Download or read book The Jackson Pollock Sketchbooks in the Metropolitan Museum of Art written by Katharine Baetjer and published by Metropolitan Museum of Art. This book was released on 1997 with total page 90 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Jackson Pollock Sketchbooks in the Metropolitan Museum of Art written by and published by . This book was released on 1997 with total page 88 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Jackson Pollock written by Pepe Karmel and published by The Museum of Modern Art. This book was released on 1999 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Published to accompany the exhibition Jackson Pollock held the Museum of Modern Art, New York, from 1 November 1998 to 2 February 1999.
Download or read book African American Artists 1929 1945 written by Metropolitan Museum of Art (New York, N.Y.) and published by Metropolitan Museum of Art. This book was released on 2003 with total page 93 pages. Available in PDF, EPUB and Kindle. Book excerpt: This handsome book focuses on the work of African-American artists during the Depression and the war years, when government-sponsored programs led to a resurgence in artistic production throughout the United States.
Download or read book Jackson Pollock written by Jackson Pollock and published by Giunti Editore. This book was released on 2014 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exhibiting Jackson Pollock in Florence and comparing him to Michelangelo is the challenge that the authors and curators of this exhibition faced. One originates in drawing that with all its strength attempts to respect the order of nature and of the divine. The other is based in the phenomenology of the unconscious and mystical geometry, the perfect representation of an expanding universe. What Michelangelo and Pollock shared was the inspired frenzy they both transmitted as they worked, a sort of agonistic trance that rendered them extraneous to the outer world.
Download or read book A Day with Picasso written by Billy Kluver and published by MIT Press. This book was released on 1999-02-18 with total page 120 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1978, while collecting documentary photographs of the artists' community in Montparnasse from the first decades of the century, Billy Klüver discovered that some previously unassociated photographs fell into significant groupings. One group in particular, showing Picasso, Max Jacob, Moïse Kisling, Modigliani, and others at the Café de la Rotonde and on Boulevard du Montparnasse, all seemed to have been taken on the same day. The people were wearing the same clothes in each shot and had the same accessories. Their ties were knotted the same way and their collars had the same wrinkles. A total of twenty-four photographs—four rolls of film with six photographs each—were eventually found. With the challenge of identifying the date, photographer, and circumstances, Klüver embarked on an inquiry that would illuminate the minute texture of that time and place. Biographical research into the subjects' lives led Klüver to focus on the summer of 1916 as the likely time the photos were taken. He then measured buildings and plotted angles and lengths of shadows in the photographs to narrow the time frame to a spread of three weeks. Further investigation eventually allowed Klüver to identify the photographer as Jean Cocteau and to determine the day that Cocteau had taken the photographs: August 12, 1916. A computer printout of the sun's positions on that date, obtained from the Bureau des Longitudes, together with the length of the shadows, enabled Klver to calculate the time of day of each photograph, and thus to put them in proper sequence. In a tour de force of art historical research, Klüver then reconstructed a scenario of the events of the four hours depicted in the photographs. With evocative attention to detail—noting when Picasso is no longer carrying an envelope or Max Jacob has acquired a decoration in his lapel—Klüver recreates a single afternoon in the lives of Picasso and friends, a group of remarkable people in early twentieth-century Paris. Besides the central "portfolio" of photographs by Cocteau, the book contains additional photographs and drawings, short biographies of all the subjects, and a historical section on the events and activities in the Paris art world at the time.
Download or read book In Memory of My Feelings written by Frank O'Hara and published by The Museum of Modern Art. This book was released on 2005 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: By Frank O'Hara. Edited by Bill Berkson. Essay by Kynaston McShine.
Download or read book Courbet and the Modern Landscape written by and published by Getty Publications. This book was released on 2006 with total page 158 pages. Available in PDF, EPUB and Kindle. Book excerpt: With its fittingly dramatic design, Courbet and the Modern Landscape accompanies the first major museum exhibition specifically to address Gustave Courbet's extraordinary achievement in landscape painting. Many of these carefully selected works produced from 1855 to 1876--gathered from Asia, Europe, and North America--will be new to readers. The catalogue--which accompanies an exhibition at the Getty Museum to be held from February 21 to May 14, 2006--highlights the artist's expressive responses to the natural environment. Essays by the curators examine Courbet's distinctly modern practice of landscape painting. Mary Morton's essay situates his landscapes in relation to his work in other genres, his critical reputation, and his role in establishing a new pictorial language for landscape painting. Charlotte Eyerman's essay investigates how later generations of nineteenth- and twentieth-century artists responded to Courbet's example. The catalogue also includes an essay by Dominique de Font-Reaulx, curator of photographs at the Musee d'Orsay, on the relationship between Courbet's work and landscape photography of the 1850s and 1860s. With its fittingly dramatic design, Courbet and the Modern Landscape accompanies the first major museum exhibition specifically to address Gustave Courbet's extraordinary achievement in landscape painting. Many of these carefully selected works produced from 1855 to 1876--gathered from Asia, Europe, and North America--will be new to readers. The catalogue--which accompanies an exhibition at the Getty Museum to be held from February 21 to May 14, 2006--highlights the artist's expressive responses to the natural environment. Essays by the curators examine Courbet's distinctly modern practice of landscape painting. Mary Morton's essay situates his landscapes in relation to his work in other genres, his critical reputation, and his role in establishing a new pictorial language for landscape painting. Charlotte Eyerman's essay investigates how later generations of nineteenth- and twentieth-century artists responded to Courbet's example. The catalogue also includes an essay by Dominique de Font-Reaulx, curator of photographs at the Musee d'Orsay, on the relationship between Courbet's work and landscape photography of the 1850s and 1860s.
Download or read book No Limits Just Edges written by Jackson Pollock and published by Solomon R Guggenheim Museum. This book was released on 2005 with total page 143 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essays by Susan Davidson, David Anfam and Margaret Hoben Ellis.
Download or read book Picture Titles written by Ruth Bernard Yeazell and published by Princeton University Press. This book was released on 2015-09-29 with total page 365 pages. Available in PDF, EPUB and Kindle. Book excerpt: How the practice of titling paintings has shaped their reception throughout modern history A picture's title is often our first guide to understanding the image. Yet paintings didn’t always have titles, and many canvases acquired their names from curators, dealers, and printmakers—not the artists. Taking an original, historical look at how Western paintings were named, Picture Titles shows how the practice developed in response to the conditions of the modern art world and how titles have shaped the reception of artwork from the time of Bruegel and Rembrandt to the present. Ruth Bernard Yeazell begins the story with the decline of patronage and the rise of the art market in the seventeenth and eighteenth centuries, as the increasing circulation of pictures and the democratization of the viewing public generated the need for a shorthand by which to identify works at a far remove from their creation. The spread of literacy both encouraged the practice of titling pictures and aroused new anxieties about relations between word and image, including fears that reading was taking the place of looking. Yeazell demonstrates that most titles composed before the nineteenth century were the work of middlemen, and even today many artists rely on others to name their pictures. A painter who wants a title to stick, Yeazell argues, must engage in an act of aggressive authorship. She investigates prominent cases, such as David’s Oath of the Horatii and works by Turner, Courbet, Whistler, Magritte, and Jasper Johns. Examining Western painting from the Renaissance to the present day, Picture Titles sheds new light on the ways that we interpret and appreciate visual art.
Download or read book The Drawings of Roy Lichtenstein written by Bernice Rose and published by . This book was released on 1987 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Sigmar Polke written by Margit Rowell and published by . This book was released on 1999 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sigmar Polke's thirty-five-year career, during which he has produced a vast range of work in all mediums, has earned him a reputation as one of the most significant artists of his generation. Born in 1941, he began his creative output around 1963 in Dusseldorf during a time of enormous social, cultural, and artistic changes in Germany and elsewhere. Few of his works demonstrate more vividly his imagination, sardonic wit, and subversive approach than the drawings, watercolors, and gouaches produced during the 1960s and early 1970s. Embedded in these images are incisive and parodic commentaries on consumer society, the postwar political scene in Germany, and classic artistic conventions.
Download or read book Philippe de Montebello and the Metropolitan Museum of Art written by James R. Houghton and published by Metropolitan Museum of Art. This book was released on 2009 with total page 185 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Drawings of Philip Guston written by Magdalena Dabrowski and published by . This book was released on 1988 with total page 190 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This book ... [shows] how the artist worked out his developing ideas primarily through drawing. Included are examples of work from his early years, such as the preparatory drawings he made as a muralist for the WPA in the 1930s, in addition to the increasingly abstract work of the 1940s and 1950s, and the sequence of pictorial experiments that led to his reintroduction of the figure in the late 1960s. Also reproduced, in color, are a number of painterly gouaches and a series of acrylics"--Back cover.
Download or read book To a Violent Grave written by Jackson Pollock and published by . This book was released on 2011-01-01 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: The life of abstract expressionist painter Jackson Pollock (1912-1956), as told by his family, friends, neighbors and colleagues.
Download or read book Tony Smith written by Robert Storr and published by . This book was released on 1998 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Figurative Pollock written by Nina Zimmer and published by Prestel Publishing. This book was released on 2016 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This beautiful book focuses on the distinctive and expressive power of Jackson Pollock's figurative paintings, drawings, and prints; a rarely studied aspect of his artistic career. Jackson Pollock's name has become synonymous with the abstract drip paintings that he famously created on the floor of his studio. Before these paintings, from the 1930s to the late 1940s, Pollock created figurative works, studying at one time under the painter Thomas Hart Benton and with the Mexican muralists Diego Rivera, José Clemente Orozco, and David Alfaro Siqueiros. Pollock took up figuration again after his famous drip paintings. This book starts with the early decades and also treats Pollock's re-adoption of the figuration after his renowned abstract paintings. The Figurative Pollock features 100 paintings and works on paper. From rolling landscapes to experiments in non-Western totemic painting to sketches and drawings fueled by Jungian analysis, the enormous range of Pollock's early and late work is presented here. Brimming with confidence and a sense of freedom, distinct yet so easily related to Pollock's most famous oeuvre, these works contribute to an understanding of how the artist found his voice.
