Download or read book Soviet Cinema and Youth written by Anne Schumacher and published by GRIN Verlag. This book was released on 2014-01-29 with total page 16 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essay from the year 2013 in the subject Russian / Slavic Languages, grade: 1,3, University of Dalarna, language: English, abstract: The history of the Soviet Union has shown that the light heartedness, the insouciance and the naive optimism, which distinguishes children and adolescents from their parents and grandparents, can disappear easily in times of war and oppression. With the takeover of Josef Stalin in the late 1920s, the beginning of one of the darkest periods of the Soviet Union was announced. Stalin’s totalitarian regime was marked by a rigid authoritarianism and a widespread use of terror in form of the so-called purges, which would not end until his death in March 1953.1 In addition to the Stalinist regime, Soviet Union suffered under the consequences of the Eastern Front War (World War II), in which Soviet Union lost thousands and thousands of men, and the ensuing Cold War. This more than twenty years of terror, purges and war was a time in which children rarely had time to be children, and adolescents very seldom had time for leisure and jauntily dreaming, in short to be young. Nor was it a time in which their personal suffering, like the suffering of their parents and grandparents, appeared on screen. Nevertheless was youth represented in Stalinist movies, a lot of young people were showed riding tractors and starred the popular Stalinist musicals. “Youth was the natural supporter of the new regime“ and the older generations “could be treated with circumspection” (Gillenspie, 2003, p. 164). Though it was never one person only the starred a Stalinist movie, the hero was the collective and individual miseries and fates never played a role in Stalinist cinema. Problems of the youth were hushed up, like all other form of social malaise (Gillespie, 2003, p. 157). Pain and suffering did barely exist officially and were not represented in the movies of the Stalin era, which were meant to serve as an instrument of the communist ideology. [...]
Download or read book Kinoglasnost written by Anna Lawton and published by CUP Archive. This book was released on 1992-11-26 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: An examination of soviet cinema under Glasnost and Perestrokïa.
Download or read book Glasnost Soviet Cinema Responds written by Nicholas Galichenko and published by University of Texas Press. This book was released on 2013-12-06 with total page 155 pages. Available in PDF, EPUB and Kindle. Book excerpt: With the coming of glasnost to the Soviet Union, filmmakers began to explore previously forbidden themes, and distributors released films that were suppressed by pre-glasnost-era censors. Soviet cinema underwent a revolution, one that mirrors and helps interpret the social revolution that took place throughout the USSR. Glasnost—Soviet Cinema Responds is the first overall survey of the effects of this revolution on the work of Soviet filmmakers and their films. The book is structured as a series of three essays and a filmography of the directors of glasnost cinema. The first essay, "The Age of Perestroika," describes the changes that occurred in Soviet cinema as it freed itself from the legacy of Stalinism and socialist realism. It also considers the influence of film educator and director Mikhail Romm. "Youth in Turmoil" takes a sociological look at films about youth, the most dynamic and socially revealing of glasnost-era productions. "Odysseys in Inner Space" charts a new direction in Soviet cinema as it focuses on the inner world of individuals. The filmography includes thirty-three of the most significant glasnost-era directors, including Tengiz Abuladze, Karen Shakhnazarov, and Sergei Soloviev, with a comprehensive list of their films. Discussions of many individual films, such as Repentance, The Messenger Boy, and The Wild Pigeon, and interviews with the directors reveal the effects that glasnost and perestroika have had on the directors' lives and art.
Download or read book Hollywood a Challenge for the Soviet Cinema written by Franz, Norbert P. and published by Universitätsverlag Potsdam. This book was released on 2020 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book features four essays that illuminate the relationship between American and Soviet film cultures in the 20th century. The first essay emphasizes the structural similarities and dissimilarities of the two cultures. Both wanted to reach the masses. However, the goal in Hollywood was to entertain (and educate a little) and in Moscow to educate (and entertain a little). Some films in the Soviet Union as well as in the United States were conceived as clear competition to one another – as the second essay demonstrates – and the ideological opponent was not shown from its most advantageous side. The third essay shows how, in the 1980s, the different film cultures made it difficult for the Soviet director Andrei Konchalovsky to establish himself in the US, but nevertheless allowed him to succeed. In the 1960s, a genre became popular that tells the story of the Russian Civil War using stylistic features of the Western: The Eastern. Its rise and decline are analyzed in the fourth essay.
Download or read book Russian Cinema written by David C. Gillespie and published by Routledge. This book was released on 2014-09-25 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: Russian Cinema provides a lively and informative exploration of the film genres that developed during Russia's tumultuous history, with discussion of the work of Eisenstein, Pudovkin, Mikhalkov, Paradzhanov, Sokurov and others. The background section assesses the contribution of visual art and music, especially the work of the composers Shostakovich and Prokofev, to Russian cinema. Subsequent chapters explore a variety of topics: The literary space - the cinematic rendering of the literary text, from 'Sovietized' versions to bolder and more innovative interpretations, as well as adaptations of foreign classics The Russian film comedy looks at this perennially popular genre over the decades, from the 'domestication' of laughter under Stalin to the emergence of satire The historical film - how history has been used in film to affirm prevailing ideological norms, from October to Taurus Women and Russian film discusses some of the female stars of the Soviet screen (Liubov Orlova, Vera Alentova, Liudmila Gurchenko), as well as films made by male and female directors, such as Askoldov and Kira Muratova Film and ideology shows why ideology was an essential component of Soviet films such as The Maxim Trilogy, and how it was later definitively rejected The Russian war film looks at Civil War and Second World War films, and the post-Soviet treatment of recent conflicts in Afghanistan and Chechnya Private life and public morality explores the evolution of melodramas about youth angst, town and village life, personal relationships, and the emergence of the dominant sub-genre of the 1990s, the gangster thriller Autobiography, memory and identity offers a close reading of the work of Andrei Tarkovskii, Russia's greatest post-war director, whose films, including Andrei Rublev and Mirror, place him among the foremost European auteur film-makers Russian Cinema offers a close analysis of over 300 films illustrated with representative stills throughout. As with other titles in the Inside Film series it includes comprehensive filmographies, a thorough bibliography and an annotated further reading list. The book is a jargon-free, accessible study that will be of interest to undergraduates of film studies, modern languages, Russian language and literature, as well as cineastes, film teachers and researchers.
Download or read book The Zero Hour written by Andrew Horton and published by Princeton University Press. This book was released on 2021-03-09 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: Now faced with the "zero hour" created by a new freedom of expression and the dramatic breakup of the Soviet Union, Soviet cinema has recently become one of the most interesting in the world, aesthetically as well as politically. How have Soviet filmmakers responded to the challenges of glasnost? To answer this question, the American film scholar Andrew Horton and the Soviet critic Michael Brashinsky offer the first book-length study of the rapid changes in Soviet cinema that have been taking place since 1985. What emerges from their collaborative dialogue is not only a valuable work of film criticism but also a fascinating study of contemporary Soviet culture in general. Horton and Brashinsky examine a wide variety of films from BOMZH (initials standing for homeless drifter) through Taxi Blues and the glasnost blockbuster Little Vera to the Latvian documentary Is It Easy to Be Young? and the "new wave" productions of the "Wild Kazakh boys." The authors argue that the medium that once served the Party became a major catalyst for the deconstruction of socialism, especially through documentary filmmaking. Special attention is paid to how filmmakers from 1985 through 1990 represent the newly "discovered" past of the pre-glasnost era and how they depict troubled youth and conflicts over the role of women in society. The book also emphasizes the evolving uses of comedy and satire and the incorporation of "genre film" techniques into a new popular cinema. An intriguing discussion of films of Georgia, Estonia, Latvia, Lithuania, and Kazakhstan ends the work.
Download or read book Indian Films in Soviet Cinemas written by Sudha Rajagopalan and published by Indiana University Press. This book was released on 2008 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: Understanding the Soviet public's love of Indian popular film
Download or read book Ruptures and Continuities in Soviet Russian Cinema written by Birgit Beumers and published by Routledge. This book was released on 2017-11-22 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book, based on extensive original research, examines how far the collapse of the Soviet Union represented a threshold that initiated change or whether there are continuities which gradually reshaped cinema in the new Russia. The book considers a wide range of films and film-makers and explores their attitudes to genre, character and aesthetic style. The individual chapters demonstrate that, whereas genres shifted and characters developed, stylistic choices remained largely unaffected.
Download or read book Before the Fall written by Anna Lawton and published by New Acdemia+ORM. This book was released on 2010-09-09 with total page 423 pages. Available in PDF, EPUB and Kindle. Book excerpt: An expanded edition of Kinoglasnost that examines the fascinating world of Soviet cinema during the yeas of glasnost and perestroika in the 1980s. In Before the Fall, Anna Lawton shows how the reforms that shook the foundations of the Bolshevik state and affected economic and social structures have been reflected in the film industry. A new added chapter provides a commentary on the dramatic changes that marked the beginning of democracy in Russia. Soviet cinema has always been closely connected with national political reality, challenging the conventions of bourgeois society and educating the people. In this pioneering study, Lawton discusses the restructuring of the main institutions governing the industry; the abolition of censorship; the emergence of independent production and distribution systems; the dismantling of the old bureaucratic structures and the implementation of new initiatives. She also surveys the films that remained unscreened for decades for political reasons, films of the new wave that look at the past to search out the truth, and those that record current social ills or conjure up a disquieting image of the future. “What makes Kinoglasnost pre-eminent among current studies of the subject is that sustained attention Lawton pays to changes in the formal organization of Soviet cinema and in the cinema industry.” —Julian Graffy, Sight and Sound “The author constructs a complex, multilayered narrative of a steady and significant movement toward radical change in Soviet society, an account of the growing anxiety and the hope experienced by Russian filmmakers and the intelligentsia.” —Ludmila Z. Pruner, Slavic and East European Journal
Download or read book Soviet and American Youth Culture in Current Cinema written by Chad Oliver Olson and published by . This book was released on 1997 with total page 100 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Real Images written by Josephine Woll and published by Bloomsbury Publishing. This book was released on 1999-12-31 with total page 429 pages. Available in PDF, EPUB and Kindle. Book excerpt: During ""the thaw"" from Stalin's death in 1953 to the late 1960s and Khrushchev's rule, Soviet society experienced major transformations. So did films. In this first comprehensive account of the relationship between politics and cinema in this period, Josephine Woll skillfully interweaves cultural history with film analysis to explore how movies at once responded to the changes around them and helped engender them. She considers dozens of individual films within the context of Khrushchev's policies and the artistic foment they inspired.
Download or read book A History of Russian Cinema written by Birgit Beumers and published by Berg Publishers. This book was released on 2009 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film emerged in pre-Revolutionary Russia to become the 'most important of all arts' for the new Bolshevik regime and its propaganda machine. This text is a complete history from the beginning of film onwards and presents an engaging narrative of both the industry and its key films in the context of Russia's social and political history.
Download or read book The Film Factory written by Ian Christie and published by Routledge. This book was released on 2012-10-12 with total page 486 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Film Factory provides a comprehensive documentary history of Russian and Soviet cinema. It provokes a major reassessment of conventional Western understanding of Soviet cinema. Based on extensive research and in original translation, the documents selected illustrate both the aesthetic and political development of Russian and Soviet cinema, from its beginnings as a fairground novelty in 1896 to its emergence as a mass medium of entertainment and propaganda on the eve of World War II.
Download or read book Russia on Reels written by Birgit Beumers and published by Bloomsbury Publishing. This book was released on 1999-12-31 with total page 351 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first book to deal exclusively with Russian cinema of the 1990s. It introduces readers to the currents and common interests of contemporary Russian cinema, offers close studies of the work of filmmakers like Sokurov, Muratova and Astrakhan, reviews the Russian film industry in a period of massive economic transformation, and assesses cinema's function as a definer of Russia's new identity.
Download or read book Soviet Cinema written by Aleksandr Arosev and published by Moscow : [s.n.]. This book was released on 1935 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: "History of Soviet film with photomontages by Rodchenko and Stepanova. Published at the high watermark of state-controlled Soviet cinema and includes work by some of the greatest film-makers in the history of the medium."--Bookseller's description.
Download or read book Russian Americans in Soviet Film written by Marina L. Levitina and published by Bloomsbury Publishing. This book was released on 2015-09-29 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: Certain aspects of American popular culture had a formative influence on early Soviet identity and aspirations. Traditionally, Soviet Russia and the United States between the 1920s and the 1940s are regarded as polar opposites on nearly every front. Yet American films and translated adventure fiction were warmly received in 1920s Russia and partly shaped ideals of the New Soviet Person into the 1940s. Cinema was crucial in propagating this new social hero. While open admiration of American film stars and heroes of literary fiction in the Soviet press was restricted from the late 1920s onwards, many positive heroes of Soviet Socialist Realist films in the 1930s and 1940s were partially a product of Soviet Americanism of the previous decade. Some of the new Soviet heroes in films of the 1930s and 1940s possessed traits noticeably evocative of the previously popular American film stars such as Douglas Fairbanks, Pearl White and Mary Pickford. Others cinematically represented the contemporary trope of the 'Russian American,' an ideal worker exemplifying the Stalinist marriage of 'Russian revolutionary sweep' with 'American efficiency. 'Russian Americans' in Soviet Film analyses the content, reception and underlying influences of over 60 Soviet and American films, the book explores new territory in Soviet cinema and Soviet-American cultural relations. It presents groundbreaking archival research encompassing Soviet audience surveys, Soviet film journals and reviews, memoirs and articles by Soviet filmmakers, and scripts, among other sources. The book reveals that values of optimism, technological skill, efficiency and self-reliance - perceived as quintessentially American - were incorporated into new Soviet ideals through channels of cross-cultural dissemination, resulting in cultural synthesis.
Download or read book Soviet Film written by and published by . This book was released on 1989 with total page 454 pages. Available in PDF, EPUB and Kindle. Book excerpt:
