Download or read book The Great European Stage Directors Volume 5 written by Paul Allain and published by Bloomsbury Publishing. This book was released on 2021-10-07 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume provides a fresh assessment of the pioneering practices of theatre directors Jerzy Grotowski, Peter Brook and Eugenio Barba, whose work has challenged and extended ideas about what theatre is and does. Contributors demonstrate how each was instrumental in rethinking and reinventing theatre's possibilities: where it takes place – whether in theatres or beyond – and who the audience might then be, as well as how actors train and perform, highlighting the importance of the group and collaboration. The volume examines their role in establishing intercultural dialogues and practices, and the wider influence of this work on theatre. Consideration is also given to each director's documentation of their practice in print and film and the influence this has had on 21st-century performance.
Download or read book The Great European Stage Directors Grotowski Brook Barba written by Peta Tait and published by . This book was released on 2019 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Director and Directing written by Adam J. Ledger and published by Springer. This book was released on 2019-04-02 with total page 283 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book critically assesses the artistry of contemporary directors. Its discussion includes the work of Declan Donnellan, Thomas Ostermeier, Deborah Warner, Simon Stone and Krzysztof Warlikowski. Alongside the work of wider theorists (Patrice Pavis and Erika Fischer-Lichte), it uses neuroaesthetic theory (Semir Zeki) and cognitive and creative process models to offer an original means to discuss the performance event, emotion, brain structures and concepts, and the actor’s body in performance. It offers first-hand observation of rehearsals led by Katie Mitchell, Ivo van Hove, Carrie Cracknell and the Steppenwolf Theatre. It also explores devising in relation to the work of Simon McBurney and contemporary groups, and scenography in relation to the work of Dmitry Krymov, Robert Wilson and Robert Lepage. The Director and Directing argues that the director creates a type of knowledge, ‘reward’ and ‘resonant experience’ (G. Gabrielle Starr) through instinctive and expert choices.
Download or read book The Great European Stage Directors Volume 4 written by Michael Patterson and published by Bloomsbury Publishing. This book was released on 2021-10-07 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this volume leading scholars assess the contributions of Max Reinhardt, Leopold Jessner and Harley Granville Barker to European theatre. Their work represents the cultural shift from traditional theatre practices of the 19th century to the rise of Modernism and its means of establishing theatre as an art form in its own right. Uncovering the theories and visions of theatre held by Reinhardt, Jessner and Barker, this volume establishes the contribution and importance of these directors in the development of modern theatre and their significance alongside the better-known names of Stanislavski and Brecht.
Download or read book The Great European Stage Directors Volume 3 written by Jonathan Pitches and published by Bloomsbury Publishing. This book was released on 2021-10-07 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume examines the work of directors Jacques Copeau, Theodore Komisarjevsky and Tyrone Guthrie. It explores in detail many of the directors' key productions, including Copeau's staging of Molière's The Tricks of Scapin, Komisarjevsky's signature season of Chekhov plays at the Barnes Theatre and Guthrie's pioneering direction of Shakespeare's plays in North America. This study argues that their work exemplifies the complexity and novelty of the role of theatre directing in the first three-quarters of the 20th century, as Komisarjevsky was in the middle of the genesis of directing in Russia, Copeau launched his directorial career just as the role was gaining definition, and Guthrie was at the vanguard of directing in Britain, at last shaking off the traditions of the actor-manager to formulate the new role of artistic director.
Download or read book The Great European Stage Directors Volume 8 written by Luk Van den Dries and published by Bloomsbury Publishing. This book was released on 2021-10-07 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume foregrounds Pina Bausch, Romeo Castellucci and Jan Fabre as 3 leading directors who have each left an indelible mark on post-war European theatre. Combining in-depth discussions of the artists' poetics with detailed case studies of several famous and lesser-known key works, the authors featured in this volume trace a range of foundational aesthetic strategies that are central to the directors' work: the dynamics of repetition vis-à-vis fragmentation, the continued significance of language in experimental theatre and dance, the tension between theatricality and the performative reality of the stage, and the equal importance attached to text, image and body. This volume develops a vivid picture of how European stage directors have continued to redefine their own position and role throughout the latter half of the 20th century.
Download or read book The Great European Stage Directors Volume 7 written by Felicia Hardison Londré and published by Bloomsbury Publishing. This book was released on 2021-10-07 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume offers a compelling account of Jean-Louis Barrault, Ariane Mnouchkine and Peter Stein, who not only won international recognition as directors whose repertoires ranged from classical Greek to Shakespeare to the avant-garde, but also succeeded as leaders of their own companies. The ensembles they nurtured and kept afloat despite setbacks represent the artistic vision of each: the Compagnie Madeleine Renaud–Jean-Louis Barrault, the Théâtre du Soleil and the Schaubühne. Selected landmark productions illuminate the achievements of these 3 directors and their companies.
Download or read book The Great European Stage Directors Volume 6 written by Clare Finburgh Delijani and published by Bloomsbury Publishing. This book was released on 2021-10-07 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume examines the work of Joan Littlewood, Giorgio Strehler and Roger Planchon, demonstrating how these 3 directors take up key aesthetic prompts from earlier innovators – Stanislavski, the modernist avant-garde and not least Brecht – and thereby prepare the ground for contemporary, politically-engaged 'directors' theatre'. It argues that, in creating their major productions in the prosperous 'glorious decades' that followed the devastation of the Second World War, they represent a first expressly 'European' generation of theatre directors. Revisiting works from the classical dramatic canon by drawing on popular theatre traditions, and reaching out to spectators beyond the educated middle-class elite, they put theatre in the service of uniting a traumatized continent. This study posits that for Littlewood, Strehler and Planchon, theatre has the capacity to create communities.
Download or read book The Great European Stage Directors Volume 2 written by David Barnett and published by Bloomsbury Publishing. This book was released on 2021-10-07 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume surveys and assesses the contributions of Vsevolod Meyerhold, Erwin Piscator and Bertolt Brecht to theatre-making, which richly exemplify the range of ways that directors address dramatic material, theatrical space and their audiences. Their directorial work marks an unmistakeable interest in developing the political potential of theatre in the early 20th century, although each director offered more to their actors, collaborators and spectators than simply the staging of politics and the political.
Download or read book The Great European Stage Directors Volume 1 written by Peta Tait and published by Bloomsbury Publishing. This book was released on 2021-10-07 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume assesses the contributions of André Antoine, Konstantin Stanislavski and Michel Saint-Denis, whose work has influenced theatre and training for over a century. These directors pioneered Naturalism and refined Realism as they experimented with theatrical form including non-Realism. Antoine and Stanislavski's theatre direction proved foundational to the creation of the director's role and artistic vision, and their influential ideas progressively developed through the stylized theatre of Saint-Denis to the innovative contemporary theatre direction of Max Stafford-Clark, Declan Donnellan and Katie Mitchell.
Download or read book The Great European Stage Directors Volume 5 written by Paul Allain and published by Methuen Drama. This book was released on 2021-12-02 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume provides a fresh assessment of the pioneering practices of theatre directors Jerzy Grotowski, Peter Brook and Eugenio Barba, whose work has challenged and extended ideas about what theatre is and does. Contributors demonstrate how each was instrumental in rethinking and reinventing theatre's possibilities: where it takes place – whether in theatres or beyond – and who the audience might then be, as well as how actors train and perform, highlighting the importance of the group and collaboration. The volume examines their role in establishing intercultural dialogues and practices, and the wider influence of this work on theatre. Consideration is also given to each director's documentation of their practice in print and film and the influence this has had on 21st-century performance.
Download or read book The Great European Stage Directors written by and published by . This book was released on 2019 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Contemporary Irish Drama Cultural Identity written by Margaret Llewellyn-Jones and published by Intellect Books. This book was released on 2002 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exploring the works of Brian Friel, Frank McGuinness, Tom Murphy, and Thomas Kilroy, the author presents an introduction on the historical context of Irish culture, with particular attention being paid to the works performed in the 1990s.
Download or read book The Grotowski Sourcebook written by RICHARD SCHECHNER and published by Routledge. This book was released on 2013-11-05 with total page 545 pages. Available in PDF, EPUB and Kindle. Book excerpt: This acclaimed volume is the first to provide a comprehensive overview of Jerzy Grotowski's long and multi-faceted career. It is essential reading for anyone interested in Grotowski's life and work. Edited by the two leading experts on Grotowski, the sourcebook features: *essays from the key performance theorists who worked with Grotowski, including Eugenio Barba, Peter Brook, Jan Kott, Eric Bentley, Harold Clurman, and Charles Marowitz *writings which trace every phase of Grotowski's career from his 'theatre of production' to 'objective drama' and 'art as vehicle' *a wide-ranging collection of Grotowski's own writings, plus an interview with his closest collaborator and 'heir', Thomas Richards *an array of photographs documenting Grotowski and his followers in action *a historical-critical study of Grotowski by Richard Schechner.
Download or read book Film and the Arts in Symbiosis written by Gary Edgerton and published by Greenwood. This book was released on 1988-03-08 with total page 412 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film and the Arts in Symbiosis is an interesting collection of readable essays written by film scholars and teachers. Each essay is accompanied by a set of footnotes, a bibliography, and a filmography. The essays cover the relationship between film and painting, photography, graphic arts, literature, theater, classical and popular music, radio, television, video art, and the `new media'. . . . This is a unique and valuable anthology, providing well-written and well-edited essays that may well be used as course readings. RQ This unusual resource guide and handbook examines the key relationships and abundant interconnections between motion pictures and eleven other traditional or communication arts. For the first time, the work of scholars who have studied or taught in fields as diverse as broadcasting, art, music, photography, and popular culture is pulled together for ready access in one volume. Film and the Arts in Symbiosis, takes an exploratory, yet systematic look at the interdisciplinary nature of the film medium and both highlights and enthusiastically endorses that multi-faceted tradition.
Download or read book The Post traumatic Theatre of Grotowski and Kantor written by Magda Romanska and published by Anthem Press. This book was released on 2014-10-01 with total page 420 pages. Available in PDF, EPUB and Kindle. Book excerpt: Despite its international influence, Polish theatre remains a mystery to many Westerners. This volume attempts to fill in current gaps in English-language scholarship by offering a historical and critical analysis of two of the most influential works of Polish theatre: Jerzy Grotowski’s ‘Akropolis’ and Tadeusz Kantor’s ‘Dead Class’. By examining each director’s representation of Auschwitz, this study provides a new understanding of how translating national trauma through the prism of performance can alter and deflect the meaning and reception of theatrical works, both inside and outside of their cultural and historical contexts.
Download or read book The Five Continents of Theatre written by Eugenio Barba and published by BRILL. This book was released on 2019-02-11 with total page 420 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Five Continents of Theatre undertakes the exploration of the material culture of the actor, which involves the actors’ pragmatic relations and technical functionality, their behaviour, the norms and conventions that interact with those of the audience and the society in which actors and spectators equally take part. The material culture of the actor is organised around body-mind techniques (see A Dictionary of Theatre Anthropology by the same authors) and auxiliary techniques whose variety concern: ■ the diverse circumstances that generate theatre performances: festive or civil occasions, celebrations of power, popular feasts such as carnival, calendar recurrences such as New Year, spring and summer festivals; ■ the financial and organisational aspects: costs, contracts, salaries, impresarios, tickets, subscriptions, tours; ■ the information to be provided to the public: announcements, posters, advertising, parades; ■ the spaces for the performance and those for the spectators: performing spaces in every possible sense of the term; ■ sets, lighting, sound, makeup, costumes, props; ■ the relations established between actor and spectator; ■ the means of transport adopted by actors and even by spectators. Auxiliary techniques repeat themselves not only throughout different historical periods, but also across all theatrical traditions. Interacting dialectically in the stratification of practices, they respond to basic needs that are common to all traditions when a performance has to be created and staged. A comparative overview of auxiliary techniques shows that the material culture of the actor, with its diverse processes, forms and styles, stems from the way in which actors respond to those same practical needs. The authors’ research for this aspect of theatre anthropology was based on examination of practices, texts and of 1400 images, chosen as exemplars.
