by Xlibris Corporation. This book was released on 2012-01-17 with total page 777 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is volume 1 of a 4 volume series, the first 3 of which have been published by Xlibris and the 4th almost complete for imminent delivery. In its entirety this work is the most comprehensive and accurate account of Australian Classical Music making ever undertaken. The 4 volumes cover the period from 1901-2012 and include more than 800 composers, famous and obscure, with more than 30,000 compositions including details of their premieres (where, when and by whom). Individual performers, ensembles, orchestras, opera and ballet companies, music educators, instrument makers, entrepreneurs, academics, philanthropists, musicologists and critics are included as part of the story. The foundation and demise of music institutions, venues and festivals is recorded chronologically. Altogether an extensive picture of Australian Classical Music production and performance can be gleaned in any given year. This book is distinct insofar as it can be read conventionally (from cover to cover): or one may choose a composer/performer and follow his/her career year by year; or one may open the book at random and delight in the unusual and esoteric information therein. This book, and its companion volumes are valuable and indispensible works for the serious music student, professional musician, performing amateur, cultural aficionado and inquisitive lay person and should be in the library of every reputable music conservatorium worldwide.
Download or read book A Century of Composition by Women written by Linda Kouvaras and published by Springer Nature. This book was released on 2022-08-01 with total page 450 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents accounts of creative processes and contextual issues of current-day and early-twentieth century women composers. This collection of essays balances narratives of struggle, artistic prowess, and of "breaking through" the obstacles in the profession. Part I: Creative Work – Then and Now illuminates historical and present-day women’s composition and various iterations and conceptions of the “feminine voice”; Part II: The State of the Industry in the Present Day provides solutions from the frontline to sector inequities; and Part III: Creating; Collaborating: Composer and Performer Reflections offers personal stories of current creation in music. A Century of Composition by Women: Music Against the Odds draws together topical issues in feminist musicology over the past century. This volume provides insight into the professional and compositional procedures of creative women in music and stands to be relevant for composers, performers, industry professionals, students, and feminist and musicological scholars for many years to come.
Download or read book A Handbook of Australian Music written by James Murdoch and published by Melbourne : Sun Books. This book was released on 1983 with total page 174 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Sound Ideas written by Brenton Broadstock and published by . This book was released on 1995 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: Centre for studies in Australian Music, U. of Melbourne, Parkville, VIC 3052, Australia. FAX: (03) 93494473.
Download or read book Classical Musicians Speak Out as a New Century Begins written by Sidney Bertram Smith and published by Melrose Press. This book was released on 2005 with total page 178 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 'Classical Musicians Speak Out as a New Century Begins', Sidney Smith presents a unique snapshot of eminent musical opinion, clearly illustrating what musicians and composers are thinking at the beginning of the twenty first century. Meticulously researched, Smith draws his conclusions from an host of internationally renowned figures.
Download or read book The Australian Musical News written by and published by . This book was released on 1927 with total page 736 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Remarkable Occurrences written by National Library of Australia and published by National Library Australia. This book was released on 2001 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Composer Herself written by Linda Kouvaras and published by Springer Nature. This book was released on 2023-11-30 with total page 432 pages. Available in PDF, EPUB and Kindle. Book excerpt: This edited volume presents 27 original essays by living composers from all around the globe, reflecting on the creation of their music. Coterminous to the recent worldwide resurgence in feminist focus, the distinctive feature of this collection is the “snapshots” of creative processes and conceptualizing on the part of women who write music, writing in the present day, from prominent early-career composers to major figures, from a range of ethnic backgrounds in the contemporary music field. The chapters step into the juncture point at which feminism finds itself: as binary conceptions of gender are being dissolved, with critiques of the attendant gender-based historical generalizations of composers, and with the growing awareness of the rightful place of First Nations' cultural voices, the contributors explore what, actually, is being composed by women, and what they think about their world. The needs that this book serves are acutely felt: despite recent social gains, and sector initiatives and programs encouraging and presenting the work of women who compose music, their works are yet to receive commensurate exposure with that of their male counterparts. In its multi-pronged, direct response to this dire situation, this vibrant volume highlights established as well as emerging women composers on the international stage; reveals myriad issues around feminism, as broadly conceived; and gives insights, from the composers' own voices, on the inner workings of their composition process. The volume thus presents a contemporary moment in time across the generations and within developments in musical composition. With its unique insights, this book is essential for academics and practitioners interested in the illuminations of the current working landscape for creative women.
Download or read book Collaborative Creative Thought and Practice in Music written by Professor Margaret S Barrett and published by Ashgate Publishing, Ltd.. This book was released on 2014-12-28 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: Focusing on the domain of music, the approach taken in this book falls into three sections: investigations of the people, processes, products, and places of collaborative creativity in compositional thought and practice; explorations of the ways in which creative collaboration provides a means of crossing boundaries between disciplines such as music performance and musicology; and studies of the emergence of creative thought and practice in educational contexts including that of the composer and the classroom. The volume concludes with an extended chapter that reflects on the ways in which the studies reported advance understandings of creative thought and practice.
Download or read book Word Sound and Music in Radio Drama written by and published by BRILL. This book was released on 2023-11-27 with total page 377 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection offers an in-depth study of music’s narrative functions in radio drama, whether original or adapted, alongside speech and sound. It features a range of historical perspectives as well as case studies from Australia, Europe and North America, highlighting broadcasting institutions such as the BBC, RAI, ABC, WDR and SWR, from early radio to the medium’s postwar golden age and contemporary productions. Not limited to classical or popular music, the chapters also pay attention to electronic varieties and musical uses of language, in addition to intermedial exchanges with other art forms such as theatre, opera and film. In doing so, the present volume sits at the crossroads of various disciplines: musicology, narratology, history, literary, media, sound and radio studies.
Download or read book The Sounds of Aurora Australis written by Beatrice Dalov and published by Liverpool University Press. This book was released on 2021-01-12 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: Entrenched until recently in Western aesthetics, Australian composers are now developing a functional cultural identity expressed through a distinctly nationalistic musical idiom. Its ongoing formation, inspired by Australias Aboriginal heritage and unique natural environment, seeks to distance the nations artistic developments from the geographically remote Occidental regions and emphasize its native cultures. Presently, however, mounting sociopolitical and ethical concerns surrounding the cultural borrowing between Indigenous and non-Indigenous peoples are problematizing the developing nationalistic idiom, as composers must determine whether the two groups share any legitimate connection beyond mere occupation of the same land, given their tense post-colonial history. Musicologist Beatrice Dalov traces the formation of the Southern Lands cultural identity while simultaneously considering its complex relationship with the nations First Peoples. She illuminates the origins, influences, and developments of Australian art music, from colonization (late eighteenth century) to the present day, interweaving the social, cultural, political, and economic forces that shaped (and often determined) its evolution. The history demonstrates that the complex processes of articulating a unique cultural identity began almost immediately after arrival of the first colonists and continues uninterrupted through today. Drawing on newly available archival material, key works, and personally conducted interviews with numerous contemporary composers, Dalov traces the history of the lands music, from scattered convict settlements and eventful contacts with Aboriginal peoples, to the formation of a national musical infrastructure, to todays thriving musical independence. She brings forward not only the most prominent composers and musicians of the last century, but also those who laid a crucial foundation and offered the first contributions toward a national idiom. A comprehensive history of the music of the Great Southern Land has been too long neglected by social historians and musicologists worldwide. Beatrice Dalov sets the record straight.
