Download or read book Studies in Hindu and Buddhist Art written by P. K. Mishra and published by Abhinav Publications. This book was released on 1999 with total page 494 pages. Available in PDF, EPUB and Kindle. Book excerpt: It Is A Collection Of Thirty Essays On Various Aspects Of Hindu And Buddhist Art And Iconography Contributed By Indian And Foreign Scholars. These Represent Deep Insight And New Interpretation Based On Sound Scholarship And Accounts. While Intended To Commemorate The Loving Memory Of Professor Kalyan Kumar Dasgupta, The Book Is A Fitting Tribute To The Great Savant. Professor P.K. Mishra And Publisher M/S Abhinav Publications Have Spared No Pains To Make It An Outstanding Publication Of The Year

Download or read book The Hindu Buddhist Sculpture of Ancient Kashmir and Its Influences written by John Siudmak and published by BRILL. This book was released on 2013-04-15 with total page 546 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Hindu-Buddhist Sculpture of Ancient Kashmir and Its Influences is primarily based on the study of the largely unpublished corpus of sculpture, mostly of stone, in the Sri Pratap Singh Museum in Srinagar, and of other examples in situ elsewhere in the valley. The disparate nature and fragmentary condition of these sculptures as well as their artistic and iconographical influences have for long defied accurate analysis. The method used in the classification of these sculptures is based on close analysis of their style concentrating on recurring features such as facial and physical typology, modelling, dress and ornamentation. Comparisons are made with other examples of Kashmir bronze, ivory and stone sculpture in private and public collections both within India and abroad.

Download or read book The lost Heritage written by Ramesh Dhungel and published by . This book was released on 2010 with total page 181 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Interaction Between Br hma ical and Buddhist Art written by Ramesh Chandra Sharma and published by . This book was released on 2004 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Present Volume Is An Outcome Of The Expert Discussion On The Theories Of Brahmanism And Buddhism, In An International Meet At Jnana-Pravaha. Philosophical And Artistic Interaction Between The Two Have Been Brilliantly Discussed With References To Famous Places As Well As Texts To Unravel Basic Principles.

Download or read book Lost Kingdoms Hindu Buddhist Sculpture of Early Southeast Asia written by Guy, John and published by Metropolitan Museum of Art. This book was released on 2014-04-07 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: A fresh and exciting exploration of Southeast Asian history from the 5th to 9th century, seen through the lens of the region's sculpture

Download or read book Religious Life and Art written by Santosh Nagpaul Desai and published by . This book was released on 1986 with total page 202 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Puja and Piety written by Pratapaditya Pal and published by Univ of California Press. This book was released on 2016-04-16 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Accompanies the exhibition presented at the Santa Barbara Museum of Art, Santa Barbara, California, April 17-July 31, 2016.

Download or read book Hindu Buddhist Architecture in Southeast Asia written by Daigorō Chihara and published by BRILL. This book was released on 1996 with total page 468 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book deals with the technical, artistic and architectural aspects of the Hindu and Buddhist monuments from the beginning until today in Southeast Asia.

Download or read book Buddhism written by Lokesh Chandra and published by . This book was released on 2007 with total page 480 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Volume Explores The Relation Of Buddhism To Greek Cosmology, Its Contacts With West Asia, And Parallels To Christianity. The Interpretation In Adibuddha As A Theistic Concept Has Been Elucidated. Buddhist Period Of Classical Afghanistan, A New Identification Of The Colossi Of Bamiyan, And The 108 Symbols On The Feet Of The Buddhas Are The Way On The Physical And Divine Planes. Several Khotanese Panels, Murals And Icons Have Been Identified Anew On The Basis Of The Six Annals Of The Kingdom In Tibetan. The Role Of The Suvarabhasa-Sutra In The Polity Of Central Asia And Thence In East Asia Has Been Discussed. The Lotus Sutra Was Transmitted To China And Japan And Became A Dominant Underpinning Of Their Political And Religious Culture. The Mind-Ground Of East Asian Art Is A General Survey Of The Aesthetic Principles Evolved In This Region. The Walling Up Of The Library Cave Of Tun-Huang Was Due To A Fundamentalist Threat. The Artistic Journey Of Fourteen Centuries Of Japanese Buddhism Is Presented. Silent Letters In Tibetan Orthography And The Ambulatory Of The Tabo Cella Are Discussed. Buddhism In Mongolia Gave A Splendid Art And Rich Literature To The People. Ajanta As The Aesthesis Of Beauty And Beyond, The Thirtythree Koti Deities, Tantas As Transcendence And Tumescence, The Cousin Cultures Of India And Iran, Chandi Sukuh As A Political Statement, The Indonesian Word Candi As An Architectural Term, Identification Of Buddhist Bronzes Of Java, And Central Asia As The Path Of Sutras (And Not As The Silk Route), And Other Studies Enrich Our Understanding Of The Art And Thought, Polity And Civilization Of The Countries Of Asia. This Volume Of 477 Pages Is A Collection Of The Research Papers Of Prof. Lokesh Chandra Written Over The Last Fifteen Years On The Evolution Of Buddhist Thought And Its Spread Over Vast Areas Of Asia. Areas Of Interest: Buddhism, History Of Art, Philosophy, And The General History Of Various Countries (India, Afghanistan, Iran, Central Asia, China, Japan, Tibet, Mongolia, Cambodia, Indonesia), And Cultural Globalism.

Download or read book Lost Kingdoms written by John Guy and published by Yale University Press. This book was released on 2014-05-06 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first publication to explore Southeast Asian history from the 5th to 9th century through the region’s sculpture, this book offers a fresh and exciting approach to an enduring subject.

Download or read book Studies in Buddhist Art of South Asia written by A. K. Narain and published by . This book was released on 1985 with total page 194 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Creative South written by Andrea Acri and published by ISEAS-Yusof Ishak Institute. This book was released on 2022-04-12 with total page 375 pages. Available in PDF, EPUB and Kindle. Book excerpt: This edited volume programmatically reconsiders the creative contribution of the littoral and insular regions of Maritime Asia to shaping new paradigms in the Buddhist and Hindu art and architecture of the mediaeval Asian world. Far from being a mere southern conduit for the maritime circulation of Indic religions, in the period from ca. the 7th to the 14th century those regions transformed across mainland and island polities the rituals, icons, and architecture that embodied these religious insights with a dynamism that often eclipsed the established cultural centres in Northern India, Central Asia, and mainland China. This collective body of work brings together new research aiming to recalibrate the importance of these innovations in art and architecture, thereby highlighting the cultural creativity of the monsoon-influenced Southern rim of the Asian landmass. "Although Maritime Asia in mediaeval times was not as densely populated as the agrarian hinterland, Asia’s coasts were highly urbanized. The region from southern India to south China was a heterogeneous blend of cultures, leavened with a strong interest in trade. This cosmopolitan society afforded plentiful opportunities for artists to find patrons and develop individual styles and aesthetic sensibilities. In the bustling ports of Asia’s south coast, rulers sought to embellish their prestige and attract foreign merchants by sponsoring the development of monumental complexes and centres of learning and debate. These educational institutions attracted teachers from all over Asia, and in their cloisters they developed new intellectual frameworks which were reflected in works of art and architecture. Scholars moved frequently by sea, influencing and being influenced by other foreigners such as Japanese and central Asians who were also attracted to these places. This very variety has hindered scholarly research in the past. This volume contributes to the endeavour to show how Maritime Asia was not an incoherent jumble of misunderstood influences from better-known civilizations; there was a pattern to this creativity, which the authors in this collection clarify for us. The maritime world of Asia may have lain on the margins of the land, but it provided a physical and intellectual medium through which artistic ideas from east and west flowed freely. Maritime Asia also made significant original contributions which hold their own with those of the hinterland of the Asian continent. Unconstrained by the burden of static hierarchical courts, the peoples of Maritime Asia built on the inspiration provided by a hybrid society to demonstrate a high degree of artistic originality while testing but not breaking the link with conventional iconography."-- Professor John Miksic, Department of Southeast Asian Studies, Faculty of Arts and Social Sciences, National University of Singapore (NUS) "The collective objective of this two-volume work is to give substance to the oft cited mantra that mediaeval maritime Southeast Asia was as much an innovative contributor to, as a recipient, in the cultural conversations that took place across the Bay of Bengal and South China Sea. In bracketing these studies between the 7th and 14th centuries, the editors have drawn into focus two key traditions that are explicated in texts, ritual art and architecture and religious landscapes of this period: tantric Buddhism and esoteric Shaivism. A great strength of these studies is this focus, for which the editors are to be commended. The chapters contain much that represents significant milestones in building new understanding in the field, including overdue recognition of the importance of Southeast Asian esoteric Buddhist practice in shaping Chinese Buddhism. Nowhere did the architects of the religious landscape of early Southeast Asia think of themselves as being on the periphery, or as outsiders, looking in. Rather, they knowingly imbued their tirthas and sacred centres with the same authority as those in India and created religious edifices that were on occasions beyond India’s experience. I highly commend this publication to anyone with an interest in bringing a wider lens to the study of Indian esoteric religious practices and to understanding the relationship of early Hindu-Buddhist Southeast Asia to the wider Asian world." -- John Guy, Senior Curator of South and Southeast Asian Art, The Metropolitan Museum of Art, New York "The Creative South is a rich compendium of scholarship concerning the religious art of Southeast Asia and its ties to India in the period beginning in the 8th century. It was a time when merchants were crisscrossing the seas from India to China and when advocates of innovative doctrines and rituals were finding ready support among the rulers of the varied kingdoms. From the identification of images embraced by the seafarers to the mysteries of the fire shrines in Cambodian temples, from the funerary beliefs of Odisha to the unique character of the Javanese Ramayana, these eighteen studies provide fresh understandings of the patterns of reception and innovation." -- Hiram Woodward, Mr. and Mrs. Thomas Quincy Scott Curator of Asian Art Emeritus, The Walters Art Museum

Download or read book The Creative South written by Andrea Acri and published by ISEAS-Yusof Ishak Institute. This book was released on 2022-08-29 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: This edited volume programmatically reconsiders the creative contribution of the littoral and insular regions of Maritime Asia to shaping new paradigms in the Buddhist and Hindu art and architecture of the mediaeval Asian world. Far from being a mere southern conduit for the maritime circulation of Indic religions, in the period from ca. the 7th to the 14th century those regions transformed across mainland and island polities the rituals, icons, and architecture that embodied these religious insights with a dynamism that often eclipsed the established cultural centres in Northern India, Central Asia, and mainland China. This collective body of work brings together new research aiming to recalibrate the importance of these innovations in art and architecture, thereby highlighting the cultural creativity of the monsoon-influenced Southern rim of the Asian landmass. "Although Maritime Asia in mediaeval times was not as densely populated as the agrarian hinterland, Asia’s coasts were highly urbanized. The region from southern India to south China was a heterogeneous blend of cultures, leavened with a strong interest in trade. This cosmopolitan society afforded plentiful opportunities for artists to find patrons and develop individual styles and aesthetic sensibilities. In the bustling ports of Asia’s south coast, rulers sought to embellish their prestige and attract foreign merchants by sponsoring the development of monumental complexes and centres of learning and debate. These educational institutions attracted teachers from all over Asia, and in their cloisters they developed new intellectual frameworks which were reflected in works of art and architecture. Scholars moved frequently by sea, influencing and being influenced by other foreigners such as Japanese and central Asians who were also attracted to these places. This very variety has hindered scholarly research in the past. This volume contributes to the endeavour to show how Maritime Asia was not an incoherent jumble of misunderstood influences from better-known civilizations; there was a pattern to this creativity, which the authors in this collection clarify for us. The maritime world of Asia may have lain on the margins of the land, but it provided a physical and intellectual medium through which artistic ideas from east and west flowed freely. Maritime Asia also made significant original contributions which hold their own with those of the hinterland of the Asian continent. Unconstrained by the burden of static hierarchical courts, the peoples of Maritime Asia built on the inspiration provided by a hybrid society to demonstrate a high degree of artistic originality while testing but not breaking the link with conventional iconography."-- Professor John Miksic, Department of Southeast Asian Studies, Faculty of Arts and Social Sciences, National University of Singapore (NUS) "The collective objective of this two-volume work is to give substance to the oft cited mantra that mediaeval maritime Southeast Asia was as much an innovative contributor to, as a recipient, in the cultural conversations that took place across the Bay of Bengal and South China Sea. In bracketing these studies between the 7th and 14th centuries, the editors have drawn into focus two key traditions that are explicated in texts, ritual art and architecture and religious landscapes of this period: tantric Buddhism and esoteric Shaivism. A great strength of these studies is this focus, for which the editors are to be commended. The chapters contain much that represents significant milestones in building new understanding in the field, including overdue recognition of the importance of Southeast Asian esoteric Buddhist practice in shaping Chinese Buddhism. Nowhere did the architects of the religious landscape of early Southeast Asia think of themselves as being on the periphery, or as outsiders, looking in. Rather, they knowingly imbued their tirthas and sacred centres with the same authority as those in India and created religious edifices that were on occasions beyond India’s experience. I highly commend this publication to anyone with an interest in bringing a wider lens to the study of Indian esoteric religious practices and to understanding the relationship of early Hindu-Buddhist Southeast Asia to the wider Asian world." -- John Guy, Senior Curator of South and Southeast Asian Art, The Metropolitan Museum of Art, New York "The Creative South is a rich compendium of scholarship concerning the religious art of Southeast Asia and its ties to India in the period beginning in the 8th century. It was a time when merchants were crisscrossing the seas from India to China and when advocates of innovative doctrines and rituals were finding ready support among the rulers of the varied kingdoms. From the identification of images embraced by the seafarers to the mysteries of the fire shrines in Cambodian temples, from the funerary beliefs of Odisha to the unique character of the Javanese Ramayana, these eighteen studies provide fresh understandings of the patterns of reception and innovation." -- Hiram Woodward, Mr. and Mrs. Thomas Quincy Scott Curator of Asian Art Emeritus, The Walters Art Museum

Download or read book Buddhist Art in India and Sri Lanka written by Virender Kumar Dabral and published by . This book was released on 2000 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Book Is A Comprehensive Study Of The Evolution And Development Of Buddhist Visual Art In India And Sri Lanka, Taking Into Consideration Their Diverse Forms And The Impact Of Regional Trends On Them. It Examines Architecture, Sculpture, Painting, And Use Of Symbols Like The Lotus And Sri Lanka Devil Masks.

Download or read book Buddhist Art in India written by Albert Grünwedel and published by . This book was released on 1901 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Beginnings of Buddhist Art written by Alfred Foucher and published by Asian Educational Services. This book was released on 1917 with total page 536 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Art of Ancient India written by Susan L. Huntington and published by Motilal Banarsidass. This book was released on 2014-01-01 with total page 786 pages. Available in PDF, EPUB and Kindle. Book excerpt: To scholars in the field, the need for an up-to-date overview of the art of South Asia has been apparent for decades. Although many regional and dynastic genres of Indic art are fairly well understood, the broad, overall representation of India's centuries of splendor has been lacking. The Art of Ancient India is the result of the author's aim to provide such a synthesis. Noted expert Sherman E. Lee has commented: –Not since Coomaraswamyês History of Indian and Indonesian Art (1927) has there been a survey of such completeness.” Indeed, this work restudies and reevaluates every frontier of ancient Indic art _ from its prehistoric roots up to the period of Muslim rule, from the Himalayan north to the tropical south, and from the earliest extant writing through the most modern scholarship on the subject. This dynamic survey-generously complemented with 775 illustrations, including 48 in full color and numerous architectural ground plans, and detailed maps and fine drawings, and further enhanced by its guide to Sanskrit, copious notes, extensive bibliography, and glossary of South Asian art terms-is the most comprehensive and most fully illustrated study of South Asian art available. The works and monuments included in this volume have been selected not only for their artistic merit but also in order to both provide general coverage and include transitional works that furnish the key to an all encompassing view of the art. An outstanding portrayal of ancient Indiaês highest intellectual and technical achievements, this volume is written for many audiences: scholars, for whom it provides an up-to-date background against which to examine their own areas of study; teachers and students of college level, for whom it supplies a complete summary of and a resource for their own deeper investigations into Indic art; and curious readers, for whom it gives a broad-based introduction to this fascinating area of world art.