Download or read book Sale Catalogues written by American Art Association, Anderson Galleries (Firm) and published by . This book was released on 1922 with total page 1302 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalogue written by Maggs Bros and published by . This book was released on 1910 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Sale written by American Art Association, Anderson Galleries (Firm) and published by . This book was released on 1922 with total page 1662 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Portraits by Degas written by Jean Sutherland Boggs and published by Univ of California Press. This book was released on with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalogue written by and published by . This book was released on 1911 with total page 1002 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Second Catalogue of the Library of the Peabody Institute of the City of Baltimore Including the Additions Made Since 1882 written by Johns Hopkins University. Peabody Institute. Library and published by . This book was released on 1897 with total page 620 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Nineteenth and Twentieth century Paintings written by Richard R. Brettell and published by Metropolitan Museum of Art. This book was released on 2009 with total page 482 pages. Available in PDF, EPUB and Kindle. Book excerpt: Robert Lehman (1891-1969), one of the foremost art collectors of his generation, embraced the work of both traditional and modern masters. This volume catalogues 130 nineteenth- and twentieth-century paintings that are now part of the Robert Lehman Collection at The Metropolitan Museum of Art. The majority of the works are by artists based in France, but there are also examples from the United States, Latin America, and India, reflecting Lehman's global interests. The catalogue opens with outstanding paintings by Ingres, Théodore Rousseau, and Corot, among other early nineteenth-century artists. They are joined by an exemplary selection of Impressionist and Post-Impressionist works by Degas, Renoir, Sisley, Pissarro, Seurat, Signac, Van Gogh, Cézanne, and Gauguin. Twentieth-century masters represented here include Bonnard, Matisse, Rouault, Dalí, and Balthus. There are also newly researched modern works by Vicente do Rego Monteiro, Kees van Dongen, Dietz Edzard, and D.G. Kulkarni (dizi). Robert Lehman's cultivated taste for nineteenth-century French academic practitioners and his intuitive eye for emerging young artists of his own time are documented and discussed. Three hundred comparative illustrations supplement the catalogue entries, as do extensively researched provenance information, exhibition histories, and references. The volume also includes a bibliography and indexes.
Download or read book Pissarro written by Joachim Pissarro and published by Skira/Wildenstein. This book was released on 2005 with total page 452 pages. Available in PDF, EPUB and Kindle. Book excerpt: This new catalogue of the paintings of Camille Pissarro, while drawing extensively on the 1939 edition published by his son, makes an innovative contribution to the understanding of the work of this great artist through the discovery of previously unpublished pictures and documents. Over a career that spanned the second half of the 19th century, Pissarro tested every pictorial experiment of his time, from Impressionism to Pointillism. His rich style reveals the gifts of a great colorist and of a master of light endowed with a striking sensitivity to nature. This exhaustive 3-volume catalogue, co-published with the Wildenstein Institute, features 1528 paintings--of which 213 have never been published or are little known--detailed commentaries with rigorous analyses of each work, a complete biography of the artist, illustrated with archival photographs, a bibliography and a complete list of exhibitions.
Download or read book The Private Collection of Edgar Degas written by Ann Dumas and published by Metropolitan Museum of Art. This book was released on 1997 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume investigates Degas' dual role as both artist and collector. Featuring works by well-known artists like Delacroix, Ingres, Daumier, Manet, Cézanne, Gauguin, Van Gogh, Cassatt, and others, this publication is the definitive text outlining Degas' long career collecting important pieces by his predecessors as well as his contemporaries. -- Metropolitan Museum of Art website.
Download or read book C zanne to Picasso written by Rebecca A. Rabinow and published by Metropolitan Museum of Art. This book was released on 2006 with total page 466 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalog of the Library of the Museum of Modern Art Han written by Museum of Modern Art (New York, N.Y.). Library and published by . This book was released on 1976 with total page 708 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Auction Sale Prices written by and published by . This book was released on 1907 with total page 1184 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Degas written by Edgar Degas and published by Metropolitan Museum of Art. This book was released on 1988 with total page 640 pages. Available in PDF, EPUB and Kindle. Book excerpt: Katalog towarzyszący wystawom w: Galeries Nationales du Grand Palais w Paryżu, 9 luty - 16 maj 1988; National Galery of Canada w Ottawie, 16 czerwiec - 28 sierpień 1988; Metropolitan Museum of Art w Nowym Jorku, 27 wrzesień - 8 styczeń 1989.
Download or read book A Sourcebook of Gauguin s Symbolist Followers written by Russell T. Clement and published by Bloomsbury Publishing USA. This book was released on 2004-06-30 with total page 964 pages. Available in PDF, EPUB and Kindle. Book excerpt: Paul Gauguin (1848-1903) played a seminal role in Post-Impressionist France. In his writings and work, he favored emotional responses to nature over intellectual uses of lines, color, and composition. In 1888 he and Emile Bernard developed a new style called Synthetism. Three groups of Gauguin's symbolist followers—Pont Aven, Les Nabis, and Rose + Croix pursued and extended the Synthetist vision. This sourcebook focuses on the most prominent adherents of the three schools directly affected by Gauguin's symbolism. This is the first comprehensive, single-volume guide and bibliography of artists in these three important French avant-garde movements. This work covers the entire careers of 16 artists by providing biographical sketches, chronologies, citations to primary and secondary literature and exhibitions.
Download or read book Degas Landscapes written by Richard Kendall and published by Yale University Press. This book was released on 1993-01-01 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: Biografi om Degas landskaber set i relation til andre kunstneres behandling af landskabet som motiv
Download or read book Modern Art on Display written by K. Porter Aichele and published by Rowman & Littlefield. This book was released on 2016-05-19 with total page 307 pages. Available in PDF, EPUB and Kindle. Book excerpt: Modern Art on Display: The Legacies of Six Collectors is structured as a sequence of case studies that pair collectors of modern art with artists they particularly favored: Duncan Phillips and Augustus Vincent Tack; Albert Barnes and Chaim Soutine; Albert Eugene Gallatin and Juan Gris; Lillie Bliss and Paul Cézanne; Etta Cone and Henri Matisse; G. David Thompson and Paul Klee. The case studies are linked by a thematic focus on the integral relationship between the collectors’ acquired knowledge about the work they amassed and their innovative display models. This focus brings a new perspective to the history of collecting and interpreting modern art in America for nearly half a century (1915-1960). By examining the books the collectors themselves read and analyzing archival photographs of their displays, the author makes a case for the historical significance of how the collectors presented the art they acquired before their collections were institutionalized.
