Download or read book Taos Artists and Their Patrons 1898 1950 written by Dean A. Porter and published by . This book was released on 1999 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: A well-illustrated study of the patronage that allowed the fledging art colony in northern New Mexico to flourish.
Download or read book Pioneer Artists of Taos written by Laura M. Bickerstaff and published by . This book was released on 1983 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Group of Paintings by Taos Artists in Honor of the Taos Art Group s Golden Anniversary 1898 1948 written by Albuquerque High School (Albuquerque, N.M.). Pepper Club and published by . This book was released on 1949 with total page 21 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Legendary Artists of Taos written by Mary Carroll Nelson and published by . This book was released on 1980 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The founding of New Mexico's famous art colony and its pioneer artists"--Jacket subtitle.
Download or read book Walter Ufer written by Dean A. Porter and published by National Cowboy & Western History Museum. This book was released on 2017 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Walter Ufer: Rise, Fall, Resurrection examines the life and artistic career of one of America's most talented, but relatively unknown artists, outside a small circle of collectors and scholars.
Download or read book The Taos Society of Artists written by Robert Rankin White and published by . This book was released on 1998 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt: This definitive documentary history of the Society that made the northern New Mexico town famous as an art colony.
Download or read book Taos and Santa Fe written by Van Deren Coke and published by . This book was released on 1963 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This volume is the outgrowth of research undertaken by the University and the Carter Museum in preparation of an exhibition of paintings." Includes bibliography.
Download or read book From Greenwich Village to Taos written by Flannery Burke and published by University Press of Kansas. This book was released on 2016-01-22 with total page 269 pages. Available in PDF, EPUB and Kindle. Book excerpt: They all came to Taos: Georgia O'Keefe, D. H. Lawrence, Carl Van Vechten, and other expatriates of New York City. Fleeing urban ugliness, they moved west between 1917 and 1929 to join the community that art patron Mabel Dodge created in her Taos salon and to draw inspiration from New Mexico's mountain desert and "primitive" peoples. As they settled, their quest for the primitive forged a link between "authentic" places and those who called them home. In this first book to consider Dodge and her visitors from a New Mexican perspective, Flannery Burke shows how these cultural mavens drew on modernist concepts of primitivism to construct their personal visions and cultural agendas. In each chapter she presents a place as it took shape for a different individual within Dodge's orbit. From this kaleidoscope of places emerges a vision of what place meant to modernist artists-as well as a narrative of what happened in the real place of New Mexico when visitors decided it was where they belonged. Expanding the picture of early American modernism beyond New York's dominance, she shows that these newcomers believed Taos was the place they had set out to find-and that when Taos failed to meet their expectations, they changed Taos. Throughout, Burke examines the ways notions of primitivism unfolded as Dodge's salon attracted artists of varying ethnicities and the ways that patronage was perceived-by African American writers seeking publication, Anglos seeking "authentic" material, Native American artists seeking patronage, or Nuevomexicanos simply seeking respect. She considers the notion of "competitive primitivism," especially regarding Carl Van Vechten, and offers nuanced analyses of divisions within northern New Mexico's arts communities over land issues and of the ways in which Pueblo Indians spoke on their own behalf. Burke's book offers a portrait of a place as it took shape both aesthetically in the imaginations of Dodge's visitors and materially in the lives of everyday New Mexicans. It clearly shows that no people or places stand outside the modern world-and that when we pretend otherwise, those people and places inevitably suffer.
Download or read book Paintings and Sculpture in the Collection of the National Academy of Design 1826 1925 written by David Bernard Dearinger and published by Hudson Hills. This book was released on 2004 with total page 712 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first installment of a fully illustrated catalogue of the Academy's priceless collection of paintings and sculptures.
Download or read book Patronizing the Arts written by Marjorie Garber and published by Princeton University Press. This book was released on 2008-07-28 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is the role of the arts in American culture? Is art an essential element? If so, how should we support it? Today, as in the past, artists need the funding, approval, and friendship of patrons whether they are individuals, corporations, governments, or nonprofit foundations. But as Patronizing the Arts shows, these relationships can be problematic, leaving artists "patronized"--both supported with funds and personal interest, while being condescended to for vocations misperceived as play rather than serious work. In this provocative book, Marjorie Garber looks at the history of patronage, explains how patronage has elevated and damaged the arts in modern culture, and argues for the university as a serious patron of the arts. With clarity and wit, Garber supports rethinking prejudices that oppose art's role in higher education, rejects assumptions of inequality between the sciences and humanities, and points to similarities between the making of fine art and the making of good science. She examines issues of artistic and monetary value, and transactions between high and popular culture. She even asks how college sports could provide a new way of thinking about arts funding. Using vivid anecdotes and telling details, Garber calls passionately for an increased attention to the arts, not just through government and private support, but as a core aspect of higher education. Compulsively readable, Patronizing the Arts challenges all who value the survival of artistic creation both in the present and future.
Download or read book The Taos Artists Response to Modernism written by Annette P. Musgrave and published by . This book was released on 2011 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: This thesis fills the gap in our knowledge of the Taos Society of Artists, whose members forged exciting new directions that resulted in an authentic American art. The site of the first New Mexico art colony was in Taos. There, artists found a refuge where they could experiment and develop personal styles. The Taos Society of Artists was originally founded by Joseph Henry Sharp, Bert Geer Phillips, and Ernest L. Blumenschein. Within a few years Eanger Irving Couse, Oscar E. Berninghaus, William Herbert Dunton, Victor Higgins, and Walter Ufer joined the group. Histories of American art have largely neglected the important historical moment when American artists in the West moved away from classical artistic traditions into newer modern modes of painting. The lives and artworks of the Taos group form an essential chapter in the formation of American modernism. This thesis serves to begin the process of bridging the gap in American art history between classical and modern styles, from the art of masters such as Fredric Remington and Charles Russell to Georgia O'Keeffe and Maynard Dixon. While the subject of early Taos paintings may be viewed as simply western or Indian, their styles range from idealistic to realistic. From the inception of the Taos Society of Artists, influential patrons who played a large role in America's southwestern expansion valued their paintings and frequently paid large sums of money for them. In spite of their prominence, however, there is little or no information about the group in widely used art history textbooks. Art history classes taught at the college level typically do not include works by Taos artists or mention their important role in American art history. This thesis aims to fill the lack of scholarly literature and to demonstrate the importance of the Taos Society of Artists in American art history.
Download or read book The Suppressed Memoirs of Mabel Dodge Luhan written by Lois Palken Rudnick and published by UNM Press. This book was released on 2012-07-15 with total page 343 pages. Available in PDF, EPUB and Kindle. Book excerpt: Internationally known as a writer, hostess, and patron of the arts of the twentieth century, Mabel Dodge Luhan (1879–1962) is not known for her experiences with venereal disease, unmentioned in her four-volume published memoir. Making the suppressed portions of Luhan’s memoirs available for the first time, well-known biographer and cultural critic Lois Rudnick examines Luhan’s life through the lenses of venereal disease, psychoanalysis, and sexology. She shows us a mover and shaker of the modern world whose struggles with identity, sexuality, and manic depression speak to the lives of many women of her era. Restricted at the behest of her family until the year 2000, Rudnick’s edition of these remarkable documents represents the culmination of more than thirty-five years of study of Luhan’s life, writings, lovers, friends, and Luhan’s social and cultural milieus in Italy, New York, and New Mexico. They open up new pathways to understanding late Victorian and early modern American and European cultures in the person of a complex woman who led a life filled with immense passion and pain.
Download or read book Taos and Its Artists written by Mabel Dodge Luhan and published by . This book was released on 1947 with total page 174 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contains an essay about the artists in Taos, New Mexico: brief biographies, portraits, and samples of their work. [Luhan often invited artists and writers to Taos.].
Download or read book Buried Treasures written by Richard Melzer and published by Sunstone Press. This book was released on 2007 with total page 477 pages. Available in PDF, EPUB and Kindle. Book excerpt: Melzer offers an impressive new book about famous New Mexico gravesites, usually the only monuments left to honor the human treasures who helped shape state, national, and often international history.
Download or read book Midcentury Modern Art in Texas written by Katie Robinson Edwards and published by University of Texas Press. This book was released on 2014-07-01 with total page 393 pages. Available in PDF, EPUB and Kindle. Book excerpt: Before Abstract Expressionism of New York City was canonized as American postwar modernism, the United States was filled with localized manifestations of modern art. One such place where considerable modernist activity occurred was Texas, where artists absorbed and interpreted the latest, most radical formal lessons from Mexico, the East Coast, and Europe, while still responding to the state's dramatic history and geography. This barely known chapter in the story of American art is the focus of Midcentury Modern Art in Texas. Presenting new research and artwork that has never before been published, Katie Robinson Edwards examines the contributions of many modernist painters and sculptors in Texas, with an emphasis on the era's most abstract and compelling artists. Edwards looks first at the Dallas Nine and the 1936 Texas Centennial, which offered local artists a chance to take stock of who they were and where they stood within the national artistic setting. She then traces the modernist impulse through various manifestations, including the foundations of early Texas modernism in Houston; early practitioners of abstraction and non-objectivity; the Fort Worth Circle; artists at the University of Texas at Austin; Houston artists in the 1950s; sculpture in and around an influential Fort Worth studio; and, to see how some Texas artists fared on a national scale, the Museum of Modern Art's "Americans" exhibitions. The first full-length treatment of abstract art in Texas during this vital and canon-defining period, Midcentury Modern Art in Texas gives these artists their due place in American art, while also valuing the quality of Texan-ness that subtly undergirds much of their production.
Download or read book A Strange Mixture written by Sascha T. Scott and published by University of Oklahoma Press. This book was released on 2015-01-21 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: Attracted to the rich ceremonial life and unique architecture of the New Mexico pueblos, many early-twentieth-century artists depicted Pueblo peoples, places, and culture in paintings. These artists’ encounters with Pueblo Indians fostered their awareness of Native political struggles and led them to join with Pueblo communities to champion Indian rights. In this book, art historian Sascha T. Scott examines the ways in which non-Pueblo and Pueblo artists advocated for American Indian cultures by confronting some of the cultural, legal, and political issues of the day. Scott closely examines the work of five diverse artists, exploring how their art was shaped by and helped to shape Indian politics. She places the art within the context of the interwar period, 1915–30, a time when federal Indian policy shifted away from forced assimilation and toward preservation of Native cultures. Through careful analysis of paintings by Ernest L. Blumenschein, John Sloan, Marsden Hartley, and Awa Tsireh (Alfonso Roybal), Scott shows how their depictions of thriving Pueblo life and rituals promoted cultural preservation and challenged the pervasive romanticizing theme of the “vanishing Indian.” Georgia O’Keeffe’s images of Pueblo dances, which connect abstraction with lived experience, testify to the legacy of these political and aesthetic transformations. Scott makes use of anthropology, history, and indigenous studies in her art historical narrative. She is one of the first scholars to address varied responses to issues of cultural preservation by aesthetically and culturally diverse artists, including Pueblo painters. Beautifully designed, this book features nearly sixty artworks reproduced in full color.
Download or read book A Place in the Sun written by Thomas Brent Smith and published by University of Oklahoma Press. This book was released on 2016-01-20 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: Of the hundreds of foreign students who attended the Munich Art Academy between 1910 and 1915, Walter Ufer (1876–1936) and E. Martin Hennings (1886–1956) returned to the United States to foster the development of a national art. They ultimately established their reputations in the American Southwest. The two German American artists shared much in common, and both would gain membership in the celebrated Taos Society of Artists. Featuring nearly 150 color plates and historical photographs, A Place in the Sun is a long-overdue tribute to the lives, achievements, and artistic legacy of these two important artists. In tracing the lifelong friendship and intersecting careers of Ufer and Hennings, the contributors to this volume explore the social and artistic implications of the artists’ German heritage and training. Following their training in Munich, both men hoped to build careers in the spirited art environment of Chicago. Both were sponsored by wealthy businessmen, many of German descent. The support of these patrons allowed Ufer and Hennings to travel to the American Southwest, where they—like so many other talented artists—fell under the spell of Taos and its picturesque scenery. They also encountered the region’s Native peoples and Hispanic culture that inspired many of their paintings. Despite their mutual interests, Ufer and Hennings were not identical by any means. Each artist had a distinct artistic style and, as the essays in this volume reveal, the two men could not have had more different personalities or career trajectories. Connoisseurs of southwestern art have long admired the masterworks of Ufer and Hennings. By offering a rich sampling of their paintings alongside informative essays by noted art historians, A Place in the Sun ensures that their significant contributions to American art will be long remembered. A Place in the Sun is published in cooperation with the Denver Art Museum.
