Download or read book The Arraignment of Paris 1584 written by George Peele and published by . This book was released on 1910 with total page 68 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Bulletin written by University of St. Andrews. Library and published by . This book was released on 1912 with total page 618 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Library Bulletin of the University of Saint Andrews written by University of St. Andrews. Library and published by . This book was released on 1912 with total page 658 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Poetical Works of John Milton written by John Milton and published by . This book was released on 1842 with total page 582 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Mr William Shakespeare Original and Early Editions of His Quartos and Folios written by Henrietta Collins Bartlett and published by New Haven : Yale University Press ; [etc.,etc.], 1923 [c1922]. This book was released on 1923 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Mr William Shakespeare Original and Early Editions of Quartos and Folios written by Henrietta Collins Bartlett and published by . This book was released on 1922 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalog of Printed Books of the Folger Shakespeare Library Washington D C written by Folger Shakespeare Library and published by . This book was released on 1970 with total page 696 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Shakespear Himself and His Work written by William Carew Hazlitt and published by . This book was released on 1912 with total page 548 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book English Drama 1580 1642 written by William Rowley and published by . This book was released on 1933 with total page 1066 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Shakespeare and His Collaborators Over the Centuries written by Pavel Drábek and published by . This book was released on 2008 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents a series of essays exploring the cultural notion that has come to be known as â oeShakespeare.â Shakespeare's collaborators are not only those who were his contemporaries but also those who have given new life to his works in a new garb, be it a play, a theatre production, a film, a TV play, a novel, a museum item, or a collection of illustrated strips. The collection presents papers given at an international conference entitled Shakespeare and His Collaborators over the Centuries, which took place at the Faculty of Arts, Masaryk University (Brno, Czech Republic) on February 8-11, 2006. The individual contributions deal with the notion of collaborating with Shakespeare both in a literal as well as figurative sense. The essays in the first section discuss the literary and cultural milieus which were conducive to the creation of Shakespeareâ (TM)s works. The second part discusses early adaptations and variants of Shakespeareâ (TM)s plays while the third section offers a broader range of artistic (as well as idolatrous) repercussions of the Shakespearean canon.
Download or read book Publications of the Modern Language Association of America written by Modern Language Association of America and published by . This book was released on 1915 with total page 1054 pages. Available in PDF, EPUB and Kindle. Book excerpt: Vols. for 1921-1969 include annual bibliography, called 1921-1955, American bibliography; 1956-1963, Annual bibliography; 1964-1968, MLA international bibliography.
Download or read book Printing and Misprinting written by Geri Della Rocca de Candal and published by Oxford University Press. This book was released on 2023-03-15 with total page 609 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'To err is human'. As a material and mechanical process, early printing made no exception to this general rule. Against the conventional wisdom of a technological triumph spreading freedom and knowledge, the history of the book is largely a story of errors and adjustments. Various mistakes normally crept in while texts were transferred from manuscript to printing formes and different emendation strategies were adopted when errors were spotted. In this regard, the 'Gutenberg galaxy' provides an unrivalled example of how scholars, publishers, authors and readers reacted to failure: they increasingly aimed at impeccability in both style and content, developed time and money-efficient ways to cope with mistakes, and ultimately came to link formal accuracy with authoritative and reliable information. Most of these features shaped the publishing industry until the present day, in spite of mounting issues related to false news and approximation in the digital age. Early modern misprinting, however, has so far received only passing mentions in scholarship and has never been treated together with proofreading in a complementary fashion. Correction benefited from a somewhat higher degree of attention, though check procedures in print shops have often been idealised as smooth and consistent. Furthermore, the emphasis has fallen on the people involved and their intervention in the linguistic and stylistic domains, rather than on their methodologies for dealing with typographical and textual mistakes. This book seeks to fill this gap in literature, providing the first comprehensive and interdisciplinary guide into the complex relationship between textual production in print, technical and human faults and more or less successful attempts at emendation. The 24 carefully selected contributors present new evidence on what we can learn from misprints in relation to publishers' practices, printing and pre-publication procedures, and editorial strategies between 1450 and 1650. They focus on texts, images and the layout of incunabula, sixteenth- and early seventeenth-century books issued throughout Europe, stretching from the output of humanist printers to wide-ranging vernacular publications.
Download or read book British Drama 1533 1642 A Catalogue written by Martin Wiggins and published by Oxford University Press, USA. This book was released on 2012-09-13 with total page 537 pages. Available in PDF, EPUB and Kindle. Book excerpt: Volume 3 covers the years 1590-1597 and sees the start of Shakespeare's career as a dramatist.
Download or read book Introd Additions and corrections The origin of the English drama The beginnings of the English regular drama Shakespere s predecessors Shakspere Ben Jonson written by Sir Adolphus William Ward and published by . This book was released on 1875 with total page 664 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Library Bulletin of the University of St Andrews written by University of St. Andrews and published by . This book was released on 1912 with total page 616 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book DICTIONARY OF NATIONAL BIOGRAPHY written by and published by . This book was released on 1895 with total page 460 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Re Attribution of the British Renaissance Corpus written by Anna Faktorovich and published by Anaphora Literary Press. This book was released on 2023-05-02 with total page 700 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first accurate quantitative re-attribution of all central texts of the British Renaissance. Describes and applies the first unbiased and accurate method of computational-linguistics authorial-attribution. Covers 303 texts with 8,106,059 words, 123 authorial bylines, a range of genres, and a timespan between 1510 and 1662. Includes helpful diagrams that visually show the quantitative-matches and the identical most-frequent phrases between the texts in each linguistic-signature-group. Detailed chronologies for each of the six ghostwriters and the bylines they wrote under, including their dates of birth, death, publications, and other biographical markers that explain why each of them was the only logical attribution. A full bibliography of the 303 tested texts. All of the raw and processed data, not only in summary-tables inside of the book, but also in-full on a publicly-accessible website: https://github.com/faktorovich/Attribution. One table includes all of the data from the first-edition title-pages (byline, printer, bookseller, date, proverbs), and the first-performance (date, troupe). A table on structural elements across all “Shakespeare”-bylined texts summarizes their plot-movements, character-types, settings, slang-usage, primary sources, and poetic design (percentage of rhyme and hendiadys). To explain why these are the first truly accurate re-attributions, numerous reasons for discrediting previous attribution claims are provided throughout. Re-Attribution of the British Renaissance Corpus describes a newly invented for this study computational-linguistics authorial-attribution method and applies it and several other approaches to the central texts of the British Renaissance. All of the attribution steps are described precisely to give readers replicable instructions on how they can apply them to any text from any period that they are interested in determining an attribution for. This method can be applied to solving criminal linguistic mysteries such as who wrote the Unabomber Manifesto, or theological mysteries such as if any of the Dead Sea Scrolls might have been forged by a modern author. This method is uniquely accurate because it uses 27 different quantitative tests that measure a text’s dimensions and its similarity or divergence to other texts automatically, without the statisticians being able to skew the outcome by altering the experiment’s analytical design. Re-Attribution guides researchers not only on how to perform the basic calculations, but also how to perform the biographical and documentary research to derive who among the potential bylines in a single signature-group is the ghostwriter, while the others are merely ghostwriter-contractors or pseudonyms. Reliable accuracy is achieved by also performing other types of attribution tests to check if these alternative approaches validate or contradict the 27-tests’ findings. Non-quantitative tests discussed include deciphering the hidden implications of contemporary pufferies, as well as comparing structural elements such as characters, plot, and element borrowings. Part II presents a revised version of the history of the birth of the theater in Britain by reviewing forensic accounting evidence in Philip Henslowe’s Diary, and the documented history of homicidal lending practices and government corruption connected with troupes and theaters. Parts III-VIII explain precisely how this series derived that the British Renaissance was ghostwritten by only six linguistic-signatures: Richard Verstegan, Josuah Sylvester, Gabriel Harvey, Benjamin Jonson, William Byrd and William Percy. The parts on each of these ghostwriters, not only explain how their biographies fit with the timelines of the texts being attributed to them, but also provide various types of evidence that explains their motives for ghostwriting. And Part IX returns for an intricate analysis of a few pseudonyms or ghostwriting-contractors who were uniquely difficult to exclude as potential ghostwriters; in parallel, these chapters question the reasons these individuals would have needed to purchase ghostwriting services. “The complete series on British Renaissance Re-Attribution and Modernization by Anna Faktorovich is a remarkable accomplishment. Based on her own unbiased method of computational-linguistic authorial-attribution, she has critically examined an entire collection of texts, many previously inaccessible and untranslated to modern English. From a variety of distinct factors that have been ignored or unnoticed in the past, she identifies a group of ghost writers behind many miss-attributed Renaissance works. Of particular interest are works traditionally attributed to William Shakespeare. Dr. Faktorovich is a prolific writer, very well informed in English literature, philology, and literary criticism, and she is clearly thorough and detail-oriented. Her re-attribution and modernization series demonstrates solid scholarship, fresh perspective, and willingness to challenge conventional thought and methodology.” —Midwest Book Review, Lesly F. Massey (December 2021) “I have long had an interest in linguistics and enjoy reading the frequent ‘Who really wrote Shakespeare’s works?’ Therefore, this book was extremely interesting to me… So, my recommendation is that if you have an interest in linguistics and scholarly research you will love this book… Very interesting and well laid out book. *****” —LibraryThing, Early Reviewers, February 2022 Anna Faktorovich, PhD, is an English professor who previously published Rebellion as Genre and Formulas of Popular Fiction. She is also the Director and Founder of Anaphora Literary Press.
