Download or read book Segundo Coloquio Latinoamericano de Fotograf a written by and published by . This book was released on 1981 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Segundo Coloquio Latinoamericano de Fotograf a written by and published by . This book was released on 1981 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Primera Muestra de la Fotograf a Latinoamericana Contempor nea written by Muestra de Fotografía Latinoamericana Contemporánea and published by . This book was released on 1978 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Age of discrepancies written by Olivier Debroise and published by UNAM. This book was released on 2006 with total page 482 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The first exhibition to offer a critical assessment of the artistic experimentation that took place in Mexico during the last three decades of the twentieth century. The exhibition carefully analyzes the origins and emergence of techniques, strategies, andmodes of operation at a particularly significant moment of Mexican history, beginning with the 1968 Student Movement, until the Zapatista upraising in the State of Chiapas. Theshow includes work by a wide range of artists, including Francis Alys, Vicente Rojo, Jimmie Durham, Helen Escobedo, Julio Galán, Felipe Ehrenberg, José Bedia,Guillermo Gómez-Peña, Francisco Toledo, Carlos Amorales, Melanie Smith, and Alejandro Jodorowsky, among many others. The edition is illustrated with 612 full-colorplates of the art produced during these last three decades of the twentieth century reflect the social, political and technical developments in Mexico and ranged from painting andphotography to poster design, installation, performance, experimental theatre, super-8 cinema, video, music, poetry and popular culture like the films and ephemeral actionsof 'Panic' by Alejandro Jodorowsky, Pedro Friedeberg's pop art, the conceptual art, infrarrealists and urban independent photography, artists books, the development ofcontemporary political photography, the participation of Mexican artists in Fluxus in the seventies and the contribution of Ulises Carrión to the international artist book movement and popular rock music, the pictorial battles of the eighties and the emergence of a variant of neo-conceptual art in 1990. The exhibition is curated by Olivier Debroise, Pilar García de Germenos, Cuauhtémoc Medina, Álvaro Vázquez Mantecón"--Provided by vendor.
Download or read book The Study of Photography in Latin America written by Nathanial Gardner and published by University of New Mexico Press. This book was released on 2023-05-15 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book Nathanial Gardner provides an insider’s perspective to the study of photography in Latin America. He begins with a carefully structured introduction that lays out his unique methodology for the book, which features over eighty photographs and the insights from sixteen prominent Latin American photography scholars and historians, including Boris Kossoy, John Mraz, and Ana Mauad. The work reflects the advances of the study of photography throughout Latin America with certain emphasis on Brazil and Mexico. The author further underlines the role of important institutions and builds context by discussing influential theories and key texts that currently guide the discipline. The Study of Photography in Latin America is critical to all who want to expand their current knowledge of the subject and engage with its experts.
Download or read book Latinx Photography in the United States written by Elizabeth Ferrer and published by University of Washington Press. This book was released on 2021-01-14 with total page 279 pages. Available in PDF, EPUB and Kindle. Book excerpt: Whether at UFW picket lines in California’s Central Valley or capturing summertime street life in East Harlem Latinx photographers have documented fights for dignity and justice as well as the daily lives of ordinary people. Their powerful, innovative photographic art touches on family, identity, protest, borders, and other themes, including the experiences of immigration and marginalization common to many of their communities. Yet the work of these artists has largely been excluded from the documented history of photography in the United States. Through individual profiles of more than eighty photographers from the early history of the photographic medium to the present, Elizabeth Ferrer introduces readers to Latinx portraitists, photojournalists, and documentarians and their legacies. She traces the rise of a Latinx consciousness in photography in the 1960s and '70s and the growth of identity-based approaches in the 1980s and '90s. Ferrer argues that in many cases a shared sense of struggle has motivated photographers to work purposefully, driven by a deep sense of resistance, social and political commitments, and cultural affirmation, and she highlights the significance of family photos to their approaches and outlooks. Works range from documentary and street photography to narrative series to conceptual projects. Latinx Photography in the United States is the first book to offer a parallel history of photography, one that no longer lies at the margins but rather plays a crucial role in imagining and creating a broader, more inclusive American visual history.
Download or read book V Coloquio latinoamericano de fotograf a written by and published by . This book was released on 2000 with total page 381 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Memorias del primer coloquio latinoamericano de fotografia written by and published by . This book was released on 1978 with total page 110 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Memorias del primer Coloquio Latinoamericano de Fotograf a written by and published by . This book was released on 1978 with total page 110 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Photography in Argentina written by Idurre Alonso and published by Getty Publications. This book was released on 2017-09-15 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: From its independence in 1810 until the economic crisis of 2001, Argentina has been seen, in the national and international collective imaginary, as a modern country with a powerful economic system, a massive European immigrant population, an especially strong middle class, and an almost nonexistent indigenous culture. In some ways, the early history of Argentina strongly resembles that of the United States, with its march to the prairies and frontier ideology, the image of the cowboy as a national symbol (equivalent to the Argentine gaucho), the importance of the immigrant population, and the advanced and liberal ideas of the founding fathers. But did Argentine history truly follow a linear path toward modernization? How did photography help shape or deconstruct notions associated with Argentina? Photography in Argentina examines the complexities of this country’s history, stressing the heterogeneity of its realities, and especially the power of constructed pho-tographic images—that is, the practice of altering reality for artistic expression, an important vein in Argentine photography. Influential specialists from Argentina have contributed essays on various topics, such as the shaping of national myths, the adaptation of gesture as related to the “disappeared” during the dictatorship period, the role of contemporary photography in the context of recent sociopolitical events, and the reinterpreting of traditional notions of documentary photography in Argentina and the rest of Latin America.
Download or read book Errant Modernism written by Esther Gabara and published by Duke University Press. This book was released on 2008-12-15 with total page 381 pages. Available in PDF, EPUB and Kindle. Book excerpt: Making a vital contribution to the understanding of Latin American modernism, Esther Gabara rethinks the role of photography in the Brazilian and Mexican avant-garde movements of the 1920s and 1930s. During these decades, intellectuals in Mexico and Brazil were deeply engaged with photography. Authors who are now canonical figures in the two countries’ literary traditions looked at modern life through the camera in a variety of ways. Mário de Andrade, known as the “pope” of Brazilian modernism, took and collected hundreds of photographs. Salvador Novo, a major Mexican writer, meditated on the medium’s aesthetic potential as “the prodigal daughter of the fine arts.” Intellectuals acted as tourists and ethnographers, and their images and texts circulated in popular mass media, sharing the page with photographs of the New Woman. In this richly illustrated study, Gabara introduces the concept of a modernist “ethos” to illuminate the intertwining of aesthetic innovation and ethical concerns in the work of leading Brazilian and Mexican literary figures, who were also photographers, art critics, and contributors to illustrated magazines during the 1920s and 1930s. Gabara argues that Brazilian and Mexican modernists deliberately made photography err: they made this privileged medium of modern representation simultaneously wander and work against its apparent perfection. They flouted the conventions of mainstream modernism so that their aesthetics registered an ethical dimension. Their photographic modernism strayed, dragging along the baggage of modernity lived in a postcolonial site. Through their “errant modernism,” avant-garde writers and photographers critiqued the colonial history of Latin America and its twentieth-century formations.
Download or read book Dimensions of the Americas written by Shifra M. Goldman and published by University of Chicago Press. This book was released on 1994 with total page 596 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume presents an overview of the social history of modern and contemporary Latin American and Latino art. This collection of thirty-three essays focuses on Latin American artists throughout Mexico, Central and South America, the Caribbean, and the United States. The author provides a chronology of modern Latin American art; a history of "social art history" in the United States; and synopses of recent theoretical and historical writings by major scholars from Mexico, Cuba, Brazil, Peru, Uruguay, Chile, and the United States. In her essays, she discusses a vast array of topics including: the influence of the Mexican muralists on the American continent; the political and artistic significance of poster art and printmaking in Cuba, Puerto Rico, and among Chicanos; the role of women artists such as Guatemalan painter Isabel Ruiz; and the increasingly important role of politics and multinational businesses in the art world of the 1970s and 1980s. She explores the reception of Latin American and Latino art in the United States, focusing on major historical exhibits as well as on exhibits by artists such as Chilean Alfredo Jaar and Argentinean Leandro Katz. Finally, she examines the significance of nationalist and ethnic themes in Latin American and Latino art.
Download or read book Coloquio Latinoamericano de Fotograf a 1978 written by and published by . This book was released on 1978 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Documentos que recogen aspectos sobre el Primer Coloquio Latinoamericano de Fotografía realizado en México.
Download or read book Photography written by Joan Fontcuberta and published by . This book was released on 2002 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: Featuring such established and emerging photographers as Joan Fontcuberta, Hubertus von Ameluxen, Daniel Girardin, Andr Gunthert, Ian Jeffrey, Mounira Khemir, Boris Kossoy, Andrea Kunnard, Vincent Lavoie, Joan Warnaco, Jos Antonio Navarrete, Bernardo Riego, Teresa Siza, Marie Loup Sougez, Johan Swinnen, Carmelo Vega, and Henning Steen Wettendorff, Photography: Crisis in History showcases work that challenges the way in which we have normally understood the medium of photography. At a time when the photographic image is omnipresent--in our daily environment as it is in art--the historical and aesthetic models used to interpret photography are in a state of crisis. Here an international group of historians and critics--as well as the artists mentioned above--revise the dominant assumptions on which our knowledge and appreciation of the history of photography have been based, and set out a number of possible alternatives. Featuring a selection of the best in contemporary international photography, as well as sixteen revealing and concise essays exploring the state of the historical question in photography, Photography: Crisis in History is an exhilarating artistic and art-historical document.
Download or read book Primera muestra de la fotograf a latinoamericana contempor nea Museo de Arte Moderno Primer Coloquio Latinoamericano de Fotograf a Mayo de 1978 written by and published by . This book was released on 1978 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Coloquio Latinoamericano de Fotograf a 1984 written by and published by . This book was released on 1984 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Acta del III Coloquio Latinoamericano de Fotografía, realizado del 19 al 23 de noviembre de 1984. Relación de países participantes. Cables que informan sobre las exposiciones y demás actividades colaterales al Coloquio.
Download or read book Image and Memory written by Wendy Watriss and published by University of Texas Press. This book was released on 1998 with total page 472 pages. Available in PDF, EPUB and Kindle. Book excerpt: FotoFest 1992, a major festival of international photography, brought Latin American photography into focus for a wide audience. Offering a diverse selection of photographers, countries, artistic movements, and subject matter, the show revealed a photographic tradition rich in history and creativity. Drawing from the more than 1,000 images exhibited by FotoFest, this book documents the work of fifty-two photographers from ten countries. The photographs range from the opening of the Brazilian frontier in the 1880s to a secret archive of documentary images from El Salvador's recent civil war to works of specifically aesthetic intent. Many of the photographs appear here in print for the first time. Watriss's opening essay provides the curatorial overview for the book. Lois Zamora examines the roots of visual image-making in Latin American cultures. Boris Kossoy addresses the history of Latin American photography through the nineteenth century, while Fernando Castro covers the contemporary scene. With its compelling images and English-Spanish text, this book will serve as a benchmark for future studies of photography in Latin America.
