Download or read book Aesthetic and Artistic Autonomy written by Owen Hulatt and published by A&C Black. This book was released on 2013-08-15 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Whether art can be wholly autonomous has been repeatedly challenged in the modern history of aesthetics. In this collection of specially-commissioned chapters, a team of experts discuss the extent to which art can be explained purely in terms of aesthetic categories. Covering examples from Philosophy, Music and Art History and drawing on continental and analytic sources, this volume clarifies the relationship between artworks and extra-aesthetic considerations, including historic, cultural or economic factors. It presents a comprehensive overview of the question of aesthetic autonomy, exploring its relevance to both philosophy and the comprehension of specific artworks themselves. By closely examining how the creation of artworks, and our judgements of these artworks, relate to society and history, Aesthetic and Artistic Autonomy provides an insightful and sustained discussion of a major question in aesthetic philosophy.
Download or read book The Oxford Handbook of Critical Improvisation Studies Volume 1 written by George E. Lewis and published by Oxford University Press. This book was released on 2016-08-22 with total page 617 pages. Available in PDF, EPUB and Kindle. Book excerpt: Improvisation informs a vast array of human activity, from creative practices in art, dance, music, and literature to everyday conversation and the relationships to natural and built environments that surround and sustain us. The two volumes of the Oxford Handbook of Critical Improvisation Studies gather scholarship on improvisation from an immense range of perspectives, with contributions from more than sixty scholars working in architecture, anthropology, art history, computer science, cognitive science, cultural studies, dance, economics, education, ethnomusicology, film, gender studies, history, linguistics, literary theory, musicology, neuroscience, new media, organizational science, performance studies, philosophy, popular music studies, psychology, science and technology studies, sociology, and sound art, among others.
Download or read book The Oxford Handbook of Critical Improvisation Studies Volume 2 written by George E. Lewis and published by Oxford University Press. This book was released on 2016-08-22 with total page 601 pages. Available in PDF, EPUB and Kindle. Book excerpt: Improvisation informs a vast array of human activity, from creative practices in art, dance, music, and literature to everyday conversation and the relationships to natural and built environments that surround and sustain us. The two volumes of the Oxford Handbook of Critical Improvisation Studies gather scholarship on improvisation from an immense range of perspectives, with contributions from more than sixty scholars working in architecture, anthropology, art history, computer science, cognitive science, cultural studies, dance, economics, education, ethnomusicology, film, gender studies, history, linguistics, literary theory, musicology, neuroscience, new media, organizational science, performance studies, philosophy, popular music studies, psychology, science and technology studies, sociology, and sound art, among others.
Download or read book After Taste Critique of insufficient reason written by Slavko Kacunko and published by Slavko Kacunko. This book was released on 2021-06-02 with total page 855 pages. Available in PDF, EPUB and Kindle. Book excerpt: After Taste is an inquiry into a field of study dedicated to the reconsideration, reconstruction and rehabilitation of the concept of Taste. Taste is the category, whose systematic, historical and actual dimensions have traditionally been located in a variety of disciplines. The actuality and potential of the study is based on a variety of collected facts from readings and experiences, which materialize in the following features: One concept (figurative Taste), two thinking traditions (analytic and synthetic/continental) and three interrelated dimensions (systematic, historic and actual) are presented in three volumes. As such, the study presents a salient comprehensive companion for wider readership of humanities approaching conceptions of Taste for the first time. Moreover, After Taste is intended for anyone who hopes to make a further contribution to the subject. Since its appearance and apparently short triumph some 250 years ago, the concept of non-literary Taste remained the linchpin of aesthetic theory and practice, but also a category outreaching aesthetics. Taste as the personal unity of the production, theory and criticism of art and literature, which was still largely taken as a given in the eighteenth century, has meanwhile given way to a highly-differentiated art world, in which aesthetic discourse is placed in such a way that it can seemingly no longer have a conceptual or linguistic effect on general opinion making. The critical role of “Taste judges”, ratings and rankings in the feuilleton, politics and social media on the one hand and the responding search for new canons on the other have had a huge impact on the academic and popular discourse today. However, Taste’s impact on society is in fact all-encompassing and yet, without getting even close to the “magnetic North” of the academic compass. After Taste fills the gaps of systematic research by a comprehensive tracing of the emergence of the doctrines, discourses and disciplinary dimensions of Taste up to the peak of its systematic and historical trajectory in the eighteenth century and onwards into the present day. The guiding goal is a post-disciplinary rehabilitation of the contested category as a preparation for its productive usage in emerging academic and popular contexts. Three intertwined research hypotheses form the guiding goal of an overall study of the agencies of Taste, its institutionalizations and expert cultures: The (1) first part provides a missing systematic perspective on the concept of Taste as a key factor for understanding the human faculties, value theories and practices of valuating. The (2) second part traces the events at the peak of Taste’s systematic and historical trajectories up until the late eighteenth century and verifies the historiographical hypothesis about the instrumentality of Taste for the production, reception and distribution of culture. The (3) third part reconstructs the major moments in which the contested concept of Taste experiences its post-disciplinary rehabilitation, in preparation for its future productive usage in the academic and popular discourses and practices. It shows how the category of Taste became the foundation, legitimation and the catalyst for the emerging division of labour, faculties and disciplines, confirming the hypothesis of the immense impact and actuality of Taste in the contemporary world.
Download or read book The Contradictions of Jazz written by Paul E. Rinzler and published by Scarecrow Press. This book was released on 2008 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Screening the Beats Media Culture and the Beat Sensibility written by David Sterritt and published by SIU Press. This book was released on 2004 with total page 164 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Music and Ethical Responsibility written by Jeff R. Warren and published by Cambridge University Press. This book was released on 2014-04-10 with total page 217 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music and Ethical Responsibility argues that musical experience involves encounters with others, and ethical responsibilities arise from those encounters.
Download or read book Valuing Nineteenth Century Italian Opera Fantasias for Woodwind Instruments written by Rachel N. Becker and published by Taylor & Francis. This book was released on 2024-03-29 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book approaches opera fantasias – instrumental works that use themes from a single opera as the body of their virtuosic and flamboyant material – both historically and theoretically, concentrating on compositions for and by woodwind-instrument performers in Italy in the nineteenth century. Important overlapping strands include the concept of virtuosity and its gradual demonization, the strong gendered overtones of individual woodwind instruments and of virtuosity, the distinct Italian context of these fantasias, the presentation and alteration of opera narratives in opera fantasias, and the technical and social development of woodwind instruments. Like opera itself, the opera fantasia is a popular art form, stylistically predictable yet formally flexible, based heavily on past operatic tradition and prefabricated materials. Through archival research in Italy, theoretical analysis, and exploration of European cultural contexts, this book clarifies a genre that has been consciously stifled and societal resonances that still impact music reception and performance today.
Download or read book Theology as Improvisation written by Nathan Crawford and published by BRILL. This book was released on 2013-02-15 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Theology as Improvisation, Nathan Crawford reimagines the possibilities for how theology thinks God within a postmodern world. He argues that theology is improvisation by analyzing the nature of attunement within theological thinking and how this opens certain possibilities for theology. He does so by engaging a number of thinkers, including Martin Heidegger, Jacques Derrida, David Tracy, and Saint Augustine. He navigates the nature of thinking God in a postmodern world by using these thinkers to offer critiques of onto-theological thinking and totalizing systems while also following their embrace of the fragment and focus upon the nature of thinking as attunement. The result is a unique way of approaching theological thinking in our contemporary context.
Download or read book The Oxford Handbook of Western Music and Philosophy written by Assistant Professor of Music and Ad Astra Fellow Tomás McAuley and published by Oxford University Press, USA. This book was released on 2020-12-30 with total page 1151 pages. Available in PDF, EPUB and Kindle. Book excerpt: Whether regarded as a perplexing object, a morally captivating force, an ineffable entity beyond language, or an inescapably embodied human practice, music has captured philosophically inclined minds since time immemorial. In turn, musicians of all stripes have called on philosophy as a source of inspiration and encouragement, and scholars of music through the ages have turned to philosophy for insight into music and into the worlds that sustain it. In this Handbook, contributors build on this legacy to conceptualize the rich interactions of Western music and philosophy as a series of meeting points between two vital spheres of human activity. They draw together key debates at the intersection of music studies and philosophy, offering a field-defining overview while also forging new paths. Chapters cover a wide range of musics and philosophies, including concert, popular, jazz, and electronic musics, and both analytic and continental philosophy.
Download or read book Leo Brouwer a Penetrating Insight Into the Life and Works of the Composer written by Costantinos Chizaris and published by Lulu.com. This book was released on 2018-06-05 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt: The intention is to provide the stigma of Leo Brouwer's creation and confirm his status as a guitarist and composer in the artistic sphere; namely, that of an artist with an intense enquiring mind, while at the same time showcasing his music and the connotations that are occasionally dominant in his work. At the same time, the main intention is to shed light on the process of organizing the sound and motivic material in his music, something that can be achieved by analysing two of his most representative pieces - each pertaining to a different compositional period.
Download or read book The Duchamp Book written by Gavin Parkinson and published by Tate. This book was released on 2008-05 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: Marcel Duchamp (1887 - 1968) was, without doubt, one of the most controversial artists of the twentieth century. Associated with cubism, Dada, and Surrealism, his invention of the "readymade" led him to produce some of the most iconic works of his era. While he is often cited as the most influential artist of his generation and is seen by many to be the progenitor of much of the conceptual and postmodern art of today, the writing published to date on Duchamp is often obscure and mired in theory. Extensively illustrated and featuring Duchamp's own writings, The Duchamp Book provides a much needed, accessible introduction to the artist.
Download or read book What Time Is It written by Emre Baykal and published by Arter Publications. This book was released on 2019-09-01 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Arter initiates a new publication series, Arter Background, to accompany group exhibitions drawn from its collection, which holds more than 1,300 works of art as of 2019. This first book of the series accompanies one of the opening exhibitions of Arter’s new building, a collection-based group exhibition entitled What Time Is It?. Curated by Emre Baykal and Eda Berkmen, the exhibition is conceived around the concepts of memory, space and time. In the book, excerpts of texts selected around the ideas active in the curatorial process are complemented by new essays written specifically for this context, in line with Arter’s mission of encouraging artistic and cultural production. It thus features texts on themes associated with houses, everyday objects, personal and collective histories, inside and outside, urban rhythms, architecture, archaeology, borders and migration, and includes commissioned essays by Erdem Ceylan, Deniz Gül, Gökhan Kodalak, and Nil Sakman. While close-up visual excerpts taken from the art works are cited side by side with the texts, the installation views from the exhibition assume their places as the first entries into the memory of Arter’s new space. With contributions by Etel Adnan • Guillaume Apollinaire • Marc Augé • Ingeborg Bachmann • Matsuo Basho • Joe Brainard • Sevim Burak • Erdem Ceylan • Boubacar Boris Diop • Harun Farocki • Hans Ulrich Gumbrecht • Deniz Gül • Nurdan Gürbilek • Christopher F. Hasty • Eric Hattan • Stephen Hawking • Zbigniew Herbert • Cem İleri • Gökhan Kodalak • Milan Kundera • Henri Lefebvre • Édouard Levé • Agustín Fernández Mallo • Jonas Mekas • Georges Perec • Fernando Pessoa • Marcel Proust • Rodrigo Quian Quiroga • Rainer Maria Rilke • Yannis Ritsos • Nil Sakman • Bruno Schulz • W.G. Sebald • Susan Sontag • Wallace Stevens • Stefan Zweig
Download or read book Bad Modernisms written by Douglas Mao and published by Duke University Press. This book was released on 2006-04-14 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: DIVCollection of essays on the ways in which modernist literature, film, and art transgressed the artistic and cultural norms we associate we "high" modernism./div
Download or read book Objects in Air written by Margareta Ingrid Christian and published by University of Chicago Press. This book was released on 2021-06-07 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: Introduction. Artworks and their modalities of egress -- Aer, Aurae, Venti: Warburg's aerial forms and historical milieus -- Luftraum: Riegl's vitalist mesology of form -- Saturated forms: Rilke's and Rodin's sculpture of environment -- The "Kinesphere" and the body's other spatial envelopes in Rudolf Laban's Theory of Dance -- Coda. Space as form.
Download or read book Photographic Theory written by Andrew E. Hershberger and published by John Wiley & Sons. This book was released on 2014-01-07 with total page 476 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hershberger is the winner of a 2015 Insight Award from the Society for Photographic Education for his work on this book and for his overall contributions to the field! Photographic Theory: An Historical Anthology presents a compendium of readings spanning ancient times to the digital age that are related to the history, nature, and current status of debates in photographic theory. Offers an authoritative and academically up-to-date compendium of the history of photographic theory Represents the only collection to include ancient, Renaissance, and 19th-, 20th-, and 21st-century writings related to the subject Stresses the drama of historical and contemporary debates within theoretical circles Features comprehensive coverage of recent trends in digital photography Fills a much-needed gap in the existing literature
Download or read book Hollywood Incoherent written by Todd Berliner and published by University of Texas Press. This book was released on 2010-10-01 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Most books about American film in the 1970s tell stories about iconoclastic auteurs working in the shadow of the Vietnam War. Stepping away from this tradition, Todd Berliner gives us a bold and compelling study of the strange, paradoxical narrative style of seventies films, which seemed to flout the canonical structure of the well-made film. Berliner sheds new light on a well-studied period. His lively prose and the delight he takes in explicaring the classics of that era make this book a real pleasure to read."---Stephen Prince, Professor of Cinema at Virginia Tech and author of Firestorm: American Film in the Age of Terrorism "The wave of innovative filmmaking that surged in 1970s Hollywood has come to be cherished as dearly by many cineastes as the earlier `golden age' of studio filmmaking. American filmmaking of this period has been much discussed in relation to the crisis of the film industry and the sociopolitical currents of the time, Todd Berliner's important study focuses on what is usually taken for granted in such work: the form, texture, and tone of the films themselves, and the experiences that they create for spectators. His exacting and wide-ranging study explores the interplay between narrative unity and `incongruity,' as it is manifested in different ways in acknowledged classics directed by Coppola, Friedkin, Scorsese, and Cassavetes, as well as in many less well-known films. Berliner also shows how these films have had a lasting impact on Hollywood filmmaking. Hollywood Incoherent provides the sustained and systematic exploration of the aesthetics of the `Hollywood Renaissance' that the films deserve and the field of film studies needs."---Murray Smith, Professor of Film Studies, University of Kent
