Download or read book The Politics of Alternative Theatre in Britain 1968 1990 written by Maria DiCenzo and published by Cambridge University Press. This book was released on 1996-11-13 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines one of the most influential modern theatre companies, 7:84 (Scotland), under the directorship of John McGrath. 7:84 (Scotland) has been a vital contributor to the place and importance of alternative theatre on the modern British stage. DiCenzo explores the development of this company, the growth of popular theatre in general within the last twenty years and offers a methodology for analysing records and materials found in theatre company archives and illustrates the many issues inherent in running a theatre company, including venues, practitioners and the politics of funding. The book includes valuable primary source material and informative production photographs and company posters.
Download or read book The Politics of Alternative Theatre in Britain 1968 1990 written by Maria DiCenzo and published by . This book was released on 1996 with total page 247 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Royal Court Theatre and the Modern Stage written by Philip Roberts and published by Cambridge University Press. This book was released on 1999-11-25 with total page 315 pages. Available in PDF, EPUB and Kindle. Book excerpt: An account of the leading forum of the modern stage; includes Foreword by former Director of the Royal Court, Max Stafford-Clark.
Download or read book Irony and the Modern Theatre written by William Storm and published by Cambridge University Press. This book was released on 2011-05-05 with total page 267 pages. Available in PDF, EPUB and Kindle. Book excerpt: Irony and theatre share intimate kinships, not only regarding dramatic conflict, dialectic or wittiness, but also scenic structure and the verbal or situational ironies that typically mark theatrical speech and action. Yet irony today, in aesthetic, literary and philosophical contexts especially, is often regarded with skepticism - as ungraspable, or elusive to the point of confounding. Countering this tendency, William Storm advocates a wide-angle view of this master trope, exploring the ironic in major works by playwrights including Chekhov, Pirandello and Brecht, and in notable relation to well-known representative characters in drama from Ibsen's Halvard Solness to Stoppard's Septimus Hodge and Wasserstein's Heidi Holland. To the degree that irony is existential, its presence in the theatre relates directly to the circumstances and the expressiveness of the characters on stage. This study investigates how these key figures enact, embody, represent and personify the ironic in myriad situations in the modern and contemporary theatre.
Download or read book Joan Littlewood s Theatre written by Nadine Holdsworth and published by Cambridge University Press. This book was released on 2011-04-14 with total page 335 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book investigates Joan Littlewood's theatre productions and her community-based projects and activism, drawing upon extensive primary archival material.
Download or read book The Cambridge Companion to Modern British Women Playwrights written by Elaine Aston and published by Cambridge University Press. This book was released on 2000 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Companion, first published in 2000, addresses the work of women playwrights in Britain throughout the twentieth century.
Download or read book The Russian Theatre After Stalin written by Anatoly Smeliansky and published by Cambridge University Press. This book was released on 1999-07-08 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first book to explore the world of the theatre in Russia after Stalin. Through his work at the Moscow Art Theatre, Anatoly Smeliansky is in a key position to analyse contemporary events on the Russian stage and he combines this first-hand knowledge with valuable archival material, some published here for the first time, to tell a fascinating and important story. Smeliansky chronicles developments from 1953 and the rise of a new Soviet theatre, and moves through the next four decades, highlighting the social and political events which shaped Russian drama and performance. The book also focuses on major directors and practitioners, including Yury Lyubimov, Oleg Yefremov, and Lev Dodin, among others, and contains a chronology, glossary of names, and informative illustrations.
Download or read book Theatre Matters written by Jane Plastow and published by Cambridge University Press. This book was released on 1998-12-10 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book focuses on how theatre can make and has made positive political and social interventions.
Download or read book British Theatre Companies 1965 1979 written by John Bull and published by Bloomsbury Publishing. This book was released on 2016-12-15 with total page 335 pages. Available in PDF, EPUB and Kindle. Book excerpt: This series of three volumes provides a groundbreaking study of the work of many of the most innovative and important British theatre companies from 1965 to the present. Each volume provides a survey of the political and cultural context; an extensive survey of the variety of theatre companies from the period, and detailed case studies of six of the major companies drawing on the Arts Council Archives to trace the impact of funding on the work produced. 1965–1979, covers the period often accepted as the 'golden age' of British Fringe companies, looking at the birth of companies concerned with touring their work to an ever-expanding circuit of 'alternative' performance venues. Leading academics provide case studies of six of the most important companies, including: * CAST, by Bill McDonnell (University of Sheffield, UK) * The People Show, by Grant Tyler Peterson (Brunel University London, UK) * Portable Theatre, by Chris Megson (Royal Holloway, University of London, UK) * Pip Simmons Theatre Group, by Kate Dorney (The Victoria and Albert Museum, UK) * Welfare State International, by Gillian Whitely (Loughborough University, UK) * 7:84 Theatre Companies, by David Pattie (University of Chester, UK).
Download or read book Cultural Protest in Journalism Documentary Films and the Arts written by Daniel H. Mutibwa and published by Routledge. This book was released on 2019-02-13 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cultural Protest in Journalism, Documentary Films and the Arts: Between Protest and Professionalisation entails a comprehensive account of the history and trajectory of contemporary journalistic, (documentary) film, and arts and cultural actors rooted (partially or wholly) in radical, alternative, community, voluntary, participatory and independent movements primarily in Britain and Germany. It focuses particularly on the examination of production and organisational contexts of selected case studies, some of which date from the countercultural era. The book takes a transnational and interdisciplinary approach encompassing a range of theoretical perspectives – drawn from the political economy of communication tradition; alternative media scholarship; journalism studies; critical sociological and cultural studies of media industries; cultural industries research; and critical and social theory – in conjunction with extensive ethnographic fieldwork. It does so to reveal the obscure nature of media and cultural production and organisation at seventeen media and cultural actors based in Britain and Germany, including South Africa and Nigeria. A particular focus is placed on how such actors balance competing imperatives of a civic/socio-political, professional, artistic and commercial nature as well as various systemic pressures, and on how they navigate the resultant ambivalences, paradoxes and tensions in their day-to-day work. In essence, the book highlights key insights into a changing nature and quality of engagement with social and political realities in protest cultures.
Download or read book Collective Creation in Contemporary Performance written by Kathryn Mederos Syssoyeva and published by Springer. This book was released on 2013-08-28 with total page 243 pages. Available in PDF, EPUB and Kindle. Book excerpt: This edited volume situates its contemporary practice in the tradition which emerged at the beginning of the twentieth century. Collective Creation in Contemporary Performance examines collective and devised theatre practices internationally and demonstrates the prevalence, breadth, and significance of modern collective creation.
Download or read book New Theatre Quarterly 72 Volume 18 Part 4 written by Clive Barker and published by Cambridge University Press. This book was released on 2003-11-27 with total page 56 pages. Available in PDF, EPUB and Kindle. Book excerpt: New Theatre Quarterly provides an international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. Articles in volume 72 include: Views Across Borders; Small Audience, Big Picture; Cheerful History: the Political Theatre of John McGrath; 'Blood Red Roses': John McGrath and Lukacsian Realism; The Events of June 1848: the Monte Cristo Riots and the Politics of Protest; Performance, Embodiment, Voice; The Market Theatre of Johannesburg and its Presence in the New South Africa; NTQ Book Reviews.
Download or read book Theatre Audiences written by Susan Bennett and published by Routledge. This book was released on 2013-09-13 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: Susan Bennett's highly successful Theatre Audiences is a unique full-length study of the audience as cultural phenomenon, which looks at both theories of spectatorship and the practice of different theatres and their audiences. Published here in a brand new updated edition, Theatre Audiences now includes: • a new preface by the author • a stunning extra chapter on intercultural theatre • a revised up-to-date bibliography. Theatre Audiences is a must-buy for teachers and students interested in spectatorship and theatre audiences, and will be valuable reading for practitioners and others involved in the theatre.
Download or read book The Theater of Heiner M ller written by Jonathan Kalb and published by Cambridge University Press. This book was released on 1998-04-13 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first general study in English of, arguably, the most important German dramatist after Brecht.
Download or read book A Companion to Modern British and Irish Drama 1880 2005 written by Mary Luckhurst and published by John Wiley & Sons. This book was released on 2008-04-15 with total page 608 pages. Available in PDF, EPUB and Kindle. Book excerpt: This wide-ranging Companion to Modern British and Irish Drama offers challenging analyses of a range of plays in their political contexts. It explores the cultural, social, economic and institutional agendas that readers need to engage with in order to appreciate modern theatre in all its complexity. An authoritative guide to modern British and Irish drama. Engages with theoretical discourses challenging a canon that has privileged London as well as white English males and realism. Topics covered include: national, regional and fringe theatres; post-colonial stages and multiculturalism; feminist and queer theatres; sex and consumerism; technology and globalisation; representations of war, terrorism, and trauma.
Download or read book The Performance of Nationalism written by Jisha Menon and published by Cambridge University Press. This book was released on 2013 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: Jisha Menon's book explores the mimetic relationships between history and political performance and between India and Pakistan.
Download or read book Contemporary British Queer Performance written by S. Greer and published by Springer. This book was released on 2016-02-02 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines queer performance in Britain since the early 1990s, arguing for the significance of emerging collaborative modes of practice. Using queer theory and the history of early lesbian and gay theatre to examine claims to representation among other things, it interrogates the relationships through which recent works have been presented.
