Download or read book The Antipodean Manifesto written by Bernard Smith and published by Melbourne ; New York : Oxford University Press. This book was released on 1976 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Selection of essays and articles written by Bernard Smith since ca. 1945.
Download or read book The Antipodean Manifesto written by Christabel Sprott and published by . This book was released on 1979 with total page 44 pages. Available in PDF, EPUB and Kindle. Book excerpt: An examination of the aesthetic attitudes of the artists who issued "The Antipodean manifesto". This was published in "Antipodeans : 4th-15th Aug. 1959", the catalogue of an exhibition held in Melbourne at the Victorian Artists' Society Galleries. In this paper the author looks at the artists' ideas of what Australian art should be - what they thought of as modernism, especially abstractionism, was largely rejected - and suggests reasons for and origins of their attitudes. After an overview each artist is examined: Arthur Boyd, David Boyd, John Perceval, John Brack, Charles Blackman, Bob Dickerson, Clifton Pugh.
Download or read book Imagining the Antipodes written by Peter Beilharz and published by Cambridge University Press. This book was released on 2002-08-22 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bernard Smith is widely recognised as one of Australia's leading intellectuals. Yet the recognition of his work has been partial, focused on art history and anthropology. Peter Beilharz argues that Smith's work also contains a social theory, or a way of thinking about Australian culture and identity in the world system. Smith enables us to think matters of place and cultural imperialism through the image of being not Australian so much as antipodean. Australian identities are constructed by the relationship between core and periphery, making them both European and Other at the same time. This 1997 work is a book-length analysis of Bernard Smith's work and is the result of careful and systematic research into Smith's published works and his private papers. It is both an introduction to Smith's thinking and an important interpretive argument about imperialism and the antipodes.
Download or read book A Critical Analysis of the 1959 Antipodean Manifesto in Relation to the Work and Ideas of the Artists who Signed it written by Alexandra Anne Chubaty and published by . This book was released on 1992 with total page 148 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Antipodeans written by Deborah Clark and published by University of Washington Press. This book was released on 1999 with total page 60 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1959 in Melbourne, seven artists and an art historian came together "to defend and to champion ... the place of the image in art". The group comprised Charles Blackman, Arthur Boyd, David Boyd, John Brack, John Perceval, Clifton Pugh, and Robert Dickerson, who, as the "Antipodeans", held just one exhibition together at the Victorian Artist's Society in August 1959. Bernard Smith, the only non-painter of the group, drafted "The Antipodean Manifesto" which accompanied the exhibition. The Antipodeans defended the figurative image against abstraction -- and contemporary Australian art as opposed to European modernism. They worried that art was losing its humanistic values, that it was becoming obsessed with abstract decoration at the expense of recognizable signs and symbols, that while making great claims for its spiritual depths, it threatened to alienate a broad cross-section of the public. Forty years later, this volume shows the work of artists from the original Antipodean group in the context of abstract art of the period, and demonstrates that at the end of the century, both the Antipodeans and their abstract antagonists have taken on the status of classics.
Download or read book The Antipodeans written by and published by . This book was released on 1989 with total page 82 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Antipodean China written by Nicholas Jose and published by Giramondo Publishing. This book was released on 2021-02-01 with total page 283 pages. Available in PDF, EPUB and Kindle. Book excerpt: Antipodean China is a collection of essays drawn from a series of encounters between Australian and Chinese writers, which took place in China and Australia over a ten-year period from 2011. The encounters could be defensive, especially given the need to depend on translators, but as the writers spoke about the places important to them, their influences and their work, resemblances emerged, and the different perspectives contributed to a sense of common understanding, about literature and about the role of the writer in society. In some cases the communication is even more direct, as when the Tibetan author A Lai speaks knowingly about Alexis Wright's novel Carpentaria, and the two winners of the Nobel Prize for Literature, Mo Yan and J.M. Coetzee, discuss what the Nobel meant for each of them. The collection also includes writing by some of the best Chinese and Australian writers: novelists Brian Castro, Gail Jones, Julia Leigh, Yu Hua, Sheng Keyi and Liu Zhenyun, poets Kate Fagan, Ouyang Yu, Xi Chuan and Zheng Xiaoqiong, and translators Eric Abrahamsen, Li Yao and John Minford. In the current situation of hostility and suspicion between the two countries, this collection presents what may be seen, in retrospect, as an idyllic moment of communication and trust.
Download or read book American Studies as Transnational Practice written by Yuan Shu and published by Dartmouth College Press. This book was released on 2015-12-22 with total page 418 pages. Available in PDF, EPUB and Kindle. Book excerpt: This wide-ranging collection brings together an eclectic group of scholars to reflect upon the transnational configurations of the field of American studies and how these have affected its localizations, epistemological perspectives, ecological imaginaries, and politics of translation. The volume elaborates on the causes of the transnational paradigm shift in American studies and describes the material changes that this new paradigm has effected during the past two decades. The contributors hail from a variety of postcolonial, transoceanic, hemispheric, and post-national positions and sensibilities, enabling them to theorize a "crossroads of cultures" explanation of transnational American studies that moves beyond the multicultural studies model. Offering a rich and rewarding mix of essays and case studies, this collection will satisfy a broad range of students and scholars.
Download or read book A Companion to Australian Art written by Christopher Allen and published by John Wiley & Sons. This book was released on 2021-07-06 with total page 560 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Companion to Australian Art A Companion to Australian Art is a thorough introduction to the art produced in Australia from the arrival of the First Fleet in 1788 to the early 21st century. Beginning with the colonial art made by Australia’s first European settlers, this volume presents a collection of clear and accessible essays by established art historians and emerging scholars alike. Engaging, clearly-written chapters provide fresh insights into the principal Australian art movements, considered from a variety of chronological, regional and thematic perspectives. The text seeks to provide a balanced account of historical events to help readers discover the art of Australia on their own terms and draw their own conclusions. The book begins by surveying the historiography of Australian art and exploring the history of art museums in Australia. The following chapters discuss art forms such as photography, sculpture, portraiture and landscape painting, examining the practice of art in the separate colonies before Federation, and in the Commonwealth from the early 20th century to the present day. This authoritative volume covers the last 250 years of art in Australia, including the Early Colonial, High Colonial and Federation periods as well as the successive Modernist styles of the 20th century, and considers how traditional Aboriginal art has adapted and changed over the last fifty years. The Companion to Australian Art is a valuable resource for both undergraduate and graduate students of the history of Australian artforms from colonization to postmodernism, and for general readers with an interest in the nation’s colonial art history.
Download or read book Australian Art and Artists in London 1950 965 written by Simon Pierse and published by Routledge. This book was released on 2017-07-05 with total page 317 pages. Available in PDF, EPUB and Kindle. Book excerpt: Subtle and wide-ranging in its account, this study explores the impact of Australian art in Britain in the two decades following the end of World War II and preceding the 'Swinging Sixties'. In a transitional period of decolonization in Britain, Australian painting was briefly seized upon as a dynamic and reinvigorating force in contemporary art, and a group of Australian artists settled in London where they held centre stage with group and solo exhibitions in the capital's most prestigious galleries. The book traces the key influences of Sir Kenneth Clark, Bernard Smith and Bryan Robertson in their various (and varying) roles as patrons, ideologues, and entrepreneurs for Australian art, as well as the self-definition and interaction of the artists themselves. Simon Pierse interweaves multiple issues of the period into a cohesive historical narrative, including the mechanics of the British art world, the limited and frustrating cultural scene of 1950s Australia, and the conservative influence of Australian government bodies. Publishing for the first time archival material, letters, and photographs previously unavailable to scholars either in Britain or Australia, this book demonstrates how the work of expatriate Australian artists living in London constructed a distinct vision of Australian identity for a foreign market.
Download or read book The Routledge Companion to Transnational American Studies written by Nina Morgan and published by Routledge. This book was released on 2019-04-05 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Routledge Companion to Transnational American Studies provides scholars and students of American Studies with theoretical and applied essays that help to define Transnational American Studies as a discipline and practice. In more than 30 essays, the volume offers a history of the concept of the "transnational" and takes readers from the Barbary frontier to Guam, from Mexico's border crossings to the intifada's contested zones. Together, the essays develop new ways for Americanists to read events, images, sound, literature, identity, film, politics, or performance transnationally through the work of diverse figures, such as Confucius, Edward Said, Pauline Hopkins, Poe, Faulkner, Michael Jackson, Onoto Watanna, and others. This timely volume also addresses presidential politics and interpictorial US history from Lincoln in Africa, to Obama and Mandela, to Trump. The essays, written by prominent global Americanists, as well as the emerging scholars shaping the field, seek to provide foundational resources as well as experimental and forward-leaning approaches to Transnational American Studies.
Download or read book Permanent Revolution written by Richard Haese and published by The Miegunyah Press. This book was released on 2012-02-01 with total page 155 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1961 the 22-year-old Mike Brown joined the New Zealand artist, Ross Crothall, in an old terrace house in inner Sydney's Annandale. Over the following two years the artists filled the house with a remarkable body of work. Launched with an equally extraordinary exhibition, the movement they called Imitation Realism introduced collage, assemblage and installation to Australian art for the first time. Laying the groundwork for a distinctive Australian postmodernism, Imitation Realism was also the first Australian art movement to respond in a profound way to Aboriginal art, and to the tribal art of New Guinea and the Pacific region. By the mid-1960s Brown was already the most controversial figure in Australian art. In 1963 a key work was thrown out of a major travelling exhibition for being overtly sexual; a year later he publicly attacked Sydney artists and critics for having failed the test of integrity. Finally, in 1966-67, Brown became the only Australian artist to have been successfully prosecuted for obscenity. Brown spent the last 28 years of his life in Melbourne, where his reputation for radicalism and nonconformity was cemented with his multiplicity of styles, exploration of themes of sexuality, and transgressive commitment to the ideal of street art and graffiti. Against a background of the counter-culture and the social and political upheavals of the 1960s and 1970s, Brown's art and remarkable life of personal and creative struggle is without parallel in Australian art.
Download or read book Backgazing Reverse Time in Modernist Culture written by Paul Giles and published by Oxford University Press. This book was released on 2019-02-14 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume trace ways in which time is represented in reverse forms throughout modernist culture, from the beginning of the twentieth century until the decade after World War II. Though modernism is often associated with revolutionary or futurist directions, this book argues instead that a retrograde dimension is embedded within it. By juxtaposing the literature of Europe and North America with that of Australia and New Zealand, it suggests how this antipodean context serves to defamiliarize and reconceptualize normative modernist understandings of temporal progression. Backgazing thus moves beyond the treatment of a specific geographical periphery as another margin on the expanding field of 'New Modernist Studies'. Instead, it offers a systematic investigation of the transformative effect of retrograde dimensions on our understanding of canonical modernist texts. The title, 'backgazing', is taken from Australian poet Robert G. FitzGerald's 1938 poem 'Essay on Memory', and it epitomizes how the cultural history of modernism can be restructured according to a radically different discursive map. Backgazing intellectually reconfigures US and European modernism within a planetary orbit in which the literature of Australia and the Southern Hemisphere, far from being merely an annexed margin, can be seen substantively to change the directional compass of modernism more generally. By reading canonical modernists such as James Joyce and T. S. Eliot alongside marginalized writers such as Nancy Cunard and others and relatively neglected authors from Australia and New Zealand, this book offers a revisionist cultural history of modernist time, one framed by a recognition of how its measurement is modulated across geographical space.
Download or read book Australian Art and Artists in London 1950 1965 written by Simon Pierse and published by Ashgate Publishing, Ltd.. This book was released on 2012 with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt: Subtle and wide-ranging in its account, this study explores the impact of Australian art in Britain in the two decades following the end of World War II and preceding the 'Swinging Sixties'. Publishing for the first time previously unavailable archival material, this book demonstrates how the work of these expatriate artists constructed a distinct vision of Australian identity for a foreign market.
Download or read book Australian Art written by Andrew Sayers and published by Oxford University Press, USA. This book was released on 2001 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: This comprehensive survey uniquely covers both Aboriginal art and that of European Australians, providing a revealing examination of the interaction between the two. Painting, bark art, photography, rock art, sculpture, and the decorative arts are all fully explored to present the rich texture of Australian art traditions. Well-known artists such as Margaret Preston, Rover Thomas, and Sidney Nolan are all discussed, as are the natural history illustrators, Aboriginal draughtsmen, and pastellists, whose work is only now being brought to light by new research. Taking the European colonization of the continent in 1788 as his starting point, Sayers highlights important issues concerning colonial art and women artists in this fascinating new story of Australian art.
Download or read book Modernism s History written by Bernard Smith and published by UNSW Press. This book was released on 1998 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt: Encompassing movements from post-impressionism to post-modernism, eminent and widely published art historian Bernard Smith has written a sweeping history, a reformulation of art history in the twentieth century.
Download or read book When Modern Became Contemporary Art written by Charles Green and published by Taylor & Francis. This book was released on 2024-09-19 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a portrait of the period when modern art became contemporary art. It explores how and why writers and artists in Australia argued over the idea of a distinctively Australian modern and then postmodern art from 1962, the date of publication of a foundational book, Australian Painting 1788–1960, up to 1988, the year of the Australian Bicentennial. Across nine chapters about art, exhibitions, curators and critics, this book describes the shift from modern art to contemporary art through the successive attempts to define a place in the world for Australian art. But by 1988, Australian art looked less and less like a viable tradition inside which to interpret ‘our’ art. Instead, vast gaps appeared, since mostly male and often older White writers had limited their horizons to White Australia alone. National stories by White men, like borders, had less and less explanatory value. Underneath this, a perplexing subject remained: the absence of Aboriginal art in understanding what Australian art was during the period that established the idea of a distinctive Australian modern and then contemporary art. This book reflects on why the embrace of Aboriginal art was so late in art museums and histories of Australian art, arguing that this was because it was not part of a national story dominated by colonial, then neo-colonial dependency. It is important reading for all scholars of both global and Australian art, and for curators and artists.
