Download or read book The Graduate Magazine of the University of Kansas written by and published by . This book was released on 1912 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt:

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Download or read book The Michigan Alumnus written by and published by UM Libraries. This book was released on 1921 with total page 810 pages. Available in PDF, EPUB and Kindle. Book excerpt: In v.1-8 the final number consists of the Commencement annual.

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Download or read book Forms of Address in the Spanish of the Americas written by María Irene Moyna and published by John Benjamins Publishing Company. This book was released on 2016-08-25 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the growing field of address research, Spanish emerges as one of the most complex Indo European languages. Firstly, it presents second person variation in its nominal, pronominal, and verbal systems. Moreover, several Spanish varieties have more than two address variants, which compete and mix in intricate ways. Forms of Address in the Spanish of the Americas showcases current research into this unique linguistic situation, by presenting the original research of twelve scholars from a variety of theoretical and methodological perspectives. The articles cover diachronic change and regional variation, pragmatics, dialect contact, attitudes, and identity. The contributions are contextualized through an introduction and the responses of three established experts, while a conclusion delineates a research agenda for the future. This collection in English is meant to reach scholars beyond the confines of Hispanic linguistics. It should be of interest to Romance linguists and specialists on second person variation across languages.

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Download or read book The Address of the Eye written by Vivian Sobchack and published by Princeton University Press. This book was released on 2020-05-05 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cinema is a sensuous object, but in our presence it becomes also a sensing, sensual, sense-making subject. Thus argues Vivian Sobchack as she challenges basic assumptions of current film theory that reduce film to an object of vision and the spectator to a victim of a deterministic cinematic apparatus. Maintaining that these premises ignore the material and cultural-historical situations of both the spectator and the film, the author makes the radical proposal that the cinematic experience depends on two "viewers" viewing: the spectator and the film, each existing as both subject and object of vision. Drawing on existential and semiotic phenomenology, and particularly on the work of Merleau-Ponty, Sobchack shows how the film experience provides empirical insight into the reversible, dialectical, and signifying nature of that embodied vision we each live daily as both "mine" and "another's." In this attempt to account for cinematic intelligibility and signification, the author explores the possibility of human choice and expressive freedom within the bounds of history and culture.

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