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Book Satire s Persuasive Voice

Download or read book Satire s Persuasive Voice written by Edward Alan Bloom and published by . This book was released on 1979 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Satire and the Threat of Speech

Download or read book Satire and the Threat of Speech written by Catherine M. Schlegel and published by Univ of Wisconsin Press. This book was released on 2005-12-29 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt: In his first book of Satires, written in the late, violent days of the Roman republic, Horace exposes satiric speech as a tool of power and domination. Using critical theories from classics, speech act theory, and others, Catherine Schlegel argues that Horace's acute poetic observation of hostile speech provides insights into the operations of verbal control that are relevant to his time and to ours. She demonstrates that though Horace is forced by his political circumstances to develop a new, unthreatening style of satire, his poems contain a challenge to our most profound habits of violence, hierarchy, and domination. Focusing on the relationships between speaker and audience and between old and new style, Schlegel examines the internal conflicts of a notoriously difficult text. This exciting contribution to the field of Horatian studies will be of interest to classicists as well as other scholars interested in the genre of satire.

Book Satire

    Book Details:
  • Author : Dustin Griffin
  • Publisher : University Press of Kentucky
  • Release : 2021-03-17
  • ISBN : 0813156246
  • Pages : 355 pages

Download or read book Satire written by Dustin Griffin and published by University Press of Kentucky. This book was released on 2021-03-17 with total page 355 pages. Available in PDF, EPUB and Kindle. Book excerpt: Here is the ideal introduction to satire for the student and, for the experienced scholar, an occasion to reconsider the uses, problems, and pleasures of satire in light of contemporary theory. Satire is a staple of the literary classroom. Dustin Griffin moves away from the prevailing moral-didactic approach established thirty some years ago to a more open view and reintegrates the Menippean tradition with the tradition of formal verse satire. Exploring texts from Aristophanes to the moderns, with special emphasis on the eighteenth century, Griffin uses a dozen figures—Horace, Juvenal, Persius, Lucian, More, Rabelais, Donne, Dryden, Pope, Swift, Blake, and Byron—as primary examples. Because satire often operates as a mode or procedure rather than as a genre, Griffin offers not a comprehensive theory but a set of critical perspectives. Some of his topics are traditional in satire criticism: the role of satire as moralist, the nature of satiric rhetoric, the impact of satire on the political order. Others are new: the problems of satire and closure, the pleasure it affords readers and writers, and the socioeconomic status of the satirist. Griffin concludes that satire is problematic, open-ended, essayistic, and ambiguous in its relationship to history, uncertain in its political effect, resistant to formal closure, more inclined to ask questions than provide answers, and ambivalent about the pleasures it offers.

Book Latin Satire

    Book Details:
  • Author : Charles Witke
  • Publisher : Brill Archive
  • Release : 1970
  • ISBN :
  • Pages : 296 pages

Download or read book Latin Satire written by Charles Witke and published by Brill Archive. This book was released on 1970 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book A Companion to Satire

Download or read book A Companion to Satire written by Ruben Quintero and published by John Wiley & Sons. This book was released on 2008-04-15 with total page 624 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of twenty-nine original essays, surveys satire fromits emergence in Western literature to the present. Tracks satire from its first appearances in the prophetic booksof the Old Testament through the Renaissance and the Englishtradition in satire to Michael Moore’s satirical movieFahrenheit 9/11. Highlights the important influence of the Bible in the literaryand cultural development of Western satire. Focused mainly on major classical and European influences onand works of English satire, but also explores the complex andfertile cultural cross-semination within the tradition of literarysatire.

Book The Difference Satire Makes

Download or read book The Difference Satire Makes written by Fredric V. Bogel and published by Cornell University Press. This book was released on 2012-04-20 with total page 275 pages. Available in PDF, EPUB and Kindle. Book excerpt: Offering both the first major revision of satiric rhetoric in decades and a critical account of the modern history of satire criticism, Fredric V. Bogel maintains that the central structure of the satiric mode has been misunderstood. Devoting attention to Augustan satiric texts and other examples of satire—from writings by Ben Jonson and Lord Byron to recent performance art—Bogel finds a complicated interaction between identification and distance, intimacy and repudiation.Drawing on anthropological insights and the writings of Kenneth Burke, Bogel articulates a rigorous, richly developed theory of satire. While accepting the view that the mode is built on the tension between satirist and satiric object, he asserts that an equally crucial relationship between the two is that of intimacy and identification; satire does not merely register a difference and proceed to attack in light of that difference. Rather, it must establish or produce difference.The book provides fresh analyses of eighteenth-century texts by Jonathan Swift, John Gay, Alexander Pope, Henry Fielding, and others. Bogel believes that the obsessive play between identification and distance and the fascination with imitation, parody, and mimicry which mark eighteenth-century satire are part of a larger cultural phenomenon in the Augustan era—a questioning of the very status of the category and of categorical distinctness and opposition.

Book The Literature of Satire

Download or read book The Literature of Satire written by Charles A. Knight and published by Cambridge University Press. This book was released on 2004-02-12 with total page 341 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Literature of Satire is an accessible but sophisticated and wide-ranging study of satire from the classics to the present in plays, novels and the press as well as in verse. In it Charles Knight analyses the rhetorical problems created by satire's complex relations to its community, and examines how it exploits the genres it borrows. He argues that satire derives from an awareness of the differences between appearance, ideas and discourse. Knight provides illuminating readings of such satirists familiar and unfamiliar as Horace, Lucian, Jonson, Molière, Swift, Pope, Byron, Flaubert, Ostrovsky, Kundera, and Rushdie. This broad-ranging examination sheds light on the nature and functions of satire as a mode of writing, as well as on theoretical approaches to it. It will be of interest to scholars interested in literary theory as well as those specifically interested in satire.

Book The Satiric Voice

Download or read book The Satiric Voice written by William Thomas Wehrle and published by Georg Olms Publishers. This book was released on 1992 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book The Princeton Encyclopedia of Poetry and Poetics

Download or read book The Princeton Encyclopedia of Poetry and Poetics written by Roland Greene and published by Princeton University Press. This book was released on 2012-08-26 with total page 1678 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rev. ed. of: The Princeton encyclopedia of poetry and poetics / Alex Preminger and T.V.F. Brogan, co-editors; Frank J. Warnke, O.B. Hardison, Jr., and Earl Miner, associate editors. 1993.

Book Persuasion in Your Life

Download or read book Persuasion in Your Life written by Shawn T. Wahl and published by Routledge. This book was released on 2017-09-22 with total page 466 pages. Available in PDF, EPUB and Kindle. Book excerpt: Persuasion in Your Life, 2nd Edition speaks directly to the student by focusing on real-life experiences, from critically viewing persuasive public campaigns to making business and health care decisions. This new edition concludes with a new chapter on the assessment of persuasive messages. It also features new chapter-opening vignettes that immediately apply concepts to daily life, as well as "What You’ve Learned" reviews for comprehension. Students and instructors can use the wealth of online resources that accompany this text, including an instructor manual, Power Point slides, test questions, and more. Through its use of rhetoric, criticism, and social scientific research, this book helps readers understand, analyze, and use persuasion in their life and career.

Book The Practice of Satire in England  1658   1770

Download or read book The Practice of Satire in England 1658 1770 written by Ashley Marshall and published by JHU Press. This book was released on 2013-06-28 with total page 452 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exhaustive study of satire in the long eighteenth century. Outstanding Academic Title, Choice In The Practice of Satire in England, 1658–1770, Ashley Marshall explores how satire was conceived and understood by writers and readers of the period. Her account is based on a reading of some 3,000 works, ranging from one-page squibs to novels. The objective is not to recuperate particular minor works but to recover the satiric milieu—to resituate the masterpieces amid the hundreds of other works alongside which they were originally written and read. The long eighteenth century is generally hailed as the great age of satire, and as such, it has received much critical attention. However, scholars have focused almost exclusively on a small number of canonical works, such as Gulliver's Travels and The Dunciad, and have not looked for continuity over time. Marshall revises the standard account of eighteenth-century satire, revealing it to be messy, confused, and discontinuous, exhibiting radical and rapid changes over time. The true history of satire in its great age is not a history at all. Rather, it is a collection of episodic little histories.

Book God Mocks

    Book Details:
  • Author : Terry Lindvall
  • Publisher : NYU Press
  • Release : 2015-11-13
  • ISBN : 1479883824
  • Pages : 376 pages

Download or read book God Mocks written by Terry Lindvall and published by NYU Press. This book was released on 2015-11-13 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner of the 2016 Religious Communication Association Book of the Year Award In God Mocks, Terry Lindvall ventures into the muddy and dangerous realm of religious satire, chronicling its evolution from the biblical wit and humor of the Hebrew prophets through the Roman Era and the Middle Ages all the way up to the present. He takes the reader on a journey through the work of Chaucer and his Canterbury Tales, Cervantes, Jonathan Swift, and Mark Twain, and ending with the mediated entertainment of modern wags like Stephen Colbert. Lindvall finds that there is a method to the madness of these mockers: true satire, he argues, is at its heart moral outrage expressed in laughter. But there are remarkable differences in how these religious satirists express their outrage.The changing costumes of religious satirists fit their times. The earthy coarse language of Martin Luther and Sir Thomas More during the carnival spirit of the late medieval period was refined with the enlightened wit of Alexander Pope. The sacrilege of Monty Python does not translate well to the ironic voices of Soren Kierkegaard. The religious satirist does not even need to be part of the community of faith. All he needs is an eye and ear for the folly and chicanery of religious poseurs. To follow the paths of the satirist, writes Lindvall, is to encounter the odd and peculiar treasures who are God’s mouthpieces. In God Mocks, he offers an engaging look at their religious use of humor toward moral ends.

Book The Spectacle of the Growth of Knowledge and Swift s Satires on Science

Download or read book The Spectacle of the Growth of Knowledge and Swift s Satires on Science written by Beat Affentranger and published by Universal-Publishers. This book was released on 2000 with total page 194 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a revisionist study of seventeenth- and eighteenth-century satires on science with an emphasis on the writings of Jonathan Swift and, to a lesser degree, Samuel Butler and other satirists. To say, as some literary commentators do, that the satirists attacked only pseudo-scientists who failed to employ the empirical method properly is to beg a crucial question: how could the satirists possibly have distinguished the genuine scientist from the crank? By a failsafe set of Baconian principles perhaps? No, the matter is more complicated. I read the satiric literature on early modern science against a totally different understanding of what science is, how it came into being, and how it developed. Satire has a decided advantage over scientific discourse. It can rely on common sense; scientific discourse often cannot. There is always a counter-intuitive element in the genuinely new. New knowledge is in some ways always at odds with received assumptions of what is possible, reasonable, or probable. Satire on science, I suggest, can be seen as a systematic exploitation of that gap of plausibility. Natural philosophers of the late seventeenth- and early eighteenth-century were keenly aware of their discursive disadvantage and at times even hesitated to publish their material. They feared the satirists and the wits, who they knew would find it easy to debunk their work on commonsense grounds. But commonsense and laughter are unreliable yardsticks for measuring scientific merit. Ironically, the satirists and the natural philosophers shared some of the most fundamental epistemological assumptions of early English empiricism, for instance, the stereotypical Baconian assumption that knowledge about nature would come to us unambiguously once the mind was freed from preconception and bias. It is an assumption about scientific method that is decidedly hostile towards speculative hypothesising. Indeed, the motto of the day was not bold speculation and learning from error, but avoiding error at all costs. Yet in practice, error (or what appeared to be erroneous) was of course frequent; for science is an essentially speculative enterprise. Natural philosophers of the early modern period, however, were embarrassed by their failures and tried to explain them away. The satirists, on the other hand, could prey on these mistakes and conclude that the work of the natural philosophers was purely speculative. The reason for this rigid, anti-speculative epistemological stance, I argue, was a religious one, having to do with the conception of nature as a divine book that could be read like Scripture. This conflation of the epistemological and the theological is especially obvious in Swift. In both his satirical and non-satirical writings, he is obsessed with proposing proper standards of interpretation, and with criticising those whom he thought had corrupted these standards. Dissenters and religious enthusiasts are taken to task for their misreading of Scripture, for their corrupt religious doctrine which they erroneously claim to be based on Scripture and reason. The natural philosophers are accused of some similar hermeneutic sin; only, they have committed their interpretive transgressions against the proper interpretive standard of the book of nature. Where the natural philosophers claim to have found a new, more accurate way of reading the book of nature, Swift, I argue, sees only mis-readings. Rhetorically, Swift's satires on religious dissent perpetuate the typically Tory High-Church insinuation of sectarian and heretical sexual promiscuity. In his satires on science, Swift makes the same insinuation with respect to natural philosophers, most vividly so in A Tale of a Tub and the flying island of Laputa. The study concludes with a fresh look at Swift's rational horses in part four of Gulliver's Travels.

Book The Satiric Worlds of William Boyd

Download or read book The Satiric Worlds of William Boyd written by Juan Francisco Elices Agudo and published by Peter Lang. This book was released on 2006 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study explores five major narratives of Ghanian-born novelist William Boyd from a satiric point of view. Boyd's novels and short stories take up some of the particular traits of satire, a genre which has gradually lost the impact it had in the eighteenth century. This book analyses the satiric spirit of four novels and one short story: A Good Man in Africa, An Ice-Cream War, Stars and Bars, Armadillo and The Destiny of Nathalie 'X'. It looks at the way Boyd approaches crucial events in twentieth-century history and how he unmasks the follies that underlay most of them. It also deals with issues such as the effects of British colonialism in Africa, the superficiality of Hollywood's film industry and the shortcomings of modern urban civilisation. The theoretical framework of this study is based on the analysis of recent satire criticism.

Book This is the Sound of Irony  Music  Politics and Popular Culture

Download or read book This is the Sound of Irony Music Politics and Popular Culture written by Katherine L. Turner and published by Routledge. This book was released on 2016-03-03 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: The use of irony in music is just beginning to be defined and critiqued, although it has been used, implied and decried by composers, performers, listeners and critics for centuries. Irony in popular music is especially worthy of study because it is pervasive, even fundamental to the music, the business of making music and the politics of messaging. Contributors to this collection address a variety of musical ironies found in the ’notes themselves,’ in the text or subtext, and through performance, reception and criticism. The chapters explore the linkages between irony and the comic, the tragic, the remembered, the forgotten, the co-opted, and the resistant. From the nineteenth to twenty-first centuries, through America, Europe and Asia, this provocative range of ironies course through issues of race, religion, class, the political left and right, country, punk, hip hop, folk, rock, easy listening, opera and the technologies that make possible our pop music experience. This interdisciplinary volume creates new methodologies and applies existing theories of irony to musical works that have made a cultural or political impact through the use of this most multifaceted of devices.

Book Medical Analogy in Latin Satire

Download or read book Medical Analogy in Latin Satire written by S. Kivistö and published by Springer. This book was released on 2009-09-16 with total page 214 pages. Available in PDF, EPUB and Kindle. Book excerpt: Offering fresh readings of numerous Neo-Latin texts, Medical Analogy in Latin Satire provides an introduction to medical issues in the tradition of Latin satire. The book explores what functions physical diseases and peculiarities had in early modern satires and how satire was considered as a form of healing instruction.

Book A Theory of Parody

Download or read book A Theory of Parody written by Linda Hutcheon and published by University of Illinois Press. This book was released on 2023-11-21 with total page 172 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this major study of a flexible and multifaceted mode of expression, Linda Hutcheon looks at works of modern literature, visual art, music, film, theater, and architecture to arrive at a comprehensive assessment of what parody is and what it does. Hutcheon identifies parody as one of the major forms of modern self-reflexivity, one that marks the intersection of invention and critique and offers an important mode of coming to terms with the texts and discourses of the past. Looking at works as diverse as Tom Stoppard's Rosenkrantz and Guildenstern Are Dead, Brian de Palma's Dressed to Kill, Woody Allen's Zelig, Karlheinz Stockhausen's Hymnen, James Joyce's Ulysses, and Magritte's This Is Not a Pipe, Hutcheon discusses the remarkable range of intent in modern parody while distinguishing it from pastiche, burlesque, travesty, and satire. She shows how parody, through ironic playing with multiple conventions, combines creative expression with critical commentary. Its productive-creative approach to tradition results in a modern recoding that establishes difference at the heart of similarity. In a new introduction, Hutcheon discusses why parody continues to fascinate her and why it is commonly viewed as suspect-–for being either too ideologically shifty or too much of a threat to the ownership of intellectual and creative property.