Download or read book Soviet Composers and the Development of Soviet Music written by Stanley Dale Krebs and published by Taylor & Francis. This book was released on 2024-11-26 with total page 373 pages. Available in PDF, EPUB and Kindle. Book excerpt: Soviet Composers and the Development of Soviet Music (1970) is a thought-provoking review of Soviet music and musicians. This scholarly and readable distillation of factual information and well-reasoned conclusions is the result of many years of exhaustive study of reference works, monographs and journals, as well as musical scores both published and unpublished, all supplemented by interviews and personal participation in Soviet musical life. The author presents a cogent, critical analysis of the relationship between extra-musical pressures and the theory and practice of artistic autonomy. The lives and works of some two dozen major Soviet composers are discussed, and insight is provided into Soviet thinking about music, and thinking about the arts.
Download or read book Soviet Composers and the Development of Soviet Music written by STANLEY DALE. KREBS and published by Routledge. This book was released on 2024-11-26 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Soviet Composers and the Development of Soviet Music (1970) is a thought-provoking review of Soviet music and musicians. The lives and works of some two dozen major Soviet composers are discussed, and insight is provided into Soviet thinking about music, and thinking about the arts.
Download or read book Such Freedom If Only Musical written by Peter J Schmelz and published by Oxford University Press. This book was released on 2009-03-04 with total page 409 pages. Available in PDF, EPUB and Kindle. Book excerpt: Following Stalin's death in 1953, during the period now known as the Thaw, Nikita Khrushchev opened up greater freedoms in cultural and intellectual life. A broad group of intellectuals and artists in Soviet Russia were able to take advantage of this, and in no realm of the arts was this perhaps more true than in music. Students at Soviet conservatories were at last able to use various channels--many of questionable legality--to acquire and hear music that had previously been forbidden, and visiting performers and composers brought young Soviets new sounds and new compositions. In the 1960s, composers such as Andrey Volkonsky, Edison Denisov, Alfred Schnittke, Arvo Pärt, Sofia Gubaidulina, and Valentin Silvestrov experimented with a wide variety of then new and unfamiliar techniques ranging from serialism to aleatory devices, and audiences eager to escape the music of predictable sameness typical to socialist realism were attracted to performances of their new and unfamiliar creations. This "unofficial" music by young Soviet composers inhabited the gray space between legal and illegal. Such Freedom, If Only Musical traces the changing compositional styles and politically charged reception of this music, and brings to life the paradoxical freedoms and sense of resistance or opposition that it suggested to Soviet listeners. Author Peter J. Schmelz draws upon interviews conducted with many of the most important composers and performers of the musical Thaw, and supplements this first-hand testimony with careful archival research and detailed musical analyses. The first book to explore this period in detail, Such Freedom, If Only Musical will appeal to musicologists and theorists interested in post-war arts movements, the Cold War, and Soviet music, as well as historians of Russian culture and society.
Download or read book Soviet Music and Society Under Lenin and Stalin written by Neil Edmunds and published by Routledge. This book was released on 2004-06 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book investigates the place of music in Soviet society during the eras of Lenin and Stalin. It examines the different strategies adopted by composers and musicians in their attempts to carve out careers in a rapidly evolving society, discusses the role of music in Soviet society and people's lives, and shows how political ideology proved an inspiration as well as an inhibition. It explores how music and politics interacted in the lives of two of the twentieth century's greatest composers - Shostakovich and Prokofiev - and also in the lives of less well-known composers. In addition it considers the specialist composers of early Soviet musical propaganda, amateur music making, and musical life in the non-Russian republics. The book will appeal to specialists in Soviet music history, those with an interest in twentieth century music in general, and also to students of the history, culture and politics of the Soviet Union.
Download or read book On Russian Music written by Richard Taruskin and published by Univ of California Press. This book was released on 2009 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume gathers 36 essays by one of the leading scholars in the study of Russian music. An extensive introduction lays out the main issues and a justification of Taruskin's approach, seen both in the light of his intellectual development and in that of the changing intellectual environment.
Download or read book Music of the Soviet Era 1917 1991 written by Levon Hakobian and published by Routledge. This book was released on 2016-11-25 with total page 613 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume is a comprehensive and detailed survey of music and musical life of the entire Soviet era, from 1917 to 1991, which takes into account the extensive body of scholarly literature in Russian and other major European languages. In this considerably updated and revised edition of his 1998 publication, Hakobian traces the strikingly dramatic development of the music created by outstanding and less well-known, ‘modernist’ and ‘conservative’, ‘nationalist’ and ‘cosmopolitan’ composers of the Soviet era. The book’s three parts explore, respectively, the musical trends of the 1920s, music and musical life under Stalin, and the so-called ’Bronze Age’ of Soviet music after Stalin’s death. Music of the Soviet Era: 1917–1991 considers the privileged position of music in the USSR in comparison to the written and visual arts. Through his examination of the history of the arts in the Soviet state, Hakobian’s work celebrates the human spirit’s wonderful capacity to derive advantage even from the most inauspicious conditions.
Download or read book Music for the Revolution written by Amy Nelson and published by Penn State Press. This book was released on 2010-02-24 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mention twentieth-century Russian music, and the names of three &"giants&"&—Igor Stravinsky, Sergei Prokofiev, and Dmitrii Shostakovich&—immediately come to mind. Yet during the turbulent decade following the Bolshevik Revolution, Stravinsky and Prokofiev lived abroad and Shostakovich was just finishing his conservatory training. While the fame of these great musicians is widely recognized, little is known about the creative challenges and political struggles that engrossed musicians in Soviet Russia during the crucial years after 1917. Music for the Revolution examines musicians&’ responses to Soviet power and reveals the conditions under which a distinctively Soviet musical culture emerged in the early thirties. Given the dramatic repression of intellectual freedom and creativity in Stalinist Russia, the twenties often seem to be merely a prelude to Totalitarianism in artistic life. Yet this was the decade in which the creative intelligentsia defined its relationship with the Soviet regime and the aesthetic foundations for socialist realism were laid down. In their efforts to deal with the political challenges of the Revolution, musicians grappled with an array of issues affecting musical education, professional identity, and the administration of musical life, as well as the embrace of certain creative platforms and the rejection of others. Nelson shows how debates about these issues unfolded in the context of broader concerns about artistic modernism and elitism, as well as the more expansive goals and censorial authority of Soviet authorities. Music for the Revolution shows how the musical community helped shape the musical culture of Stalinism and extends the interpretive frameworks of Soviet culture presented in recent scholarship to an area of artistic creativity often overlooked by historians. It should be broadly important to those interested in Soviet history, the cultural roots of Stalinism, Russian and Soviet music, and the place of music and the arts in revolutionary change.
Download or read book A History of Russian Music written by Francis Maes and published by Univ of California Press. This book was released on 2006-02-20 with total page 468 pages. Available in PDF, EPUB and Kindle. Book excerpt: Introduces the general public to the scholarly debate that has revolutionized Russian music history over the past two decades. Summarizes the new view of Russian music and provides an overview of the relationships between artistic movements and political ideas.
Download or read book Soviet Composers and the Development of Soviet Music written by Stanley Dale Krebs and published by . This book was released on 1963 with total page 1018 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Testimony written by Dmitriĭ Dmitrievich Shostakovich and published by . This book was released on 2005-07-01 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt: With the composer's consent, the manuscript was smuggled out of Soviet Russia - but Shostakovich, fearing reprisals, stipulated that the book should not appear until after his death. Ever since its publication in 1979 it has been the subject of controversy, some suggesting that Volkov invented parts of it, but most affirming that it revealed a profoundly ambivalent Shostakovich which the world had never seen before - his life at once triumphant and tragic. Either way, it remains indispensable to an understanding of Shostakovich's life and work. Testimony is intense and fiercely ironic, both plain-spoken and outspoken.
Download or read book Soviet Film Music written by Tatiana Egorova and published by Routledge. This book was released on 2014-07-10 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the years 1917 to 1991, despite unfavorable prevailing conditions, there were outstanding achievements in the music created for the cinema in the Soviet Union. Perhaps in no other country was film music associated with so many distinguished composers: Sergei Prokofiev, Dmitry Shostakovich, Isaak Dunayevsky, Georgy Sviridov, Aram Khachaturian, Alfred Schnittke, Nikolai Karetnikov, Edward Artemyev, Edison Denisov, and Sofia Gubaidulina. They were ready to accept film directors' invitations because they considered the cinema to be a perfect laboratory for testing the concepts and themes for future operas, symphonies, oratorios, and other large-scale compositions. A remarkable characteristic of Soviet film music was the appearance of successful director - composer collaborations, such as the famous 'duets' of Eisenstein - Prokofiev, Kozintsev - Shostakovich and Tarkovsky - Artemyev. This fascinating volume is the first attempt at a historical analysis of Soviet film music - a unique and full
Download or read book Eight Soviet Composers written by Gerald Abraham and published by . This book was released on 1943 with total page 112 pages. Available in PDF, EPUB and Kindle. Book excerpt: The author takes eight leading composers of the Soviet Union (Shostakovich, Prokofiev, Khachaturyan, Knipper, Shebalin, Shaporin, Kabalevsky and Dzerzhinsky) and describes their artistic careers - mainly from a purely musical standpoint, though at the same time showing how, in some cases (above all, that of Shostakovich), they have been affected by changes in the artistic policy of the Soviet Government. As a non-communist the author takes a detached, though sympathetic, view of Soviet musical culture. His aim is less to criticize than to give information, though criticism is by no means evaded. Although the book does not pretend to describe the whole vast field of Russian music since the Revolution, its account of representative figures and important compositions (with plentiful music-type examples) conveys, perhaps, a clearer picture of what Soviet musicians are aiming at, and achieving, than could be obtained from a full and detailed survey involving a discussion of numerous minor figures.
Download or read book On Literature Music and Philosophy written by Andreĭ Aleksandrovich Zhdanov and published by . This book was released on 1950 with total page 124 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Nikolay Myaskovsky written by Gregor Tassie and published by Rowman & Littlefield. This book was released on 2014-05-05 with total page 439 pages. Available in PDF, EPUB and Kindle. Book excerpt: Gregor Tassie describes Nikolay Myaskovsky as “one of the great enigmas of 20th-century Russian music.” Between the two world wars, the symphonies of Myaskovsky enjoyed great popularity and were performed by all major American and European orchestras; they were some of the most inspiring symphonic works of the last hundred years and prolonged the symphonic genre. But accusations of “formalism” at the 1948 USSR Composers Congress resulted in the purposeful neglect of his music until the collapse of the Soviet Union. Myaskovsky wrote some of the most inspiring symphonic works of the last hundred years and prolonged and extended the symphonic genre. In Nikolay Myaskovsky: The Conscience of Russian Music, Tassie gives readers the first modern English-language biography of this Russian composer since his death in 1950. Tassie draws together information from the composer’s diaries and letters, as well as the memoirs of friends and colleagues—even his secret police files—to chronicle Myaskovsky’s early life, subsequent far-reaching influence as a composer, teacher, and journalist, and his final persecution by the Soviet government. This biography will surely rekindle interest in Myaskovsky’s remarkable body of work and will interest aficionados, students, and scholars of the modern classical music tradition and history of the arts in Russia.
Download or read book Soviet War Songs in the Context of Russian Culture written by Elena Polyudova and published by Cambridge Scholars Publishing. This book was released on 2016-02-29 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume presents a unique study of war songs created during and after World War II, known in Russia as the “Great Patriotic War”. The most popular war songs, such as “Katyusha”, “The Sacred War”, “Dark Night”, “My Moscow”, “In the Dugout”, “Victory Day”, provide illuminating insights into the musical culture of the former Soviet Union and modern Russia. In the year of the 70th anniversary of victory in the war, the book studies the cultural heritage of famous war songs from a new perspective, exploring the historical background of their creation and analysing their lyrics as part of Russian cultural heritage. The book also discusses the modifications required when translating the songs from Russian to English. It concludes with a description an educational project studying war songs at Moscow schools run under the auspices of UNESCO.
Download or read book A History of Russian Soviet Music written by James Bakst and published by Praeger. This book was released on 1977 with total page 440 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Composing for the Red Screen written by Kevin Bartig and published by . This book was released on 2013-05-02 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sound film captivated Sergey Prokofiev during the final two decades of his life: he considered composing for nearly two dozen pictures, eventually undertaking eight of them, all Soviet productions. Drawing on newly available sources, Composing for the Red Screen examines - for the first time - the full extent of this prodigious cinematic career.
