Download or read book The Latin Passion Play written by Sandro Sticca and published by SUNY Press. This book was released on 1970-01-01 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this first comprehensive study of the Latin Passion play, Professor Sticca examines the medieval liturgical ceremonies commemorating the events in Christ's Passion and traces their gradual change in character from the contemplative to the dramatic. The author shows that while Christ's Passion became increasingly popular as one of the sacred mysteries beginning in the tenth century, new forces that allowed a more eloquent and humane visualization and description of Christ's anguish first appeared in the eleventh and twelfth centuries. Professor Sticca analyzes the earliest extant Latin Passion play, the twelfth-century Montecassino codex, and compares it with other Latin and vernacular Passion plays. He refutes the traditional view that the Planctus Mariae is the germinal point of the Latin Passion play and then offers a new theory of its inception. As a literary form, the Latin Passion play appears to Professor Sticca as a creation of the Montecassino monastic circle which was inspired by the liturgical services of Good Friday and the Gospel accounts. Particularly influential also were three themes that developed in the eleventh century: in liturgy, a concentration on Christocentric piety; in art, a more humanistic treatment of Christ; and in literature, a consideration of the scenes of the Passion as dramatic and human episodes. In the course of this investigation, Professor Sticca also reappraises traditional views of the origin of the medieval liturgical drama, indicating that it should not be traced exclusively to the tropes from the schools of St. Gall and St. Martial of Limoges, but rather to a number of sources.
Download or read book The Montecassino Passion Play written by Melody Sue Owens and published by . This book was released on 1987 with total page 626 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Technique Iconography and Dramatic Action in the Montecassino Passion Play written by Robert Edwards and published by . This book was released on 1972 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The English Mystery Plays written by Rosemary Woolf and published by Univ of California Press. This book was released on 1980-01-01 with total page 452 pages. Available in PDF, EPUB and Kindle. Book excerpt: This important new study of the English mystery plays has a twofold purpose. It is concerned to investigate the antecedents of the four extant cycles and to demonstrate the dramatic value of the plays themselves The opening and concluding chapters place the plays in their historical context by discussing on the one hand the emergence and achievements of genuine religious drama (as opposed to liturgical drama) in the twelfth century and on the other the changes in taste that threw the plays into disrepute in the sixteenth century. The man part of the book analyzes the plays in detail, considering the iconographic and theological traditions that guided the dramatists in their treatment of biblical subject-matter, and also looking at the Continental drama of the time to find out what other dramatic possibilities were open to writers in the Middle Ages. -- From publisher's description.
Download or read book The Montecassino Passion and the Poetics of Medieval Drama written by R. Edwards and published by . This book was released on 2013 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Medieval Drama written by Sandro Sticca and published by State University of New York Press. This book was released on 1972-06-30 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt: The religious medieval drama, like the Church which produced it, was international. As such, from its earliest beginnings in the tenth-century Quem quaeritis to the thirteenth-century Ludi Paschales and Passion Plays, it exhibits a cultural and thematic unity binding the various plays: a thematic unity from the fabric of Christian thought, and a cultural unity from the fact that these productions, at least up to the end of the thirteenth century, generally share a technical-philological medium: the Latin language. In later centuries, this religious drama expressed in the vernacular remained an act of faith; its purpose being to strengthen the faith of the worshippers and to express in visible, dramatic terms the facts and values of Christian belief. These essays were, in their original form, addressed to the third annual conference of the Center for Medieval and Early Renaissance Studies at the State University of New York at Binghamton. The work of international authorities on the medieval drama, they span many centuries and bear witness to the growth of the religious dramatic form and of the dramatic movement and temper of the liturgy in which that form finds its origin. Omer Jodogne establishes a difference, on the aesthetic level, between dramatic works and their theatrical performance by pointing out that the surviving texts, whether they were meant for reading or for a theatrical performance, reproduce only what was said on the stage, and, succinctly, what was done. Wolfgang Michael suggests that the first medieval drama did not originate in a slow growth from the Easter trope Quem quaeritis but was rather an original creation of the author or authors of the Concordia Regularis. He indicates that subsequent dramatic endeavors in their slow process of change and expansion reflect the working of tradition rather than an original spirit and form. Sandro Sticca examines the creation of the first Passion Play and shows that Christ's passion became increasingly popular in the tenth century, and that the new forces which allowed a more eloquent and humane visualization and description of Christ's anguish first appeared in the eleventh and twelfth centuries. He also refutes the traditional view that the Planctus Mariae is the germinal point of the Latin Passion Play. V. A. Kolve seeks to account for certain central facts about Everyman which have never had close critical attention. He analyzes the Biblical and Patristic references within which the story is shaped and which are central to the understanding of other actions and to determining the meaning of the play. Glynn Wickham, after exploding on the evidence of reference alone the old categorizing of English Saint Plays as by-products or late developments of Mysteries and Moralities, turns to a critical discussion of the three surviving texts of English Saint Plays and of their original staging by means of diagrammatic illustrations providing a vivid visualization of their performance. William Smolden takes an unaccustomed approach to the controversial question of the origins of the Quem quaeritis. He maintains that when musical evidence is called on, it brings about, on a number of occasions, a confutation of the theory of a "textual" writer. From a detailed consideration of the two earliest Quem quaeritis he feels convinced that the place of origin of the trope was the Abbey of St. Martial of Limoges.
Download or read book Doxology Volume 32 3 written by Alannah Rebekah Franklin and published by OSL Publications. This book was released on 2021-10-18 with total page 56 pages. Available in PDF, EPUB and Kindle. Book excerpt: Doxology: a journal of worship and the sacramental life, Volume 32.3 (Ordinary Time 2021) Founded in 1984, Doxology: a journal of worship and the sacramental life is a quarterly, peer reviewed journal published by the Order of Saint Luke (OSL Publications). It focuses on emerging and historical theologies and practices of Christian worship. Print distribution is to the members of the Order globally, as well as to a number of theology departments and seminary libraries in the United States. Doxology also continues the tradition of the journal Sacramental Life, which merged with Doxology in 2020.
Download or read book The Montecassino Passion and the Poetics of Medieval Drama written by Robert Edwards and published by . This book was released on 1977 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Scriptorium and Library at Monte Cassino 1058 1105 written by Francis Newton and published by Cambridge University Press. This book was released on 1999-04-29 with total page 892 pages. Available in PDF, EPUB and Kindle. Book excerpt: In all the history of hand-written books, one of the most distinctive and handsome scripts is that of the abbey of Monte Cassino. This study examines for the first time in detail the development of this script during the Abbey's greatest period of wealth and influence, under Desiderius (abbot 1058-1087) and his successor Oderisius (abbot 1087-1105). The characteristic Cassinese hand was established long before, but in this period it was transformed into what is today considered its classic form. The present study rests on a fresh examination of many details of the Beneventan (South Italian) script in aspects incompletely studied before. It aims to provide a new history of Monte Cassino as a writing centre and to offer a context for many unique or valuable texts manuscripts that it processed.
Download or read book The Medieval Roots of Antisemitism written by Jonathan Adams and published by Routledge. This book was released on 2018-01-31 with total page 462 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents a fresh approach to the question of the historical continuities and discontinuities of Jew-hatred, juxtaposing chapters dealing with the same phenomenon – one in the pre-modern, one in the modern period. How do the circumstances of interreligious violence differ in pre-Reformation Europe, the modern Muslim world, and the modern Western world? In addition to the diachronic comparison, most chapters deal with the significance of religion for the formation of anti-Jewish stereotypes. The direct dialogue of small-scale studies bridging the chronological gap brings out important nuances: anti-Zionist texts appropriating medieval ritual murder accusations; modern-day pogroms triggered by contemporary events but fuelled by medieval prejudices; and contemporary stickers drawing upon long-inherited knowledge about what a "Jew" looks like. These interconnections, however, differ from the often-assumed straightforward continuities between medieval and modern anti-Jewish hatred. The book brings together many of the most distinguished scholars of this field, creating a unique dialogue between historical periods and academic disciplines.
Download or read book The Cross written by Robin M. Jensen and published by Harvard University Press. This book was released on 2017-04-17 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: The cross stirs intense feelings among Christians as well as non-Christians. Robin Jensen takes readers on an intellectual and spiritual journey through the two-thousand-year evolution of the cross as an idea and an artifact, illuminating the controversies—along with the forms of devotion—this central symbol of Christianity inspires. Jesus’s death on the cross posed a dilemma for Saint Paul and the early Church fathers. Crucifixion was a humiliating form of execution reserved for slaves and criminals. How could their messiah and savior have been subjected to such an ignominious death? Wrestling with this paradox, they reimagined the cross as a triumphant expression of Christ’s sacrificial love and miraculous resurrection. Over time, the symbol’s transformation raised myriad doctrinal questions, particularly about the crucifix—the cross with the figure of Christ—and whether it should emphasize Jesus’s suffering or his glorification. How should Jesus’s body be depicted: alive or dead, naked or dressed? Should it be shown at all? Jensen’s wide-ranging study focuses on the cross in painting and literature, the quest for the “true cross” in Jerusalem, and the symbol’s role in conflicts from the Crusades to wars of colonial conquest. The Cross also reveals how Jews and Muslims viewed the most sacred of all Christian emblems and explains its role in public life in the West today.
Download or read book Medieval Drama written by David Bevington and published by Hackett Publishing. This book was released on 2012-06-15 with total page 1105 pages. Available in PDF, EPUB and Kindle. Book excerpt: This reprint (with updated 'Suggestions for Further Reading') of the Houghton Mifflin edition makes David Bevington's classic anthology of medieval drama available again at an affordable price.
Download or read book Signs of Change written by Nils Holger Petersen and published by Rodopi. This book was released on 2004 with total page 532 pages. Available in PDF, EPUB and Kindle. Book excerpt: Signs of Change: Transformations of Christian Traditions and their Representation in the Arts, 1000-2000 focuses on the changing relationships between what gradually emerged as the Arts and Christianity, the latter term covering both a stream of ideas and its institutions. The book as a whole is addressed to a general academic audience concerned with issues of cultural history, while the individual essays are also intended as scholarly contributions within their own fields. A collaborative effort by twenty-five European and American scholars representing disciplines ranging from aesthetics to the history of art and architecture, from literature, music and the theatre to classics, church history, and theology, the volume is an interdisciplinary study of intermedial phenomena, generally in larger cultural and intellectual contexts. The focus of topics extends from single concrete objects to sets of abstract concepts and values, and from a single moment in time to an entire millennium. While Signs of Change acknowledges the importance of synthesizing efforts essential to hermeneutically informed scholarship, in order to counterbalance generalized historical narratives with detailed investigations, broad accounts are juxtaposed with specialized research projects. The deliberately unchronological grouping of contributions underlines the effort to further discussion about methodologies for writing cultural history.
Download or read book The Medieval European Stage 500 1550 written by William Tydeman and published by Cambridge University Press. This book was released on 2001-09-27 with total page 798 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume brings together a wide selection of primary source materials from the theatrical history of the Middle Ages. The focus is on Western Europe between the fall of the Roman Empire and the emergence of markedly Renaissance forms in Italy. Early sections of the volume are devoted to the survival of Classical tradition and the development of the liturgical drama of the Roman Catholic Church, but the main concentration is on the genesis and growth of popular religious drama in the vernacular. Each of the major medieval regions is featured, while a final section covers the pastimes and customs of the people, a record of whose traditional activities often only survives in the margins of official recognition. The documents are compiled by a team of leading scholars in the field and the over 700 documents are all presented in modern English translation.
Download or read book Staging Christ s Passion in Eighteenth Century Nahua Mexico written by Louise M. Burkhart and published by University Press of Colorado. This book was released on 2023-06-15 with total page 335 pages. Available in PDF, EPUB and Kindle. Book excerpt: Staging Christ’s Passion in Eighteenth-Century Nahua Mexico explores the Passion plays performed in Nahuatl (Aztec) by Indigenous Mexicans living under Spanish colonial occupation. Though sourced from European writings and devotional practices that emphasized the suffering of Christ and his mother, this Nahuatl theatrical tradition grounded the Passion story in the Indigenous corporate community. Passion plays had courted controversy in Europe since their twelfth-century origin, but in New Spain they faced Catholic authorities who questioned the spiritual and intellectual capacity of Indigenous people and, in the eighteenth century, sought to suppress these performances. Six surviving eighteenth-century scripts, variants of an original play possibly composed early in the seventeenth century, reveal how Nahuas passed along this model text while modifying it with new dialogue, characters, and stage techniques. Louise M. Burkhart explores the way Nahuas merged the Passion story with their language, cultural constructs, social norms, and religious practices while also responding to surveillance by Catholic churchmen. Analytical chapters trace significant themes through the six plays and key these to a composite play in English included in the volume. A cast with over fifty distinct roles acted out events extending from Palm Sunday to Christ’s death on the cross. One actor became a localized embodiment of Jesus through a process of investiture and mimesis that carried aspects of pre-Columbian materialized divinity into the later colonial period. The play told afar richer version of the Passion story than what later colonial Nahuas typically learned from their priests or catechists. And by assimilating Jesus to an Indigenous, or macehualli, identity, the players enacted a protest against colonial rule. The situation in eighteenth-century New Spain presents both a unique confrontation between Indigenous communities and Enlightenment era religious reformers and a new chapter in an age-old power game between popular practice and religious orthodoxy. By focusing on how Nahuas localized the universalizing narrative of Christ’s Passion, Staging Christ’s Passion in Eighteenth-Century Nahua Mexico offers an unusually in-depth view of religious life under colonial rule. Burkhart’s accompanying website also makes available transcriptions and translations of the six Nahuatl-language plays, four Spanish-language plays composed in response to the suppression of the Nahuatl practice, and related documentation, providing a valuable resource for anyone interested in consulting the original material. Comments restricted to single page plays composed in response to the suppression of the Nahuatl practice, and related documentation, providing a valuable resource for anyone interested in consulting the original material
Download or read book The Cambridge Companion to Theatre History written by David Wiles and published by Cambridge University Press. This book was released on 2013 with total page 339 pages. Available in PDF, EPUB and Kindle. Book excerpt: A wide-ranging set of essays that explain what theatre history is and why we need to engage with it.
Download or read book Women Rewriting Boundaries written by Precious McKenzie Stearns and published by Cambridge Scholars Publishing. This book was released on 2016-12-14 with total page 199 pages. Available in PDF, EPUB and Kindle. Book excerpt: Women Rewriting Boundaries expands the work of gender and literary scholars by offering fresh insights on how to read travel writing by women. It analyzes the connections between class, gender, physicality, and sexuality as found in nineteenth-century literature. The authors discuss the myriad ways in which women writers reinforced and challenged Victorian social norms. Inspired by a special topics panel, “Women Writing Boundaries,” presented at the 2013 Rocky Mountain Modern Language Association’s annual convention, this edited collection will be a thought-provoking resource for college- level humanities and gender studies students and their instructors.
