Download or read book Renaissance Drama in England and Spain written by John Clyde Loftis and published by Princeton University Press. This book was released on 2019-02-19 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Spain alone produced a Renaissance drama comparable to that of England, yet the two nations were enemies, separated by the worldwide conflict of Catholics and Protestants. Major dramatists on both sides addressed the divisive issues: Lope de Vega, Tirso de Molina, and Calderon de la Barca in Spain; Shakespeare, Marlowe, Chapman, Massinger, and Middleton in England. In this comprehensive work, a distinguished authority on drama examines history plays, masques, and spectacles, with close attention to the changing development of the two national dramas, he directs us to the study of their suprrising similarities. The author's lucid exposition makes possible an assessment of the commentary on historical events provided by the dramatists. In the early years of the Thirty Years' War, he points out, dramtaists unknowingly carried on a dialogue now audible to us: Massinger and Middleton warn of Spain's intentions; Lope, Tirso, and Calderon provide assurance that their English coutnerparts were not alarmists. Goruping works chronologically by subject or thematic relevance to phases of Anglo-Spanish relations in broad European context, Professor Loftis examines Lope's plays about the campaigns fought by the Spanish Army of Flanders and Marlowe's and Chapman's plays about French history from 1572 to 1602. John Loftis is Margery Bailey Professor of English Emeritus at Stanford University. He is author of numerous works, including The Spanish Plays of Neoclassical England (Yale) and Sheridan and the Drama of Georgian England (Blackwell/Harvard). Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Download or read book Renaissance Drama in England and Spain written by John C. Loftis and published by . This book was released on 1987-01-01 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book English Renaissance Drama and the Specter of Spain written by Eric J. Griffin and published by University of Pennsylvania Press. This book was released on 2012-02-28 with total page 317 pages. Available in PDF, EPUB and Kindle. Book excerpt: The specter of Spain rarely figures in our discussions of the drama that is often regarded as the crowning achievement of the English literary Renaissance. Yet dramatists such as Thomas Kyd, Christopher Marlowe, and William Shakespeare are exactly contemporary with England's protracted conflict with the Spanish Empire, a traditional ally turned archetypical adversary. Were these playwrights really so mute with respect to their nation's Spanish troubles? Or have we failed—for reasons cultural and institutional—to hear the Hispanophobic crosstalk that permeated the drama no less than England's other public discourses? Imagining an early modern public sphere in which dramatists cross pens with proto-imperialists, Protestant polemicists, recusant apologists, and a Machiavellian network of propagandists that included high government officials as well as journeyman printers, Eric Griffin uncovers the rhetorical strategies through which the Hispanophobic perspectives that shaped the so-called Black Legend of Spanish Cruelty were written into English cultural memory. At the same time, he demonstrates that the English were as ready to invoke Spain in the spirit of envious emulation as to demonize the Spanish other as an ethnic agent of intolerance and oppression. Interrogating the Whiggish orientation that has continued to view the English Renaissance through a haze of Anglo-American triumphalism, English Renaissance Drama and the Specter of Spain recovers the voices of key Spanish participants and the "Hispanized" Catholic resistance, revealing how England and Spain continued to draw upon shared traditions and cultural resources, even during the moments of their most storied confrontation.
Download or read book Drama of a Nation written by Walter Cohen and published by Cornell University Press. This book was released on 2019-06-30 with total page 420 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the sixteenth and seventeenth centuries, in the midst of an international florescence of drama, the English and Spanish theaters displayed striking and unique similarities. Although these two national theaters developed in relative isolation from each other, in both countries the plays synthesized native popular traditions and neoclassical learned conventions, a synthesis found neither in the more elite Italian and French drama of the time nor in any other European drama before or since. In Drama of a Nation, Walter Cohen illuminates the causes of this significant parallel development. Working from a Marxist perspective, Cohen seeks to establish correlations among individual plays, dramatic genres, theatrical institutions, cultural milieus, and political and economic systems. He argues that the drama owed its distinctiveness to the public theaters, especially of London and Madrid, which opened in the 1570s and closed, under government order, seventy years later. Both drama and theater in turn depended on a relative cultural homogeneity perpetuated by a state that primarily served the aristocracy. Absolutism, he maintains, first fostered and then undermined the public theater.
Download or read book Renaissance Drama in England and Spain written by John Clyde Loftis and published by Princeton University Press. This book was released on 2019-02-19 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt: Spain alone produced a Renaissance drama comparable to that of England, yet the two nations were enemies, separated by the worldwide conflict of Catholics and Protestants. Major dramatists on both sides addressed the divisive issues: Lope de Vega, Tirso de Molina, and Calderon de la Barca in Spain; Shakespeare, Marlowe, Chapman, Massinger, and Middleton in England. In this comprehensive work, a distinguished authority on drama examines history plays, masques, and spectacles, with close attention to the changing development of the two national dramas, he directs us to the study of their suprrising similarities. The author's lucid exposition makes possible an assessment of the commentary on historical events provided by the dramatists. In the early years of the Thirty Years' War, he points out, dramtaists unknowingly carried on a dialogue now audible to us: Massinger and Middleton warn of Spain's intentions; Lope, Tirso, and Calderon provide assurance that their English coutnerparts were not alarmists. Goruping works chronologically by subject or thematic relevance to phases of Anglo-Spanish relations in broad European context, Professor Loftis examines Lope's plays about the campaigns fought by the Spanish Army of Flanders and Marlowe's and Chapman's plays about French history from 1572 to 1602. John Loftis is Margery Bailey Professor of English Emeritus at Stanford University. He is author of numerous works, including The Spanish Plays of Neoclassical England (Yale) and Sheridan and the Drama of Georgian England (Blackwell/Harvard). Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Download or read book Medieval and Renaissance Drama in England written by S. P. Cerasano and published by Fairleigh Dickinson Univ Press. This book was released on 2005-10 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contains essays and studies by critics and cultural historians from both hemispheres as well as substantial reviews of books and essays dealing with medieval and early modern English drama before 1642. This volume addresses the conditions of theatrical ownership and dramatic competitionto those exploring stage movement and theatrical space.
Download or read book English Renaissance Drama written by David M Bevington and published by Humanities-Ebooks. This book was released on 2014-01-01 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Renaissance Drama written by Sandra Clark and published by Polity. This book was released on 2007-11-19 with total page 465 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work provides a comprehensive overview of one of the richest periods of theatre history - the drama of early modern England.
Download or read book Renaissance Drama 36 37 written by Albert Russell Ascoli and published by Northwestern University Press. This book was released on 2010-01-19 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: Renaissance Drama, an annual interdisciplinary publication, is devoted to drama and performance as a central feature of Renaissance culture. The essays in each volume explore traditional canons of drama, the significance of performance (broadly construed) to early modern culture, and the impact of new forms of interpretation on the study of Renaissance plays, theater, and performance. This special issue of Renaissance Drama on "Italy in the Drama of Europe" primarily builds on the groundwork laid by Louise George Clubb, who showed that Italian drama was made in such a way as to facilitate its absorption and transformation into other traditions, even when it was not explicitly cited or referenced. "Italy in the Drama of Europe" takes up the reverberations of early modern Italian drama in the theaters of Spain, England, and France and in writings in Italian, English, Spanish, French, Hebrew, Latin, and German. Its scope is an example of the continuing force of and interest in one of the most rewarding, wide-ranging, and productive early modern aesthetic modes, and a tribute to the scholarship of Louise George Clubb, who, among others, recalled our attention to it.
Download or read book Medieval and Renaissance Drama in England written by S. P. Cerasano and published by Associated University Presse. This book was released on 2008-08 with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reflecting a variety of scholarly interests, this volume includes articles that range addressing Africans in Elizabeth London to chapel stagings, to the theory and practice of domestic tragedy. It also includes essays on the historical and theoretical issues relating to the evolution of dramatic texts and women at the theater.
Download or read book English Renaissance Drama A Very Short Introduction to Theatre and Theatres in Shakespeare s Time written by C W R D Moseley and published by Humanities-Ebooks. This book was released on with total page 183 pages. Available in PDF, EPUB and Kindle. Book excerpt: Introduces the conclusions of recent scholarship and research into theatrical conditions, conventions and concepts in the time of Shakespeare. The book begins with a discussion of the origins of early modern English drama and of the theatres that were built for it. Attitudes to theatre and to players, and what audiences expected of both, are explored in the contexts of the constraints of the acting space and the political culture. The book then looks at the structure and dynamics of the theatrical companies before concluding with a discussion of the genres of plays and the expectations of them that people (including writers) held. Appendices list brief details of the major dramatists of the time, and summarise the main historical and dramatic events.
Download or read book No Doubt Brother But this Proceedeth of the Spirit written by Benjamin Daniel Djain and published by . This book was released on 2013 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: The English Reformation created a unique rift between English culture and the cultural tradition followed by a large proportion of a predominantly Catholic Europe. This religious change in England creates an opportunity for comparison with another country that still maintained its Catholic tradition, Spain. In this thesis, I explore English Renaissance drama's increasing concern with the self on stage, contrasting it with Spanish Golden Age drama's visual focus. Important terms used throughout this thesis to highlight the fundamental difference between English and Spanish drama are "external" and "internal". While theatre is fundamentally an external medium, part of what makes English Renaissance theatre unique is its experimentation with depicting a character's interior world. An interior theatre is a theatre where the characters explore their "selfhood" which, in turn, can inspire contemplation in the audience. This gives the illusion that the characters on stage are real human beings with thoughts processes and backstories of their own. To call Spanish theatre external, by comparison, is to talk of a theatre that has a visual focus; a focus that fully acknowledges the audience as simply a spectator enjoying the show rather than creating the illusion that the audience is engaged in a deeper relationship with the characters on stage. To fully explore this argument, this thesis is divided into three chapters. The first chapter compares the portrayals of fate and repentance in Antonio Mira de Amescua's El Esclavo del Demonio with Christopher Marlowe's Doctor Faustus. The second chapter looks at participation and the portrayal of the religious other in Shakespeare's The Merchant of Venice, Marlowe's The Jew of Malta, Lope de Vega's El Niño Inocente de la Guardia and The Play of the Sacrament. The third chapter contrasts Shakespeare's Hamlet with Calderón de la Barca's El Purgatorio de San Patricio. A comparison between the portrayal of purgatory in Calderón and in Shakespeare demonstrates how the plays have to function within commonly accepted views of the period, emphasising the strong link between religious and theatrical practice.
Download or read book The Cambridge Companion to English Renaissance Tragedy written by Emma Josephine Smith and published by Cambridge University Press. This book was released on 2010-08-12 with total page 293 pages. Available in PDF, EPUB and Kindle. Book excerpt: Introducing the reader to important topics in English Renaissance tragedy, this Companion presents fresh readings of key texts.
Download or read book Renaissance Drama 39 written by Jeffrey Masten and published by Northwestern University Press. This book was released on 2011-02-25 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: Renaissance Drama, an annual and interdisciplinary publication, is devoted to drama and performance as a central feature of Renaissance culture. The essays in each volume explore traditional canons of drama, the significance of performance (broadly construed) to early modern culture, and the impact of new forms of interpretation on the study of Renaissance plays, theater, and performance.
Download or read book Death and Drama in Renaissance England written by William E. Engel and published by Oxford University Press, USA. This book was released on 2002 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: Table of contents
Download or read book Women s Acts written by Teresa Scott Soufas and published by University Press of Kentucky. This book was released on 2014-07-11 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: The plays are in Spanish. Los papeles están en el español.
Download or read book A Companion to Renaissance Drama written by Arthur F. Kinney and published by John Wiley & Sons. This book was released on 2008-04-15 with total page 648 pages. Available in PDF, EPUB and Kindle. Book excerpt: This expansive, inter-disciplinary guide to Renaissance plays and the world they played to gives readers a colorful overview of England's great dramatic age. Provides an expansive and inter-disciplinary approach to Renaissance plays and the world they played to. Offers a colourful and comprehensive overview of the material conditions of England's most important dramatic period. Gives readers facts and data along with up-to-date interpretation of the plays. Looks at the drama in terms of its cultural agency, its collaborative nature, and its ideological complexity.