Download or read book The Comic in Renaissance Comedy written by David Farley-Hills and published by Springer. This book was released on 1981-06-18 with total page 199 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Plautus and the English Renaissance of Comedy written by Richard F. Hardin and published by Rowman & Littlefield. This book was released on 2017-11-08 with total page 207 pages. Available in PDF, EPUB and Kindle. Book excerpt: The fifteenth-century discovery of Plautus’s lost comedies brought him, for the first time since antiquity, the status of a major author both on stage and page. It also led to a reinvention of comedy and to new thinking about its art and potential. This book aims to define the unique contribution of Plautus, detached from his fellow Roman dramatist Terence, and seen in the context of that European revival, first as it took shape on the Continent. The heart of the book, with special focus on English comedy ca. 1560 to 1640, analyzes elements of Plautine technique during the period, as differentiated from native and Terentian, considering such points of comparison as dialogue, asides, metadrama, observation scenes, characterization, and atmosphere. This is the first book to cover this ground, raising such questions as: How did comedy rather suddenly progress from the interludes and brief plays of the early sixteenth century to longer, more complex plays? What did “Plautus” mean to playwrights and readers of the time? Plays by Shakespeare, Jonson, and Middleton are foregrounded, but many other comedies provide illustration and support.
Download or read book Renaissance Comedy written by Don Beecher and published by University of Toronto Press. This book was released on 2008-03-22 with total page 473 pages. Available in PDF, EPUB and Kindle. Book excerpt: A rich and multi-faceted aspect of the Italian Renaissance, the comedy has been largely overlooked as a cultural force during the period. In Renaissance Comedy, editor Donald Beecher corrects this oversight with a collection of eleven comedies representative of the principal styles of writing that define the genre. Proceeding from early, ‘erudite’ imitations of Plautus and Terence to satires, sentimental plays of the middle years, and later, more experimental works, the development of Italian Renaissance comedy is here dissected in a fascinating and vivid light. This first of two volumes boasts five of the best-known plays of the period, each with its own historical and critical introduction. Also included is a general introduction by the editor, which discusses the features of Italian Renaissance comedy, as well as examines the stage histories of the plays and what little is known, in many cases, of the circumstances surrounding their original performances. The introduction raises questions concerning the nature of audiences, the festival occasions during which the plays were performed, and the academies which sponsored many of their creations. As a much-needed reappraisal of these comedic plays, Renaissance Comedy is an invaluable look at the performance history of the Renaissance and Italian culture in general.
Download or read book Shakespeare s Rhetoric of Comic Character written by Karen Newman and published by Routledge. This book was released on 2013-10-11 with total page 166 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1985. In this revisionist history of comic characterization, Karen Newman argues that, contrary to received opinion, Shakespeare was not the first comic dramatist to create self-conscious characters who seem 'lifelike' or 'realistic'. His comic practice is firmly set within a comic tradition which stretches from Plautus and Menander to playwrights of the Italian Renaissance.
Download or read book Introduction To English Renaissance Comedy written by Alexander Leggatt and published by Manchester University Press. This book was released on 1999-08-21 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides a comprehensive introduction to Elizabethan, Jacobean and Caroline comedy, covering both public and private theatres, emphasizing the eclectic, experimental nature of this comedy--its departures from the mainstream New Comedy tradition and its searching, witty analysis of social and personal relations in court, city and country. In his close analysis of some of the richest comedies of the period, Alexander Leggatt makes some unexpected connections between them. The reader is given a comprehensive picture of English comedy in one of its most creative periods.
Download or read book The morality patterned comedy of the Renaissance written by Sylvia D. Feldman and published by Walter de Gruyter GmbH & Co KG. This book was released on 2018-11-05 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt: No detailed description available for "The morality-patterned comedy of the Renaissance".
Download or read book Four Renaissance Comedies written by Robert Shaughnessy and published by Bloomsbury Publishing. This book was released on 2017-03-14 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: This edition of four Renaissance comedies represents the vitality, range and diversity of the English comic drama of the late sixteenth and early seventeenth centuries, reflecting both its capacity for escapist fantasy and its concern with the intrigues of everyday city life. Comprehensive textual notes establish the plays in their originating cultural and theatrical circumstances, as well as explaining obscure references and allusions. A general introduction provides a helpful overview of early modern comedy in the context of Renaissance comic theory and practice, together with an assessment of its continuing theatrical appeal.
Download or read book The Evolution of Shakespeare s Comedy written by Larry S. Champion and published by Harvard University Press. This book was released on 1970 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: The evolution of Shakespeare's comedy, in Larry Champion's view, is apparent in the expansion of his comic vision to include a complete reflection of human life while maintaining a comic detachment for the audience. Like the other popular dramatists of Elizabethan England, Shakespeare used the diverse comic motifs and devices which time and custom had proved effective. He went further, however, and created progressively deeper levels of characterization and plot interaction, thereby forming characters who were not merely devices subordinated to the needs of the plot. Shakespeare's development as a comic playwright, suggests Champion, was "consistently in the direction of complexity or depth of characterization." His earliest works, like those of his contemporaries, are essentially situation comedies: the humor arises from action rather than character. There is no significant development of the main characters; instead, they are manipulated into situations which are humorous as a result, for example, of mistaken identity or slapstick confusion. The ensuing phase of Shakespeare's comedy sets forth plots in which the emphasis is on identity rather than physical action, a revelation of character which occurs in one of two forms: either a hypocrite is exposed for what he actually is or a character who has assumed an unnatural or abnormal pose is forced to realize and admit the ridiculousness of his position. In the final comedies involving sin and sacrificial forgiveness, however, character development is concerned with a "transformation of values." Although each of the comedies is discussed, Champion concentrates on nine, dividing them according to the complexity of characterization. He pursues as well the playwright's efforts to achieve for the spectator the detached stance so vital to comedy. Shakespeare obtained this perspective, Champion observes, through experimentation with the use of material mirroring the main action--mockery, parody, or caricature--and through the use of a "comic pointer" who is himself involved in the action but is sufficiently independent of the other characters to provide the audience with an omniscient view.
Download or read book Comparative Critical Approaches to Renaissance Comedy written by Donald Beecher and published by Dovehouse Editions (Canada). This book was released on 1986 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Humanist Comedies written by Gary Robert Grund and published by Harvard University Press. This book was released on 2005 with total page 504 pages. Available in PDF, EPUB and Kindle. Book excerpt: The five comedies included in this volume present a characteristic sampling of comic form as it was interpreted by some of the most important Latin humanists of the Quattrocento.
Download or read book The Birth of Modern Comedy in Renaissance Italy written by Douglas Radcliff-Umstead and published by . This book was released on 1969 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Italian Renaissance comedy is a literary genre previously found by most critics to be totally lacking in originality. Until recent years, many literary historians dismissed these comic productions as mere imitations of the works of Plautus and Terence. Douglas Radcliff-Umstead, however, provides a detailed analytical and comparative study of Renaissance comedy in Italy and shows it to be not a pallid imitation, but original drama which expressed Renaissance values and depicted contemporary customs.--[book jacket].
Download or read book Acting Funny written by Frances N. Teague and published by Fairleigh Dickinson Univ Press. This book was released on 1994 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: Finally, these assumptions lead to the corollary that such hierarchies are natural and immutable and not fashioned by critics.
Download or read book Citizen Comedy in the Age of Shakespeare written by Alexander Leggatt and published by University of Toronto Press. This book was released on 1972-12-15 with total page 167 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first book to survey comprehensively the field of Elizabethan and Jacobean citizen comedy. Most studies of the period focus on major authors; this one follows recurring themes and motifs, through a variety of plays by many authors from the moralizing comedies of the boys' companies. Professor Leggatt provides not only a fresh perspective on familiar plays by such figures as Jonson, Middleton, and Dekker, but also a new look at a number of neglected comedies, some by unfamiliar authors, some by major authors working together. Standard figures the usurer, the prodigal, and the prostitute and standard plots notably intrigues based on money or sex (or both) are traced to show the changes that occur in apparently stereotyped material at the hands of individual authors. The result is to display the range and internal variety of a genre that too often is seen as all of a piece, and to show the different ways in which social thinking can interact with the demands and comic form. This book will interest students of Renaissance English drama, both for its treatment of a neglected type of play and for its comments on individual citizen comedies. Those who are concerned with drama as a vehicle for social commentary will find many points for discussion.
Download or read book Old Age Masculinity and Early Modern Drama written by Anthony Ellis and published by Ashgate Publishing, Ltd.. This book was released on 2009 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: As it considers early modern medical theories, sexual myths, and intergenerational conflicts, this book traces the development of the comic old man character in Renaissance comedy, from his many incarnations in Venice and Florence to his popularity on the English stage. As Anthony Ellis shows how English dramatists adapted an Italian model to portray concerns about growing old, he sheds new light on early modern society's complex attitudes toward aging.
Download or read book Old MacDonald Had a Farm written by Carol Jones and published by Turtleback Books. This book was released on 1998-03 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: For use in schools and libraries only. In this version of the familiar song, the reader is asked to guess which animal comes next by looking through a peep hole.
Download or read book The City in Italian Renaissance Comedy written by Carmela Pesca and published by . This book was released on 1996 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Italian Renaissance comedy represents the city in its materialized presence on stage, and as a complex cultural context. The urban landscape is not a static background in comedies, but a dynamic environment reflecting the heterogeneity of the urban community. Based on classical models, medieval sources and civic humanistic projects, the comic scene appears at once as a realistic representation and an ideal image. In comic plots, the perfect model of the humanistic peaceful city becomes a space filled with imperfect people, where different actions interlace, in a variety of intrigues that involve both public and private life. Individual differences and common civic identity of the characters-citizens are juxtaposed in an effort to achieve a reconciliation of points of view. Combining historical and literary perspectives, this study focuses on selected works, from (1) Ariosto's Cassaria to (2) Bibbiena's Calandria, and from (3) Machiavelli's Mandragola to (4) Giordano Bruno's Candelaio. These comedies express, in different ways, the idea of urban conviviality in their themes and structures. Comic action, in fact, is finalized to reestablish an equilibrium easily interrupted by human passions. The city is considered as an integral part of Italian Renaissance comedy, because its image pursues the harmony between virtue and pleasure (the two symbols of civitas), expressing the synthesis of ideal and real, order and disorder, art and life.
Download or read book Italian Comedy in the Renaissance written by Marvin Theodore Herrick and published by Books for Libraries. This book was released on 1970 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt:
