Download or read book The Chariot Jubilee written by R. Nathaniel Dett and published by . This book was released on 1919 with total page 40 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Chariot in the Sky written by Arna Bontemps and published by Oxford University Press, USA. This book was released on 2002 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: Eleven black students form a singing group and tour the world in an attempt to save their college from financial ruin. Includes a history of the Jubilee Singers, including photographs, song sheets, concert posters, and programs.
Download or read book The Story of the Jubilee Singers written by J. B. T. Marsh and published by . This book was released on 1876 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Transformation of Black Music written by Samuel A. Floyd (Jr.) and published by Oxford University Press. This book was released on 2017 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Transformation of Black Music includes a full spectrum of black musics from four continents as it argues for a re-codification of black musics and performers. Framed by a call and response argument, the authors present not only a more holistic and historically accurate understanding of musics in the African Diaspora, but also an intellectually robust future for the field of black music research.
Download or read book The Power of Black Music written by Samuel A. Floyd Jr. and published by Oxford University Press. This book was released on 1995-07-27 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: When Jimi Hendrix transfixed the crowds of Woodstock with his gripping version of "The Star Spangled Banner," he was building on a foundation reaching back, in part, to the revolutionary guitar playing of Howlin' Wolf and the other great Chicago bluesmen, and to the Delta blues tradition before him. But in its unforgettable introduction, followed by his unaccompanied "talking" guitar passage and inserted calls and responses at key points in the musical narrative, Hendrix's performance of the national anthem also hearkened back to a tradition even older than the blues, a tradition rooted in the rings of dance, drum, and song shared by peoples across Africa. Bold and original, The Power of Black Music offers a new way of listening to the music of black America, and appreciating its profound contribution to all American music. Striving to break down the barriers that remain between high art and low art, it brilliantly illuminates the centuries-old linkage between the music, myths and rituals of Africa and the continuing evolution and enduring vitality of African-American music. Inspired by the pioneering work of Sterling Stuckey and Henry Louis Gates, Jr., author Samuel A. Floyd, Jr, advocates a new critical approach grounded in the forms and traditions of the music itself. He accompanies readers on a fascinating journey from the African ring, through the ring shout's powerful merging of music and dance in the slave culture, to the funeral parade practices of the early new Orleans jazzmen, the bluesmen in the twenties, the beboppers in the forties, and the free jazz, rock, Motown, and concert hall composers of the sixties and beyond. Floyd dismisses the assumption that Africans brought to the United States as slaves took the music of whites in the New World and transformed it through their own performance practices. Instead, he recognizes European influences, while demonstrating how much black music has continued to share with its African counterparts. Floyd maintains that while African Americans may not have direct knowledge of African traditions and myths, they can intuitively recognize links to an authentic African cultural memory. For example, in speaking of his grandfather Omar, who died a slave as a young man, the jazz clarinetist Sidney Bechet said, "Inside him he'd got the memory of all the wrong that's been done to my people. That's what the memory is....When a blues is good, that kind of memory just grows up inside it." Grounding his scholarship and meticulous research in his childhood memories of black folk culture and his own experiences as a musician and listener, Floyd maintains that the memory of Omar and all those who came before and after him remains a driving force in the black music of America, a force with the power to enrich cultures the world over.
Download or read book The Southern Workman written by and published by . This book was released on 1919 with total page 664 pages. Available in PDF, EPUB and Kindle. Book excerpt: The May or June issue of 1900-1939 includes the report of the institute's president for 1900-1939.
Download or read book Field Recordings of Black Singers and Musicians written by and published by McFarland. This book was released on 2018-06-28 with total page 468 pages. Available in PDF, EPUB and Kindle. Book excerpt: Traditional African musical forms have long been accepted as fundamental to the emergence of blues and jazz. Yet there has been little effort at compiling recorded evidence to document their development. This discography brings together hundreds of recordings that trace in detail the evolution of the African American musical experience, from early wax cylinder recordings made in West Africa to voodoo rituals from the Carribean Basin to the songs of former slaves in the American South.
Download or read book The Power of Black Music written by Samuel A. Floyd and published by Oxford University Press, USA. This book was released on 1995 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: Floyd maintains that while African Americans may not have direct knowledge of African traditions and myths, they can intuitively recognize links to an authentic African cultural memory.
Download or read book Current Opinion written by and published by . This book was released on 1920 with total page 830 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Bulletin of the Public Library of the City of Boston written by Boston Public Library and published by . This book was released on 1920 with total page 444 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Bulletin of the Public Library of the City of Boston written by and published by . This book was released on 1919 with total page 1054 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Dictionary of American Classical Composers written by Neil Butterworth and published by Routledge. This book was released on 2013-10-02 with total page 1359 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Dictionary of American Classical Composers covers over 650 composers active from the 18th century to today. Covering all classical styles, it offers the most comprehensive overview of key composers in the United States available. Entries include basic biographical information and critical analysis of each composer's key works and ideas. Entries also include worklists and bibliographic information. Whenever possible, the entries will have been checked by the composers themselves to assure greatest possible accuracy. This new edition, completely updated and expanded from the 1984 edition, also includes over 200 historic photographs.
Download or read book Program Notes written by Cleveland Orchestra and published by . This book was released on 1927 with total page 808 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book African American Music written by Mellonee V. Burnim and published by Routledge. This book was released on 2014-11-13 with total page 483 pages. Available in PDF, EPUB and Kindle. Book excerpt: American Music: An Introduction, Second Edition is a collection of seventeen essays surveying major African American musical genres, both sacred and secular, from slavery to the present. With contributions by leading scholars in the field, the work brings together analyses of African American music based on ethnographic fieldwork, which privileges the voices of the music-makers themselves, woven into a richly textured mosaic of history and culture. At the same time, it incorporates musical treatments that bring clarity to the structural, melodic, and rhythmic characteristics that both distinguish and unify African American music. The second edition has been substantially revised and updated, and includes new essays on African and African American musical continuities, African-derived instrument construction and performance practice, techno, and quartet traditions. Musical transcriptions, photographs, illustrations, and a new audio CD bring the music to life.
Download or read book School of Music Theatre Dance University of Michigan Publications written by University of Michigan. School of Music, Theatre & Dance and published by UM Libraries. This book was released on 1880 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Includes miscellaneous newsletters (Music at Michigan, Michigan Muse), bulletins, catalogs, programs, brochures, articles, calendars, histories, and posters.
Download or read book Harlem Renaissance written by Ella O Williams and published by AuthorHouse. This book was released on 2008-07-07 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt: “PRIOR TO THE HARLEM RENAISSANCE, BLACKS PORTRAY THEMSELVES AS STRANGS OBJECTS, ALIENATED FROM OTHERS IN THE SOCIETY.” The social activities in literature, art, theatre and entertainment in Harlem Renaissanc: a Handbook are documented for the period 1910-1940. A few intellectuals, specifically James Weldon Johnson, W E B DuBois, Charles Johnson and Alain Locke perceive that they, themselves, are the “New Negro.” Thus they produce and record the visual arts, literature and music they personally create as well as that of younger literary artists: Langston Hughes, Arna Bontemps, Countee Cullen and Roland Hayes. The literature, scholarship and criticism created among these intellectuals are mainly responsible for bringing about a renaissance. What is so unique about the Harlem Renaissance is that it is totally perceived and criticized by white American literary standards. At no time in African American history has there been an era wherein self-proclaimed intellectuals record their own literary activities as they are being created. That single concept is the focus of the research in Harlem Renaissance: a Handbook. Identifying each Major and Other Figures of the Harlem Renaissance permits the reader to experience the life and time of the era. The influx of African American literature requires the need to study the artists and to document the literary and creative arts of the Harlem Renaissance. View the photos and read the biography of the intellectuals as they live through an era devoted to illuminating Negro life as it actually exists in America. Most helpful to the reader is the Chronology of literary arts and corresponding activities of the Harlem Renaissance. During the years 1910-1940 the titles of articles, theatrical productions, books, poetry, music, visual arts and literature created during this period have been documented. The items chosen for the Chronology are not exhaustive, but they represent nearly all the literature and activities created during the Harlem Renaissance. Harlem Renaissance, a Handbook is a journey through time wherein literary and artistic history is documented as it occurs. With the aid of local New York Publishing companies, intellectuals encourage younger literary artists to publish only Negro folk life and culture as it actually exists.
Download or read book A New Perspective for the Use of Dialect in African American Spirituals written by Felicia Raphael Marie Barber and published by Rowman & Littlefield. This book was released on 2021-10-06 with total page 277 pages. Available in PDF, EPUB and Kindle. Book excerpt: A New Perspective for the Use of Dialect in African American Spirituals: History, Context, and Linguistics investigates the use of the African American English (AAE) dialect in the musical genre of the spiritual. Perfect for conductors and performers alike, this book traces the history of the dialect, its use in early performance practice, and the sociolinguistic impact of the AAE dialect in the United States. Felicia Barber explores AAE’s development during the African Diaspora and its correlations with Southern States White English (SSWE) and examines the dialect’s perception and how its weaponization has impacted the performance of the genre itself. She provides a synopsis of research on the use of dialect in spirituals from the past century through the analysis of written scores, recordings, and research. She identifies common elements of early performance practice and provides the phonological and grammatical features identified in early practice. This book contains practical guide for application of her findings on ten popular spiritual texts using the International Phonetic Alphabet (IPA). It concludes with insights by leading arrangers on their use of AAE dialect as a part of the genre and practice.
