Download or read book The Off Screen written by Eyal Peretz and published by Stanford University Press. This book was released on 2017-03-21 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the Renaissance on, a new concept of the frame becomes crucial to a range of artistic media, which in turn are organized around and fascinated by this frame. The frame decontextualizes, cutting everything that is within it from the continuity of the world and creating a realm we understand as the realm of fiction. The modern theatrical stage, framed paintings, the novel, the cinematic screen—all present us with such framed-off zones. Naturally, the frame creates a separation between inside and out. But, as this book argues, what is outside the frame, what is offstage, or off screen, remains particularly mysterious. It constitutes the primary enigma of the work of art in the modern age. It is to the historical and conceptual significance of this "off" that this book is dedicated. By focusing on what is outside the frame of a work of art, it offers a comprehensive theory of film, a concise history of American cinema from D.W. Griffith to Quentin Tarantino, and a reflection on the place and significance of film within the arts of modernity in general.
Download or read book Cinema Off Screen written by Chenshu Zhou and published by Univ of California Press. This book was released on 2021-07-06 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: At a time when what it means to watch movies keeps changing, this book offers a case study that rethinks the institutional, ideological, and cultural role of film exhibition, demonstrating that film exhibition can produce meaning in itself apart from the films being shown. Cinema Off Screen advances the idea that cinema takes place off screen as much as on screen by exploring film exhibition in China from the founding of the People’s Republic in 1949 to the end of the Cold War in the early 1990s. Drawing on original archival research, interviews, and audience recollections, Cinema Off Screen decenters the filmic text and offers a study of institutional operations and lived experiences. Chenshu Zhou details how the screening space, media technology, and the human body mediate encounters with cinema in ways that have not been fully recognized, opening new conceptual avenues for rethinking the ever-changing institution of cinema.
Download or read book Morgan Fisher written by Jean-Philippe Antoine and published by Les presses du réel. This book was released on 2017-06-19 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: A collection of texts by researchers, artists and critics, exploring Morgan Fisher's filmography in relation to his other artistic practices. Positioned at the intersection of cinema, painting, installation, architecture, video, drawing and photography, the work of filmmaker Morgan Fisher remains to be explored, as is its influence on new generations of artists. This collection considers Morgan Fisher's filmography in relation to his other artistic practices, and investigates the very special temporality created by Fisher's structural interventions. The publication gathers researchers, artists and critics, to draw up the unprecedented profile of a work guided by the love of cinema, while going beyond it. Morgan Fisher, an artist and filmmaker, was born in Washington, D.C., in 1942. He received an A.B. in art history from Harvard College, then studied film production in Los Angeles. His early work was predominantly in film. His films have been shown at international film festivals (Berlin, Rotterdam, London, among others) and in one-person screenings or exhibitions at, among other places, Tate Modern, Museum of Modern Art, New York, Whitney Museum of American Art, and Museum of Contemporary Art, Los Angeles. In the early 1990s he started making works on paper, then paintings and sculptures. One-person exhibitions that included examples of such work were at Portikus, Raven Row, Museum Abteiberg, Generali Foundation, and Aspen Art Museum. More recently, he has exhibited photographs. He was in the 1985, 2004, and 2014 Whitney Biennials. A collection of his writings was published in 2012 by Walther König. He has been a visiting teacher at Brown University, California Institute of the Arts, and the University of California, Los Angeles. He lives and works in Los Angeles.
Download or read book Off Screen Cinema written by Kaira M. Cabañas and published by University of Chicago Press. This book was released on 2015-01-26 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of the most important avant-garde movements of postwar Paris was Lettrism, which crucially built an interest in the relationship between writing and image into projects in poetry, painting, and especially cinema. Highly influential, the Lettrists served as a bridge of sorts between the earlier works of the Dadaists and Surrealists and the later Conceptual artists. Off-Screen Cinema is the first monograph in English of the Lettrists. Offering a full portrait of the avant-garde scene of 1950s Paris, it focuses on the film works of key Lettrist figures like Gil J Wolman, Maurice Lemaître, François Dufrêne, and especially the movement's founder, Isidore Isou, a Romanian immigrant whose “discrepant editing” deliberately uncoupled image and sound. Through Cabañas's history, we see not only the full scope of the Lettrist project, but also its clear influence on Situationism, the French New Wave, the New Realists, as well as American filmmakers such as Stan Brakhage.
Download or read book Off Screen written by Giuliana Bruno and published by Routledge. This book was released on 2013-12-17 with total page 217 pages. Available in PDF, EPUB and Kindle. Book excerpt: This feminist anthology from Italy offers an enriching perspective on cinema studies. Focusing on women’s engagement with political theory and film-making, the book never loses sight of the female experience of cinema. It examines how women have chosen to represent themselves and how they have been represented, and how they deal with the cinematic apparatus, as subjects of production, objects of representation, and spectators. A variety of approaches are offered, ranging from psychoanalysis and semiology to history. With an exhaustive filmography, this anthology of chapters by eminent theorists demonstrates the central importance of recent developments in Italy for the whole spectrum of film and feminist studies.
Download or read book Off Screen written by Al Braithwaite and published by Booth-Clibborn. This book was released on 2004-09 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: A year long journey (Sept. 02-Sept. 03) through Turkey, Iran, Kurdish Iraq, UAE, Oman, Yemen, Saudi Arabia, Jordan, Syria, Iraq and Israel.
Download or read book A Dictionary of Film Studies written by Annette Kuhn and published by OUP Oxford. This book was released on 2012-06-21 with total page 530 pages. Available in PDF, EPUB and Kindle. Book excerpt: Written by experts in the field, this dictionary covers all aspects of film studies, including terms, concepts, debates, and movements in film theory and criticism, national, international and transnational cinemas, film history, film movements and genres, film industry organizations and practices, and key technical terms and concepts in 500 detailed entries. Most entries also feature recommendations for further reading and a large number also have web links. The web links are listed and regularly updated on a companion website that complements the printed book. The dictionary is international in its approach, covering national cinemas, genres, and film movements from around the world such as the Nouvelle Vague, Latin American cinema, the Latsploitation film, Bollywood, Yiddish cinema, the spaghetti western, and World cinema. The most up-to-date dictionary of its kind available, this is a must-have for all students of film studies and ancillary subjects, as well as an informative read for cinephiles and for anyone with an interest in films and film criticism.
Download or read book Special Delivery written by and published by . This book was released on with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Show Sold Separately written by Jonathan Gray and published by NYU Press. This book was released on 2010-01-01 with total page 261 pages. Available in PDF, EPUB and Kindle. Book excerpt: Highlights the trailers, merchandising and cultural conversations that shape our experiences of film and television It is virtually impossible to watch a movie or TV show without preconceived notions because of the hype that precedes them, while a host of media extensions guarantees them a life long past their air dates. An onslaught of information from print media, trailers, internet discussion, merchandising, podcasts, and guerilla marketing, we generally know something about upcoming movies and TV shows well before they are even released or aired. The extras, or “paratexts,” that surround viewing experiences are far from peripheral, shaping our understanding of them and informing our decisions about what to watch or not watch and even how to watch before we even sit down for a show. Show Sold Separately gives critical attention to this ubiquitous but often overlooked phenomenon, examining paratexts like DVD bonus materials for The Lord of the Rings, spoilers for Lost, the opening credits of The Simpsons, Star Wars actions figures, press reviews for Friday Night Lights, the framing of Batman Begins, the videogame of The Thing, and the trailers for The Sweet Hereafter. Plucking these extra materials from the wings and giving them the spotlight they deserve, Jonathan Gray examines the world of film and television that exists before and after the show.
Download or read book Becoming Visionary written by Eyal Peretz and published by Stanford University Press. This book was released on 2008 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: How is one to think the significance of the art of film for philosophy? What would it mean to introduce film as a question into the heart of the philosophical enterprise? This book develops a matrix for thinking the relations between philosophy and film and, by extension, between philosophy and the arts.
Download or read book The Spy Who Jumped Off the Screen written by Thomas Caplan and published by Penguin Group. This book was released on 2012-12-24 with total page 401 pages. Available in PDF, EPUB and Kindle. Book excerpt: A stunningly clever idea lies at the heart of this sophisticated thriller. Former covert operative Ty Hunter has become, almost by accident, the number one film star in the world. Recruited for a clandestine mission to prevent the theft of nuclear warheads, he deploys every skill he has as an actor, soldier, and spy to match wits and muscle with an enigmatic billionaire and his nefarious protégé—even as he falls for the entrancing woman closest to them both. Racing from Hollywood to the Black Sea, Camp David to Prague, The Spy Who Jumped Off the Screen is an electrifying novel with a hero who is sure to become an icon of the genre.
Download or read book First Impressions written by Matt James and published by Hachette UK. This book was released on 2022-05-03 with total page 175 pages. Available in PDF, EPUB and Kindle. Book excerpt: Matt James, the first Black bachelor on ABC’s beloved television show, The Bachelor, shares his views on the controversial topics that defined his season and confronts matters of race, opportunity, and his biracial identity head on. When The Bachelor franchise announced Matt James as the first Black lead, it was celebrated as long-overdue progress on the primetime show. America fell in love with Matt—the Christian, former NFL athlete, and nonprofit CEO—who charmed millions of viewers each week. But the off-screen conversations around the show revealed the realities and inescapable challenges of being Black in America and the depth of racism that still exists. On the show, Matt could only go so far in sharing his own story with America. In First Impressions, Matt shares his views on controversial topics like race and opportunity that defined his season on The Bachelor. Matt lives at the intersection of these important issues and shares the wisdom his experience has granted him. Matt describes the joys and difficulties of being the youngest of two Black sons, raised by a single, working-class, white mother in Raleigh, North Carolina. He elaborates on the spiritual closeness and sense of duty he felt for his mother, but also the complex relationships he had with the many male figures in his life: his prejudiced, Italian grandfather, who had trouble accepting Matt as his own; his father, whose womanizing and petty crime put strain on the family; and his older brother, who was Matt’s protector in youth, but who struggled with the long shadow of their father’s legacy. Simultaneously inspirational and informative, First Impressions will leave readers with a deeper understanding of the life experiences that prepared Matt for such a divisive moment in television history.
Download or read book Lost Laughs of 50s and 60s Television written by David C. Tucker and published by McFarland. This book was released on 2010-04-19 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: Originally broadcast on American television between 1952 and 1969, the 30 situation comedies in this work are seldom seen today and receive only brief and often incomplete and inaccurate mentions in most reference sources. Yet these sitcoms (including Angel, The Governor and J.J., It's a Great Life, I'm Dickens ... He's Fenster and Wendy and Me), and the stories of the talented people who made them, are an integral part of television history. With a complete list of production credits and rare publicity stills, this volume, based on multiple screenings of episodes, corrects other sources and expand our knowledge of television history.
Download or read book The Old New Thing written by Raymond Chen and published by Addison-Wesley Professional. This book was released on 2006-12-27 with total page 1264 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Raymond Chen is the original raconteur of Windows." --Scott Hanselman, ComputerZen.com "Raymond has been at Microsoft for many years and has seen many nuances of Windows that others could only ever hope to get a glimpse of. With this book, Raymond shares his knowledge, experience, and anecdotal stories, allowing all of us to get a better understanding of the operating system that affects millions of people every day. This book has something for everyone, is a casual read, and I highly recommend it!" --Jeffrey Richter, Author/Consultant, Cofounder of Wintellect "Very interesting read. Raymond tells the inside story of why Windows is the way it is." --Eric Gunnerson, Program Manager, Microsoft Corporation "Absolutely essential reading for understanding the history of Windows, its intricacies and quirks, and why they came about." --Matt Pietrek, MSDN Magazine's Under the Hood Columnist "Raymond Chen has become something of a legend in the software industry, and in this book you'll discover why. From his high-level reminiscences on the design of the Windows Start button to his low-level discussions of GlobalAlloc that only your inner-geek could love, The Old New Thing is a captivating collection of anecdotes that will help you to truly appreciate the difficulty inherent in designing and writing quality software." --Stephen Toub, Technical Editor, MSDN Magazine Why does Windows work the way it does? Why is Shut Down on the Start menu? (And why is there a Start button, anyway?) How can I tap into the dialog loop? Why does the GetWindowText function behave so strangely? Why are registry files called "hives"? Many of Windows' quirks have perfectly logical explanations, rooted in history. Understand them, and you'll be more productive and a lot less frustrated. Raymond Chen--who's spent more than a decade on Microsoft's Windows development team--reveals the "hidden Windows" you need to know. Chen's engaging style, deep insight, and thoughtful humor have made him one of the world's premier technology bloggers. Here he brings together behind-the-scenes explanations, invaluable technical advice, and illuminating anecdotes that bring Windows to life--and help you make the most of it. A few of the things you'll find inside: What vending machines can teach you about effective user interfaces A deeper understanding of window and dialog management Why performance optimization can be so counterintuitive A peek at the underbelly of COM objects and the Visual C++ compiler Key details about backwards compatibility--what Windows does and why Windows program security holes most developers don't know about How to make your program a better Windows citizen
Download or read book The Material Image written by Brigitte Peucker and published by Stanford University Press. This book was released on 2007 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: Focusing on intermediality, The Material Image situates film within questions of representation familiar from the other arts: What is meant by figuring the real? How is the real suggested by visual metaphors, and what is its relation to illusion? How is the spectator figured as entering the text, and how does the image enter our world? The film's spectator is integral to these concerns. Cognitive and phenomenological approaches to perception alike claim that spectatorial affect is "real" even when it is film that produces it. Central to the staging of intermediality in film, tableaux moments in film also figure prominently in the book. Films by Scorsese, Greenaway, Wenders, and Kubrick are seen to address painterly, photographic, and digital images in relation to effects of the real. Hitchcock's films are examined with regard to modernist and realist effects in painting. Chapters on Fassbinder and Haneke analyze the significance of tableau for the body in pain, while a final chapter on horror film explores the literalism of psychopathic tableau. Here, too, art and the bodyimages and the realare juxtaposed and entwined in a set of relations.
Download or read book Monster written by John Gregory Dunne and published by Random House (NY). This book was released on 1997 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Hollywood, screenwriters are a curse to be borne, and beating up on them is an industry blood sport. But in this ferociously funny and accurate account of life on the Hollywood food chain, it's a screenwriter who gets the last murderous laugh. That may be because the writer is John Gregory Dunne, who has written screenplays, along with novels and non-fiction, for thirty years. In 1988 Dunne and his wife, Joan Didion, were asked to write a screenplay about the dark and complicated life of the late TV anchorwoman Jessica Savitch. Eight years and twenty-seven drafts later, this script was made into the fairy tale "Up Close and Personal" starring Robert Redford and Michelle Pfeiffer. Detailing the meetings, rewrites, fights, firings, and distractions attendant to the making of a single picture, Monster illuminates the process with sagacity and raucous wit.
Download or read book Onscreen Offscreen written by Constantine V. Nakassis and published by University of Toronto Press. This book was released on 2022-12-01 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt: Based on over a decade of ethnographic fieldwork in the South Indian state of Tamil Nadu, Onscreen/Offscreen is an exploration of the politics and being of filmic images. The book examines contestations inside and outside the Tamil film industry over the question "what is an image?" Answers to this question may be found in the ontological politics that take place on film sets, in theatre halls, and in the social fabric of everyday life in South India, from populist electoral politics and the gendering of social space to caste uplift and domination. Bridging and synthesizing linguistic anthropology, film studies, visual studies, and media anthropology, Onscreen/Offscreen rethinks key issues across a number of fields concerned with the semiotic constitution of social life, from the performativity and ontology of images to questions of spectatorship, realism, and presence. In doing so, it offers both a challenge to any approach that would separate image from social context and a new vision for linguistic anthropology beyond the question of "language."
