Download or read book The Art of William Edmondson written by William Edmondson and published by Univ. Press of Mississippi. This book was released on 1999 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: A showcase of works by the Tennessee artist called the greatest folk carver of the twentieth century

Download or read book I Heard God Talking to Me written by Elizabeth Spires and published by Farrar, Straus and Giroux (BYR). This book was released on 2009-02-02 with total page 64 pages. Available in PDF, EPUB and Kindle. Book excerpt: One night in the early 1930s, William Edmondson, the son of former slaves and a janitor in Nashville, Tennessee, heard God speaking to him. And so he began to carve – tombstones, birdbaths, and stylized human figures, whose spirits seemed to emerge fully formed from the stone. Soon Edmondson's talents caught the eye of prominent members of the art world, and in 1937 he became the first black artist to have a solo exhibit at the Museum of Modern Art in New York. Here, in twenty-three free-verse poems, award-winning poet Elizabeth Spires gives voice to Edmondson and his creations, which tell their individual stories with wit and passion. With stunning photographs, including ten archival masterpieces by Louise Dahl-Wolfe and Edward Weston, this is a compelling portrait of a truly original American artist.

Download or read book Bill Traylor William Edmondson and the Modernist Impulse written by Josef Helfenstein and published by University of Washington Press. This book was released on 2004 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: "'Bill Traylor, William Edmondson, and the Modernist Impulse' is the first large-scale exhibition focusing on the works of two major figures in American and African American art history: Bill Traylor (1854-1949), a draftsman, and William Edmondson (1874-1951), a sculptor. Although Traylor and Edmondson are typically defined as "folk" or "outsider" artists whose works reflect the roots of African American culture, their work was discovered and first discussed in the broader context of modernism. Born a slave in 1854, Bill Traylor worked as a cotton laborer throughout much of his life. At the age of 85, while living on the streets in downtown Montgomery, Alabama, he picked up a pencil and began to draw. When he died ten years later, he had created more than 1,500 works of art that simultaneously pulse with the musical energy of the blues and reflect on the economic depression and race relations in Alabama during the 1930s and 1940s. William Edmondson was born into poverty in 1874, and in the early 1930s he began to gather discarded stones carving them into simple, but powerful tombstones. He died in 1951 leaving behind a body of work full of strongly abstract forms and divine inspiration. Paradoxically, Edmondson and Traylor were among the first African Americans to gain recognition from the official art world. In 1937 Edmondson was the first black artist to be exhibited at The Museum of Modern Art, New York, and Traylor's work was shown both in Montgomery and in New York in the 1940s. After World War II and the deaths of both artists (1949 and 1951), shifting priorities in institutional culture, politics, and taste, but especially the dominance of Greenbergian aesthetic dogmatism, removed artists like Traylor and Edmondson from a (by now much narrower) view of modern art. As a result, the work of both artists fell into oblivion for several decades. However, the civil rights movement and black cultural movements in the 1960s paved the way for a reevaluation and rediscovery. ... 'Bill Traylor, William Edmondson, and the Modernist Impulse' is the first exhibition, however, in which their work and careers will be discussed outside of the reductive framework of "self-taught" art -- namely, within the broader context of American and European culture of the first half of the twentieth century. The aesthetic language of the work of both Edmondson and Traylor, its simplicity, freshness, and independence -- in other words, its radical modernity -- made it so attractive for young artists, photographers, and curators who were part of the modernist movement in America in the 1930s. This exhibition and publication are part of a broader tendency to revisit the history of modernism in the United States and especially those exponents who have been excluded from the canon of modern art for several decades. It is time to discuss and recognize the role and place of Bill Traylor and William Edmondson and their work outside the ghetto of "outsider" and "self-taught" art. This exhibition and publication offer a vehicle to better understand the aesthetic language of this work and the larger framework of cultural and social impulses to which it is related. But most importantly, the exhibition positions Traylor and Edmondson within the aesthetic discourse and institutional framework of modern art, which since World War II has increasingly become a synonym for mainstream, established art."--

Download or read book Visions in Stone the Sculpture of William Edmondson written by William Edmondson and published by [Pittsburgh] : University of Pittsburgh Press. This book was released on 1973 with total page 150 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Gatecrashers written by Katherine Jentleson and published by University of California Press. This book was released on 2020-03-31 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: After World War I, artists without formal training “crashed the gates” of major museums in the United States, diversifying the art world across lines of race, ethnicity, class, ability, and gender. At the center of this fundamental reevaluation of who could be an artist in America were John Kane, Horace Pippin, and Anna Mary Robertson “Grandma” Moses. The stories of these three artists not only intertwine with the major critical debates of their period but also prefigure the call for inclusion in representations of American art today. In Gatecrashers, Katherine Jentleson offers a valuable corrective to the history of twentieth-century art by expanding narratives of interwar American modernism and providing an origin story for contemporary fascination with self-taught artists.

Download or read book Coming Home written by Carol Crown and published by Univ. Press of Mississippi. This book was released on 2004 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: A fascinating examination of the Bible's influence on seventy-three self-taught artists and 122 works of art

Download or read book Outliers and American Vanguard Art written by Lynne Cooke and published by University of Chicago Press. This book was released on 2018 with total page 396 pages. Available in PDF, EPUB and Kindle. Book excerpt: Some 250 works explore three distinct periods in American history when mainstream and outlier artists intersected, ushering in new paradigms based on inclusion, integration, and assimilation. The exhibition aligns work by such diverse artists as Charles Sheeler, Christina Ramberg, and Matt Mullican with both historic folk art and works by self-taught artists ranging from Horace Pippin to Janet Sobel and Joseph Yoakum. It also examines a recent influx of radically expressive work made on the margins that redefined the boundaries of the mainstream art world, while challenging the very categories of "outsider" and "self-taught." Historicizing the shifting identity and role of this distinctly American version of modernism's "other," the exhibition probes assumptions about creativity, artistic practice, and the role of the artist in contemporary culture. The exhibition is curated by Lynne Cooke, senior curator, special projects in modern art, National Gallery of Art.--Provided by publisher.

Download or read book The Sculpture of William Edmondson written by Marin Sullivan and published by . This book was released on 2021 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: A catalog of William Edmondson's work for the Cheekwood Estate and Gardens exhibit in 2021

Download or read book Among Others written by Darby English and published by . This book was released on 2019-08-20 with total page 488 pages. Available in PDF, EPUB and Kindle. Book excerpt: Among Others: Blackness at MoMA begins with an essay that provides a rigorous and in-depth analysis of MoMA's history regarding racial issues. It also calls for further developments, leaving space for other scholars to draw on particular moments of that history. It takes an integrated approach to the study of racial blackness and its representation: the book stresses inclusion and, as such, the plate section, rather than isolating black artists, features works by non-black artists dealing with race and race- related subjects. As a collection book, the volume provides scholars and curators with information about the Museum's holdings, at times disclosing works that have been little documented or exhibited. The numerous and high-quality illustrations will appeal to anyone interested in art made by black artists, or in modern art in general.

Download or read book Great and Mighty Things written by Cara Zimmerman and published by Yale University Press. This book was released on 2013 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Published on the occasion of the exhibition Great and Mighty Things: Outsider Art from the Jill and Sheldon Bonovitz Collection, Philadelphia Museum of Art, March 3-June 9, 2013"--T.p. verso.

Download or read book Nonconformers written by Lisa Slominski and published by . This book was released on 2022-03-22 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: A global history of self-taught artists advocating for a nuanced understanding of modern and contemporary art often challenged by the establishment When the art world has paid attention to makers from outside the cultural establishment, including so-called outsider and self-taught artists, it has generally been within limiting categories. Yet these artists, including many women, people with disabilities, and people of color, have had a transformative influence on the history of modern art. Responding to growing interest in these artists, this book offers a nuanced history of their work and how it has been understood from the early twentieth century to the present day. Nonconformers includes work by well-known figures such as Henry Darger, Hilma af Klint, and Bill Traylor alongside many other artists who deserve widespread recognition. After reviewing how self-taught artists factored into key movements of twentieth-century art, the book shifts to highlighting the voices of contemporary practitioners through new interviews with artists William Scott, Mamadou Cissé, and George Widener. An international group of contributors addresses topics such as the development of the Black Folk Art movement in America and l'Art Brut in France, the creative process of self-taught artists working outside of traditional studios, and the themes of figuration, landscape, and abstraction. Global in scope and with chronological breadth, this alternative narrative is an essential introduction to the genre long known as "Outsider Art."

Download or read book Self taught Art written by Charles Russell and published by Univ. Press of Mississippi. This book was released on 2001 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first book to give self-taught art the same degree of scholarly attention and critical thinking that mainstream art traditionally receives

Download or read book Teaming written by Amy C. Edmondson and published by John Wiley & Sons. This book was released on 2012-03-20 with total page 359 pages. Available in PDF, EPUB and Kindle. Book excerpt: New breakthrough thinking in organizational learning, leadership, and change Continuous improvement, understanding complex systems, and promoting innovation are all part of the landscape of learning challenges today's companies face. Amy Edmondson shows that organizations thrive, or fail to thrive, based on how well the small groups within those organizations work. In most organizations, the work that produces value for customers is carried out by teams, and increasingly, by flexible team-like entities. The pace of change and the fluidity of most work structures means that it's not really about creating effective teams anymore, but instead about leading effective teaming. Teaming shows that organizations learn when the flexible, fluid collaborations they encompass are able to learn. The problem is teams, and other dynamic groups, don't learn naturally. Edmondson outlines the factors that prevent them from doing so, such as interpersonal fear, irrational beliefs about failure, groupthink, problematic power dynamics, and information hoarding. With Teaming, leaders can shape these factors by encouraging reflection, creating psychological safety, and overcoming defensive interpersonal dynamics that inhibit the sharing of ideas. Further, they can use practical management strategies to help organizations realize the benefits inherent in both success and failure. Presents a clear explanation of practical management concepts for increasing learning capability for business results Introduces a framework that clarifies how learning processes must be altered for different kinds of work Explains how Collaborative Learning works, and gives tips for how to do it well Includes case-study research on Intermountain healthcare, Prudential, GM, Toyota, IDEO, the IRS, and both Cincinnati and Minneapolis Children's Hospitals, among others Based on years of research, this book shows how leaders can make organizational learning happen by building teams that learn.

Download or read book Beholding Christ and Christianity in African American Art written by James Romaine and published by Penn State University Press. This book was released on 2017 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: A collection of essays exploring prominent African American artists' engagement with Christian themes. Essays examine the ways in which an artist's engagement with religious symbols can be an expression of concerns related to racial, political, and socio-economic identity.

Download or read book Black Folk Art in America 1930 1980 written by Jane Livingston and published by . This book was released on 1982 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: Forms from African and American popular arts, photojournalism, advertising, voodoo and the landscape reflect oral traditions of black culture: rural legends, popular history, Biblical stories, revivalism. No index. Annotation copyrighted by Book News, Inc., Portland, OR

Download or read book African American Visual Arts written by Celeste-Marie Bernier and published by . This book was released on 2008 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: African American Visual Arts: From Slavery to the Present

Download or read book Glenn Ligon written by Gregg Bordowitz and published by MIT Press. This book was released on 2019-07-09 with total page 92 pages. Available in PDF, EPUB and Kindle. Book excerpt: An illustrated examination of Glenn Ligon's iconic Untitled (I Am a Man) (1988)—a quotation, an appropriated text turned into an artifact. The iconic work Untitled (I Am a Man) (1988) by the important contemporary American artist Glenn Ligon is a quotation, an appropriated text turned into an artifact. The National Gallery of Art in Washington presents the work as a “representation—a signifier—of the actual signs carried by 1,300 striking African American sanitation workers in Memphis, made famous by Ernest Withers' 1968 photographs.” In this illustrated study of the work, Gregg Bordowitz takes the National Gallery's presentation as his starting point, considering the museum's juxtaposition of Untitled (I Am a Man) and the ca. 1935 sculpture, Schoolteacher, by William Edmondson, and the relation of the two terms, “markers” and “signs.” After closely examining the canvas itself, its textures, brushwork, and structure, Bordowitz presents a theoretical framework that draws on the work of American philosopher Charles Sanders Peirce and his theory of Firstness, Secondness, and Thirdness. He makes a case for Thirdness as a function, operation, or law of meaning-making, not limited by the gender, age, ethnicity, race, class, or personal history of the viewer. Bordowitz goes on to examine Ligon's work in terms of the representation of self, race, and gender, focusing on three series: Profile Series (1990–91), Narratives, and Runaways (both 1993). He cites such historical figures as Sojourner Truth and her famous 1851 speech, “Ain't I a Woman?” as well as influences ranging from Bo Diddley's 1955 song, “I'm a Man” to the cultural theories of Stuart Hall.