Download or read book Pitch Harmonics and the Perception of Consonance and Dissonance in Music written by John Hidalgo and published by Lulu.com. This book was released on 2015-01-05 with total page 101 pages. Available in PDF, EPUB and Kindle. Book excerpt: An investigation of the nature of musical sound and how we hear it. The study looks at the physics of consonance and dissonance in music and our perception of it, and analyzes examples from music literature in terms of their use of consonance and dissonance. Originally written and submitted as partial fulfillment of requirements for a Master of Arts in Music Composition from California State University, East Bay.
Download or read book The Perception of Consonance and Dissonance written by Constantine Frithiof Malmberg and published by . This book was released on 1914 with total page 82 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Pitch written by Christopher J. Plack and published by Springer Science & Business Media. This book was released on 2005-08-03 with total page 396 pages. Available in PDF, EPUB and Kindle. Book excerpt: Pitch perception can be regarded as one of the main problems of hearing. This book brings together insights from several different methodological areas such as: physiology, psychophysics, comparative, imaging, in addressing a single scientific problem. It provides a useful reference source for graduate students and academics.
Download or read book Tuning Timbre Spectrum Scale written by William A. Sethares and published by Springer Science & Business Media. This book was released on 2013-06-05 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: Tuning, Timbre, Spectrum, Scale focuses on perceptions of consonance and dissonance, and how these are dependent on timbre. This also relates to musical scale: certain timbres sound more consonant in some scales than others. Sensory consonance and the ability to measure it have important implications for the design of audio devices and for musical theory and analysis. Applications include methods of adapting sounds for arbitrary scales, ways to specify scales for nonharmonic sounds, and techniques of sound manipulation based on maximizing (or minimizing) consonance. Special consideration is given here to a new method of adaptive tuning that can automatically adjust the tuning of a piece based its timbral character so as to minimize dissonance. Audio examples illustrating the ideas presented are provided on an accompanying CD. This unique analysis of sound and scale will be of interest to physicists and engineers working in acoustics, as well as to musicians and psychologists.
Download or read book The Analysis and Cognition of Melodic Complexity written by Eugene Narmour and published by University of Chicago Press. This book was released on 1992-11 with total page 460 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this work, Eugene Narmour extends the unique theories of musical perception presented in The Analysis and Cognition of Basic Melodic Structures. The two books together constitute the first comprehensive theory of melody founded on psychological research. Narmour's earlier study dealt with cognitive relations between melodic tones at their most basic level. After summarizing the formalized methodology of the theory described in that work, Narmour develops an elaborate and original symbology to show how sixteen archetypes can combine to form some 200 complex structures that, in turn, can chain together in a theoretically infinite number of ways. He then explains and speculates on the cognitive operations by which listeners assimilate and ultimately encode these complex melodic structures. More than 250 musical examples from different historical periods and non-Western cultures demonstrate the panstylistic scope of Narmour's model. Of particular importance to music theorists and music historians is Narmour's argument that melodic analysis and formal analysis, though often treated separately, are in fact indissolubly linked. The Analysis and Cognition of Melodic Complexity will also appeal to ethnomusicologists, psychologists, and cognitive scientists.
Download or read book A History of Consonance and Dissonance written by James Tenney and published by New York : Excelsior. This book was released on 1988-01 with total page 117 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.
Download or read book Music Perception written by Mari Riess Jones and published by Springer Science & Business Media. This book was released on 2010-08-17 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Springer Handbook of Auditory Research presents a series of comprehensive and synthetic reviews of the fundamental topics in modern auditory research. The v- umes are aimed at all individuals with interests in hearing research including advanced graduate students, post-doctoral researchers, and clinical investigators. The volumes are intended to introduce new investigators to important aspects of hearing science and to help established investigators to better understand the fundamental theories and data in fields of hearing that they may not normally follow closely. Each volume presents a particular topic comprehensively, and each serves as a synthetic overview and guide to the literature. As such, the chapters present neither exhaustive data reviews nor original research that has not yet appeared in pe- reviewed journals. The volumes focus on topics that have developed a solid data and conceptual foundation rather than on those for which a literature is only beg- ning to develop. New research areas will be covered on a timely basis in the series as they begin to mature.
Download or read book Music A Mathematical Offering written by Dave Benson and published by Cambridge University Press. This book was released on 2007 with total page 426 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the interaction between music and mathematics including harmony, symmetry, digital music and perception of sound.
Download or read book Harmonograph written by Anthony Ashton and published by Bloomsbury Publishing USA. This book was released on 2003-04-01 with total page 68 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ashton presents a short, illustrated introduction to the evolution of simple harmonic theory. Illustrations.
Download or read book Music as Biology written by Dale Purves and published by Harvard University Press. This book was released on 2017-02-01 with total page 115 pages. Available in PDF, EPUB and Kindle. Book excerpt: The universality of musical tones has long fascinated philosophers, scientists, musicians, and ordinary listeners. Why do human beings worldwide find some tone combinations consonant and others dissonant? Why do we make music using only a small number of scales out of the billions that are possible? Why do differently organized scales elicit different emotions? Why are there so few notes in scales? In Music as Biology, Dale Purves argues that biology offers answers to these and other questions on which conventional music theory is silent. When people and animals vocalize, they generate tonal sounds—periodic pressure changes at the ear which, when combined, can be heard as melodies and harmonies. Human beings have evolved a sense of tonality, Purves explains, because of the behavioral advantages that arise from recognizing and attending to human voices. The result is subjective responses to tone combinations that are best understood in terms of their contribution to biological success over evolutionary and individual history. Purves summarizes evidence that the intervals defining Western and other scales are those with the greatest collective similarity to the human voice; that major and minor scales are heard as happy or sad because they mimic the subdued and excited speech of these emotional states; and that the character of a culture’s speech influences the tonal palette of its traditional music. Rethinking music theory in biological terms offers a new approach to centuries-long debates about the organization and impact of music.
Download or read book Cognitive Foundations of Musical Pitch written by Carol L. Krumhansl and published by Oxford University Press. This book was released on 2001-11-15 with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book addresses the central problem of music cognition: how listeners' responses move beyond mere registration of auditory events to include the organization, interpretation, and remembrance of these events in terms of their function in a musical context of pitch and rhythm. Equally important, the work offers an analysis of the relationship between the psychological organization of music and its internal structure. Combining over a decade of original research on music cognition with an overview of the available literature, the work will be of interest to cognitive and physiological psychologists, psychobiologists, musicians, music researchers, and music educators. The author provides the necessary background in experimental methodology and music theory so that no specialized knowledge is required for following her major arguments.
Download or read book Consonance and Dissonance in Music written by Theodor Lipps and published by . This book was released on 1995 with total page 156 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Treatise on Chromatic Harmony written by Tomás Morales y Durán and published by Libros de Verdad. This book was released on 2022-12-08 with total page 206 pages. Available in PDF, EPUB and Kindle. Book excerpt: What we call today "Western Music" has been turning over millennia into a gigantic accumulation of intellectual crap seasoned with religious necromancy without anyone stopping to try to put order in this mess. The abuse of so much rancid irrationality has made it a forbidden ground for reason and that it is only accessible through the abuse of memory and repetition; of suffering, in short. From Pythagoras, who wanted to reach twelve notes by combining seven different series of seven notes each, to the monk Guido of Arezzo who had the idea of recording music with ink so that his melodies would not degenerate when going from one monastery to another. He designs the solfeggio with the obsessive idea of avoiding playing the cursed tritone that would invoke Satan, dragging any good Christian into the most terrible hells, an idea that excited the Pope of the time and that ordered his learning. Another monk could not be missing, Miguel García alias "Padre Basilio" who at the end of the 18th century put so many strings on the guitar that he found himself with the problem that he did not have enough fingers to play three notes with six strings using only four fingers, so he dedicated himself to arranging orthopedic postures so that the new instrument would not sound horrendously bad. Most musicians are unaware that we are in the 21st century, that we know how to count to twelve, that we have devices for recording music that are better than India ink, and that we have five fingers on our right hand with which to select which strings to play and not just a deformed stump to tear them. We know that sound is produced in the auditory consciousness. We also know how we hear based on our anatomy and we have done neuroscientific studies with which we have defined harmony based on subjective relative dissonances and even that the most important thing, rhythm, is what music draws. Music differs from noise in its simplicity, and if there is anything a healthy brain hates more than complex sounds.
Download or read book Introduction to the Physics and Psychophysics of Music written by Juan G. Roederer and published by Springer Science & Business Media. This book was released on 2012-12-06 with total page 214 pages. Available in PDF, EPUB and Kindle. Book excerpt: Viii book we shall refer a great deal to the discipline of psycho physics, which in a broad sense tries to establish in a quan titative form the causal relationship between the "physical" input from our senses and the psychological sensations and physiological reactions evoked in our mind and body, re spectively. Actually, we shall try to weave a rather close mesh between physics and psychophysics-or, more pre cisely, psychoacoustics. After all, they appear naturally interwoven in music itself: not only pitch, loudness and timbre are a product of physical and psychoacoustical proc esses, but so are the sensations related to consonance and dissonance, tonic dominance, trills and ornamentation, vibrato, phrasing, beats, tone attack, duration and decay, rhythm, and so on. Many books on physics of music or musical acoustics are readily available. An up-to-date text is the treatise of John Backus (1969). No book on psychoacoustics is available at the elementary level, though. Several review articles on pertinent topics can be found in Tobias (1970) and in Plomp and Smoorenburg (1970). A comprehensive discussion is given in Flanagan's book on speech (1972). And, of course, there is the classical treatise of von Bekesy (1960). A com prehensive up-to-date analysis of general brain processes can be found in Sommerhoff (1974); musical psychology is discussed in classical terms in Lundin (1967).
Download or read book The Psychology of Music written by Diana Deutsch and published by Academic Press. This book was released on 2012-10-29 with total page 784 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Psychology of Music serves as an introduction to an interdisciplinary field in psychology, which focuses on the interpretation of music through mental function. This interpretation leads to the characterization of music through perceiving, remembering, creating, performing, and responding to music. In particular, the book provides an overview of the perception of musical tones by discussing different sound characteristics, like loudness, pitch and timbre, together with interaction between these attributes. It also discusses the effect of computer resources on the psychological study of music through computational modeling. In this way, models of pitch perception, grouping and voice separation, and harmonic analysis were developed. The book further discusses musical development in social and emotional contexts, and it presents ways that music training can enhance the singing ability of an individual. The book can be used as a reference source for perceptual and cognitive psychologists, neuroscientists, and musicians. It can also serve as a textbook for advanced courses in the psychological study of music. Encompasses the way the brain perceives, remembers, creates, and performs music Contributions from the top international researchers in perception and cognition of music Designed for use as a textbook for advanced courses in psychology of music
Download or read book Music Experiment and Mathematics in England 1653 1705 written by Benjamin Wardhaugh and published by Routledge. This book was released on 2017-07-05 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: How, in 1705, was Thomas Salmon, a parson from Bedfordshire, able to persuade the Royal Society that a musical performance could constitute a scientific experiment? Or that the judgement of a musical audience could provide evidence for a mathematically precise theory of musical tuning? This book presents answers to these questions. It constitutes a general history of quantitative music theory in the late seventeenth century as well as a detailed study of one part of that history: namely the applications of mathematical and mechanical methods of understanding to music that were produced in England between 1653 and 1705, beginning with the responses to Descartes's 1650 Compendium music and ending with the Philosophical Transactions' account of the appearance of Thomas Salmon at the Royal Society in 1705. The book is organized around four key questions. Do musical pitches form a small set or a continuous spectrum? Is there a single faculty of hearing which can account for musical sensation, or is more than one faculty at work? What is the role of harmony in the mechanical world, and where can its effects be found? And what is the relationship between musical theory and musical practice? These are questions which are raised and discussed in the sources themselves, and they have wide significance for early modern theories of knowledge and sensation more generally, as well as providing a fascinating side light onto the world of the scientific revolution.
Download or read book Sound Structure in Music written by Robert Erickson and published by Univ of California Press. This book was released on 1975-01-01 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt:
