Download or read book Soviet Composers and the Development of Soviet Music written by Stanley Dale Krebs and published by . This book was released on 1963 with total page 1022 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Soviet Composers and the Development of Soviet Music written by Stanley Krebs and published by . This book was released on 1970 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A History of Russian Soviet Music written by James Bakst and published by Praeger. This book was released on 1977 with total page 440 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Music Under the Soviets written by Andrey Vasilyevich Olkhovsky and published by . This book was released on 1955 with total page 462 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Eight Soviet Composers written by Gerald Abraham and published by Read Books Ltd. This book was released on 2013-04-16 with total page 104 pages. Available in PDF, EPUB and Kindle. Book excerpt: The composers of Soviet Russia were well known among the most die hard music fans in the United Kingdoms, this delightful book was written as a bridge for the uninitiated wishing to learn more about classical music from the heartland of the U.S.S.R.
Download or read book Creative Union written by Kiril Tomoff and published by Cornell University Press. This book was released on 2018-11-15 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why did the Stalin era, a period characterized by bureaucratic control and the reign of Socialist Realism in the arts, witness such an extraordinary upsurge of musical creativity and the prominence of musicians in the cultural elite? This is one of the questions that Kiril Tomoff seeks to answer in Creative Union, the first book about any of the professional unions that dominated Soviet cultural life at the time. Drawing on hitherto untapped archives, he shows how the Union of Soviet Composers established control over the music profession and negotiated the relationship between composers and the Communist Party leadership. Central to Tomoff's argument is the institutional authority and prestige that the musical profession accrued and deployed within Soviet society, enabling musicians to withstand the postwar disciplinary campaigns that were so crippling in other artistic and literary spheres. Most accounts of Soviet musical life focus on famous individuals or the campaign against Shostakovich's Lady Macbeth and Zhdanov's postwar attack on musical formalism. Tomoff's approach, while not downplaying these notorious events, shows that the Union was able to develop and direct a musical profession that enjoyed enormous social prestige. The Union's leadership was able to use its expertise to determine the criteria of musical value with a degree of independence. Tomoff's book reveals the complex and mutable interaction of creative intelligentsia and political elite in a period hitherto characterized as one of totalitarian control.
Download or read book Music and Musical Life in Soviet Russia written by Boris Schwarz and published by . This book was released on 1983 with total page 744 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Symphonic Stalinism written by Jiří Smrž and published by LIT Verlag Münster. This book was released on 2011 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Soviet system of rule that developed under Stalin featured management of the arts by political authorities, and the main doctrine inspiring and justifying this activity was "socialist realism." The definition of socialist realism emerged through a fluid process, marked by twists and turns and at times even contestation, in which critics, scholars, and creators alike gave the doctrine practical meaning. Symphonic Stalinism tells this story for music, and author Jiri Smrz examines it in much greater detail than any other scholar before him. In the process, Smrz emphasizes the crucial role played by musicologists, which was probably unique in the history of that discipline internationally. (Series: Osteuropa - Vol. 4)
Download or read book Nicolas Slonimsky Russian and Soviet music and composers written by Nicolas Slonimsky and published by . This book was released on 2004 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book On Russian Music written by Richard Taruskin and published by Univ of California Press. This book was released on 2009 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume gathers 36 essays by one of the leading scholars in the study of Russian music. An extensive introduction lays out the main issues and a justification of Taruskin's approach, seen both in the light of his intellectual development and in that of the changing intellectual environment.
Download or read book Soviet Music and Society Under Lenin and Stalin written by Neil Edmunds and published by Routledge. This book was released on 2004-06 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book investigates the place of music in Soviet society during the eras of Lenin and Stalin. It examines the different strategies adopted by composers and musicians in their attempts to carve out careers in a rapidly evolving society, discusses the role of music in Soviet society and people's lives, and shows how political ideology proved an inspiration as well as an inhibition. It explores how music and politics interacted in the lives of two of the twentieth century's greatest composers - Shostakovich and Prokofiev - and also in the lives of less well-known composers. In addition it considers the specialist composers of early Soviet musical propaganda, amateur music making, and musical life in the non-Russian republics. The book will appeal to specialists in Soviet music history, those with an interest in twentieth century music in general, and also to students of the history, culture and politics of the Soviet Union.
Download or read book Biographical Dictionary of Russian Soviet Composers written by Allan Ho and published by Greenwood. This book was released on 1989-12-06 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This reference work is certainly a valuable addition to the study of Russia and its music. . . . The dictionary is, of course, a must for academic and large public libraries or any library where research is done. Reference Quarterly This important new biographical dictionary is the most comprehensive single-volume work on Russian and Soviet composers published outside of the Soviet Union to date. Incorporating contributions by a distinguished group of performers, musicologists, and other scholars, including many specialists in Russian music, it provides detailed, up-to-date information on over 2,000 composers, the majority of whom are not represented in other English-language references. Entries vary from brief profiles of lesser-known figures to lengthy articles on major Russian and Soviet composers. Each of the longer essays summarizes current scholarship on the composer, offers new insights, and complements or corrects coverage available in standard music references. Commentary on musical style is presented in most entries, and musical influences are clarified through careful documentation of teacher-student relationships. The biographical section is followed by a selective list of compositions arranged according to media and genre. The accompanying bibliography lists works consulted as well as sources of additional information on the individual composer, and an international discography documents the breadth of the repertory committed to phonodisc, tape, and compact disc. Thorough cross-referencing facilitates the location of materials. Reflecting meticulous research and including first-hand information supplied by living Soviet composers, this work makes a significant contribution to music scholarship. This book is recommended for library reference shelves and courses in Russian music.
Download or read book Such Freedom If Only Musical written by Peter J Schmelz and published by Oxford University Press. This book was released on 2009-03-04 with total page 408 pages. Available in PDF, EPUB and Kindle. Book excerpt: Following Stalin's death in 1953, during the period now known as the Thaw, Nikita Khrushchev opened up greater freedoms in cultural and intellectual life. A broad group of intellectuals and artists in Soviet Russia were able to take advantage of this, and in no realm of the arts was this perhaps more true than in music. Students at Soviet conservatories were at last able to use various channels--many of questionable legality--to acquire and hear music that had previously been forbidden, and visiting performers and composers brought young Soviets new sounds and new compositions. In the 1960s, composers such as Andrey Volkonsky, Edison Denisov, Alfred Schnittke, Arvo P?rt, Sofia Gubaidulina, and Valentin Silvestrov experimented with a wide variety of then new and unfamiliar techniques ranging from serialism to aleatory devices, and audiences eager to escape the music of predictable sameness typical to socialist realism were attracted to performances of their new and unfamiliar creations. This "unofficial" music by young Soviet composers inhabited the gray space between legal and illegal. Such Freedom, If Only Musical traces the changing compositional styles and politically charged reception of this music, and brings to life the paradoxical freedoms and sense of resistance or opposition that it suggested to Soviet listeners. Author Peter J. Schmelz draws upon interviews conducted with many of the most important composers and performers of the musical Thaw, and supplements this first-hand testimony with careful archival research and detailed musical analyses. The first book to explore this period in detail, Such Freedom, If Only Musical will appeal to musicologists and theorists interested in post-war arts movements, the Cold War, and Soviet music, as well as historians of Russian culture and society.
Download or read book Soviet Music written by Li︠u︡dmila Poli︠a︡kova and published by Moscow : Foreign Languages Publishing House. This book was released on 1961 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A History of Russian Music written by Montagu Montagu-Nathan and published by . This book was released on 1918 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bonded Leather binding
Download or read book Music of the Soviet Era 1917 1991 written by Levon Hakobian and published by Routledge. This book was released on 2016-11-25 with total page 512 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume is a comprehensive and detailed survey of music and musical life of the entire Soviet era, from 1917 to 1991, which takes into account the extensive body of scholarly literature in Russian and other major European languages. In this considerably updated and revised edition of his 1998 publication, Hakobian traces the strikingly dramatic development of the music created by outstanding and less well-known, ‘modernist’ and ‘conservative’, ‘nationalist’ and ‘cosmopolitan’ composers of the Soviet era. The book’s three parts explore, respectively, the musical trends of the 1920s, music and musical life under Stalin, and the so-called ’Bronze Age’ of Soviet music after Stalin’s death. Music of the Soviet Era: 1917–1991 considers the privileged position of music in the USSR in comparison to the written and visual arts. Through his examination of the history of the arts in the Soviet state, Hakobian’s work celebrates the human spirit’s wonderful capacity to derive advantage even from the most inauspicious conditions.
Download or read book Music and Power in the Soviet 1930s written by Simo Mikkonen and published by . This book was released on 2009 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study reveals that during the early 1930s composers were able to organize their work without direct involvement of either the Party or the state organs. The Composers' Union concentrated on furthering its members' financial position and composing as a profession became established. The issues of housing, salary and copyrights were engaged by composers while the Party mostly disregarded the intensification of the control of the Soviet musical life. Although the introduction of the Committee on Artistic Affairs intensified the political ties between music and the Party politics from 1936 onwards, composers managed still preserve their own interests. Even more surprising is the fact that the years of terror (1936-1938) almost passed the Composers' Union by without victims, whereas the Writers' Union suffered almost as heavily as the state and Party organs.
