Download or read book The Evolution of Style in the Neoclassical Works of Stravinsky written by and published by . This book was released on 2011 with total page 45 pages. Available in PDF, EPUB and Kindle. Book excerpt: The compositional output of Igor Stravinsky is roughly divided into three periods: Russian, Neoclassical, and Serial. In his neoclassical period of composition, Stravinsky developed highly refined methods of formal construction, harmonic management, and use of counterpoint. Careful analysis of several neoclassical and transitional works serves to demonstrate Stravinsky's innovative methods of voice leading, economy of pitch class set material, and ingenuity in redefining Classical era forms. Stravinsky's Russian ballets are stylistically focused on practical and stage-oriented formal structures, stratified counterpoint, and thematic content originating in folk materials. As he began writing more concert music, the extraction of these stylistic elements posed structural problems. By reinventing formal structures, harmonic relationships, and voice-leading procedures of the Classical era, Stravinsky constructed his neoclassical style of writing.
Download or read book After the Rite written by Maureen A. Carr and published by Oxford University Press. This book was released on 2014-06-10 with total page 361 pages. Available in PDF, EPUB and Kindle. Book excerpt: The riot that erupted during the 1913 debut of Igor Stravinsky's The Rite of Spring at the Théâtre des Champs-Élysées in Paris has long been one of the most infamous and intriguing events of modern musical history. The third in a series of works commissioned for Sergei Diaghalev's famed Ballets Russes, the piece combined disjunct tonalities, provocative rhythms, and radical choreography that threw spectators and critics into a literal fury. In the century following its premiere, The Rite of Spring has demonstrated its earth-shattering impact on music and dance as well as its immortalizing effect on Stravinsky and his career. Having gained international attention by the age of 30, what direction could Stravinsky's path forward take after the momentus events of 1913? After the Rite: Stravinsky's Path to Neoclassicism (1914-1925) traces the evolution of Stravinsky's compositional style as he searched for his own voice in the explosive musical world of the early 20th century as he responded to harsh criticisms of his work. Throughout the book, author Maureen Carr presents new transcriptions and sophisticated analyses of selected musical sketches to show the genesis of Stravinsky's musical ideas as he forayed into surrealism, classicism, and abstraction to develop his signature Neoclassical style. Exploring these annotated compositional experiments--such as the earliest evidence of Stravinsky's appropriation of the "rag idiom" and the development of his so-called "sound blocks"--After the Rite provides new insight into how Stravinsky challenged and guided the musical developments of the decade after that legendary Paris premiere. Enlightening visual metaphors, such as the contemporary paintings of Paul Klee and those of the Russian futurists, supplement discussion of the musical sketches throughout, offering a comprehensive artistic context for Carr's unprecedented and rigorous examination. A treasure trove of outstanding material for scholars, musicians, students, and general readers alike, After the Rite offers a much-needed delineation of the concept of musical neoclassicism. Maureen Carr's innovative and detailed examination of the metamorphosis of Igor Stravinsky's compositional style after The Rite of Spring is an invaluable contribution to the literature concerning this iconic 20th century composer.
Download or read book An Examination of the Neo classical Wind Works of Igor Stravinsky written by Scott Lubaroff and published by Edwin Mellen Press. This book was released on 2004 with total page 140 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study asserts that Stravinsky's Octour pour instruments a vents (1923) is pivotal within Stravinsky's progressions in regard to orchestrational practice, instrumental choices, and compositional choices, and presents it as the point in which all of these transitions came together for the first time. After an opening discussion of Stravinsky's early life and compositional career, it concentrates on setting up the Octet and Concerto through discussion of the years leading up to their composition. In addition to placing the two works within their context of their position and broader influence upon Stravinsky's surrounding production, it provides a full musical analysis of the Octet, followed by comparative analysis between it and the Concerto. The analysis is predominantly centered around compositional practices and orchestrational techniques.
Download or read book Multiple Masks written by Maureen A. Carr and published by U of Nebraska Press. This book was released on 2002-01-01 with total page 402 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Multiple Masks, Maureen A. Carr studies Igor Stravinsky's creative process for Oedipus Rex, Apollo, Persäphone, and Orpheus through his musical sketches and other documents?scenarios, librettos, correspondence, reviews, and philosophical commentaries, as well as previously uncited sources for Stravinsky's book Poetics of Music. A clear explanation of Stravinsky's compositional techniques within a broad cultural context emerges for each of these four significant works. Carr concludes that Stravinsky used Greek myths as filters for certain poetic ideas and musical techniques that he developed in his earlier works. At the same time the mythological story lines provided him with the objective stance that he was seeking in these neoclassical works.
Download or read book The Evolution of Style in the Neoclassical Works of Igor Strawinsky written by Kyle Szabo and published by . This book was released on 2011 with total page 45 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Neoclassical Music in America written by R. James Tobin and published by Rowman & Littlefield. This book was released on 2014-07-02 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the 1920s to the 1950s, neoclassicism was one of the dominant movements in American music. Today this music is largely in eclipse, mostly absent in performance and even from accounts of music history, in spite of—and initially because of—its adherence to an expanded tonality. No previous book has focused on the nature and scope of this musical tradition. Neoclassical Music in America: Voices of Clarity and Restraint makes clear what neoclassicism was, how it emerged in America, and what happened to it. Music reviewer and scholar, R. James Tobin argues that efforts to define musical neoclassicism as a style largely fail because of the stylistic diversity of the music that fall within its scope. However, neoclassicists as different from one another as the influential Igor Stravinsky and Paul Hindemith did have a classical aesthetic in common, the basic characteristics of which extend to other neoclassicists This study focuses, in particular, on a group of interrelated neoclassical American composers who came to full maturity in the 1940s. These included Harvard professor Walter Piston, who had studied in France in the 1920s; Harold Shapero, the most traditional of the group; Irving Fine and Arthur Berger, his colleagues at Brandeis; Lukas Foss, later an experimentalist composer whose origins lay in neoclassicism of the 1940s; Alexei Haieff, and Ingolf Dahl, both close associates of Stravinsky; and others. Tobin surveys the careers of these figures, drawing especially on early reviews of performances before offering his own critical assessment of individual works. Adventurous collectors of recordings, performing musicians, concert and broadcasting programmers, as well as music and cultural historians and those interested in musical aesthetics, will find much of interest here. Dates of composition, approximate duration of individual works, and discographies add to the work’s reference value.
Download or read book Stravinsky s Piano written by Graham Griffiths and published by Cambridge University Press. This book was released on 2013-02-21 with total page 355 pages. Available in PDF, EPUB and Kindle. Book excerpt: An unprecedented exploration of Stravinsky's use of the piano as the genesis of all his music - Russian, neoclassical and serial.
Download or read book Making the Past Present written by Scott Charles Schumann and published by . This book was released on 2015 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: Igor Stravinsky's neoclassicism has frequently been discussed in terms of its relationship to earlier musical styles. While a number of scholars, employing a wide variety of analytical approaches, have examined this aspect of Stravinsky's neoclassical music, only a few scholars have used topic theory to explore the composer's link with music of the past. Seeking to fill this gap in the literature, this dissertation uses topic theory as its primary analytical approach, examining how Stravinsky's connections to the past can offer multiple ways of interpreting potential stylistic and expressive meanings in his neoclassical works. Chapter 2 analyzes Stravinsky's topics and tropes utilizing Robert S. Hatten's four tropological axes: compatibility, dominance, creativity, and productivity. Each axis examines related but separate aspects of each trope, analyzing criteria related to the musical and stylistic associations of a trope's component topics along local and global scales. Studying the different ways in which each of these four axes interact in Stravinsky's tropes provides a means to arrive at more nuanced musical and stylistic interpretations of these topical interactions. Chapter 3 develops my concept of "distorted topics." Building on Pieter C. van den Toorn's discussions of "displacement" in Stravinsky's music, this chapter examines the composer's rhythmic and metric manipulations of certain dance topics. Using Wye Jamison Allanbrook's discussions of rhythm and meter pertaining to dance topics, this chapter examines these important rhythmic and metric characteristics of Stravinsky's neoclassical works, and explores ways in which these distortions can be interpreted musically and expressively. Chapter 4 analyzes how Stravinsky used topics in four traditional formal models throughout his neoclassical period: ternary form, theme and variations form, sonata form, and cyclic form. First, the form itself is examined in order to determine how Stravinsky both adheres to and subverts the traditional model. Second, I examine the ways in which topics and tropes provide a sense of coherence to Stravinsky's appropriation of these forms. Using analytical techniques developed in chapters 2 and 3, chapter 4 examines the formal, stylistic, and expressive ways in which topics and tropes contribute to Stravinsky's manipulations of conventional formal structures.
Download or read book The American Stravinsky written by Gayle Murchison and published by University of Michigan Press. This book was released on 2012-02-21 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: divdivThe first study to show Copland's style development from his early works through his first widely accessible ballet/DIV/DIV
Download or read book The Cambridge Companion to Stravinsky written by Jonathan Cross and published by Cambridge University Press. This book was released on 2003-07-24 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: Stravinsky's work spanned the major part of the twentieth century and engaged with nearly all its principal compositional developments. This Companion reflects the breadth of Stravinsky's achievement and influence in essays by leading international scholars on a wide range of topics. It is divided into three parts dealing with the contexts within which Stravinsky worked (Russian, modernist and compositional), with his key compositions (Russian, neoclassical and serial), and with the reception of his ideas (through performance, analysis and criticism). The volume concludes with an interview with the leading Dutch composer Louis Andriessen and a major re-evaluation of 'Stravinsky and Us' by Richard Taruskin.
Download or read book The Language of Stravinsky written by Angelo Cantoni and published by Georg Olms Verlag. This book was released on 2014-10-31 with total page 506 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ein neuer methodischer Zugriff charakterisiert Angelo Cantonis mehr als 40 Jahre nach Stravinskijs Tod entstandene Schrift The Language of Stravinsky. Darin geht es sowohl um die einzelnen Werke als auch um die Entwicklung von Stravinskijs Tonsprache während der gesamten Schaffenszeit. Hauptziele der Arbeit sind die Gesamtanalyse von Kompositionen sowie der Nachweis einer die verschiedenen Schaffensphasen, die Stilvielfalt, die wechselnden Besetzungen und den Wandel musiktheatralischer Gattungen übergreifenden Kohärenz seiner Musik. Obwohl Stravinskijs Werk oftmals in drei verschiedene Stilperioden – die russische, die neoklassizistische und die serielle – untergliedert wird, zeichnet es sich durch gemeinsame Konstruktionsprinzipien einer ureigenen Tonsprache aus. Die Analysen legen deren grundlegende Elemente und ihre Grammatik offen. Jedes der acht Kapitel des Buches ist auf einen Aspekt der Tonsprache Stravinskijs fokussiert, jeweils in der Abfolge der Chronologie der Werke. Aus diesem Grund werden dieselben Kompositionen in mehreren Kapiteln unter verschiedener Perspektive untersucht. Auf diese Weise ergeben sich ganz wesentliche neue Einsichten zum Gesamtschaffen Stravinskijs. The Language of Stravinsky proposes new methods of looking at Stravinsky’s work, more than 40 years after his death. It considers both his individual compositions and the evolution of his work over his lifetime. The main purpose of the book is to analyse and clarify the inner coherence of Stravinsky’s music, despite the wide variety of styles, instrumental combinations and theatrical modes with which he worked. Though his career is often seen as falling into three distinct periods – Russian, Neoclassical and Serial – his work as a whole is threaded through with a language unique to himself as a composer. The analysis presented in this account identifies the basic elements and grammar of this underlying musical language. Each of the eight chapters of the book focuses on one aspect of Stravinsky’s musical language, followed chronologically within that chapter. The same works are therefore often studied in different chapters, looked at from a different musical perspective. This analysis of Stravinsky’s music over time provides major new insights into his work.
Download or read book Igor Stravinsky the Rake s Progress written by Paul Griffiths and published by CUP Archive. This book was released on 1982 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Rake's Progress is Stravinsky's biggest work and one of the few great operas written since the 1920s, rare too for the unusual quality of its libretto, by Auden and Kallman. Its importance is undisputed, but so too are the problems it raises: problems of both performance and understanding, caused by the irony with which it is so thoroughly permeated. In aspects of style and operatic convention it looks back to the eighteenth century, and in particular to the operas of Mozart and da Ponte, while making references also to other periods, to operas from Monteverdi to Verdi. Yet at the same time it is wholly a work of the twentieth-century, and indeed it is centrally concerned with the impossibility of return, artistic, psychological or actual, as well as with the nature and limitation of human free will. The Rake's Progress is not one of unbridled dissipation but rather, more interestingly, one of attachment to naive notions of freedom and choice, and his tragedy is that he can never go back.
Download or read book The French Connection written by Carole Jean Harris and published by . This book was released on 2002 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: Aaron Copland, Louise Talma and Walter Piston were among the many young American composers who studied with Nadia Boulanger at the American School in Paris during the 1920s and 1930s. During that same time Igor Stravinsky was composing in a new style that perplexed some, but seemed to others as a logical and progressive step. After the premiere of Stravinsky's Octet , considered by many as his first fully neoclassical work, many composers--including Copland, Talma and Piston--began to imitate his style, which has come to be known as "neoclassical" because it epitomizes the twentieth-century modernist aesthetic of precision, order and control. While features such as contrapuntal textures, classical forms and surface gestures that sounded "Stravinskian" began to appear in many other composers' pieces during the 1920s and 1930s, other deeper-level characteristics of Stravinsky's style, such as intersecting octatonic and diatonic pitch structures, were absorbed into the compositions of many of the students of Boulanger, who was in fact an avid proponent of Stravinsky's new style. In this dissertation I discuss Boulanger's perspective on Stravinsky's neoclassical style; Copland, Piston and Talma's views on Boulanger and Stravinsky; several essential features of Stravinsky's new style and current interpretive theories; and how these essential features manifest themselves in works by Copland, Piston and Talma.
Download or read book Stravinsky and the Russian Traditions written by Richard Taruskin and published by . This book was released on 1996 with total page 808 pages. Available in PDF, EPUB and Kindle. Book excerpt: During his career, Stravinsky underplayed his Russian past in favour of a European cosmopolitanism. This study defines Stravinsky's relationship to the musical and artistic traditions of his native land and provides a dramatic new picture of one of the major figures in the history of music.
Download or read book Expositions and Developments written by Igor Stravinsky and published by Faber & Faber. This book was released on 2009 with total page 182 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'The conversations between Igor Stravinsky and Robert Craft are unique in musical history.' Sunday Times Expositions and Developments is the third in the legendary series of Stravinsky's conversations with Robert Craft. In this volume Stravinsky delves deep into his memory and brings to light, in the most absorbing detail, reminiscences of his childhood, youth and early manhood in Russia. A most remarkable evocation of St Petersburg, the city that the composer still loves best, forms part of the earlier, 'expository' section of the book. In his 'developments', Stravinsky moves outside Russia and unfolds a wealth of information and racy anecdote, most of which has a direct bearing on his music. The extensive chronological sweep of these conversations embraces not only a vivid account of how the Rite of Spring was composed and first performed but also his first thoughts about The Flood, one of his most recent works. This unique series of memories offers not only indispensable documentation but also exceptional literary distinction, and is essential reading for all students and lovers of Stravinsky.
Download or read book Stravinsky s Great Passacaglia written by Donald G. Traut and published by Boydell & Brewer. This book was released on 2016 with total page 174 pages. Available in PDF, EPUB and Kindle. Book excerpt: Context and composition -- Concerto as catalyst -- Analytical tools and recurring elements -- Counterpoint and tonality in the first movement -- Tetrachords and tritones in the largo -- Points of imitation in the finale
Download or read book Stravinsky and the Russian Traditions Volume Two written by Richard Taruskin and published by Univ of California Press. This book was released on 2016-04-27 with total page 798 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book undoes 50 years of mythmaking about Stravinsky's life in music. During his spectacular career, Igor Stravinsky underplayed his Russian past in favor of a European cosmopolitanism. Richard Taruskin has refused to take the composer at his word. In this long-awaited study, he defines Stravinsky's relationship to the musical and artistic traditions of his native land and gives us a dramatically new picture of one of the major figures in the history of music. Taruskin draws directly on newly accessible archives and on a wealth of Russian documents. In Volume One, he sets the historical scene: the St. Petersburg musical press, the arts journals, and the writings of anthropologists, folklorists, philosophers, and poets. Volume Two addresses the masterpieces of Stravinsky's early maturityÑPetrushka, The Rite of Spring, and Les Noces. Taruskin investigates the composer's collaborations with Diaghilev to illuminate the relationship between folklore and modernity. He elucidates the Silver Age ideal of "neonationalism"Ñthe professional appropriation of motifs and style characteristics from folk artÑand how Stravinsky realized this ideal in his music. Taruskin demonstrates how Stravinsky achieved his modernist technique by combining what was most characteristically Russian in his musical training with stylistic elements abstracted from Russian folklore. The stylistic synthesis thus achieved formed Stravinsky as a composer for life, whatever the aesthetic allegiances he later professed. Written with Taruskin's characteristic mixture of in-depth research and stylistic verve, this book will be mandatory reading for all those seriously interested in the life and work of Stravinsky.
