Download or read book The Lyric Art of Pierre Perrin Founder of French Opera Birth of French opera written by Louis E. Auld and published by . This book was released on 1986 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Lyric Art of Pierre Perrin Founder of French Opera written by Louis E. Auld and published by . This book was released on 1986 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Lyric Art of Pierre Perrin Lyric theory and practice written by Louis E. Auld and published by . This book was released on 1986 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Lyric Art of Pierre Perrin Founder of French Opera Recueil de paroles de musique de Mr Perrin written by Louis E. Auld and published by . This book was released on 1986 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Lyric Art of Pierre Perrin, Founder of French Opera. Part 3: Recueil de Paroles de Musique de Mr. Perrin. By Louis E. Auld. Study and edition of the lyric texts from Perrin. For more information, see http: //www.corpusmusicae.com/ms/ms42.htm
Download or read book The Lyric Art of Pierre Perrin Founder of French Opera written by Louis E. Auld and published by . This book was released on 1986 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book MS 41 the Lyric Art of Pierre Perrin Founder of French Opera Part 1 Birth of French Opera by Louis E Auld written by Louis E. Auld and published by . This book was released on 1986 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Lyric Art of Pierre Perrin, Founder of French Opera. Part 1: Birth of French Opera. By Louis E. Auld. Study with music examples. For more information, see http: //www.corpusmusicae.com/ms/ms41.htm
Download or read book The Lyric Art of Pierre Perrin Founder of French Opera written by Louis E. Auld and published by . This book was released on 1986 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Birth of French Opera written by and published by . This book was released on 1986 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Lyric Theory and Practice written by and published by . This book was released on 1986 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Lyric Art of Pierre Perrin Founder of French Opera Recueil de paroles de musique de Mr Perrin written by Louis E. Auld and published by . This book was released on 1986 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Lyric Art of Pierre Perrin, Founder of French Opera. Part 3: Recueil de Paroles de Musique de Mr. Perrin. By Louis E. Auld. Study and edition of the lyric texts from Perrin. For more information, see http: //www.corpusmusicae.com/ms/ms42.htm
Download or read book The Triumph of Pleasure written by Georgia Cowart and published by University of Chicago Press. This book was released on 2008-12-15 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: With a particular focus on the court ballet, comedy-ballet, opera, and opera-ballet, Georgia J. Cowart tells the long-neglected story of how the festive arts deployed an intricate network of subversive satire to undermine the rhetoric of sovereign authority.
Download or read book French Musical Thought 1600 1800 written by Georgia Cowart and published by University Rochester Press. This book was released on 1989 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: The seventeenth and eighteenth centuries in France were witness to dramatic changes in all aspects of social and cultural life. During this era, a new and modern spirit of critical inquiry arose, a change in ethos that had a major effect on all the arts. French Musical Thought, 1600-1800 is a diverse collection of essays offering new perspectives and insight on musical opinion during one of the most fascinating periods in French history. The essays in this volume, the authors of which include musicologists, historians and literary scholars, illuminate clearly the relationship of critical thought in music to contemporary developments in philosophy, art, literature and politics. In the final analysis, scholars contend that music aesthetics, criticism and theory can be understood only against the backdrop of a dynamic cultural milieu.Contributors: Claude V. Palisca, Jane R. Stevens, Louis E. Auld, Gloria Flaherty, Robert M. Isherwood, Albert Cohen, Barbara Russano Hanning, David Allen Duncan, Charles Dill, Georgia Cowart.
Download or read book A History of the Oratorio written by Howard E. Smither and published by UNC Press Books. This book was released on 2012-09-01 with total page 513 pages. Available in PDF, EPUB and Kindle. Book excerpt: Howard Smither has written the first definitive work on the history of the oratorio since Arnold Schering published his Geschichte des Oratoriums in 1911. This volume is the first of a four-volume comprehensive study that offers a new synthesis of what is known to date about the oratorio. Volume 1, divided into three parts, opens with the examination of the medieval, Renaissance, and early Baroque antecedents and origins of the oratorio, with emphasis on Rome and Philip Neri's Congregation of the Oratory and with special attention to the earliest works for which the term oratorio seems appropriate. The second part recounts the development of the oratorio in Italy, circa 1640-1720. It reviews the social contexts, patrons, composers, poets, librettos, and music of the oratorio in Italy, especially in Vienna and Paris. The procedure adapted throughout the work is to treat first the social context, particularly the circumstances of performance of the oratorio in a given area and period, then to treat the libretto, and finally the music. For each geographic area and period, the author has selected for special attention a few oratorios that appear to be particularly important or representative. He has verified the information offered in the specialized literature whenever possible by reference to the music or documents. In a number of areas, particular seventeenth-century Italy, in which relatively few previous studies have been undertaken or secondary sources have proven to be inadequate, the author has examined the primary sources in manuscript and printed form -- music, librettos, and documents of early oratorio history. Impressive research and intelligent integration of disparate elements make this complicated, diffuse subject both readable and accessible to the student of music. Volume 2, The Oratorio in the Baroque Era: Protestant Germany and England, and Volume 3, The Oratorio in the Classical Era, continue and expand the study of oratorio history. Although this series was originally announced as a three-volume study, Smither will conclude with a fourth volume. This new work--the first English-language study of the history of the oratorio will become the standard work on its subject and an enduring contribution to music and scholarship. Originally published in 1977. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Download or read book Studies in Seventeenth Century Opera written by BethL. Glixon and published by Routledge. This book was released on 2017-07-05 with total page 514 pages. Available in PDF, EPUB and Kindle. Book excerpt: The past four decades have seen an explosion in research regarding seventeenth-century opera. In addition to investigations of extant scores and librettos, scholars have dealt with the associated areas of dance and scenery, as well as newer disciplines such as studies of patronage, gender, and semiotics. While most of the essays in the volume pertain to Italian opera, others concern opera production in France, England, Spain and the Germanic countries.
Download or read book Music and Theatre in France 1600 1680 written by John S. Powell and published by Clarendon Press. This book was released on 2000 with total page 622 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the course of the 17th century, the dramatic arts reached a pinnacle of development in France; but despite the volumes devoted to the literature and theatre of the ancien régime, historians have largely neglected the importance of music and dance. This study defines the musical practices of comedy, tragicomedy, tragedy, and mythological and non-mythological pastoral drama, from the arrival of the first repertory companies in Paris until the establishment of the Comédie-Française.
Download or read book Opera written by Guy A. Marco and published by Routledge. This book was released on 2002-05-03 with total page 655 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera is the only guide to the research writings on all aspects of opera. This second edition presents 2,833 titles--over 2,000 more than the first edition--of books, parts of books, articles and dissertations with full bibliographic descriptions and critical annotations. Users will find the core literature on the operas of 320 individual composers and details of operatic life in 43 countries. All relevant works through to November 1999 have been considered, covering more than fifteen years of literature since the first edition was published.
Download or read book A History of Baroque Music written by George J. Buelow and published by Indiana University Press. This book was released on 2004-11-23 with total page 732 pages. Available in PDF, EPUB and Kindle. Book excerpt: "A History of Baroque Music is a detailed treatment of the music of the Baroque era, with particular focus on the seventeenth century. The author's approach is a history of musical style with an emphasis on musical scores. The book is divided initially by time period into early and later Baroque (1600-1700 and 1700-1750 respectively), and secondarily by country and composer. An introductory chapter discusses stylistic continuity with the late Renaissance and examines the etymology of the term "Baroque." The concluding chapter on the composer Telemann addresses the stylistic shift that led to the end of the Baroque and the transition into the Classical period."--Jacket.
