Download or read book The Focal Press Companion to the Constructed Image in Contemporary Photography written by Marni Shindelman and published by Taylor & Francis. This book was released on 2018-09-03 with total page 402 pages. Available in PDF, EPUB and Kindle. Book excerpt: This compendium examines the choices, construction, inclusions and exemptions, and expanded practices involved in the process of creating a photograph. Focusing on work created in the past twenty-five years, this volume is divided into sections that address a separate means of creating photographs as careful constructs: Directing Spaces, Constructing Places, Performing Space, Building Images, and Camera-less Images. Introduced by both a curator and a scholar, each section features contemporary artists in conversation with curators, critics, gallerists, artists, and art historians. The writings include narratives by the artist, writings on their work, and examinations of studio practices. This pioneering book is the first of its kind to explore this topic beyond those artists building sets to photograph.
Download or read book Visual Culture and the Forensic written by David Houston Jones and published by Routledge. This book was released on 2022-03-10 with total page 162 pages. Available in PDF, EPUB and Kindle. Book excerpt: David Houston Jones builds a bridge between practices conventionally understood as forensic, such as crime scene investigation, and the broader field of activity which the forensic now designates, for example in performance and installation art as well as photography. Contemporary work in these areas responds both to forensic evidence, including crime scene photography, and to some of the assumptions underpinning its consumption. It asks how we look, and in whose name, foregrounding and scrutinising the enduring presence of voyeurism in visual media and instituting new forms of ethical engagement. Such work responds to the object-oriented culture associated with the forensic and offers a reassessment of the relationship of human voice and material evidence. It displays an enduring debt to the discursive model of testimony which has so far been insufficiently recognised, and which forms the basis for a new ethical understanding of the forensic. Jones’s analysis brings this methodology to bear upon a strand of contemporary visual activity that has the power to significantly redefine our understandings of the production, analysis and deployment of evidence. Artists examined include Forensic Architecture, Simon Norfolk, Melanie Pullen, Angela Strassheim, John Gerrard, Julian Charrière, Trevor Paglen, Laura Poitras and Sophie Ristelhueber. The book will be of interest to scholars working in art history, visual culture, literary studies, modern languages, photography and critical theory.
Download or read book Photographic Possibilities written by Robert Hirsch and published by Taylor & Francis. This book was released on 2001 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Photographic Possibilities, Second Edition continues to provide a reliable source of techniques and ideas for the use of alternative and contemporary photographic processes that photographers have come to depend on. Professional photographers and advanced students seeking to increase their skills will discover modern and classic methods of creating and manipulating images. This practical guide integrates technical methods with the aesthetic outcome. It offers readers clear, step-by-step instructions on historic and on contemporary processes that integrate both the technical information and the aesthetic inspiration needed to create outstanding photographs. This new expanded edition concisely covers the most significant new products, processes, and issues that have effected the practice during the past decade. Two new chapters are exclusively devoted to digital photography, covering the history of digital imaging as well as the latest techniques and practices. Also included is an in-depth discussion on the copyright, which deals with the ethical and conceptual issues surrounding digital imaging that are rapidly changing the world of photography.
Download or read book Photographically Speaking written by David duChemin and published by New Riders. This book was released on 2011-10-11 with total page 537 pages. Available in PDF, EPUB and Kindle. Book excerpt: When looking at a photograph, too often a conversation starts–and, unfortunately, ends–with a statement such as, “I like it.” The logical next question, “Why?”, often goes unasked and unanswered. As photographers, we frequently have difficulty speaking about images because, frankly, we don’t know how to think about them. And if we don’t know how to think about a photograph and its “visual language”– how an image is constructed, how it works, and why it works–then, when we’re behind the camera, are we really making images that best communicate our vision, our original intent? Vision–crucial as it is–is not the ultimate goal of photography; expression is the goal. And to best express ourselves, it is necessary to learn and use the grammar and vocabulary of the visual language. Photographically Speaking is about learning photography’s visual language to better speak to why and how a photograph succeeds, and in turn to consciously use that visual language in the creation of our own photographs, making us stronger photographers who are able to fully express and communicate our vision. By breaking up the visual language into two main components–“elements” make up its vocabulary, and “decisions” are its grammar–David duChemin transforms what has traditionally been esoteric and difficult subject matter into an accessible and practical discussion that photographers can immediately use to improve their craft. Elements are the “words” of the image, what we place within the frame–lines, curves, light, color, contrast. Decisions are the choices we make in assembling those elements to best express and communicate our vision–the use of framing, perspective, point of view, balance, focus, exposure. All content within the frame has meaning, and duChemin establishes that photographers must consciously and deliberately choose the elements that go within their frame and make the decisions about how that frame is constructed and presented. In the second half of the book, duChemin applies this methodology to his own craft, as he explores the visual language in 20 of his own images, discussing how the intentional choices of elements and decisions that went into their creation contribute to their success.
Download or read book Mastering Photographic Composition Creativity and Personal Style written by Alain Briot and published by "O'Reilly Media, Inc.". This book was released on 2010-12-14 with total page 717 pages. Available in PDF, EPUB and Kindle. Book excerpt: Alain Briot states that, "The personality of the photographer must be present in the image for an artistic photograph to have value." And in this book he sets out to teach the things that are essential in achieving this goal. Following his successful first book, Mastering Landscape Photography, Briot goes beyond the conventional rules of composition and takes on a fresh, new approach to teaching the art of photography. Based upon his personal experiences as an artist, teacher, and photographer, he opens new doors to the reader-doors leading to new ways of seeing and composing images. Briot approaches fine art photography as being a combination of art and technique. In this new book he addresses both of these by presenting artistic and technical information. On the artistic side, Briot introduces artistic concepts that have been rarely, if ever, associated with photography. On the technical side, he presents numerous tools that can help you learn how to create better photographs and provides technical solutions to common photographic problems. The author practices photography as a fine art. What matters most to him is how photography can be used to express feelings and emotions. For Briot, a good photograph must be both artistically inspired and technically excellent. To have just one of these two elements is not enough for a fine art photograph to be successful. Topics include: - How to compose with color, with black and white, and with light - Why you need to consider your audience while composing a photograph - Recreate the emotions you felt when you captured your photographs - How the elements of color-hue, contrast, and saturation-work in your images - How to control the elements that have a visual effect in your photographs - How to draw upon your personal way of seeing and then share your vision - How to diagnose image maladies and apply the proper remedies - How to define a color palette for a specific photograph - How to use compositional elements to develop a personal style Forweword by Tony Sweet
Download or read book The Photographer s Eye written by Michael Freeman and published by CRC Press. This book was released on 2007-05-23 with total page 194 pages. Available in PDF, EPUB and Kindle. Book excerpt: Design is the single most important factor in creating a successful photograph. The ability to see the potential for a strong picture and then organize the graphic elements into an effective, compelling composition has always been one of the key skills in making photographs. Digital photography has brought a new, exciting aspect to design - first because the instant feedback from a digital camera allows immediate appraisal and improvement; and second because image-editing tools make it possible to alter and enhance the design after the shutter has been pressed. This has had a profound effect on the way digital photographers take pictures. Now published in sixteen languages, The Photographer's Eye continues to speak to photographers everywhere. Reaching 100,000 copies in print in the US alone, and 300,000+ worldwide, it shows how anyone can develop the ability to see and shoot great digital photographs. The book explores all the traditional approaches to composition and design, but crucially, it also addresses the new digital technique of shooting in the knowledge that a picture will later be edited, manipulated, or montaged to result in a final image that may be very different from the one seen in the viewfinder.
Download or read book The Persuasive Image Art Kane written by John Poppy and published by . This book was released on 1975 with total page 100 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Photography written by Bert Krages and published by Simon and Schuster. This book was released on 2012-02-21 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the beginning of the twentieth century, photographic composition has been taught mostly by applying the principles from the field of graphic design. But the factor that distinguishes the work of master photographers is their ability to see and describe scenes visually. This book follows contemporary educational methods used to teach fine arts such as drawing and painting, concentrating on teaching the perception of critical visual elements and understanding how they will be rendered photographically. "In many respects, this book can do for photography what Betty Edwards’ best-selling Drawing on the Right Side of the Brain did for drawing. Many people believe that seeing is a mysterious gift, the so-called ‘artist's eye." says Krages. The core of the book is a group of sixty exercise that readers perform to learn how to perceive points, lines, and shapes in static and dynamic settings. These exercises are structured enough to push photographers to develop their cognitive abilities while at the same time flexible enough to allow for individual creative expression. They also show the importance of knowing about the subject and provide some history about the specific genres at the heart of each exercise.
Download or read book The Photographer s Mind written by Michael Freeman and published by Ilex Press. This book was released on 2010-11-01 with total page 525 pages. Available in PDF, EPUB and Kindle. Book excerpt: The source of any photograph is not the camera, or even the scene viewed through the viewfinder - it is in the mind of the photographer. In The Photographer's Mind, photographer and author Michael Freeman unravels the mystery behind the creation of a photograph. More than any other art form, the nature of photography demands that the viewer constantly be intrigued and surprised by new imagery and different interpretations. The aim of this book is to answer what makes a photograph great, and explore the ways that top photographers achieve this goal time and time again. The Photographer?s Mind will provide you with invaluable knowledge on avoiding cliché, the cyclical nature of fashion, style and mannerism, light and even how to handle the unexpected.
Download or read book Composition and Language Photographic written by Ernesto Martinez and published by Independently Published. This book was released on 2022-09-05 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Knowing how to compose in photography is having more than halfway to becoming a good photographer. If you are interested, we are going to recapitulate the basic notions of photographic composition. Mastering composition is just as important as mastering lighting, or the parts and handling of your photographic equipment. It can make the difference between an ordinary photo and a great professional looking photo. In the following pages we will analyze various rules, tricks and tips to take the best photographs in terms of Composition. We will know the laws of perception, who are the Gestalt psychologists and what relationship they have with photography. We will study the law of figure and background, the law of proximity, the law of continuity, the law of closure, the law of similarity and the law of grouping, among others. All of them are rules of perception that help us understand why some photos are better than others and how the visual stimulus that the photographer captures in the image affects the viewer. We will explain in depth the basic laws of photographic composition: the law of the horizon, the law of the gaze and, of course, the famous rule of thirds. Nor will we forget the golden section, the Fibonacci sequence and its relationship with photographic composition. We will continue talking in detail about the elements that make up the design in an image, what they are, and how we can use them in our favor when composing a good photograph. Lines and points, shapes, textures and colors are all concepts that we will get to know in depth in this book and that will serve as a guide when taking out the camera and composing. Finally, we will review the types of framing, explaining what values the different ways of framing add to the image. We will review the photographic angle and the planes of the image and perspective, all of which are aspects to take into account in a good photographic composition. If you want to become a better photographer, get better photos, incredible photos, you don't need to wait for a better team. You can greatly improve your photography, climb a privileged level... by learning the laws and concepts of Composition and visual language . That is why we have created this new Book (ebook) " Photographic Composition and Language" From Good to Extraordinary Photos . It belongs to the Series: " Higher Training in Photography " where we address all matters related to this discipline, necessary for your training as a professional photographer. The series includes the following titles: 1. Black and White Art. 2. Color and Photography. 3. The Exposure . 4. Focus and Sharpness. 5. Photographic. Illumination. 6. Composition and Photographic Language. 7. The Digital Camera. 8. Photographic Lens. 9. Practical guide of Ligthroom. 10. Photoshop for Photographers CONTENTS: Visual Language in Photography. Elements and Basic Tools of Composition The Framing in Photography Location of Objects within the Frame Frame Types Orientation, Proportion and Reframing The Selective Approach Depth of Field. Freeze Motion in your Photography Movement rule. The Path of our Gaze. types of perspective Know how to look graphically The Rule of the Odd Visual Perception Gestalt Perception The Importance of the Optics Used Triangles in Photography: The 7 Types of Plane According to the Scale in Portrait Photography The Visual Weight in Photography Add Visual Weight to an Image How to Express Ourselves with Visual Weight Angle and Frame. Types of Angles Identify the Center of Interest Fill the Frame (Fil the frame) Work Flow and Direction Simplicity Horizon Law Balance and Symmetry The Golden Ratio and the Fibonacci sequence. The Rule of Thirds Forms and Figures Texture and Drawing
Download or read book Langford s Basic Photography written by Michael Langford and published by Taylor & Francis. This book was released on 2012-09-10 with total page 482 pages. Available in PDF, EPUB and Kindle. Book excerpt: Langford's Basic Photography is a seminal photography text. First published in 1965, it has informed the work and career of many of the world's leading photographers. The new, 9th edition, continues the tradition of its predecessors, reflecting the same comprehensive mix of scholarly and practical information. It covers every aspect of photography, from capture through to output, both digital and analogue. There is an emphasis on explaining the 'how to' of photography, but Langford's Basic also includes in-depth coverage of the fundamental principles that govern the art, such as how light behaves, optics, and the shutter. This ensures that the reader comes away with not only a good grasp of photographic technique, but also an in-depth understanding of the fundamentals that will help them to better understand how great photography is made. As such, it functions both as an excellent coursebook for students of photography, and a great primer and reference for amateur enthusiasts. The new edition has been fully updated to reflect dynamic changes in the industry. These changes include: an expansion and overhaul of the information on digital cameras and digital printing; an emphasis on updating photographs to incude a wider range of international work; replacement of many diagrams with photos; overhaul of the analogue sections to give a more modern tone (ie exposure measurement and film and filters with some more dynamic photo illustrations); a fully edited and updated photography timeline. This landmark text is an essential purchase, both for new photographers as an introduction, and for established photographers as an invaluable reference work.
Download or read book Transformational Imagemaking Handmade Photography Since 1960 written by Robert Hirsch and published by CRC Press. This book was released on 2014-01-10 with total page 442 pages. Available in PDF, EPUB and Kindle. Book excerpt: This groundbreaking survey of significant work and ideas focuses on imagemakers who have pushed beyond the boundaries of photography as a window on our material world. Through interviews with more than 40 key artists, this book explores a diverse group of curious experimentalists who have propelled the medium’s evolution by visualizing their subject matter as it originates from their mind’s eye. Many favor the historical techniques commonly known as alternative photographic processes, but all these makers demonstrate that the real alternative is found in their mental approach and not in their use of physical methods. Within this context, photographer and photography historian Robert Hirsch outlines the varied approaches these artists have utilized to question conventional photographic practices, to convey internal realities, and to examine what constitutes photographic reality. Hirsch explores the half-century evolution of these concepts and methodologies and their popularity among contemporary imagemakers who are merging digital and analog processes to express what was thought to be photographically inexpressible. Read an interview with the author at Photo.net: http://photo.net/learn/photographer-interviews/robert-hirsch
Download or read book Photography Beyond Technique written by Tom Persinger and published by Routledge. This book was released on 2014 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Photography Beyond Technique is a compelling selection of essays and images, originally presented at the annual F295 symposium and seminar series, that reveal the thoughts and methods of 20 contemporary photographers working with alternative processes.
Download or read book Focus In Photography written by John Neel and published by Ilex Press. This book was released on 2016-11-01 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Focus is an important artistic tool, directing your viewers into and around your image, but a technical challenge too. In this book, the first serious treatent of the topic in the digital age, John Neel shows how a mastery of your lens will greatly enhance the quality and 'wow' factor of your photographs. Never losing sight of what real-life photographers need to know, Focus in Photography will let you master bokeh and other focus techniques, giving you a complete understanding of optics-and what actually happens to light within the camera in your hand. Richly illustrated with John's own amazing images, and drawing on his well-known authority in the field, it will be a valuable asset to students of photography, enthusiasts looking to refine their art, product photographers and commercial shooters alike.
Download or read book Beyond Memory written by Diane Neumaier and published by Rutgers University Press. This book was released on 2004 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: Photography possesses a powerful ability to bear witness, aid remembrance, shape, and even alter recollection. In Beyond Memory: Soviet Nonconformist Photography and Photo-Related Works of Art, the general editor, Diane Neumaier, and twenty-three contributors offer a rigorous examination of the medium's role in late Soviet unofficial art. Focusing on the period between the mid-1950s and the late 1980s, they explore artists' unusually inventive and resourceful uses of photography within a highly developed Soviet dissident culture. During this time, lack of high-quality photographic materials, complimented by tremendous creative impulses, prompted artists to explore experimental photo-processes such as camera and darkroom manipulations, photomontage, and hand-coloring. Photography also took on a provocative array of forms including photo installation, artist-made samizdat (self-published) books, photo-realist painting, and many other surprising applications of the flexible medium. Beyond Memory shows how innovative conceptual moves and approaches to form and content-echoes of Soviet society's coded communication and a Russian sense of absurdity-were common in the Soviet cultural underground. Collectively, the works in this anthology demonstrate how late-Soviet artists employed irony and invention to make positive use of difficult circumstances. In the process, the volume illuminates the multiple characters of photography itself and highlights the leading role that the medium has come to play in the international art world today. Beyond Memory stands on its own as a rigorous examination of photography's place in late Soviet unofficial art, while also serving as a supplement to the traveling exhibition of the same title.
Download or read book The CRITICAL image written by and published by . This book was released on 1999 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Each Wild Idea written by Geoffrey Batchen and published by MIT Press. This book was released on 2002-02-22 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essays on photography and the medium's history and evolving identity. In Each Wild Idea, Geoffrey Batchen explores a wide range of photographic subjects, from the timing of the medium's invention to the various implications of cyberculture. Along the way, he reflects on contemporary art photography, the role of the vernacular in photography's history, and the Australianness of Australian photography. The essays all focus on a consideration of specific photographs—from a humble combination of baby photos and bronzed booties to a masterwork by Alfred Stieglitz. Although Batchen views each photograph within the context of broader social and political forces, he also engages its own distinctive formal attributes. In short, he sees photography as something that is simultaneously material and cultural. In an effort to evoke the lived experience of history, he frequently relies on sheer description as the mode of analysis, insisting that we look right at—rather than beyond—the photograph being discussed. A constant theme throughout the book is the question of photography's past, present, and future identity.
