Download or read book Structural Functions in Music written by Wallace Berry and published by Courier Corporation. This book was released on 1987-01-01 with total page 482 pages. Available in PDF, EPUB and Kindle. Book excerpt: A brilliant investigation into musical structure through a systematic exploration of tonality, melody, harmony, texture, and rhythm. Discusses early madrigals and Gregorian chants through Bach, Beethoven, and Brahms to Ravel, Bartok, and Berg."
Download or read book Structural Functions of Harmony written by Arnold Schoenberg and published by W. W. Norton & Company. This book was released on 1969 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is Schoenberg's last completed theoretical work and represents his final thoughts on the subject of classical and romantic harmony. The earlier chapters recapitulate in condensed form the principles laid down in his 'Theory of Harmony'; the later chapters break entirely new ground, for they analyze the system of key relationships within the structure of whole movements and affirm the principle of 'monotonality, ' showing how all modulations within a movement are merely deviations from, and not negations of, its main tonality.
Download or read book Structural Hearing written by Felix Salzer and published by Courier Corporation. This book was released on 1962-01-01 with total page 687 pages. Available in PDF, EPUB and Kindle. Book excerpt: Written by a pupil of Heinrich Schenker, this outstanding work develops and extends Schenker's approach. More than 500 examples of music from the Middle Ages to the 20th century complement the detailed discussions and analyses.
Download or read book A Practical Approach to the Study of Form in Music written by Peter Spencer and published by Waveland Press. This book was released on 1994-07-01 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: Learning musics organizing principles . . . Approaching the study of form as an exercise in perceiving the interaction of a number of discrete musical events, Spencer and Temkos book embodies much more than a search for visual clues. Students of form develop perceptual tools that allow them to proceed from the aural experience to an understanding of the arch-principles upon which music is organized. The authors hold that the organizing principles of a given piece of music may be gleaned from studying the internal attributes that give a section its specific identity, the functional relations between sections, and the ordering of those sections.
Download or read book Classical Form written by William E. Caplin and published by Oxford University Press. This book was released on 2000-12-28 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: Building on ideas first advanced by Arnold Schoenberg and later developed by Erwin Ratz, this book introduces a new theory of form for instrumental music in the classical style. The theory provides a broad set of principles and a comprehensive methodology for the analysis of classical form, from individual ideas, phrases, and themes to the large-scale organization of complete movements. It emphasizes the notion of formal function, that is, the specific role a given formal unit plays in the structural organization of a classical work.
Download or read book Five Graphic Music Analyses F nf Urlinie Tafeln written by Heinrich Schenker and published by Courier Corporation. This book was released on 1969-01-01 with total page 66 pages. Available in PDF, EPUB and Kindle. Book excerpt: Published originally by the David Mannes Music School, New York, in 1933 under the German title.
Download or read book The Cognition of Basic Musical Structures written by David Temperley and published by MIT Press. This book was released on 2004-08-20 with total page 432 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book, David Temperley addresses a fundamental question about music cognition: how do we extract basic kinds of musical information, such as meter, phrase structure, counterpoint, pitch spelling, harmony, and key from music as we hear it? Taking a computational approach, Temperley develops models for generating these aspects of musical structure. The models he proposes are based on preference rules, which are criteria for evaluating a possible structural analysis of a piece of music. A preference rule system evaluates many possible interpretations and chooses the one that best satisfies the rules. After an introductory chapter, Temperley presents preference rule systems for generating six basic kinds of musical structure: meter, phrase structure, contrapuntal structure, harmony, and key, as well as pitch spelling (the labeling of pitch events with spellings such as A flat or G sharp). He suggests that preference rule systems not only show how musical structures are inferred, but also shed light on other aspects of music. He substantiates this claim with discussions of musical ambiguity, retrospective revision, expectation, and music outside the Western canon (rock and traditional African music). He proposes a framework for the description of musical styles based on preference rule systems and explores the relevance of preference rule systems to higher-level aspects of music, such as musical schemata, narrative and drama, and musical tension.
Download or read book The Routledge Companion to Popular Music Analysis written by Ciro Scotto and published by Routledge. This book was released on 2018-09-28 with total page 442 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Routledge Companion to Popular Music Analysis: Expanding Approaches widens the scope of analytical approaches for popular music by incorporating methods developed for analyzing contemporary art music. This study endeavors to create a new analytical paradigm for examining popular music from the perspective of developments in contemporary art music. "Expanded approaches" for popular music analysis is broadly defined as as exploring the pitch-class structures, form, timbre, rhythm, or aesthetics of various forms of popular music in a conceptual space not limited to the domain of common practice tonality but broadened to include any applicable compositional, analytical, or theoretical concept that illuminates the music. The essays in this collection investigate a variety of analytical, theoretical, historical, and aesthetic commonalities popular music shares with 20th and 21st century art music. From rock and pop to hip hop and rap, dance and electronica, from the 1930s to present day, this companion explores these connections in five parts: Establishing and Expanding Analytical Frameworks Technology and Timbre Rhythm, Pitch, and Harmony Form and Structure Critical Frameworks: Analytical, Formal, Structural, and Political With contributions by established scholars and promising emerging scholars in music theory and historical musicology from North America, Europe, and Australia, The Routledge Companion to Popular Music Analysis: Expanding Approaches offers nuanced and detailed perspectives that address the relationships between concert and popular music.
Download or read book Musical Structure and Performance written by Wallace Berry and published by New Haven, [Conn.] : Yale University Press. This book was released on 1989 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Structural and Ornamental Diatonic Harmony in Western Music c 1700 1880 written by Zelda Potgieter and published by Cambridge Scholars Publishing. This book was released on 2020-12-01 with total page 243 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides first-year university students majoring in western art music with a thorough study of both structural and ornamental diatonic harmony in the Common Practice Period (c.1700 until the late 1800s). It provides one of the most comprehensive coverages of the topic of ornamental diatonic harmony published to date, and offers ample musical examples to illustrate the concepts explained, as well as exercises in creative four-part writing, analysis, aural development and keyboard harmony to practice the application of these concepts. Understanding the difference between the way chords act at the structural level and the ornamental level explains why rules that apply to one do not necessarily apply to the other, providing novel insights into the interplay between harmony and melody and renewed appreciation for the ingenious ways in which composers throughout the Common Practice Period exploited these techniques.
Download or read book Structural Functions of Harmony written by Arnold Schönberg and published by . This book was released on 1983 with total page 203 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Structural Functions of musical Gesture as Heard in Selected Instrumental Compositions of the Twentieth Century written by Richard Brooks and published by . This book was released on 1980 with total page 964 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Ethnomusicology A Very Short Introduction written by Timothy Rice and published by Oxford University Press. This book was released on 2014 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explaining that musicality is an essential touchstone of the human experience, a concise introduction to the study of the nature of music, its community and its cultural values explains the diverse work of today's ethnomusicologists and how researchers apply anthropological and other social disciplines to studies of human and cultural behaviors. Original.
Download or read book Fundamentals of Musical Composition written by Arnold Schoenberg and published by Gardners Books. This book was released on 1999 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fundamentals of Musical Composition represents the culmination of more than forty years in Schoenberg's life devoted to the teaching of musical principles to students and composers in Europe and America. For his classes he developed a manner of presentation in which 'every technical matter is discussed in a very fundamental way, so that at the same time it is both simple and thorough'. This book can be used for analysis as well as for composition. On the one hand, it has the practical objective of introducing students to the process of composing in a systematic way, from the smallest to the largest forms; on the other hand, the author analyses in thorough detail and with numerous illustrations those particular sections in the works of the masters which relate to the compositional problem under discussion.
Download or read book The Anthropology of Music written by Alan P. Merriam and published by Evanston, Ill.: Northwestern University Press. This book was released on 1964 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book was written in the belief that while music is a system of sounds, an assumption that provides the point of departure for most studies of music in culture, it is also a complex of behavior which resonates throughout the whole cultural organism--social organization, esthetic activity, economics, religion. This book is to be distinguished from other studies by its model of music as human action, making this work of interest not only to the ethnomusicologist and anthropologist, but also to those concerned with the nature of music, the nature of man, and the nature of music in human culture. Specifically, this model for the study of ethnomusicology is equally applicable to the study of visual arts, dance, folklore, and literature. --Adapted from dust jacket.
Download or read book The Oxford Handbook of Critical Concepts in Music Theory written by Alexander Rehding and published by Oxford University Press, USA. This book was released on 2019 with total page 849 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music Theory operates with a number of fundamental terms that are rarely explored in detail. This book offers in-depth reflections on key concepts from a range of philosophical and critical approaches that reflect the diversity of the contemporary music theory landscape.
Download or read book Who Needs Classical Music written by Julian Johnson and published by Oxford University Press. This book was released on 2011-09-01 with total page 152 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the last few decades, most cultural critics have come to agree that the division between "high" and "low" art is an artificial one, that Beethoven's Ninth and "Blue Suede Shoes" are equally valuable as cultural texts. In Who Needs Classical Music?, Julian Johnson challenges these assumptions about the relativism of cultural judgements. The author maintains that music is more than just "a matter of taste": while some music provides entertainment, or serves as background noise, other music claims to function as art. This book considers the value of classical music in contemporary society, arguing that it remains distinctive because it works in quite different ways to most of the other music that surrounds us. This intellectually sophisticated yet accessible book offers a new and balanced defense of the specific values of classical music in contemporary culture. Who Needs Classical Music? will stimulate readers to reflect on their own investment (or lack of it) in music and art of all kinds.
