Download or read book The Journal of Black Sacred Music written by and published by . This book was released on 1989 with total page 77 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Journal of Black Sacred Music written by and published by . This book was released on 1989 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Black Sacred Music written by Jon Michael Spencer and published by . This book was released on 1990 with total page 123 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Journal of Black Sacred Music written by and published by . This book was released on 1988 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Black Sacred Music written by Willis James and published by . This book was released on 1995 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Protest Praise written by Jon Michael Spencer and published by Fortress Press. This book was released on with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: Here is a skillful tracing of two tracks in the evolution of musical genres that have evolved from black religion. Songs of protest developed from the spiritual through social-gospel hymnody to culminate in songs of the civil-rights movement and the blues. Born in rebellion, they envision the Kingdom of God.Songs of praise, by contrast, express adoration. Beginning with the "ring-shout," Spencer follows the history of intoned declamation through the tongue song, Holiness-Pentecostal music, and the chanted sermon of the black preacher. Spencer's approach, termed theomusicology, unlocks the wealth of African-American sacred music with a theological key. The result is a fascinating account of a people's struggle with God in history.

Download or read book Theological Music written by Jon M. Spencer and published by Praeger. This book was released on 1991-07-30 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theomusicology is musicology as a theologically informed discipline. Borrowing thought and method from anthropology, sociology, psychology, and philosophy, it has as its subject the myriad cultural worlds of ethical, religious, and mythological belief. Theomusicological research into cultural/intercultural reflections on the ethical, the religious, and the mythological involves the study of music in the domain or communities of the sacred, the secular, and the profane. By examining the depths of sacrality, secularity, and profanity in the music of civilization's many cultures, the theomusicologist can increasingly discern how particular peoples perceive the universal mysteries that circumscribe their mortal existence, and how the ethics, theologies, and mythologies to which they subscribe shape their worlds. To accomplish his goal, Spencer divides his book into two parts. Part One, The Domain of Theomusicology, functions as a methodological exposition to Part Two. It defines the meaning of and suggested method for theomusicology and delineates the theomusicologist's best and broadest possible perspective on the world. Part Two, The Discourses of Theomusicology, illustrates how theomusicology can, and at its best does, involve dialogue with different disciplines as well as a gamut of historical epochs and movements. Each chapter is divided into sections based on the particular text theomusicology has read and interacted with. Spencer's work establishes theomusicology as a scholarly discipline and a valid research approach to studying world religious, mythological, and ethical beliefs via music. It is essential reading for historical musicologists, ethnomusicologists, and scholars of sacred music.

Download or read book Singing in My Soul written by Jerma A. Jackson and published by Univ of North Carolina Press. This book was released on 2005-12-15 with total page 207 pages. Available in PDF, EPUB and Kindle. Book excerpt: Black gospel music grew from obscure nineteenth-century beginnings to become the leading style of sacred music in black American communities after World War II. Jerma A. Jackson traces the music's unique history, profiling the careers of several singers--particularly Sister Rosetta Tharpe--and demonstrating the important role women played in popularizing gospel. Female gospel singers initially developed their musical abilities in churches where gospel prevailed as a mode of worship. Few, however, stayed exclusively in the religious realm. As recordings and sheet music pushed gospel into the commercial arena, gospel began to develop a life beyond the church, spreading first among a broad spectrum of African Americans and then to white middle-class audiences. Retail outlets, recording companies, and booking agencies turned gospel into big business, and local church singers emerged as national and international celebrities. Amid these changes, the music acquired increasing significance as a source of black identity. These successes, however, generated fierce controversy. As gospel gained public visibility and broad commercial appeal, debates broke out over the meaning of the music and its message, raising questions about the virtues of commercialism and material values, the contours of racial identity, and the nature of the sacred. Jackson engages these debates to explore how race, faith, and identity became central questions in twentieth-century African American life.

Download or read book The Black Church written by Henry Louis Gates, Jr. and published by Penguin. This book was released on 2021-02-16 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: The instant New York Times bestseller and companion book to the PBS series. “Absolutely brilliant . . . A necessary and moving work.” —Eddie S. Glaude, Jr., author of Begin Again “Engaging. . . . In Gates’s telling, the Black church shines bright even as the nation itself moves uncertainly through the gloaming, seeking justice on earth—as it is in heaven.” —Jon Meacham, New York Times Book Review From the New York Times bestselling author of Stony the Road and The Black Box, and one of our most important voices on the African American experience, comes a powerful new history of the Black church as a foundation of Black life and a driving force in the larger freedom struggle in America. For the young Henry Louis Gates, Jr., growing up in a small, residentially segregated West Virginia town, the church was a center of gravity—an intimate place where voices rose up in song and neighbors gathered to celebrate life's blessings and offer comfort amid its trials and tribulations. In this tender and expansive reckoning with the meaning of the Black Church in America, Gates takes us on a journey spanning more than five centuries, from the intersection of Christianity and the transatlantic slave trade to today’s political landscape. At road’s end, and after Gates’s distinctive meditation on the churches of his childhood, we emerge with a new understanding of the importance of African American religion to the larger national narrative—as a center of resistance to slavery and white supremacy, as a magnet for political mobilization, as an incubator of musical and oratorical talent that would transform the culture, and as a crucible for working through the Black community’s most critical personal and social issues. In a country that has historically afforded its citizens from the African diaspora tragically few safe spaces, the Black Church has always been more than a sanctuary. This fact was never lost on white supremacists: from the earliest days of slavery, when enslaved people were allowed to worship at all, their meetinghouses were subject to surveillance and destruction. Long after slavery’s formal eradication, church burnings and bombings by anti-Black racists continued, a hallmark of the violent effort to suppress the African American struggle for equality. The past often isn’t even past—Dylann Roof committed his slaughter in the Mother Emanuel AME Church 193 years after it was first burned down by white citizens of Charleston, South Carolina, following a thwarted slave rebellion. But as Gates brilliantly shows, the Black church has never been only one thing. Its story lies at the heart of the Black political struggle, and it has produced many of the Black community’s most notable leaders. At the same time, some churches and denominations have eschewed political engagement and exemplified practices of exclusion and intolerance that have caused polarization and pain. Those tensions remain today, as a rising generation demands freedom and dignity for all within and beyond their communities, regardless of race, sex, or gender. Still, as a source of faith and refuge, spiritual sustenance and struggle against society’s darkest forces, the Black Church has been central, as this enthralling history makes vividly clear.

Download or read book Re searching Black Music written by Jon Michael Spencer and published by Univ. of Tennessee Press. This book was released on 1996 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this provocative book, Jon Michael Spencer offers a new paradigm for the study of African American music. Proceeding from the proposition that black culture in America cannot be considered apart from its religious and philosophical roots, Spencer argues that "theology and musicology serving together" can form the basis of a holistic, integrative approach to black music and, indeed, to black culture in all its aspects. As he shows in his opening chapters, Spencer's scholarly method-- theomusicology--derives from two fundamental, intertwined attributes of African American culture: its underlying rhythmicity and its thoroughly religious nature. The author then applies this approach to the folk, popular, and classical music produced by black Americans. Finally, he considers the ethical implications that his "re-searching" of black music uncovers. "[A] spiritual archaeology of music leads to a recognition that we are estranged from ourselves," he writes. "This estrangement has occurred by virtue of our maintaining a doctrine of belief that sides the sacred, spiritual, and religious in respective opposition to the profane, sexual, and cultural. The recognition of this estrangement should propel us toward reconciliation, for it is the natural impulse of the ethical agent to resolve life's tensions in pursuit of human happiness." While Spencer's own focus is on music, he argues persuasively that theomusicology can serve as a "common mode of inquiry" for all African American cultural studies. Thus, Re-Searching Black Music is certain to stimulate discussion, debate, and further study in a broad range of scholarly arenas.

Download or read book Nothing but Love in God s Water written by Robert Darden and published by Penn State Press. This book was released on 2017-04-28 with total page 395 pages. Available in PDF, EPUB and Kindle. Book excerpt: Volume 1 of Nothing but Love in God’s Water traced the music of protest spirituals from the Civil War to the American labor movement of the 1930s and 1940s, and on through the Montgomery bus boycott. This second volume continues the journey, chronicling the role this music played in energizing and sustaining those most heavily involved in the civil rights movement. Robert Darden, former gospel music editor for Billboard magazine and the founder of the Black Gospel Music Restoration Project at Baylor University, brings this vivid, vital story to life. He explains why black sacred music helped foster community within the civil rights movement and attract new adherents; shows how Martin Luther King Jr. and other leaders used music to underscore and support their message; and reveals how the songs themselves traveled and changed as the fight for freedom for African Americans continued. Darden makes an unassailable case for the importance of black sacred music not only to the civil rights era but also to present-day struggles in and beyond the United States. Taking us from the Deep South to Chicago and on to the nation’s capital, Darden’s grittily detailed, lively telling is peppered throughout with the words of those who were there, famous and forgotten alike: activists such as Rep. John Lewis, the Reverend Ralph Abernathy, and Willie Bolden, as well as musical virtuosos such as Harry Belafonte, Duke Ellington, and The Mighty Wonders. Expertly assembled from published and unpublished writing, oral histories, and rare recordings, this is the history of the soundtrack that fueled the long march toward freedom and equality for the black community in the United States and that continues to inspire and uplift people all over the world.

Download or read book Segregating Sound written by Karl Hagstrom Miller and published by Duke University Press. This book was released on 2010-02-11 with total page 386 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Segregating Sound, Karl Hagstrom Miller argues that the categories that we have inherited to think and talk about southern music bear little relation to the ways that southerners long played and heard music. Focusing on the late nineteenth century and the early twentieth, Miller chronicles how southern music—a fluid complex of sounds and styles in practice—was reduced to a series of distinct genres linked to particular racial and ethnic identities. The blues were African American. Rural white southerners played country music. By the 1920s, these depictions were touted in folk song collections and the catalogs of “race” and “hillbilly” records produced by the phonograph industry. Such links among race, region, and music were new. Black and white artists alike had played not only blues, ballads, ragtime, and string band music, but also nationally popular sentimental ballads, minstrel songs, Tin Pan Alley tunes, and Broadway hits. In a cultural history filled with musicians, listeners, scholars, and business people, Miller describes how folklore studies and the music industry helped to create a “musical color line,” a cultural parallel to the physical color line that came to define the Jim Crow South. Segregated sound emerged slowly through the interactions of southern and northern musicians, record companies that sought to penetrate new markets across the South and the globe, and academic folklorists who attempted to tap southern music for evidence about the history of human civilization. Contending that people’s musical worlds were defined less by who they were than by the music that they heard, Miller challenges assumptions about the relation of race, music, and the market.

Download or read book Spirituals and the Birth of a Black Entertainment Industry written by Sandra Jean Graham and published by University of Illinois Press. This book was released on 2018-02-26 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: Spirituals performed by jubilee troupes became a sensation in post-Civil War America. First brought to the stage by choral ensembles like the Fisk Jubilee Singers, spirituals anchored a wide range of late nineteenth-century entertainments, including minstrelsy, variety, and plays by both black and white companies. In the first book-length treatment of postbellum spirituals in theatrical entertainments, Sandra Jean Graham mines a trove of resources to chart the spiritual's journey from the private lives of slaves to the concert stage. Graham navigates the conflicting agendas of those who, in adapting spirituals for their own ends, sold conceptions of racial identity to their patrons. In so doing they lay the foundation for a black entertainment industry whose artistic, financial, and cultural practices extended into the twentieth century. A companion website contains jubilee troupe personnel, recordings, and profiles of 85 jubilee groups. Please go to: http://www.press.uillinois.edu/books/graham/spirituals/

Download or read book Healing for the Soul written by Braxton D. Shelley and published by Oxford University Press. This book was released on 2021 with total page 357 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reimagining Gospel : An Introduction -- "A Balm In Gilead" : "Tuning Up" and the Gospel Imagination -- The Moment That Changed Everything : Gospel Music and the Incarnation of Time -- "The Evidence of Things Not Seen" : Gospel Vamps and the Incarnation of Text -- The Pursuit of Intensity : A Formal Theory of the Gospel Vamp.

Download or read book The Black Church in the African American Experience written by C. Eric Lincoln and published by Duke University Press. This book was released on 1990-11-07 with total page 538 pages. Available in PDF, EPUB and Kindle. Book excerpt: Black churches in America have long been recognized as the most independent, stable, and dominant institutions in black communities. In The Black Church in the African American Experience, based on a ten-year study, is the largest nongovernmental study of urban and rural churches ever undertaken and the first major field study on the subject since the 1930s. Drawing on interviews with more than 1,800 black clergy in both urban and rural settings, combined with a comprehensive historical overview of seven mainline black denominations, C. Eric Lincoln and Lawrence H. Mamiya present an analysis of the Black Church as it relates to the history of African Americans and to contemporary black culture. In examining both the internal structure of the Church and the reactions of the Church to external, societal changes, the authors provide important insights into the Church’s relationship to politics, economics, women, youth, and music. Among other topics, Lincoln and Mamiya discuss the attitude of the clergy toward women pastors, the reaction of the Church to the civil rights movement, the attempts of the Church to involve young people, the impact of the black consciousness movement and Black Liberation Theology and clergy, and trends that will define the Black Church well into the next century. This study is complete with a comprehensive bibliography of literature on the black experience in religion. Funding for the ten-year survey was made possible by the Lilly Endowment and the Ford Foundation.

Download or read book Somebody s Calling My Name written by Wyatt Tee Walker and published by Conran Octopus. This book was released on 1979 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt: Tracing the relationship of black sacred music and social change, Wyatt Walker observes, ". . .if you listen to what black people are singing religiously, it will provide a clue as to what is happening to them sociologically." Walker traces the musical expressions of the black religious tradition from its roots in the "invisible church" of the slave society to its influence upon the black religious experience today. He challenges the black church to preserve this rich musical resource so that black sacred music will become one of the gifts of black people to the church universal [Publisher description]

Download or read book Race Music written by Guthrie P. Ramsey and published by Univ of California Press. This book was released on 2004-11-22 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: Covering the vast and various terrain of African American music, this text begins with an account of the author's own musical experiences with family and friends on the South Side of Chicago. It goes on to explore the global influence and social relevance of African American music.