Download or read book Creative Jazz Composing and Arranging written by David Berger and published by . This book was released on 2018-04-10 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is for anyone who writes, plays or listens to jazz. It explains the writing process and the construction of jazz pieces. I've attempted to answer many of the questions that arrangers and composers ask themselves when they are writing. Players who read this book will better understand the arrangements that they play and will get more from their listening which will make them better at interpreting the music they perform. Listeners will get into the creators' heads and appreciate the jazz experience to a greater degree. What The Experts Are Saying: "I love David Berger's new book, Creative Jazz Composing and Arranging. His vivid description of his own musical development from childhood on imparts many valuable insights. The discussion of the musical content is clear and concise, while a respect and passion for the music and the creative process is evident throughout. The big band scores are brilliant pieces of music that are steeped in the rich tradition of jazz, but also convey the unique musical character that is David Berger. It is a joy to be able to get inside the head of one of my favorite jazz writers and bandleaders. Beside the wealth of information, understanding and encouragement contained in these pages, the anecdotes related to Duke Ellington and the musicians who performed in his orchestra are just one more reason to get this book in your hands." - Bill Dobbins - Professor of Jazz Composition and Arranging, Eastman School of Music "Among the musicians I know who pay attention to the broad concepts and fine details of composing and arranging jazz music, no one pays more attention than Dave Berger. He thinks about everything: formal ideas, textural contrasts, emotional expression, instrumental color and variety, motivic development, expectation and surprise, - more things than I can think of to enumerate. And he produces music that achieves an artistically satisfying balance in its elements - all the while maintaining continuity with the spirit that brought him to jazz in the first place. That alone is a remarkable achievement. That he has had the patience and focus to dissect his creative thought processes meticulously, down to the level of the finest details, and lay those thoughts bare so that others might learn from them is even more remarkable. If someone has thought about it, David has described it. I don't know anywhere anyone interested in this could learn more or learn it any more directly." - Chuck Israels - Bassist, Composer, Arranger, Author "When I first started playing with the National Jazz Ensemble in the late 70's, Dave Berger's work as chief composer and arranger made quite an impression on me. I marveled at what seemed to me a magical, mysterious ability to create and arrange music for big band. In his Creative Jazz Composing and Arranging, Berger demystifies this ability for the reader by clearly demonstrating - in a voice that is personal, humorous, as well as instructive - the techniques needed to become a master arranger. Creative Jazz Composing and Arranging is an important addition to the teaching canon and wonderful tool for any artist, whether they are just learning how the magic of this music is made or refining their existing style." - Ted Nash - Saxophonist/Arranger JALCO, BMI Jazz Composers Workshop "A student today has several choices of arranging books. But a book is like a tool; there is a certain one for a particular task. David Berger's book is designed for the intermediate to advanced student who has decided to become a professional jazz arranger along with the realization that a solid understanding of the tradition is essential. Mr. Berger provides an in-depth analysis of his music and thought process. More importantly, his 50-years of professional experience (and candid recounting of his own journey as a young student) provides invaluable and practical wisdom that is not readily found in written form." - Rich DeRosa - University of North Texas

Download or read book The Stories of Jazz written by Mario Dunkel and published by Hollitzer Wissenschaftsverlag. This book was released on 2021-09-22 with total page 406 pages. Available in PDF, EPUB and Kindle. Book excerpt: New Orleans jazz, Dixieland, Chicago jazz, swing, bebop, cool jazz, hard bop, and free jazz: up until today, the history of jazz is told as a "tradition" consisting of fixed components including a succession of jazz styles. How did this construction of music history emerge? What were the alternative perspectives? And why did the narrative of a fixed tradition catch on? In this study, Mario Dunkel examines narratives of jazz history from the beginnings of jazz until the late 1950s. According to Dunkel, the jazz tradition is simultaneously an attempt to approach historical reality and the product of competition between different narratives and cultural myths. From the middlebrow culture of the 1920s to the New Deal, the African American civil rights movement and the role of the U.S. in the Cold War, Dunkel shows in detail how the jazz tradition, as a global narrative of the twentieth century, is intertwined with greater social and cultural developments.

Download or read book Sweet Music in Harlem written by Debbie A. Taylor and published by . This book was released on 2004 with total page 40 pages. Available in PDF, EPUB and Kindle. Book excerpt: An African-American boy unintentionally brings together all the neighbourhood's jazz musicians for a magazine photograph.

Download or read book Sweet Swing Blues on the Road written by Wynton Marsalis and published by W. W. Norton & Company. This book was released on 1994 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: A year in the life of the jazz musician and composer includes his views on rap, the road, romance, creativity, politics, culture, and the role of the artist in American society.

Download or read book The Creation of Jazz written by Burton William Peretti and published by University of Illinois Press. This book was released on 1994 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: As musicians, listeners, and scholars have sensed for many years, the story of jazz is more than a history of the music. Burton Peretti presents a fascinating account of how the racial and cultural dynamics of American cities created the music, life, and business that was jazz. From its origins in the jook joints of sharecroppers and the streets and dance halls of 1890s New Orleans, through its later metamorphoses in the cities of the North, Peretti charts the life of jazz culture to the eve of bebop and World War II. In the course of those fifty years, jazz was the story of players who made the transition from childhood spasm bands to Carnegie Hall and worldwide touring and fame. It became the music of the Twenties, a decade of Prohibition, of adolescent discontent, of Harlem pride, and of Americans hoping to preserve cultural traditions in an urban, commercial age. And jazz was where black and white musicians performed together, as uneasy partners, in the big bands of Artie Shaw and Benny Goodman. "Blacks fought back by using jazz", states Peretti, "with its unique cultural and intellectual properties, to prove, assess, and evade the "dynamic of minstrelsy". Drawing on newspaper reports of the times and on the firsthand testimony of more than seventy prominent musicians and singers (among them Benny Carter, Bud Freeman, Kid Ory, and Mary Lou Williams), The Creation of Jazz is the first comprehensive analysis of the role of early jazz in American social history.

Download or read book All of Me written by Jos Willems and published by Scarecrow Press. This book was released on 2006 with total page 476 pages. Available in PDF, EPUB and Kindle. Book excerpt: Louis "Satchmo" Armstrong was not only jazz's greatest musician and innovator but also the frontal figure in the development of contemporary popular music. Overcoming social and political obstacles, he established a long and impressive career with an enormous musical output, which is amassed and detailed in this discography-from professional commercial releases to amateur and unissued recordings.

Download or read book Let s Do It written by Bob Stanley and published by Simon and Schuster. This book was released on 2022-09-06 with total page 458 pages. Available in PDF, EPUB and Kindle. Book excerpt: The must-read music book of the year—and the first such history bringing together all musical genres to tell the definitive narrative of the birth of Pop—from 1900 to the mid-1950s. Pop music didn't begin with the Beatles in 1963, or with Elvis in 1956, or even with the first seven-inch singles in 1949. There was a pre-history that went back to the first recorded music, right back to the turn of the century. Who were these earliest record stars—and were they in any meaningful way "pop stars"? Who was George Gershwin writing songs for? Why did swing, the hit sound for a decade or more, become almost invisible after World War II? The prequel to Bob Stanley’s celebrated Yeah! Yeah! Yeah!, this new volume is the first book to tell the definitive story of the birth of pop, from the invention of the 78 rpm record at the end of the nineteenth century to the beginnings of rock and the modern pop age. Covering superstars such as Louis Armstrong, Bessie Smith, Duke Ellington and Frank Sinatra, alongside the unheralded songwriters and arrangers behind some of our most enduring songs, Stanley paints an aural portrait of pop music's formative years in stunning clarity, uncovering the silver threads and golden needles that bind the form together. Bringing the eclectic, evolving world of early pop to life—from ragtime, blues and jazz to Broadway, country, crooning, and beyond—Let's Do It is essential reading for all music lovers. "An encyclopaedic introduction to the fascinating and often forgotten creators of Anglo-American hit music in the first half of the twentieth century."—Neil Tennant (The Pet Shop Boys)

Download or read book The Bookman written by and published by . This book was released on 1928 with total page 940 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Hotel on the Corner of Bitter and Sweet written by Jamie Ford and published by Ballantine Books. This book was released on 2009-01-27 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Sentimental, heartfelt….the exploration of Henry’s changing relationship with his family and with Keiko will keep most readers turning pages...A timely debut that not only reminds readers of a shameful episode in American history, but cautions us to examine the present and take heed we don’t repeat those injustices."-- Kirkus Reviews “A tender and satisfying novel set in a time and a place lost forever, Hotel on the Corner of Bitter and Sweet gives us a glimpse of the damage that is caused by war--not the sweeping damage of the battlefield, but the cold, cruel damage to the hearts and humanity of individual people. Especially relevant in today's world, this is a beautifully written book that will make you think. And, more importantly, it will make you feel." -- Garth Stein, New York Times bestselling author of The Art of Racing in the Rain “Jamie Ford's first novel explores the age-old conflicts between father and son, the beauty and sadness of what happened to Japanese Americans in the Seattle area during World War II, and the depths and longing of deep-heart love. An impressive, bitter, and sweet debut.” -- Lisa See, bestselling author of Snow Flower and the Secret Fan In the opening pages of Jamie Ford’s stunning debut novel, Hotel on the Corner of Bitter and Sweet, Henry Lee comes upon a crowd gathered outside the Panama Hotel, once the gateway to Seattle’s Japantown. It has been boarded up for decades, but now the new owner has made an incredible discovery: the belongings of Japanese families, left when they were rounded up and sent to internment camps during World War II. As Henry looks on, the owner opens a Japanese parasol. This simple act takes old Henry Lee back to the 1940s, at the height of the war, when young Henry’s world is a jumble of confusion and excitement, and to his father, who is obsessed with the war in China and having Henry grow up American. While “scholarshipping” at the exclusive Rainier Elementary, where the white kids ignore him, Henry meets Keiko Okabe, a young Japanese American student. Amid the chaos of blackouts, curfews, and FBI raids, Henry and Keiko forge a bond of friendship–and innocent love–that transcends the long-standing prejudices of their Old World ancestors. And after Keiko and her family are swept up in the evacuations to the internment camps, she and Henry are left only with the hope that the war will end, and that their promise to each other will be kept. Forty years later, Henry Lee is certain that the parasol belonged to Keiko. In the hotel’s dark dusty basement he begins looking for signs of the Okabe family’s belongings and for a long-lost object whose value he cannot begin to measure. Now a widower, Henry is still trying to find his voice–words that might explain the actions of his nationalistic father; words that might bridge the gap between him and his modern, Chinese American son; words that might help him confront the choices he made many years ago. Set during one of the most conflicted and volatile times in American history, Hotel on the Corner of Bitter and Sweet is an extraordinary story of commitment and enduring hope. In Henry and Keiko, Jamie Ford has created an unforgettable duo whose story teaches us of the power of forgiveness and the human heart. BONUS: This edition contains a Hotel on the Corner of Bitter and Sweet discussion guide and an excerpt from Jamie Ford's Love and Other Consolation Prizes.

Download or read book With Amusement for All written by LeRoy Ashby and published by University Press of Kentucky. This book was released on 2006-05-12 with total page 475 pages. Available in PDF, EPUB and Kindle. Book excerpt: Popular culture is a central part of everyday life to many Americans. Personalities such as Elvis Presley, Oprah Winfrey, and Michael Jordan are more recognizable to many people than are most elected officials. With Amusement for All is the first comprehensive history of two centuries of mass entertainment in the United States, covering everything from the penny press to Playboy, the NBA to NASCAR, big band to hip hop, and other topics including film, comics, television, sports, dance, and music. Paying careful attention to matters of race, gender, class, technology, economics, and politics, LeRoy Ashby emphasizes the complex ways in which popular culture simultaneously reflects and transforms American culture, revealing that the world of entertainment constantly evolves as it tries to meet the demands of a diverse audience. Trends in popular entertainment often reveal the tensions between competing ideologies, appetites, and values in American society. For example, in the late nineteenth century, Americans embraced "self-made men" such as John D. Rockefeller and Andrew Carnegie: the celebrities of the day were circus tycoons P.T. Barnum and James A. Bailey, Wild West star "Buffalo Bill" Cody, professional baseball organizer Albert Spalding, and prizefighter John L. Sullivan. At the same time, however, several female performers challenged traditional notions of weak, frail Victorian women. Adah Isaacs Menken astonished crowds by wearing tights that made her appear nude while performing dangerous stunts on horseback, and the shows of the voluptuous burlesque group British Blondes often centered on provocative images of female sexual power and dominance. Ashby describes how history and politics frequently influence mainstream entertainment. When Native Americans, blacks, and other non-whites appeared in the nineteenth-century circuses and Wild West shows, it was often to perpetuate demeaning racial stereotypes—crowds jeered Sitting Bull at Cody's shows. By the early twentieth century, however, black minstrel acts reveled in racial tensions, reinforcing stereotypes while at the same time satirizing them and mocking racist attitudes before a predominantly white audience. Decades later, Red Foxx and Richard Pryor's profane comedy routines changed American entertainment. The raw ethnic material of Pryor's short-lived television show led to a series of African-American sitcoms in the 1980s that presented common American experiences—from family life to college life—with black casts. Mainstream entertainment has often co-opted and sanitized fringe amusements in an ongoing process of redefining the cultural center and its boundaries. Social control and respectability vied with the bold, erotic, sensational, and surprising, as entrepreneurs sought to manipulate the vagaries of the market, control shifting public appetites, and capitalize on campaigns to protect public morals. Rock 'n Roll was one such fringe culture; in the 1950s, Elvis blurred gender norms with his androgynous style and challenged conventions of public decency with his sexually-charged performances. By the end of the 1960s, Bob Dylan introduced the social consciousness of folk music into the rock scene, and The Beatles embraced hippie counter-culture. Don McLean's 1971 anthem "American Pie" served as an epitaph for rock's political core, which had been replaced by the spectacle of hard rock acts such as Kiss and Alice Cooper. While Rock 'n Roll did not lose its ability to shock, in less than three decades it became part of the established order that it had originally sought to challenge. With Amusement for All provides the context to what Americans have done for fun since 1830, showing the reciprocal nature of the relationships between social, political, economic, and cultural forces and the way in which the entertainment world has reflected, refracted, or reinforced the values those forces represent in America.

Download or read book From the Erotic to the Demonic On Critical Musicology written by Derek B. Scott Chair of Music University of Salford and published by Oxford University Press, USA. This book was released on 2003-03-11 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the Erotic to the Demonic: On Critical Musicology demonstrates how different musical styles construct ideas of class, sexuality, and ethnic identity. This book will serve as a model for musicologists who want to take a postmodern approach to their inquiries. The clear and lively arguments are supported by ninety musical examples taken from such diverse sources as opera, symphonic music, jazz, and nineteenth- and twentieth-century popular songs. Derek Scott offers new insights on a range of "high" and "low" musical styles, and the cultures that produced them.

Download or read book John Alden Carpenter written by Howard Pollack and published by University of Illinois Press. This book was released on 2001 with total page 556 pages. Available in PDF, EPUB and Kindle. Book excerpt: His original yet refined orchestral music was championed by Bruno Walter, Fritz Reiner, Otto Klemperer, Serge Koussevitzky, and other celebrated conductors, and his sensitive songs were performed by such legendary singers as Alma Gluck and Kirsten Flagstad.".

Download or read book The Recordings of Andy Kirk and His Clouds of Joy written by George Burrows and published by . This book was released on 2019 with total page 275 pages. Available in PDF, EPUB and Kindle. Book excerpt: Andy Kirk's Clouds of Joy came from Kansas City to find nationwide fame in the later 1930s. The many records they made between 1929 and 1949 came to exemplify the Kansas City style of jazz, but they were also criticized for their populism and inauthenticity. In The Recordings of Andy Kirk' and his Clouds of Joy, George Burrows considers these records as representing negotiations over racialized styles between black jazz musicians and the racist music industry during a vital period of popularity and change for American jazz. The book explores the way that these reformative negotiations shaped and can be heard in the recorded music. By comparing the band's appropriation of musical styles to the manipulation of masks in black forms of blackface performance--both signifying and subverting racist conceptions of black authenticity--it reveals how the dynamic between black musicians, their audiences and critics impacted upon jazz as a practice and conception.

Download or read book Form Content and Power written by Eric v.d. Luft and published by Gegensatz Press. This book was released on 2024-08-02 with total page 342 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is meant to be disconcerting. It asks many more questions than it answers, but perhaps that is how philosophy should be, especially if the questions posed are capable of rousing interest in a topic and stimulating individual thought. It challenges, sometimes attacks, and even ridicules, various traditions and theoretical positions in the history of the philosophy of art, not for merely destructive or polemical purposes, but rather to encourage insightful readers to proceed beyond these positions in their own minds. Its arguments are not didactic and its conclusions are not dogmatic, but evocative and provisional, in the hope that its readers will confront them with a vigor at least equal to that with which these arguments and conclusions have already confronted the traditional opinions. Its general aims are (1) to try to answer the basic questions: "What is art?" and "What is good art?" and (2) to try to develop a unified theory of art, i.e., a theory which would embrace and be equally applicable to all types and media of art, from architecture to rock songs, from symphonies to sculpture, from Shakespeare to street graffiti. Toward this second aim, it examines the traditional concept of beauty and finds it incoherent, undefinable, philosophically unsatisfactory, and incapable of serving as the ground of any rigorous unified theory of art, because it cannot, without equivocation, be made equally applicable to all sorts of art. Thus, instead of beauty, it proposes the concept of power, which can be clearly and precisely defined and which is not only universally and univocally applicable, but also rich enough as a concept to be able to shed light on the whole idea of art. It is not a difficult book. It is written for people at all levels of erudition from college frosh to tenured professors. It does not aim primarily toward any level, and tries not to pander, but presents interpretations within the philosophy of art which should be both sufficiently original to provide grist for the professors' speculative mills and at the same time sufficiently lucid for beginning students to be able to grasp the main ideas. In short, the book aims to become both a course textbook and a work which will be discussed at scholarly conferences and written about in journal articles. At least with regard to this twofold aim, to be simultaneously intelligible to tyros and interesting to experts, and its consequent claim to a broad audience, it is akin to such works as John Dewey's Art as Experience, Robin Collingwood's The Principles of Art, or Susanne Langer's Philosophy in a New Key.

Download or read book Soundtrack Available written by Pamela Robertson Wojcik and published by Duke University Press. This book was released on 2001-12-03 with total page 506 pages. Available in PDF, EPUB and Kindle. Book excerpt: DIVEssays on film soundtracks composed of popular music (rather than the composed film score) both in relation to the films, and circulating separately on record./div

Download or read book Jazz for Young People Curriculum written by Wynton Marsalis and published by Alfred Publishing Company. This book was released on 2002 with total page 33 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Race and Racism in the United States 4 volumes written by Charles A. Gallagher and published by Bloomsbury Publishing USA. This book was released on 2014-06-24 with total page 4036 pages. Available in PDF, EPUB and Kindle. Book excerpt: How is race defined and perceived in America today, and how do these definitions and perceptions compare to attitudes 100 years ago... or 200 years ago? This four-volume set is the definitive source for every topic related to race in the United States. In the 21st century, it is easy for some students and readers to believe that racism is a thing of the past; in reality, old wounds have yet to heal, and new forms of racism are taking shape. Racism has played a role in American society since the founding of the nation, in spite of the words "all men are created equal" within the Declaration of Independence. This set is the largest and most complete of its kind, covering every facet of race relations in the United States while providing information in a user-friendly format that allows easy cross-referencing of related topics for efficient research and learning. The work serves as an accessible tool for high school researchers, provides important material for undergraduate students enrolled in a variety of humanities and social sciences courses, and is an outstanding ready reference for race scholars. The entries provide readers with comprehensive content supplemented by historical backgrounds, relevant examples from primary documents, and first-hand accounts. Information is presented to interest and appeal to readers but also to support critical inquiry and understanding. A fourth volume of related primary documents supplies additional reading and resources for research.