Download or read book The Lives of the Most Excellent Painters Sculptors and Architects v1 written by Giorgio Vasari and published by 谷月社. This book was released on 2015-12-04 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Lives of the Most Excellent Painters, Sculptors, and Architects Often called "the first art historian", Vasari invented the genre of the encyclopedia of artistic biographies with his Le Vite de' più eccellenti pittori, scultori, ed architettori (Lives of the Most Eminent Painters, Sculptors, and Architects), dedicated to Grand Duke Cosimo I de' Medici, which was first published in 1550. He was the first to use the term "Renaissance" (rinascita) in print, though an awareness of the ongoing "rebirth" in the arts had been in the air since the time of Alberti, and he was responsible for our use of the term Gothic Art, though he only used the word Goth which he associated with the "barbaric" German style. The Lives also included a novel treatise on the technical methods employed in the arts. The book was partly rewritten and enlarged in 1568, with the addition of woodcut portraits of artists (some conjectural). The work has a consistent and notorious bias in favour of Florentines, and tends to attribute to them all the developments in Renaissance art — for example, the invention of engraving. Venetian art in particular (along with arts from other parts of Europe), is systematically ignored in the first edition. Between the first and second editions, Vasari visited Venice and while the second edition gave more attention to Venetian art (finally including Titian) it did so without achieving a neutral point of view. Vasari's biographies are interspersed with amusing gossip. Many of his anecdotes have the ring of truth, while others are inventions or generic fictions, such as the tale of young Giotto painting a fly on the surface of a painting by Cimabue that the older master repeatedly tried to brush away, a genre tale that echoes anecdotes told of the Greek painter Apelles. With a few exceptions, however, Vasari's aesthetic judgement was acute and unbiased. He did not research archives for exact dates, as modern art historians do, and naturally his biographies are most dependable for the painters of his own generation and those of the immediate past. Modern criticism – with new materials opened up by research – has corrected many of his traditional dates and attributions. Vasari includes a sketch of his own biography at the end of the Lives, and adds further details about himself and his family in his lives of Lazzaro Vasari and Francesco Salviati. According to the historian Richard Goldthwaite, Vasari was one of the earliest authors to use the term "competition" (or "concorrenza" in Italian) in its economic sense. He used it repeatedly, and stressed the concept in his introduction to the life of Pietro Perugino, in explaining the reasons for Florentine artistic preeminence. In Vasari's view, Florentine artists excelled because they were hungry, and they were hungry because their fierce competition amongst themselves for commissions kept them so. Competition, he said, is "one of the nourishments that maintain them."

Download or read book The Lives of the Most Excellent Painters Sculptors and Architects written by Giorgio Vasari and published by Modern Library. This book was released on 2007-12-18 with total page 642 pages. Available in PDF, EPUB and Kindle. Book excerpt: A painter and architect in his own right, Giorgio Vasari (1511-74) achieved immortality for this book on the lives of his fellow Renaissance artists, first published in Florence in 1550. Although he based his work on a long tradition of biographical writing, Vasari infused these literary portraits with a decidedly modern form of critical judgment. The result is a work that remains to this day the cornerstone of art historical scholarship. Spanning the period from the thirteenth century to Vasari’s own time, the Lives opens a window on the greatest personalities of the period, including Giotto, Brunelleschi, Mantegna, Leonardo, Raphael, Michelangelo, and Titian. This Modern Library edition, abridged from the original text with notes drawn from earlier commentaries, as well as current research, reminds us why The Lives of the Most Excellent Painters, Sculptors, and Architects is indispensable to any student interested in Renaissance art.

Download or read book The Lives of the Most Excellent Painters Sculptors and Architects V3 written by Giorgio Vasari and published by 谷月社. This book was released on 2015-12-04 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Lives of the Most Excellent Painters, Sculptors, and Architects Often called "the first art historian", Vasari invented the genre of the encyclopedia of artistic biographies with his Le Vite de' più eccellenti pittori, scultori, ed architettori (Lives of the Most Eminent Painters, Sculptors, and Architects), dedicated to Grand Duke Cosimo I de' Medici, which was first published in 1550. He was the first to use the term "Renaissance" (rinascita) in print, though an awareness of the ongoing "rebirth" in the arts had been in the air since the time of Alberti, and he was responsible for our use of the term Gothic Art, though he only used the word Goth which he associated with the "barbaric" German style. The Lives also included a novel treatise on the technical methods employed in the arts. The book was partly rewritten and enlarged in 1568, with the addition of woodcut portraits of artists (some conjectural). The work has a consistent and notorious bias in favour of Florentines, and tends to attribute to them all the developments in Renaissance art — for example, the invention of engraving. Venetian art in particular (along with arts from other parts of Europe), is systematically ignored in the first edition. Between the first and second editions, Vasari visited Venice and while the second edition gave more attention to Venetian art (finally including Titian) it did so without achieving a neutral point of view. Vasari's biographies are interspersed with amusing gossip. Many of his anecdotes have the ring of truth, while others are inventions or generic fictions, such as the tale of young Giotto painting a fly on the surface of a painting by Cimabue that the older master repeatedly tried to brush away, a genre tale that echoes anecdotes told of the Greek painter Apelles. With a few exceptions, however, Vasari's aesthetic judgement was acute and unbiased. He did not research archives for exact dates, as modern art historians do, and naturally his biographies are most dependable for the painters of his own generation and those of the immediate past. Modern criticism – with new materials opened up by research – has corrected many of his traditional dates and attributions. Vasari includes a sketch of his own biography at the end of the Lives, and adds further details about himself and his family in his lives of Lazzaro Vasari and Francesco Salviati. According to the historian Richard Goldthwaite, Vasari was one of the earliest authors to use the term "competition" (or "concorrenza" in Italian) in its economic sense. He used it repeatedly, and stressed the concept in his introduction to the life of Pietro Perugino, in explaining the reasons for Florentine artistic preeminence. In Vasari's view, Florentine artists excelled because they were hungry, and they were hungry because their fierce competition amongst themselves for commissions kept them so. Competition, he said, is "one of the nourishments that maintain them."

Download or read book Lives of the Most Eminent Painters Sculptors Architects written by Giorgio Vasari and published by . This book was released on 1912 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Lives of the Most Eminent Painters Sculptors and Architects written by Giorgio Vasari and published by DigiCat. This book was released on 2022-05-17 with total page 2891 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Lives of the Most Excellent Painters, Sculptors and Architects" in 10 volumes is a series of artist biographies written by 16th-century Italian painter and architect Giorgio Vasari, which is considered one of the most influential and most-read work of the older literature of art, as well as the first important book on art history. The title is often abridged to just the Vite or the Lives. As the first Italian art historian, Vasari initiated the genre of an encyclopedia of artistic biographies that continues today. The book contains the biographies of many important Italian artists, including a sketch of Vasari's autobiography, and is also adopted as a sort of classical reference guide for their names.

Download or read book Lives of Seventy of the Most Eminent Painters Sculptors and Architects written by Giorgio Vasari and published by . This book was released on 1896 with total page 422 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Lives of Seventy of the Most Eminent Painters Sculptors and Architects Volume I Scholar s Choice Edition written by Giorgio Vasari and published by . This book was released on 2015-02-17 with total page 436 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Download or read book Lives of the Most Eminent Painters Sculptors Architects of 10 Volume 10 written by Giorgio Vasari and published by Legare Street Press. This book was released on 2022-10-27 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Download or read book The Lives of the Most Excellent Painters Sculptors and Architects V10 written by Giorgio Vasari and published by 谷月社. This book was released on 2015-12-04 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Lives of the Most Excellent Painters, Sculptors, and Architects Often called "the first art historian", Vasari invented the genre of the encyclopedia of artistic biographies with his Le Vite de' più eccellenti pittori, scultori, ed architettori (Lives of the Most Eminent Painters, Sculptors, and Architects), dedicated to Grand Duke Cosimo I de' Medici, which was first published in 1550. He was the first to use the term "Renaissance" (rinascita) in print, though an awareness of the ongoing "rebirth" in the arts had been in the air since the time of Alberti, and he was responsible for our use of the term Gothic Art, though he only used the word Goth which he associated with the "barbaric" German style. The Lives also included a novel treatise on the technical methods employed in the arts. The book was partly rewritten and enlarged in 1568, with the addition of woodcut portraits of artists (some conjectural). The work has a consistent and notorious bias in favour of Florentines, and tends to attribute to them all the developments in Renaissance art — for example, the invention of engraving. Venetian art in particular (along with arts from other parts of Europe), is systematically ignored in the first edition. Between the first and second editions, Vasari visited Venice and while the second edition gave more attention to Venetian art (finally including Titian) it did so without achieving a neutral point of view. Vasari's biographies are interspersed with amusing gossip. Many of his anecdotes have the ring of truth, while others are inventions or generic fictions, such as the tale of young Giotto painting a fly on the surface of a painting by Cimabue that the older master repeatedly tried to brush away, a genre tale that echoes anecdotes told of the Greek painter Apelles. With a few exceptions, however, Vasari's aesthetic judgement was acute and unbiased. He did not research archives for exact dates, as modern art historians do, and naturally his biographies are most dependable for the painters of his own generation and those of the immediate past. Modern criticism – with new materials opened up by research – has corrected many of his traditional dates and attributions. Vasari includes a sketch of his own biography at the end of the Lives, and adds further details about himself and his family in his lives of Lazzaro Vasari and Francesco Salviati. According to the historian Richard Goldthwaite, Vasari was one of the earliest authors to use the term "competition" (or "concorrenza" in Italian) in its economic sense. He used it repeatedly, and stressed the concept in his introduction to the life of Pietro Perugino, in explaining the reasons for Florentine artistic preeminence. In Vasari's view, Florentine artists excelled because they were hungry, and they were hungry because their fierce competition amongst themselves for commissions kept them so. Competition, he said, is "one of the nourishments that maintain them."

Download or read book The Lives of the Most Excellent Painters Sculptors and Architects V6 written by Giorgio Vasari and published by 谷月社. This book was released on 2015-12-04 with total page 343 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Lives of the Most Excellent Painters, Sculptors, and Architects Often called "the first art historian", Vasari invented the genre of the encyclopedia of artistic biographies with his Le Vite de' più eccellenti pittori, scultori, ed architettori (Lives of the Most Eminent Painters, Sculptors, and Architects), dedicated to Grand Duke Cosimo I de' Medici, which was first published in 1550. He was the first to use the term "Renaissance" (rinascita) in print, though an awareness of the ongoing "rebirth" in the arts had been in the air since the time of Alberti, and he was responsible for our use of the term Gothic Art, though he only used the word Goth which he associated with the "barbaric" German style. The Lives also included a novel treatise on the technical methods employed in the arts. The book was partly rewritten and enlarged in 1568, with the addition of woodcut portraits of artists (some conjectural). The work has a consistent and notorious bias in favour of Florentines, and tends to attribute to them all the developments in Renaissance art — for example, the invention of engraving. Venetian art in particular (along with arts from other parts of Europe), is systematically ignored in the first edition. Between the first and second editions, Vasari visited Venice and while the second edition gave more attention to Venetian art (finally including Titian) it did so without achieving a neutral point of view. Vasari's biographies are interspersed with amusing gossip. Many of his anecdotes have the ring of truth, while others are inventions or generic fictions, such as the tale of young Giotto painting a fly on the surface of a painting by Cimabue that the older master repeatedly tried to brush away, a genre tale that echoes anecdotes told of the Greek painter Apelles. With a few exceptions, however, Vasari's aesthetic judgement was acute and unbiased. He did not research archives for exact dates, as modern art historians do, and naturally his biographies are most dependable for the painters of his own generation and those of the immediate past. Modern criticism – with new materials opened up by research – has corrected many of his traditional dates and attributions. Vasari includes a sketch of his own biography at the end of the Lives, and adds further details about himself and his family in his lives of Lazzaro Vasari and Francesco Salviati. According to the historian Richard Goldthwaite, Vasari was one of the earliest authors to use the term "competition" (or "concorrenza" in Italian) in its economic sense. He used it repeatedly, and stressed the concept in his introduction to the life of Pietro Perugino, in explaining the reasons for Florentine artistic preeminence. In Vasari's view, Florentine artists excelled because they were hungry, and they were hungry because their fierce competition amongst themselves for commissions kept them so. Competition, he said, is "one of the nourishments that maintain them."

Download or read book Lives of the Most Eminent Painters Sculptors and Architects written by Giorgio Vasari and published by . This book was released on 1850 with total page 534 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Lives of the Most Eminent Painters Sculptors and Architects written by Giorgio Vasari and published by Createspace Independent Publishing Platform. This book was released on 2018-08-12 with total page 150 pages. Available in PDF, EPUB and Kindle. Book excerpt: Lives of the Most Eminent Painters Sculptors and Architects by Giorgio Vasari TO THE MOST ILLUSTRIOUS AND MOST EXCELLENT SIGNOR COSIMO DE' MEDICI, DUKE OF FLORENCE AND SIENA MY MOST HONOURED LORD, Behold, seventeen years since I first presented to your most Illustrious Excellency the Lives, sketched so to speak, of the most famous painters, sculptors and architects, they come before you again, not indeed wholly finished, but so much changed from what they were and in such wise adorned and enriched with innumerable works, whereof up to that time I had been able to gain no further knowledge, that from my endeavour and in so far as in me lies nothing more can be looked for in them. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

Download or read book The Lives of the Most Excellent Painters Sculptors and Architects V9 written by Giorgio Vasari and published by 谷月社. This book was released on 2015-12-04 with total page 386 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Lives of the Most Excellent Painters, Sculptors, and Architects Often called "the first art historian", Vasari invented the genre of the encyclopedia of artistic biographies with his Le Vite de' più eccellenti pittori, scultori, ed architettori (Lives of the Most Eminent Painters, Sculptors, and Architects), dedicated to Grand Duke Cosimo I de' Medici, which was first published in 1550. He was the first to use the term "Renaissance" (rinascita) in print, though an awareness of the ongoing "rebirth" in the arts had been in the air since the time of Alberti, and he was responsible for our use of the term Gothic Art, though he only used the word Goth which he associated with the "barbaric" German style. The Lives also included a novel treatise on the technical methods employed in the arts. The book was partly rewritten and enlarged in 1568, with the addition of woodcut portraits of artists (some conjectural). The work has a consistent and notorious bias in favour of Florentines, and tends to attribute to them all the developments in Renaissance art — for example, the invention of engraving. Venetian art in particular (along with arts from other parts of Europe), is systematically ignored in the first edition. Between the first and second editions, Vasari visited Venice and while the second edition gave more attention to Venetian art (finally including Titian) it did so without achieving a neutral point of view. Vasari's biographies are interspersed with amusing gossip. Many of his anecdotes have the ring of truth, while others are inventions or generic fictions, such as the tale of young Giotto painting a fly on the surface of a painting by Cimabue that the older master repeatedly tried to brush away, a genre tale that echoes anecdotes told of the Greek painter Apelles. With a few exceptions, however, Vasari's aesthetic judgement was acute and unbiased. He did not research archives for exact dates, as modern art historians do, and naturally his biographies are most dependable for the painters of his own generation and those of the immediate past. Modern criticism – with new materials opened up by research – has corrected many of his traditional dates and attributions. Vasari includes a sketch of his own biography at the end of the Lives, and adds further details about himself and his family in his lives of Lazzaro Vasari and Francesco Salviati. According to the historian Richard Goldthwaite, Vasari was one of the earliest authors to use the term "competition" (or "concorrenza" in Italian) in its economic sense. He used it repeatedly, and stressed the concept in his introduction to the life of Pietro Perugino, in explaining the reasons for Florentine artistic preeminence. In Vasari's view, Florentine artists excelled because they were hungry, and they were hungry because their fierce competition amongst themselves for commissions kept them so. Competition, he said, is "one of the nourishments that maintain them."

Download or read book The Lives of the Most Excellent Painters Sculptors and Architects V7 written by Giorgio Vasari and published by 谷月社. This book was released on 2015-12-04 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Lives of the Most Excellent Painters, Sculptors, and Architects Often called "the first art historian", Vasari invented the genre of the encyclopedia of artistic biographies with his Le Vite de' più eccellenti pittori, scultori, ed architettori (Lives of the Most Eminent Painters, Sculptors, and Architects), dedicated to Grand Duke Cosimo I de' Medici, which was first published in 1550. He was the first to use the term "Renaissance" (rinascita) in print, though an awareness of the ongoing "rebirth" in the arts had been in the air since the time of Alberti, and he was responsible for our use of the term Gothic Art, though he only used the word Goth which he associated with the "barbaric" German style. The Lives also included a novel treatise on the technical methods employed in the arts. The book was partly rewritten and enlarged in 1568, with the addition of woodcut portraits of artists (some conjectural). The work has a consistent and notorious bias in favour of Florentines, and tends to attribute to them all the developments in Renaissance art — for example, the invention of engraving. Venetian art in particular (along with arts from other parts of Europe), is systematically ignored in the first edition. Between the first and second editions, Vasari visited Venice and while the second edition gave more attention to Venetian art (finally including Titian) it did so without achieving a neutral point of view. Vasari's biographies are interspersed with amusing gossip. Many of his anecdotes have the ring of truth, while others are inventions or generic fictions, such as the tale of young Giotto painting a fly on the surface of a painting by Cimabue that the older master repeatedly tried to brush away, a genre tale that echoes anecdotes told of the Greek painter Apelles. With a few exceptions, however, Vasari's aesthetic judgement was acute and unbiased. He did not research archives for exact dates, as modern art historians do, and naturally his biographies are most dependable for the painters of his own generation and those of the immediate past. Modern criticism – with new materials opened up by research – has corrected many of his traditional dates and attributions. Vasari includes a sketch of his own biography at the end of the Lives, and adds further details about himself and his family in his lives of Lazzaro Vasari and Francesco Salviati. According to the historian Richard Goldthwaite, Vasari was one of the earliest authors to use the term "competition" (or "concorrenza" in Italian) in its economic sense. He used it repeatedly, and stressed the concept in his introduction to the life of Pietro Perugino, in explaining the reasons for Florentine artistic preeminence. In Vasari's view, Florentine artists excelled because they were hungry, and they were hungry because their fierce competition amongst themselves for commissions kept them so. Competition, he said, is "one of the nourishments that maintain them."

Download or read book Lives of the Most Eminent Painters Sculptors and Architects Vol 1 Classic Reprint written by Giorgio Vasari and published by Forgotten Books. This book was released on 2018-03 with total page 522 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from Lives of the Most Eminent Painters, Sculptors and Architects, Vol. 1 In our own language, no translation, previous to the present, has appeared; but an abridgement of a few of the lives was published in a thin 4to, London, 1719. Of the mode in which the present attempt has been performed, the reader will form his own judgment. The object of the translator has been to give Vasari as he is. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Download or read book LIVES OF THE MOST EMINENT PAIN written by Giorgio 1511-1574 Vasari and published by Wentworth Press. This book was released on 2016-08-27 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Download or read book The Lives of the Most Excellent Painters Sculptors and Architects V5 written by Giorgio Vasari and published by 谷月社. This book was released on 2015-12-04 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Lives of the Most Excellent Painters, Sculptors, and Architects Often called "the first art historian", Vasari invented the genre of the encyclopedia of artistic biographies with his Le Vite de' più eccellenti pittori, scultori, ed architettori (Lives of the Most Eminent Painters, Sculptors, and Architects), dedicated to Grand Duke Cosimo I de' Medici, which was first published in 1550. He was the first to use the term "Renaissance" (rinascita) in print, though an awareness of the ongoing "rebirth" in the arts had been in the air since the time of Alberti, and he was responsible for our use of the term Gothic Art, though he only used the word Goth which he associated with the "barbaric" German style. The Lives also included a novel treatise on the technical methods employed in the arts. The book was partly rewritten and enlarged in 1568, with the addition of woodcut portraits of artists (some conjectural). The work has a consistent and notorious bias in favour of Florentines, and tends to attribute to them all the developments in Renaissance art — for example, the invention of engraving. Venetian art in particular (along with arts from other parts of Europe), is systematically ignored in the first edition. Between the first and second editions, Vasari visited Venice and while the second edition gave more attention to Venetian art (finally including Titian) it did so without achieving a neutral point of view. Vasari's biographies are interspersed with amusing gossip. Many of his anecdotes have the ring of truth, while others are inventions or generic fictions, such as the tale of young Giotto painting a fly on the surface of a painting by Cimabue that the older master repeatedly tried to brush away, a genre tale that echoes anecdotes told of the Greek painter Apelles. With a few exceptions, however, Vasari's aesthetic judgement was acute and unbiased. He did not research archives for exact dates, as modern art historians do, and naturally his biographies are most dependable for the painters of his own generation and those of the immediate past. Modern criticism – with new materials opened up by research – has corrected many of his traditional dates and attributions. Vasari includes a sketch of his own biography at the end of the Lives, and adds further details about himself and his family in his lives of Lazzaro Vasari and Francesco Salviati. According to the historian Richard Goldthwaite, Vasari was one of the earliest authors to use the term "competition" (or "concorrenza" in Italian) in its economic sense. He used it repeatedly, and stressed the concept in his introduction to the life of Pietro Perugino, in explaining the reasons for Florentine artistic preeminence. In Vasari's view, Florentine artists excelled because they were hungry, and they were hungry because their fierce competition amongst themselves for commissions kept them so. Competition, he said, is "one of the nourishments that maintain them."