Download or read book The Lens of Impressionism written by Carole McNamara and published by Hudson Hills Press. This book was released on 2009 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The Normany coast ... has long captured the interest of artists. Its seascapes are featured in the work of Impressionist masters Monet, Manet and Boudin. Its seafaring life is well-documented in the work of writers such as Victor Hugo and Guy de Maupassant. Through a stunning selection of paintings, photographs and drawings, [this work] argues that a unique convergence of forces - social, artistic, technological and commercial - along the Normandy coast impacted the development of early Impressionism and made Normandy a nexus for photographers and the avant-garde painters of the late nineteenth century ... The framing dates are 1850, when artists began photographing in Normandy ... and 1874, the year in which Claude Monet's painting Impression :Sunrise was exhibited ... The Lens of Impressionism explores the dialogue between the two media and the backdrop against which both evolved"--Publisher's description.
Download or read book The lens of Impressionism written by Carole McNamara and published by . This book was released on 2009 with total page 207 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Companion to Impressionism written by André Dombrowski and published by John Wiley & Sons. This book was released on 2021-09-14 with total page 644 pages. Available in PDF, EPUB and Kindle. Book excerpt: The 21st century's first major academic reassessment of Impressionism, providing a new generation of scholars with a comprehensive view of critical conversations Presenting an expansive view of the study of Impressionism, this extraordinary volume breaks new thematic ground while also reconsidering established questions surrounding the definition, chronology, and membership of the Impressionist movement. In 34 original essays from established and emerging scholars, this collection considers a diverse range of developing topics and offers new critical approaches to the interpretation of Impressionist art. Focusing on the 1860s to 1890s, this Companion explores artists who are well-represented in Impressionist studies, including Monet, Renoir, Degas, and Cassatt, as well as Morisot, Caillebotte, Bazille, and other significant yet lesser-known artists. The essays cover a wide variety of methodologies in addressing such topics as Impressionism's global predominance at the turn of the 20th century, the relationship between Impressionism and the emergence of new media, the materials and techniques of the Impressionists, and the movement's exhibition and reception history. Part of the acclaimed Wiley Blackwell Companions to Art History series, this important new addition to scholarship in this field: Reevaluates the origins, chronology, and critical reception of French Impressionism Discusses Impressionism's account of modern identity in the contexts of race, nationality, gender, and sexuality Explores the global reach and influence of Impressionism in Europe, the Middle East, East Asia, North Africa, and the Americas Considers Impressionism's relationship to the emergence of film and photography in the 19th century Considers Impressionism's representation of the private sphere as compared to its depictions of public issues such as empire, finance, and environmental change Addresses the Impressionist market and clientele, period criticism, and exhibition displays from the late 19th century to the middle of the 20th century Features original essays by academics, curators, and conservators from around the world, including those from France, Germany, the United States, the United Kingdom, Japan, Turkey, and Argentina The Wiley Blackwell Companion to Impressionism is an invaluable text for students and academics studying Impressionism and late 19th century European art, Post-Impressionism, modern art, and modern French cultural history.
Download or read book Impressionism written by John House and published by Yale University Press. This book was released on 2004-01-01 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: A new perspective on Impressionist art that offers revealing, fresh interpretations of familiar paintings In this handsome book, a leading authority on Impressionist painting offers a new view of this admired and immensely popular art form. John House examines the style and technique, subject matter and imagery, exhibiting and marketing strategies, and social, political, and ideological contexts of Impressionism in light of the perspectives that have been brought to it in the last twenty years. When all of these diverse approaches are taken into account, he argues, Impressionism can be seen as a movement that challenged both artistic and political authority with its uncompromisingly modern subject matter and its determinedly secular worldview. Moving from the late 1860s to the early 1880s, House analyzes the paintings and career strategies of the leading Impressionist artists, pointing out the ways in which they countered the dominant conventions of the contemporary art world and evolved their distinctive and immediately recognizable manner of painting. Focusing closely on the technique, composition, and imagery of the paintings themselves and combining this fresh appraisal with recent historical studies of Impressionism, House explores how pictorial style could generate social and political meanings and opens new ways of looking at this luminous art.
Download or read book Color in the Age of Impressionism written by Laura Anne Kalba and published by Penn State Press. This book was released on 2017-04-21 with total page 713 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study analyzes the impact of color-making technologies on the visual culture of nineteenth-century France, from the early commercialization of synthetic dyes to the Lumière brothers’ perfection of the autochrome color photography process. Focusing on Impressionist art, Laura Anne Kalba examines the importance of dyes produced in the second half of the nineteenth century to the vision of artists such as Edgar Degas, Pierre-Auguste Renoir, and Claude Monet. The proliferation of vibrant new colors in France during this time challenged popular understandings of realism, abstraction, and fantasy in the realms of fine art and popular culture. More than simply adding a touch of spectacle to everyday life, Kalba shows, these bright, varied colors came to define the development of a consumer culture increasingly based on the sensual appeal of color. Impressionism—emerging at a time when inexpensively produced color functioned as one of the principal means by and through which people understood modes of visual perception and signification—mirrored and mediated this change, shaping the ways in which people made sense of both modern life and modern art. Demonstrating the central importance of color history and technologies to the study of visuality, Color in the Age of Impressionism adds a dynamic new layer to our understanding of visual and material culture.
Download or read book The Impressionists and Photography written by Paloma Alarcó and published by Thames & Hudson. This book was released on 2019 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: How photography served as both source and foil for the birth of impressionism From the first announcement in 1839 of the daguerreotype process at a joint meeting of the French Academy of Sciences and the Académie des Beaux-Arts, photography found itself suspended uneasily between science and the arts, a new technology that offered previously unimaginable possibilities for pictorial representation. While photography's capacity for naturalistic reproduction threatened one traditional function of painting, the camera's artificial eye could offer new models for looking at the world. In the work of pioneering photographers such as Gustave Le Gray, Eugène Cuvelier, Nadar, Atget and André-Adolphe-Eugène Disdéri, impressionist artists such as Manet, Corot, Monet, Pissarro and Degas found new ways of seeing. The key position that photography now occupies in contemporary art has encouraged a renewed interest in photography's historical relationship to the other visual arts. The Impressionists and Photographypursues this line of research. Luxuriously produced and lavishly illustrated, this volume reexamines the lively debate that photography's emergence generated among critics and artists, and offers a critical reflection on the affinities and mutual influences between photography and painting in France in the second half of the 19th century.
Download or read book Photo Impressionism and the Subjective Image written by Freeman Patterson and published by . This book was released on 2001 with total page 164 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Photo Impressionism and the Subjective Image the authors show how photographs can be used to alter physical reality to express the photographer's personal response to specific subject matter. The "impressionist" photographer deliberately abandons physical exactitude to convey the reality of feelings more effectively. This book explains how to venture into the non-literal world of photography to create and record impressions that express emotion, feelings and spirit. The first part of the book includes instructional topics such as: Multiple exposures Montages Subtle and vibrant colors Selective focus, exposure and speed Creative image transfer techniques Trends and film choices. The second part is a gallery of photographs taken around the world with extensive captions that explain the authors' personal approaches to photography.
Download or read book Impressionism Reflections and Perceptions written by Meyer Schapiro and published by George Braziller Publishers. This book was released on 1997 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presents a revision of the late Columbia University art historian's lectures given at Indiana University in 1961.
Download or read book Parallel Perspectives written by Holly Gordon and published by City Point Press. This book was released on 2020-10-06 with total page 109 pages. Available in PDF, EPUB and Kindle. Book excerpt: The eye-arresting images in this original contemporary art book feature two popular mediums, painting and photography. Although the art is inspired by the Long Island landscape, its visual appeal in artists’ interpretations of locations is universal. Paired with the dialog of the artists, the narrative becomes an intimate conversation with the reader. Combining life, loss, serendipity and art, it portrays two artists, whose conceptually similar work evolved independently until social media brought them together. Their collaboration continues to produce treasures of stunning, memorable beauty. The improbable pairing of Holly Gordon, photographer from Bay Shore, Long Island, and Ward Hooper, painter from Northport, Long Island, is a symbiotic match. Their artistic relationship is an affirmation of the human spirit in an age where most can’t seem to detach from objects. These two contemporary artists discovered a serendipitous connection to the earlier American artistic and personal alliance of Arthur Dove and Helen Torr, whose work was inspired by the same Long Island locations. The past thus joined the present, deepening Gordon and Hooper’s bond, both personally and geographically. In Gordon and Hooper’s intimate relationship there is a sense of empathy, connection, and mutual discovery that is invincible. Ward Hooper and Holly Gordon understand that the meaning of their journey extends beyond themselves. Their camaraderie and brilliant exposition beckons others to do the same and thereby reach their own heights in art and life. The transformative journey that unfolds centers on art as a positive force that ultimately unites two creative spirits. I found the imagery captivating and the text inspirational. Learning about how these two people from different art disciplines came together to help heal and enrich each others’ lives (and create wonderful imagery throughout the process) made me appreciate my life and relationships even more. The book may even encourage you to create something new, or collaborate with someone you already know...or someone who is out there waiting to be a part of your “Light's Journey.” -- Andrew Darlow, Photographer, Educator and Author ......A love story of friendship and renewal. Holly and Ward were meant to meet to discover their connection through art and nature. Two wonderful artists exploring life together through the warmth of colors, brush and lens strokes and subjects they created separately at different times and then together revealing their deep passion for life, friendship and art. --Charlee M. Miller, Executive Director, Art League of Long Island, Dix Hills, N.Y. Parallel Perspectives: The Brush/Lens Project gives us seamlessly created images that work on many levels: They pay attention to tiny details yet pulse with large swaths of vibrant color. They look like paintings — but they could be photographs, and vice versa. These are eye-arresting scenes, a visual harvest of the natural beauty that surrounds us, creating lasting sights that celebrate what talented artists have always quested for: the light. Holly Gordon finds images and builds digital layers that blend an unflinching assessment by a documentary photographer and environmentalist with a painterly sensitivity; Ward Hooper’s loose brushstrokes capture the ever-shifting light and shadow through watercolors that are as elusive as the light. Their collaboration continues to produce treasures of stunning, memorable beauty.—Annie Wilkinson Blachley’s features and cover stories have been published by The New York Times, Los Angeles Times, and national and regional newspapers and magazines. She is a copy editor and columnist for the Long Island Press and writes several monthly columns for Long Island Woman Magazine
Download or read book Colours of Impressionism Masterpieces from the Mus e d Orsay written by Paul Perrin and published by National Gallery Singapore. This book was released on 2018-01-31 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of the great innovations of the Impressionists was their radical use of colour: their application of strokes of complementary or contrasting hues captured the shifting effects of light and foregrounded the nature of vision. Using colour as the lens through which to magnify the movement’s intricacies, this catalogue sweeps us from Manet’s rich blacks, through green and blue landscapes of Monet and Cézanne, to the sensuous pinks of Renoir. Along this journey, scientific discoveries and emerging definitions of modernity are explored, illuminating the profound innovations of the Impressionists and the shifting preconceptions of their art.
Download or read book Impressionist Photography Techniques written by Eva Polak and published by . This book was released on 2009-01-14 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Have you ever wondered how to create great impressionist images with your camera? Are you searching for new and exiting ways to unleash your creative side?If so, this book is for you. Packed with easy to follow instructions and an inspirational selection of full-colour images, "Impressionist Photography Techniques" is the ultimate guide to creating masterpieces by using your digital camera.
Download or read book Modern Women and Parisian Consumer Culture in Impressionist Painting written by Ruth E. Iskin and published by Cambridge University Press. This book was released on 2007-01-08 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the encounter between Impressionist painting and Parisian consumer culture. Its analysis of Impressionist paintings depicting women as consumers, producers, or sellers in sites such as the millinery boutique, theater, opera, café-concert and market revises our understanding of the representation of women in Impressionist painting, from women¹s exclusion from modernity to their inclusion in its public spaces, and from the privileging of the male gaze to a plurality of gazes. Ruth E. Iskin demonstrates that Impressionist painting addresses and represents women in active roles, and not only as objects on display, and probes the complex relationship between the Parisienne, French fashion, and national identity. She analyzes Impressionist representations of commodity displays and of signs of consumer culture such as advertising and shop fronts in views of Paris. Incorporating a wide range of nineteenth-century literary and visual sources, Iskin situates Impressionist painting in the culture of consumption and suggests new ways of understanding the art and culture of nineteenth-century Paris. Ruth E. Iskin holds a PhD from UCLA. She has received the Andrew W. Mellon fellowship at the Penn Humanities Forum. Her publications include essays in The Art Bulletin, Discourse, and Nineteenth-Century Contexts. She teaches art history and visual culture at the Ben-Gurion University of the Negev in Israel.
Download or read book The Ultimate Trophy written by Philip Hook and published by Prestel Verlag. This book was released on 2012-12-17 with total page 229 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1892 Degas' painting In the Café was sold for a mere 180 guineas at auction, with the public hissing as the hammer fell. Less than a century later another Impressionist work, Renoir's Moulin de la Galette, sold at Sotheby's for $78 million, accompanied by enthusiastic applause. In this history-cum-memoir Philip Hook, Senior Director of Sotheby's Impressionist and Modern Art department, examines the public's change of heart toward Impressionism. Starting with its shocking novelty and confounding style, he traces the impact of the Impressionist painting as it spread to Germany, America, and Great Britain, polarizing modernists and conservatives. Equally fascinating is the story of Impressionism's change in status. More than exceptionally pretty pictures, Impressionist works have become a currency in their own right, being bought and sold like blue-chip stock - coveted as much for their monetary worth as for their intrinsic beauty. Drawn from Hook's own experiences with art collectors and dealers, this fascinating chapter in art history is narrated through the lens of today's art market.
Download or read book Neo Impressionism and Anarchism in Fin De Si cle France written by Robyn Roslak and published by . This book was released on 2016-09-08 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Neo-Impressionism and Anarchism in Fin-de-Siècle France examines for the first time the close and complex relationship between neo-impressionist landscapes and cityscapes and the anarchist sympathies of the movement's artists. It focuses especially on paintings produced between 1886 and 1905 by Paul Signac and Maximilien Luce, relating their pointillist technique and their subjects to the social, scientific and aesthetic ideals of the anarchist theoreticians Elisée Reclus, Pierre Kropotkin and Jean Grave.
Download or read book A Companion to Impressionism written by André Dombrowski and published by John Wiley & Sons. This book was released on 2024-02-27 with total page 644 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Companion to Impressionism Presenting an expansive view of the study of Impressionism, this pioneering volume breaks new thematic ground while also reconsidering questions concerning the definition, chronology, and membership of the impressionist movement. In 34 original essays from established and emerging scholars, this collection offers a diverse range of developing topics and new critical approaches to the interpretation of impressionist art. Focusing on the 1860s to 1890s, A Companion to Impressionism explores artists who are well-represented in impressionist studies, including Monet, Renoir, Degas, and Cassatt, as well as Morisot, Caillebotte, Bazille, and other significant yet lesser-known artists. The essays cover a wide variety of methodologies in addressing such topics as Impressionism’s global predominance at the turn of the 20th century, the relationship between Impressionism and the emergence of new media, the materials and techniques of the Impressionists, as well as the movement’s exhibition and reception history. This innovative volume also includes new discussions of modern identity in Impressionism in the contexts of race, nationality, gender, and sexuality and through its explorations of the international reach and influence of Impressionism. Part of the acclaimed Wiley Blackwell Companions to Art History series, this important addition to scholarship in this field stands as the 21st century’s first major and large-scale academic reassessment of Impressionism. Featuring essays by academics, curators, and conservators from around the world, including those from France, Germany, the United States, the United Kingdom, Japan, Turkey, and Argentina, this is an invaluable text for students and scholars studying Impressionism and late 19th-century European art, Post-Impressionism, modern art, and modern French cultural history.
Download or read book Impressionism in Perspective written by Barbara Ehrlich White and published by . This book was released on 1978 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presents interpretive essays of the Impressionist movement and Impressionist artists.
Download or read book Impressionism written by Robert L. Herbert and published by Yale University Press. This book was released on 1988-01-01 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines the use of cafes, opera houses, dance halls, theaters, racetracks, and the seaside in impressionist French paintings