Download or read book The Opera Singer and the Silent Film written by Paul Fryer and published by McFarland. This book was released on 2005-10-17 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This book examines the relationship between the established operatic stars of the late 19th and early 20th centuries and the newly developing motion picture industry. It concentrates primarily on developments between 1895 and 1926, from the invention of the commercially exploitable motion picture to the coming of viable sound on film"--Provided by publisher.
Download or read book Bed and Sofa written by Polly Pen and published by Dramatists Play Service, Inc.. This book was released on 1997 with total page 62 pages. Available in PDF, EPUB and Kindle. Book excerpt: THE STORY: In Moscow, in 1926, a housing crisis rages. In a cramped apartment, Ludmilla, a put-upon housewife, lives in dreamy complacency with her cheerful despot of a husband, Kolya. When one day, Kolya's handsome comrade, Volodya, arrives from the coun
Download or read book Opera written by Franklin Mesa and published by McFarland. This book was released on 2015-05-07 with total page 477 pages. Available in PDF, EPUB and Kindle. Book excerpt: This encyclopedia includes entries for 1,153 world premiere (and other significant) performances of operas in Europe, the United States, Latin America and Russia. Entries offer details about key persons, arias, interesting facts, and date and location of each premiere. There is a biographical dictionary with 1,288 entries on historical and modern operatic singers, composers, librettists, and conductors. Fully indexed and with a bibliography.
Download or read book American Opera Singers and Their Recordings written by Clyde T. McCants and published by McFarland. This book was released on 2004-07-23 with total page 410 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book focuses on American opera singers and what their recordings say about their artistry. It is not a book about all American opera singers, since many who had important careers on stage, made few, if any, recordings. And many of those who did make recordings, did so prior to the introduction of electrical recording in 1925 (and the resulting advances in the reproduction of the human voice). Opera enthusiasts can only imagine the sound of Farinelli's voice or read what his contemporaries have written about it, but with almost any famous or near-famous singer of recent years, enthusiasts do not have to imagine. Their voices are available through the technology of sound recording. There are 53 entries, one each for 52 singers and a composite entry for a group of Hollywood vocalists. Each entry contains biographical information and is followed by a discography of operatic recordings to be used in conjunction with the critical commentaries. The entries are in alphabetical order by the singer's last name and provide critical analyses of key recordings and of the artists' gifts and limitations.
Download or read book Opera on Film written by Richard Fawkes and published by Bloomsbury Academic. This book was released on 2000 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: This fascinating study of opera within the history of cinema, charts the great film makers's obsession with this most glamorous medium and its stars
Download or read book The Arts of the Prima Donna in the Long Nineteenth Century written by Rachel Cowgill and published by Oxford University Press. This book was released on 2012-06-01 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: Female characters assumed increasing prominence in the narratives of nineteenth- and early twentieth-century opera. And for contemporary audiences, many of these characters--and the celebrated women who played them--still define opera at its finest and most searingly affective, even if storylines leave them swooning and faded by the end of the drama. The presence and representation of women in opera has been addressed in a range of recent studies that offer valuable insights into the operatic stage as cultural space, focusing a critical lens at the text and the position and signification of female characters. Moving that lens onto the historical, The Arts of the Prima Donna in the Long Nineteenth Century sheds light on the singers who created and inhabited these roles, the flesh-and-blood women who embodied these fabled "doomed women" onstage before an audience. Editors Rachel Cowgill and Hilary Poriss lead a cast of renowned contributors in an impressive display of current approaches to the lives, careers, and performances of female opera singers. Essential theoretical perspectives reflect several broad themes woven through the volume-cultures of celebrity surrounding the female singer; the emergence of the quasi-mythical figure of the diva; explorations of the intricate and sundry arts associated with the prima donna, and with her representation in other media; and the diversity and complexity of contemporary responses to her. The prima donna influenced compositional practices, determined musical and dramatic interpretation, and affected management decisions about the running of the opera house, content of the season, and employment of other artists--a clear demonstration that her position as "first woman" extended well beyond the boards of the operatic stage itself. The Arts of the Prima Donna in the Long Nineteenth Century is an important addition to the collections of students and researchers in opera studies, nineteenth-century music, performance and gender/sexuality studies, and cultural studies, as well as to the shelves of opera singers and enthusiasts.
Download or read book American Silent Horror Science Fiction and Fantasy Feature Films 1913 1929 written by John T. Soister and published by McFarland. This book was released on 2014-01-10 with total page 831 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the Silent Era, when most films dealt with dramatic or comedic takes on the "boy meets girl, boy loses girl" theme, other motion pictures dared to tackle such topics as rejuvenation, revivication, mesmerism, the supernatural and the grotesque. A Daughter of the Gods (1916), The Phantom of the Opera (1925), The Magician (1926) and Seven Footprints to Satan (1929) were among the unusual and startling films containing story elements that went far beyond the realm of "highly unlikely." Using surviving documentation and their combined expertise, the authors catalog and discuss these departures from the norm in this encyclopedic guide to American horror, science fiction and fantasy in the years from 1913 through 1929.
Download or read book Vocal Apparitions written by Michal Grover-Friedlander and published by Princeton University Press. This book was released on 2014-12-25 with total page 201 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cinema and opera have become intertwined in a variety of powerful and unusual ways. Vocal Apparitions tells the story of this fascinating intersection, interprets how it occurred, and explores what happens when opera is projected onto the medium of film. Michal Grover-Friedlander finds striking affinities between film and opera--from Lon Chaney's classic silent film, The Phantom of the Opera, to the Marx Brothers' A Night at the Opera to Fellini's E la nave va. One of the guiding questions of this book is what occurs when what is aesthetically essential about one medium is transposed into the aesthetic field of the other. For example, Grover-Friedlander's comparison of an opera by Poulenc and a Rossellini film, both based on Cocteau's play The Human Voice, shows the relation of the vocal and the visual to be surprisingly affected by the choice of the medium. Her analysis of the Marx Brothers' A Night at the Opera demonstrates how, as a response to opera's infatuation with death, cinema comically acts out a correction of opera's fate. Grover-Friedlander argues that filmed operas such as Zeffirelli's Otello and Friedrich's Falstaff show the impossibility of a direct transformation of the operatic into the cinematic. Paradoxically, cinema at times can be more operatic than opera itself, thus capturing something essential that escapes opera's self-understanding. A remarkable look at how cinema has been haunted--and transformed--by opera, Vocal Apparitions reveals something original and important about each medium.
Download or read book The Palgrave Handbook of Intermediality written by Jørgen Bruhn and published by Springer Nature. This book was released on 2024-01-02 with total page 1254 pages. Available in PDF, EPUB and Kindle. Book excerpt: This handbook provides an extensive overview of traditional and emerging research areas within the field of intermediality studies, understood broadly as the study of interrelations among all forms of communicative media types, including transmedial phenomena. Section I offers accounts of the development of the field of intermediality - its histories, theories and methods. Section II and III then explore intermedial facets of communication from ancient times until the 21st century, with discussion on a wide range of cultural and geographical settings, media types, and topics, by contributors from a diverse set of disciplines. It concludes in Section IV with an emphasis on urgent societal issues that an intermedial perspective might help understand.
Download or read book Music for Silent Film written by Kendra Preston Leonard and published by A-R Editions, Inc.. This book was released on 2016-01-01 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: Between 1895 and 1929, more than 15,000 motion pictures were made in the United States. We call these works “silent films,” but they were accompanied by an enormous body of music, including works adapted or arranged from pre-existing works, as well as newly composed pieces for theater orchestras, organists, or pianists. While many films and pieces are lost, a considerable amount of material remains extant and available for use in research and performance. Music for Silent Film: A Guide to North American Resources is a unique resource on North American archives and English-language materials available in for those interested in this repertoire. Part I contains information about archives of primary source materials including full and compiled scores, sheet music, published anthologies of music, interviews with cinema musicians, periodicals, and instruction books. Part II surveys the English-language scholarship on silent film music in articles, book chapters, essay collections, and monographs through 2015. The book is fully indexed for ease of access to these important sources on film music.
Download or read book Between Opera and Cinema written by Jeongwon Joe and published by Routledge. This book was released on 2012-12-06 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Leading scholars of opera and film explore the many ways these two seemingly unrelated genres have come together from the silent-film era to today.
Download or read book Opera on Screen written by Ken Wlaschin and published by . This book was released on 1997 with total page 648 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a guide in book form and on CD-ROM to the thousands of films and videos featuring operas and opera singers in the last one hundred years. The guide has been organized alphabetically as an encyclopedia with entries on operas, operettas, zarzuelas, singers, composers, writers, conductors and subjects of interest. Special subject entries include animated opera, best opera on film, best operetta on film, castratos, divas, directors of opera on film, directors of opera on TV, filmmakers on stage, first operas on film, first operas on TV, imaginary operas in films, operas and operettas about the movies, operas as movies, operas based on movies, operetta, puppet opera, silent films about opera, silent films of operas, television operas, vitaphone opera films, voice of firestone, worst opera on film, worst operetta on film, zarzuelas. [from Introduction]
Download or read book Silent Films 1877 1996 written by Robert K. Klepper and published by McFarland. This book was released on 2015-09-16 with total page 597 pages. Available in PDF, EPUB and Kindle. Book excerpt: This film reference covers 646 silent motion pictures, starting with Eadweard Muybridge's initial motion photography experiments in 1877 and even including The Taxi Dancer (1996). Among the genres included are classics, dramas, Westerns, light comedies, documentaries and even poorly produced early pornography. Masterpieces such as Joan the Woman (1916), Intolerance (1916) and Faust (1926) can be found, as well as rare titles that have not received critical attention since their original releases. Each entry provides the most complete credits possible, a full description, critical commentary, and an evaluation of the film's unique place in motion picture history. Birth dates, death dates, and other facts are provided for the directors and players where available, with a selection of photographs of those individuals. The work is thoroughly indexed.
Download or read book Carmen written by Chris Perriam and published by Rodopi. This book was released on 2005 with total page 233 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since Prosper Mérimée and Georges Bizet (with his librettists Meilhac and Halévy) brought the figure of the Spanish Carmen to prominence in the nineteenth century an astonishing eighty or so film versions of the story have been made. This collection of essays gathers together a unique body of scholarly critique focused on that Carmen narrative in film. It covers the phenomenon from a number of aspects: cultural studies, gender studies, studies in race and representation, musicology, film history, and the history of performance. The essays take us from the days of silent film to twenty-first century hip-hop style, showing, through a variety of theoretical and historical perspectives that, despite social and cultural transformations--particularly in terms of gender, sexuality and race--remarkably little has changed in terms of basic human desires and anxieties, at least as they are represented in this body of films. The conception of Carmen's independent sexuality as a source of danger both to men (and occasionally women) and to respectable society has been a constant. Nor has sexual and ethnic otherness lost its appeal. On the other hand, the corpus of Carmen films is more than a simple recycling of stereotypes and each engages newly with the social and cultural issues of their time.
Download or read book In Hollywood with Nemirovich Danchenko 1926 1927 written by Sergei Bertensson and published by Scarecrow Press. This book was released on 2004 with total page 206 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bertensson's observations of life in Hollywood on the eve of the talkies revolution provide us with a compelling snapshot of movie history in the making, seen from the unusual perspective of an outsider.
Download or read book An Investigation of the Motives for and Realization of Music to Accompany the American Silent Film 1896 1927 written by Charles Merrell Berg and published by . This book was released on 1976 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Carmen written by and published by BRILL. This book was released on 2016-08-01 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since Prosper Mérimée and Georges Bizet (with his librettists Meilhac and Halévy) brought the figure of the Spanish Carmen to prominence in the nineteenth century an astonishing eighty or so film versions of the story have been made. This collection of essays gathers together a unique body of scholarly critique focused on that Carmen narrative in film. It covers the phenomenon from a number of aspects: cultural studies, gender studies, studies in race and representation, musicology, film history, and the history of performance. The essays take us from the days of silent film to twenty-first century hip-hop style, showing, through a variety of theoretical and historical perspectives that, despite social and cultural transformations—particularly in terms of gender, sexuality and race—remarkably little has changed in terms of basic human desires and anxieties, at least as they are represented in this body of films. The conception of Carmen’s independent sexuality as a source of danger both to men (and occasionally women) and to respectable society has been a constant. Nor has sexual and ethnic otherness lost its appeal. On the other hand, the corpus of Carmen films is more than a simple recycling of stereotypes and each engages newly with the social and cultural issues of their time.
