Download or read book Rene Blum and The Ballets Russes written by Judith Chazin-Bennahum and published by Oxford University Press. This book was released on 2011-07-15 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ren? Blum and the Ballets Russes documents the life of the enigmatic and brilliant writer and producer who resurrected the Ballets Russes after Diaghilev died. Based on a treasure trove of previously undiscovered letters and documents, the book not only tells the poignant story of Blum's life, but also illustrates the central role Blum played in the development of dance in the United States. Indeed, Blum's efforts to save his ballet company eventually helped to bring many of the world's greatest dancers and choreographers--among them Fokine, Balanchine, and Nijinska--to American ballet stages.
Download or read book Programme of Performance of the Ballet Russes de Monte Carlo Held at the Alhambra London 5th July 1933 written by Alhambra Theatre (London) and published by . This book was released on 1933 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Col W de Basil s Ballets Russes de Monte Carlo written by and published by . This book was released on 1937 with total page 76 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Prokofiev s Ballets for Diaghilev written by StephenD. Press and published by Routledge. This book was released on 2017-07-05 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ballet impresario Sergey Pavlovich Diaghilev and composer Sergey Sergeyevich Prokofiev are eminent figures in twentieth-century cultural history, yet this is the first detailed account of their fifteen-year collaboration. The beginning was not trouble-free, but despite two false starts (Ala i Lolli and the first version of its successor, Chout) Diaghilev maintained his confidence in the composer. With his guidance and encouragement Prokofiev established his mature balletic style. After some years of estrangement during which Prokofiev wrote for choreographer Boris Romanov and conductor/publisher Serge Koussevitsky, Diaghilev came to the composer's rescue at a low point in his Western career. The impresario encouraged Prokofiev's turn towards 'a new simplicity' and offered him a great opportunity for career renewal with a topical ballet on Soviet life (Le Pas d'acier). Even as late as 1928-29 Diaghilev compelled Prokofiev to achieve new heights of expressivity in his characterizations (L'Enfant prodigue). Although Western scholars have investigated Prokofiev's operas, piano works, and symphonies, little attention has been paid to his early ballets written for Diaghilev's Ballets Russes. Despite Prokofiev's devotion to opera, it was his ballets for Diaghilev as much as his concertos and solo piano works that earned his renown in Western Europe in the 1920s. Stephen D. Press discusses the genesis of each ballet, including the important contributions of the scenic designers (Mikhail Larionov, Georgy Yakulov and Georges Rouault) and the choreographer/dancers (L?id Massine, Serge Lifar and George Balanchine), and the special relationship between the ballets' progenitors.
