Download or read book The Multiple Plot in English Renaissance Drama written by Richard Louis Levin and published by Chicago : University of Chicago Press. This book was released on 1971 with total page 277 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Critical Analyses in English Renaissance Drama written by Brownell Salomon and published by Popular Press. This book was released on 1979 with total page 172 pages. Available in PDF, EPUB and Kindle. Book excerpt: This bibliographic guide directs the reader to a prize selection of the best modern, analytical studies of every play, anonymous play, masque, pageant, and "entertainment" written by more than two dozen contemporaries of Shakespeare in the years between 1580 and 1642. Together with Shakespeare's plays, these works comprise the most illustrious body of drama in the English language.
Download or read book The Poetics of Plot written by Thomas G. Pavel and published by U of Minnesota Press. This book was released on 1985 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Renaissance Plays written by Leonard Barkan and published by Northwestern University Press. This book was released on 1985 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: Renaissance Drama, an annual and interdisciplinary publication, is devoted to drama and performance as a central feature of Renaissance culture. The essays in each volume explore traditional canons of drama, the significance of performance (broadly construed) to early modern culture, and the impact of new forms of interpretation on the study of Renaissance plays, theater, and performance.
Download or read book Medieval and Renaissance Drama in England written by John Pitcher and published by Fairleigh Dickinson Univ Press. This book was released on 1999-03 with total page 412 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume, published annually, contains essays by critics and cultural historians, as well as reviews of the many books and essays dealing with the cultural history of medieval and early modern England as expressed by and realised in its drama.
Download or read book Patterns and Perspectives in English Renaissance Drama written by Eugene M. Waith and published by University of Delaware Press. This book was released on 1988 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: These essays bring attention to the designs that the English Renaissance playwrights imposed on their work. Among the patterns explored are those inspired by the literature, drama, or poetics of classical times and visual patterns derived from traditions of stage presentation.
Download or read book The Performance of Pleasure in English Renaissance Drama written by R. Huebert and published by Springer. This book was released on 2003-08-19 with total page 229 pages. Available in PDF, EPUB and Kindle. Book excerpt: Offering new and theatrically informed readings of plays by a broad range of Renaissance dramatists - including Marlowe, Jonson, Marston, Webster, Middleton and Ford - this new book addresses the question of pleasure: both erotic pleasure as represented on stage and aesthetic pleasure as experienced by readers and spectators. Some of the issues raised (the distribution of pleasure by gender, the notion of consent) intersect with feminist reinterpretations of Renaissance culture.
Download or read book English Renaissance Tragedy written by T McAlindon and published by Springer. This book was released on 1988-09-29 with total page 279 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides an introductory perspective on its subject together with detailed studies of the major non-Shakespearean tragedies. It assumes that the central and most disturbing insights of the plays were expressed in terms of the thought patterns of the time.
Download or read book The Female Tragic Hero in English Renaissance Drama written by N. Liebler and published by Springer. This book was released on 2016-04-30 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book constitutes a new direction for feminist studies in English Renaissance drama. While feminist scholars have long celebrated heroic females in comedies, many have overlooked female tragic heroism, reading it instead as evidence of pervasive misogyny on the part of Shakespeare and his contemporaries. Displacing prevailing arguments of "victim feminism," the contributors to this volume engage a wide range of feminist theories, and argue that female protagonists in tragedies - Jocasta, Juliet, Cleopatra, Mariam, Webster's Duchess and White Devil, among others - are heroic in precisely the same ways as their more notorious masculine counterparts.
Download or read book Staging The Renaissance written by David Scott Kastan and published by Routledge. This book was released on 2013-10-31 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1992. In the English Renaissance theater, the text is structured by the multiple and complex collaborations that the theater demanded between patrons and players, playwrights and printers, playhouses and playgoers. The essays in this volume attempt to register these collaborations, emphasizing the ways in which the theater is at once responsive to and constitutive of the social formations of Renaissance England. At the same time, these essays recognize that their historical grounding is not unproblematic.
Download or read book Desire and Dramatic Form in Early Modern England written by Judith Deborah Haber and published by Cambridge University Press. This book was released on 2009-04-09 with total page 227 pages. Available in PDF, EPUB and Kindle. Book excerpt: This wide-ranging study uses close readings of texts by Marlowe, Shakespeare, Webster, Middleton and Ford to investigate the intersections of erotic desire and dramatic form in the early modern period, considering to what extent disruptive desires can successfully challenge, change or undermine the structures in which they are embedded.
Download or read book Ideological Approaches to Shakespeare written by Robert P. Merrix and published by Edwin Mellen Press. This book was released on 1992 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: Part One: Theory and Ideology. Part Two: Theory as Academic Practice: Part Three: Censorship and Teaching Practice.
Download or read book Theatrical Convention and Audience Response in Early Modern Drama written by Jeremy Lopez and published by Cambridge University Press. This book was released on 2002-12-05 with total page 251 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book gives a detailed and comprehensive survey of the diverse, theatrically vital formal conventions of the drama of Shakespeare and his contemporaries. Besides providing readings of plays such as Hamlet, Othello, Merchant of Venice, and Titus Andronicus, it also places Shakespeare emphatically within his own theatrical context, and focuses on the relationship between the demanding repertory system of the time and the conventions and content of the plays. Lopez argues that the limitations of the relatively bare stage and non-naturalistic mode of early modern theatre would have made the potential for failure very great, and he proposes that understanding this potential for failure is crucial for understanding the way in which the drama succeeded on stage. The book offers perspectives on familiar conventions such as the pun, the aside and the expository speech; and it works toward a definition of early modern theatrical genres based on the relationship between these well-known conventions and the incoherent experience of early modern theatrical narratives.
Download or read book Character and the Individual Personality in English Renaissance Drama written by John E. Curran and published by Rutgers University Press. This book was released on 2014-08-20 with total page 323 pages. Available in PDF, EPUB and Kindle. Book excerpt: Character and the Individual Personality in English Renaissance Drama: Tragedy, History, Tragicomedy studies instantiations of the individualistic character in drama, Shakespearean and non-Shakespearean, and some of the Renaissance ideas allowing for and informing them. Setting aside such fraught questions as the history of Renaissance subjectivity and individualism on the one hand and Shakespearean exceptionalism on the other, we can find that in some plays, by a range of different authors and collaborators, a conception has been evidenced of who a particular person is, and has been used to drive the action. This evidence can take into account a number of internal and external factors that might differentiate a person, and can do so drawing on the intellectual context in a number of ways. Ideas with potential to emphasize the special over the general in envisioning the person might come from training in dialectic (thesis vs hypothesis) or in rhetoric (ethopoeia), from psychological frameworks (casuistry, humor theory, and their interpenetration), or from historiography (exemplarity). But though they depicted what we would call personality only intermittently, and with assumptions different from our own about personhood, dramatists sometimes made a priority of representing the workings of a specific mind: the patterns of thought and feeling that set a person off as that person and define that person singularly rather than categorically. Some individualistic characters can be shown to emerge where we do not expect, such as with Fletcherian personae like Amintor, Arbaces, and Montaigne of The Honest Man’s Fortune; some are drawn by playwrights often uninterested in character, such as Chapman’s Bussy D’Ambois, Jonson’s Cicero, and Ford’s Perkin Warbeck; and some appear in being constructed differently from others by the same author, as when Webster’s Bosola is set in contrast to Flamineo, and Marlowe’s Faustus is set against Barabas. But Shakespearean characters are also examined for the particular manner in which each troubles the categorical and exhibits a personality: Othello, Good Duke Humphrey, and Marc Antony. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Download or read book Four Jacobean Sex Tragedies written by Martin Wiggins and published by Oxford University Press, USA. This book was released on 1998 with total page 484 pages. Available in PDF, EPUB and Kindle. Book excerpt: Jacobean Tragedy explores the tensions between the disruptive energies of sex and seventeenth century social, cultural and political values with an exceptional frankness, and the plays collected in this volume demonstrate the genre at its most sinister and explicit. The plays included are The Insatiate Countess, The Maid's Tragedy, The Maiden's Tragedy, and The Tragedy of Valentinian.
Download or read book The Places of Wit in Early Modern English Comedy written by Adam Zucker and published by Cambridge University Press. This book was released on 2011-03-10 with total page 271 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exploration of wit, witlessness and social and comic conventions in the plays of Shakespeare, Jonson and their contemporaries.
Download or read book Narrative Analogy in the Hebrew Bible written by Joshua Berman and published by BRILL. This book was released on 2004-07-01 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume sheds fresh light upon the phenomenon of narrative doubling in the Hebrew Bible. Through an innovative interdisciplinary model the author defines the notion of narrative analogy in relation to other literatures where it has been studied such as English Renaissance drama and makes extensive critical use of contemporary literary theory, particularly that of the Russian formalist Vladimir Propp. His exploitation of narrative doubling, with a focus upon the metaphorical, reorients our reading by uncovering a major dynamic in biblical literature. The author examines several battle reports and demonstrates how each could be interpreted as an oblique commentary and metaphor for the non-battle account that immediately precedes it. Battle scenes are revealed to stand in metaphoric analogy with, among others, accounts of a trial, a rape, a drinking feast, and a court-deliberation. Joshua Berman offers new insights to the ever-growing concern with the relationship between historiography and literary strategies, and succeeds in articulating a new aspect of biblical ideology concerning human and divine relationship.
