Download or read book Studies in Indian Art written by Vasudeva Sharana Agrawala and published by . This book was released on 2003 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Studies in Indian Painting written by Nanalal Chamanlal Mehta and published by . This book was released on 1926 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Towards a New Art History written by Ratan Parimoo and published by . This book was released on 2003 with total page 524 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Essays Here, Challenging The Boundaries And Assumptions Of Mainstream Art History, Question Many Preconceived Notions About Meaning In Representations Artistic And Art Historical. Emphasizing On Specific Visual Cultures Within The Dynamics Of Historical Processes, They Raise Critical Issues Of Art Production, Circulation And Consumption And Attempt To Rescue Traditional Arts From A Past That Is Hermetically Sealed Off From The Present.
Download or read book Studies in Early Indian Painting written by Moti Chandra and published by . This book was released on 1975 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Studies in Modern Indian Art written by Ratan Parimoo and published by . This book was released on 1975 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Studies in Modern Indian Art written by and published by . This book was released on 1975 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Theory of Citrasutras in Indian Painting written by Isabella Nardi and published by Routledge. This book was released on 2007-01-24 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: The study of technical treatises in Indian art has increasingly attracted much interest. This work puts forward a critical re-examination of the key Indian concepts of painting described in the Sanskrit treatises, called citrasutras. In an in-depth and systematic analysis of the texts on the theory of Indian painting, it critically examines the different ways in which the texts have been interpreted and used in the study of Indian painting, and suggests a new approach to reading and understanding their concepts. Contrary to previous publications on the subject, it is argued that the intended use of such texts as a standard of critique largely failed due to a fundamental misconceptualization of the significance of ‘text’ for Indian painters. Isabella Nardi offers an original approach to research in this field by drawing on the experiences of painters, who are considered as a valid source of knowledge for our understanding of the citrasutras, and provides a new conceptual framework for understanding the interlinkages between textual sources and the practice of Indian painting. Filling a significant gap in Indian scholarship, Nardi's study will appeal to those studying Indian painting and Indian art in general.
Download or read book Studies in Islamic and Later Indian Art from the Arthur M Sackler Museum Harvard University Art Museums written by Arthur M. Sackler Museum and published by Harvard Art Museum (Acc). This book was released on 2002 with total page 88 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume examines portraits of Mughal rulers, Iranian drawing and painting and Samanid epigraphic pottery of medieval Iran and Central Asia.
Download or read book A Secret Garden written by B. N. Goswamy and published by Scheidegger and Spiess. This book was released on 2014 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Danielle Porret’s passion for Asian art and for Indian painting in particular was inflamed when she attended classes on Asian mythology during her studies at Geneva University. It intensified further when in 1966 she visited an exhibition in London of Indian paintings collected by Mildred and William Archer, curators of Indian art at the British India office and the Victoria & Albert Museum respectively. A conference interpreter by profession, Porret began to study the collections of Asian art at London’s great museums and the technique of paper restoration. And she started to buy Indian paintings herself. Danielle Porret’s collection comprises outstanding works spanning seven centuries from the time of the Sultans (1206–1526) through to the nineteenth century. While many museums house representative art-historical inventories, Porret describes her collection as a “secret garden” compiled on the basis of her own personal taste. The new book A Secret Garden features 105 paintings from Porret’s collection. The essays are contributed by leading experts in the area of Indian painting: B.N. Goswamy (Pahari painting), Jeremiah P. Losty (the painting of Rajasthan and central India), and John Seyller (Mogul- und Dekkan painting, as well as the painting from the time of the Sultans). The book is published to coincide with an exhibition at the Museum Rietberg in Zürich in spring 2014.
Download or read book The Triumph of Modernism written by Partha Mitter and published by Reaktion Books. This book was released on 2007-11-15 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: The tumultuous last decades of British colonialism in India were catalyzed by more than the work of Mahatma Gandhi and violent conflicts. The concurrent upheavals in Western art driven by the advent of modernism provided Indian artists in post-1920 India a powerful tool of colonial resistance. Distinguished art historian Partha Mitter now explores in this brilliantly illustrated study this lesser known facet of Indian art and history. Taking the 1922 Bauhaus exhibition in Calcutta as the debut of European modernism in India, The Triumph of Modernism probes the intricate interplay of Western modernism and Indian nationalism in the evolution of colonial-era Indian art. Mitter casts his gaze across a myriad of issues, including the emergence of a feminine voice in Indian art, the decline of “oriental art,” and the rise of naturalism and modernism in the 1920s. Nationalist politics also played a large role, from the struggle of artists in reconciling Indian nationalism with imperial patronage of the arts to the relationship between primitivism and modernism in Indian art. An engagingly written study anchored by 150 lush reproductions, The Triumph of Modernism will be essential reading for scholars of art, British studies, and Indian history.
Download or read book Indian Sculpture and Painting written by Ernest Binfield Havell and published by . This book was released on 1908 with total page 508 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Art for a Modern India 1947 1980 written by Rebecca M. Brown and published by Duke University Press. This book was released on 2009-03-17 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: Following India’s independence in 1947, Indian artists creating modern works of art sought to maintain a local idiom, an “Indianness” representative of their newly independent nation, while connecting to modernism, an aesthetic then understood as both universal and presumptively Western. These artists depicted India’s precolonial past while embracing aspects of modernism’s pursuit of the new, and they challenged the West’s dismissal of non-Western places and cultures as sources of primitivist imagery but not of modernist artworks. In Art for a Modern India, Rebecca M. Brown explores the emergence of a self-conscious Indian modernism—in painting, drawing, sculpture, architecture, film, and photography—in the years between independence and 1980, by which time the Indian art scene had changed significantly and postcolonial discourse had begun to complicate mid-century ideas of nationalism. Through close analyses of specific objects of art and design, Brown describes how Indian artists engaged with questions of authenticity, iconicity, narrative, urbanization, and science and technology. She explains how the filmmaker Satyajit Ray presented the rural Indian village as a socially complex space rather than as the idealized site of “authentic India” in his acclaimed Apu Trilogy, how the painter Bhupen Khakhar reworked Indian folk idioms and borrowed iconic images from calendar prints in his paintings of urban dwellers, and how Indian architects developed a revivalist style of bold architectural gestures anchored in India’s past as they planned the Ashok Hotel and the Vigyan Bhavan Conference Center, both in New Delhi. Discussing these and other works of art and design, Brown chronicles the mid-twentieth-century trajectory of India’s modern visual culture.
Download or read book Native Moderns written by Bill Anthes and published by Duke University Press. This book was released on 2006-11-03 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: This lavishly illustrated art history situates the work of pioneering mid-twentieth-century Native American artists within the broader canon of American modernism.
Download or read book The Theory of Citrasutras in Indian Painting written by Isabella Nardi and published by Routledge. This book was released on 2007-01-24 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: Filling a distinct gap in Indian scholarship, this original account presents a critical re-examination of the key Indian concepts of painting as described in the Sanskrit treatises. Drawing on the experiences of significant painters, Nardi suggests a new way of reading and understanding these concepts.
Download or read book Garland of Visions written by Jinah Kim and published by University of California Press. This book was released on 2021-02-16 with total page 349 pages. Available in PDF, EPUB and Kindle. Book excerpt: Garland of Visions explores the generative relationships between artistic intelligence and tantric vision practices in the construction and circulation of visual knowledge in medieval South Asia. Shifting away from the traditional connoisseur approach, Jinah Kim instead focuses on the materiality of painting: its mediums, its visions, and especially its colors. She argues that the adoption of a special type of manuscript called pothi enabled the material translation of a private and internal experience of "seeing" into a portable device. These mobile and intimate objects then became important conveyors of many forms of knowledge—ritual, artistic, social, scientific, and religious—and spurred the spread of visual knowledge of Indic Buddhism to distant lands. By taking color as the material link between a vision and its artistic output, Garland of Visions presents a fresh approach to the history of Indian painting.
Download or read book The Spirit of Indian Painting written by B N Goswamy and published by Penguin UK. This book was released on 2014-12-01 with total page 560 pages. Available in PDF, EPUB and Kindle. Book excerpt: This magnificent, lavishly illustrated book by India’s most eminent and perceptive art historian, B.N. Goswamy, will open readers’ eyes to the wonders of Indian painting, and show them new ways of seeing and appreciating art. An illuminating introductory essay, ‘A Layered World’, explains the themes and emotions that inspired Indian painters, the values and influences that shaped their work, and the unique ways in which they depicted time and space. It describes, too, the characteristics of the different regional styles, the relationship between patrons and painters, the milieu in which they created their works, and the tools and techniques the painters used. The second part of this book consists of ‘Close Encounters with 101 Great Works’. Carefully selected by Prof. Goswamy and spanning nearly a thousand years, these works range from Jain manuscripts, and Rajasthani, Mughal, Pahari and Deccani miniatures, to Company School paintings. His description and analysis of these works unlock the treasures that lie within them and show us how to ‘read’ each painting, as he points out its finest features, explains its visual vocabulary and symbolism, and recounts the story, legend or event that inspired it. Combining deep scholarship with great storytelling, this is a book of enduring value that will both educate and delight the reader. It is destined to become a classic.
Download or read book Forgotten Masters written by William Dalrymple and published by Philip Wilson Publishers. This book was released on 2020-01-28 with total page 42 pages. Available in PDF, EPUB and Kindle. Book excerpt: As the East India Company extended its sway across India in the late eighteenth century, many remarkable artworks were commissioned by Company officials from Indian painters who had previously worked for the Mughals. Published to coincide with the first UK exhibition of these masterworks at The Wallace Collection, this book celebrates the work of a series of extraordinary Indian artists, each with their own style and tastes and agency, all of whom worked for British patrons between the 1770s and the bloody end of the Mughal rule in 1857. Edited by writer and historian William Dalrymple, these hybrid paintings explore both the beauty of the Indian natural world and the social realities of the time in one hundred masterpieces, often of astonishing brilliance and originality. They shed light on a forgotten moment in Anglo-Indian history during which Indian artists responded to European influences while keeping intact their own artistic visions and styles. These artists represent the last phase of Indian artistic genius before the onset of the twin assaults - photography and the influence of western colonial art schools - ended an unbroken tradition of painting going back two thousand years. As these masterworks show, the greatest of these painters deserve to be remembered as among the most remarkable Indian artists of all time.
