Download or read book Scottish Figure Painting 1830 1930 written by Bourne Fine Art (Edinburgh) and published by . This book was released on 1984 with total page 4 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Scottish Painting written by and published by . This book was released on 1973 with total page 31 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Scottish Painting 1880 1930 written by Glasgow, Scotland. Art Gallery and Museum and published by . This book was released on 1974 with total page 31 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book British and Irish Paintings in Public Collections written by Christopher Wright and published by Yale University Press. This book was released on 2006-01-01 with total page 950 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book sets a new standard as a work of reference. It covers British and Irish art in public collections from the beginning of the sixteenth century to the end of the nineteenth, and it encompasses nearly 9,000 painters and 90,000 paintings in more than 1,700 separate collections. The book includes as well pictures that are now lost, some as a consequence of the Second World War and others because of de-accessioning, mostly from 1950 to about 1975 when Victorian art was out of fashion. By listing many tens of thousands of previously unpublished works, including around 13,000 which do not yet have any form of attribution, this book becomes a unique and indispensable work of reference, one that will transform the study of British and Irish painting.

Download or read book Scottish Portraiture 1644 1714 written by CARLA. VAN DE PUTTELAAR and published by . This book was released on 2021-09-09 with total page 754 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is the first comprehensive publication on Scottish portraiture from the period 1644 to 1714, with an emphasis on the painters David Scougall (1625-1685), and his son John Scougall (1657-1737). It is based on in-depth art historical and archival research. As such, it is an important academic contribution to this thus far little-researched field. Virtually nothing was known about the Scougall portraitists, who also include the somewhat obscure George Scougall (active c. 1690-1737). Thorough archival research has provided substantial biographical information. It has yielded life dates and data on family relations and, also, it has become clear that David Scougall had two parallel careers, as a portrait painter and as a writer (solicitor). The legal community in which the Scougalls were embedded has been defined, as well as an extended group of sitters and their social, economic, and family networks. The book includes a catalogue raisonne of the oeuvre of David Scougall. The most important contemporaries of the Scougalls were the portraitist L. Schuneman (active c. 1655/60-1667 or slightly later), his successor James Carrudus (active c. 1668-1683 or later), whose work is identified for the first time in this book, David Paton (c. 1650-in or after 1708), Jacob Jacobsz. de Wet (1641/42-1697) and Sir John Baptist Medina (1659-1710). Their lives and work are discussed. An extensive survey of Scottish portraits, with an emphasis on the work of the Scougall painters, is presented for the period 1644 to 1714. Numerous attributions to various artists and sitter identifications have been established or revised. An overview of the next generation is provided, in which the oeuvres and biographical details are highlighted of the principal portrait painters, such as William Aikman (1682-1731), Richard Waitt (1684-1733) and John Alexander (1686-1767). Countless paintings have been photographed anew or for the first time, and have been compared in detail, which had hardly been done before, while information is also included on technical aspects and (original) frames. The resulting data have been complemented by analysing the social and (art-) historical context in which the portraits were made. The works of the portrait painters in Scotland from this period, as this book shows, now form a solid bridge between the portraits painted prior to George Jamesone's death in 1644, and those by the renowned Scottish painters of the eighteenth century.

Download or read book Millet to Matisse written by Kelvingrove Art Gallery and Museum and published by Yale University Press. This book was released on 2002-01-01 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt: The City of Glasgow possesses an internationally renowned collection of Impressionist and Post-Impressionist paintings. This magnificent book, the catalogue for a major exhibition, features sixty-four of the finest paintings in this collection, including important works by Rousseau, Corot, Monet, Renoir, Cézanne, Gauguin, Van Gogh, Picasso, Derain, Matisse, and Rouault. The lavishly illustrated book provides a short essay on each work as well as full catalogue details. There are also four introductory essays by prominent scholars that set the paintings in context. Irene Maver examines the social, political, and economic environment of Glasgow from its beginnings until the First World War; Frances Fowle charts the taste for French art in the west of Scotland during the late nineteenth and early twentieth century; Hugh Stevenson explores the early history of the city's collection and its assimilation of contemporary French paintings; and Belinda Thomson discusses how Glasgow's collection relates to the wider historical context of French painting of the period.

Download or read book Biographical Dictionary of ScottishWomen written by Elizabeth L. Ewan and published by Edinburgh University Press. This book was released on 2007-06-27 with total page 470 pages. Available in PDF, EPUB and Kindle. Book excerpt: This single-volume dictionary presents the lives ofindividual Scottish women from earliest times to the present. Drawing on newscholarship and a wide network of professional and amateur historians, itthrows light on the experience of women from every class and category inScotland and among the worldwide Scottish diaspora.The BiographicalDictionary of Scottish Women is written for the general reading public andfor students of Scottish history and society. It is scholarly in itsapproach to evidence and engaging in the manner of its presentation. Eachentry makes sense of its subject in narrative terms, telling a story ratherthan simply offering information. The book is as enjoyable to read as it iseasy and valuable to consult. It is a unique and important contribution tothe history of women and Scotland.The publisher acknowledges support fromthe Scottish Arts Council and the Scottish Executive Equalities Unit towardsthe publication of this title.

Download or read book The Dictionary of Scottish Painters 1600 to the Present written by Julian Halsby and published by Canongate Books. This book was released on 1998 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: Containing entries on over 2000 major and minor painters who have worked in Scotland, this edition gives them a historical context and lists relevant works, relationship to other artists and exhibition dates. In addition, generic movements and institutions are included.

Download or read book Joan Eardley written by Christopher Andreae and published by Ashgate Publishing, Ltd.. This book was released on 2013 with total page 202 pages. Available in PDF, EPUB and Kindle. Book excerpt: Joan Eardley (1921-63) is considered to be one of the most influential Scottish painters of her generation. Her paintings and drawings reflect urban and rural Scotland in an expressive visual language unlike any other artist's. This new, highly illustrated survey of her painting does renewed justice to the range, scale and power of her work.

Download or read book Benezit Dictionary of British Graphic Artists and Illustrators written by Stephen Bury and published by Oxford University Press, USA. This book was released on 2012-06-21 with total page 1341 pages. Available in PDF, EPUB and Kindle. Book excerpt: This dictionary consists of over 3000 entries on a range of British artists, from medieval manuscript illuminators to contemporary cartoonists. Its core is comprised of the entries focusing on British graphic artists and illustrators from the '2006 Benezit Dictionary of Artists' with an additional 90 revised and 60 new articles.

Download or read book Visions of Britain 1730 1830 written by Sebastian Mitchell and published by Springer. This book was released on 2013-05-14 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a revisionist study of the literary and visual representation of the nation in the century following the formation of the British state. It argues that the most engaging accounts of Great Britain subject their imagery to sustained artistic pressure, threatening to dismantle the national vision at the moment of its construction.

Download or read book The Dictionary of Scottish Painters written by Julian Halsby and published by Canongate Books. This book was released on 2001 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work contains alphabetically arranged entries on some 2000 painters, both major and minor figures, who have worked in Scotland since 1600.

Download or read book Dictionary of Scottish Art Architecture written by Peter J. M. McEwan and published by ACC Distribution. This book was released on 1994 with total page 636 pages. Available in PDF, EPUB and Kindle. Book excerpt: Covers the period from 1660-1990.

Download or read book Masterpieces of Scottish portrait painting written by Talbot Rice Gallery and published by . This book was released on 1981 with total page 44 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Victorian Illustrated Book written by Richard Maxwell and published by University of Virginia Press. This book was released on 2002 with total page 484 pages. Available in PDF, EPUB and Kindle. Book excerpt: US scholars of literature explore how illustrated books became a cultural form of great importance in England and Scotland from the 1830s and 1840s to the end of the century. Some of them consider particular authors or editions, but others look at general themes such as illustrations of time, maps and metaphors, literal illustration, and city scenes. Annotation copyrighted by Book News, Inc., Portland, OR

Download or read book The Architecture of the Museum written by Michaela Giebelhausen and published by Manchester University Press. This book was released on 2003-11-08 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the Louvre to the Bilbao Guggenheim and Tate Modern, the museum has had a long-standing relationship with the city. Examination of the meaning of museum architecture in the urban environment, considering issues such as forms of civic representation, urban regeneration, cultural tourism and the museumification of the city itself. Ranging from the seventeenth century to the present day, case-studies are drawn from Europe, South America and Australia. Contributions written by J.Birksted, V.Fraser, H.Lewi, D.J.Meijers and others.

Download or read book My Life as a Replica written by Sally Foster and published by Windgather Press. This book was released on 2020-05-31 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1970 a concrete replica of the St John’s Cross arrived in Iona sitting incongruously on the deck of a puffer delivering the island’s annual supply of coal. What is the story behind this intriguing replica? How does it relate to the world’s first ringed ‘Celtic cross’, an artistic and technical masterpiece, which has been at the heart of the Iona experience since the eighth century? What does it tell us about the authenticity and value of replicas? In this fascinating book, Foster and Jones draw on extensive interdisciplinary research to reveal the composite biography of the St John’s Cross, its concrete replica, and its many other scale copies. They show that replicas can acquire rich forms of authenticity and value, informed by social relations, craft practices, creativity, place and materiality. Thus, the book challenges traditional precepts that seek authenticity in qualities intrinsic to original historic objects. Replicas are shown to be important objects in their own right, with their own creative, human histories — biographies that people can connect with. The story of the St John’s Cross celebrates how replicas can ‘work’ for us if we let them, particularly if clues are available about their makers’ passion, creativity and craft.