Download or read book Pioneering a People s Theatre written by Archibald Henderson and published by . This book was released on 1945 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Pioneering a People s Theatre written by Archibald Henderson and published by Chapel Hill : University of North Carolina Press. This book was released on 1945 with total page 120 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers a cross-section of the work of the Carolina Playmakers from 1919 until 1945. It tells of the work of the founder of the Playmakers, Frederick Henry Koch, and of the accomplishments of the young playwrights who made up the group's membership. It is a record of past achievements and future plans of the organization. Originally published in 1945. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Download or read book Pioneering a People S Theatre written by Archibald Henderson and published by Palala Press. This book was released on 2016-05-06 with total page 118 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Download or read book Pioneer Photographers of the Far West written by Peter E. Palmquist and published by Stanford University Press. This book was released on 2000 with total page 716 pages. Available in PDF, EPUB and Kindle. Book excerpt: This extraordinarily comprehensive, well-documented, biographical dictionary of some 1,500 photographers (and workers engaged in photographically related pursuits) active in western North America before 1865 is enriched by some 250 illustrations. Far from being simply a reference tool, the book provides a rich trove of fascinating narratives that cover both the professional and personal lives of a colorful cast of characters.
Download or read book The Federal Theatre Project in the American South written by Cecelia Moore and published by Lexington Books. This book was released on 2017-09-26 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Federal Theatre Project in the American South introduces the people and projects that shaped the regional identity of the Federal Theatre Project. When college theatre director Hallie Flanagan became head of this New Deal era jobs program in 1935, she envisioned a national theatre comprised of a network of theatres across the country. A regional approach was more than organizational; it was a conceptual model for a national art. Flanagan was part of the little theatre movement that had already developed a new American drama drawn from the distinctive heritage of each region and which they believed would, collectively, illustrate a national identity. The Federal Theatre plan relied on a successful regional model – the folk drama program at the University of North Carolina, led by Frederick Koch and Paul Green. Through a unique partnership of public university, private philanthropy and community participation, Koch had developed a successful playwriting program and extension service that built community theatres throughout the state. North Carolina, along with the rest of the Southern region, seemed an unpromising place for government theatre. Racial segregation and conservative politics limited the Federal Theatre’s ability to experiment with new ideas in the region. Yet in North Carolina, the Project thrived. Amateur drama units became vibrant community theatres where whites and African Americans worked together. Project personnel launched The Lost Colony, one of the first so-called outdoor historical dramas that would become its own movement. The Federal Theatre sent unemployed dramatists, including future novelist Betty Smith, to the university to work with Koch and Green. They joined other playwrights, including African American writer Zora Neale Hurston, who came to North Carolina because of their own interest in folk drama. Their experience, told in this book, is a backdrop for each successive generation’s debates over government, cultural expression, art and identity in the American nation.
Download or read book Pittsburgh in Stages written by Lynne Conner and published by University of Pittsburgh Pre. This book was released on 2007 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first comprehensive history of theater in Pittsburgh is offered in this volume that relates the significant influence and interpretation of urban socioeconomic trends in the theatrical arts and the role of the theater as an agent of social change.
Download or read book Composing Ourselves written by Dorothy Chansky and published by SIU Press. This book was released on 2005 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: When movies replaced theater in the early twentieth century, live drama was wide open to reform. A rebellion against commercialism, called the Little Theatre movement, promoted the notion that theatre is a valuable form of self-expression. Composing Ourselves argues that the movement was a national phenomenon that resulted in lasting ideas for serious theatre that are now ordinary parts of the American cultural landscape.
Download or read book Theatre Australia Un limited written by Geoffrey Milne and published by BRILL. This book was released on 2021-12-28 with total page 472 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theatre Australia (Un)limited tells a truly national story of the structures of post-war Australian theatre: its artists, companies, financial and policy underpinnings. It gives an inclusive analysis of three ‘waves’ of Australian theatrical activity after 1953, and the types of organisations which grew up to support and maintain them. Subsidy, repertoire patterns, finances and administration, theatre buildings, companies, festivals and notable productions of the commercial, mainstream and alternative Australian theatre are examined state by state, and changes to governmental policy analysed. Theatrical forms comprise not only spoken-word drama, but also music theatre, comedy, theatre-restaurant, circus, puppetry, community theatre in several forms and new mixed-media genres: physical theatre, circus, visual theatre and contemporary performance. Theatre Australia (Un)limited is the first comprehensive overview of the fortunes of Australian theatre as a national enterprise, providing the industrial analysis of the ‘three waves’ essential for the understanding of the New Wave and of contemporary drama.
Download or read book Political Performances written by and published by Rodopi. This book was released on 2009 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: Preliminary Material -- Mapping Political Performances: A Note on the Structure of the Anthology /E.J. Westlake -- Performance as Sepulchre and Mousetrap: Global Encoding, Local Deciphering /Avraham Oz -- Witnesses in the Public Sphere: Bloody Sunday and the Redefinition of Political Theatre /Paola Botham -- Orality and the Ethics of Ownership in Community-Based Drama /David Grant -- The Théâtre du Soleil's Trajectory from “People's Theatre” to “Citizen Theatre:” Involvement or Renunciation? /Bérénice Hamidi-Kim -- Ways of Unseeing: Glass Wall on the Main Stage /Tal Itzhaki -- To Absent Friends: Ethics in the Field of Auto/Biography /Deirdre Heddon -- Reading the Blacks Through the 1956 Preface: Politics and Betrayal /Carl Lavery -- Barbarians and Babes: A Feminist Critique of a Postcolonial Persians /Sydney Cheek O'Donnell -- Performing Stereotypes at Home and Abroad /Tom Maguire -- The Comeback of Political Drama in Croatia: Or How to Kill a President by Miro Gavran /Sanja Nikčević -- Local Knowledges, Memories, and Community: From Oral History to Performance /David Watt -- Modalities of Israeli Political Theatre: Plonter, ARNA'S Children, and the Ruth Kanner Group /Shimon Levy -- Documenting the Invisible: Dramatizing the Algerian Civil War of the 1990S /Susan C. Haedicke -- The Erotic Politics of Critical Tits: Exhibitionism or Feminist Statement? /Wendy Clupper -- The Güegüence Effect: The National Character and the Nicaraguan Political Process /E.J. Westlake -- Do the Ends Justify the Means? Considering Homeless Lives as Propaganda and Product /Beverly Redman -- The Birabahn/Threlkeld Project: Place, History, Memory, Performance, and Coexistence /Kerrie Schaefer -- Non-Naturalistic Performance in Political Narrative Drama: Methodologies and Languages for Political Performance with Reference to the Rehearsal and Production of E to the Power 3--Education, Education, Education /Lloyd Peters -- Gay Muslims and Salty Meat Pies: The Limits of Performing Community /Sonja Arsham Kuftinec -- About the Contributors.
Download or read book Torching the Fink Books and Other Essays on Vernacular Culture written by Archie Green and published by Univ of North Carolina Press. This book was released on 2002-11-25 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: Archie Green--shipwright, folklorist, teacher, and lobbyist--was a legendary figure in the field of American folklore and vernacular culture studies. An inspiration to a generation of students and scholars, Green was known for the remarkable passion, intelligence, and curiosity he brought to his explorations of everyday people, their communities, their work, and their forms of expression. This book gathers twelve essays intended to represent the range of Green's writings over forty years. Selections include a study of folk depictions in the art of Thomas Hart Benton, investigations of occupational and labor language, and a contemplative account of personal and political morality in the study of Appalachian musicians. In an afterword, Green traces his career and reflects on the state of folklore as a discipline. Woven through the foreword by Robert Cantwell is Green's biography, key to understanding his unique mix of activism and scholarship.
Download or read book Black Tap Dance and Its Women Pioneers written by Cheryl M. Willis and published by McFarland. This book was released on 2023-04-13 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: While tap dancers Fred Astaire, Gene Kelly, and Eleanor Powell were major Hollywood stars, and the rhythms of Black male performers such as the Nicholas Brothers and Bill "Bojangles" Robinson were appreciated in their time, Black female tap dancers seldom achieved similar recognition. Who were these women? The author sought them out, interviewed them, and documented their stories for this book. Here are the personal stories of many Black women tap dancers who were hailed by their male counterparts, performed on the most prominent American stages, and were pioneers in the field of Black tap.
Download or read book Where are the people People s Theater in Inter Asian Societies written by Ratu Selvi Agnesia and published by 國立陽明交通大學出版社. This book was released on with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: Where Are the People? How Could the People’s Bodies Voice Themselves in the Form of Theatrical Aesthetics? At That Time, the Audience Really Stood Up. In this evening, theater practitioners initiated the conversation with physical action. They engage with contemporary issues through their unique performance styles. From a discursive context, they enter the scene of resistance and undertake the labor of performance. Their performance is not just the preface to a series of dialogues, but also a witness to thirty years of People’s Theater. “People’s theater” belongs to the people. It is the theater created by the people and speaks for the people as it has appeared in history in diverse forms. People theater in Inter-Asian Societies began to grow in a cross-region, which included Jakarta, Manila, Bangkok, Kuala Lumpur, Hong Kong, Tokyo, Busan, Maputo, Beijing, Shanghai, Hualien, Taichung, and Taipei. Through the writings and images written down by theatrical artists from these spaces, we can figure out the body aesthetics that carry historical conflicts and the experience to find the form and channel of expression, and continue for work of thinking and creation. “People Theater” is nothing but a rehearsal for a revolution. This book has reviewed and reflected on the half-century development of people’s theater in inter-Asian societies, demonstrates how the theatrical practitioners and artists in different communities strived to open various spaces, dealt with the censorship from the authoritarian regime to the neoliberal societies, and experimented with diverse aesthetics and local objects to address political issues. ▍Preface “It is a collection with the premise that can motivate our critical thinking with bodily energy. It reflects how we realize the statement—‘Viewing as participating; audience as actors.’It is also a book where some keywords constantly appear, like resistance, politics, the oppressed, and conversation. With its humming buzz and murmur against the present situation, it is a collection of words refusing to remain silent.”— Lin Hsin I（Associate Professor at the Institute of Applied Art, National Yang Ming Chiao Tung University） ▍People’s Theater Practitioners Asian People’s Theatre Festival Society (Hong Kong)／Assignment Theatre (Taiwan)／Centre for Applied Theatre, Taiwan (Taipei)／Grass Stage (Shanghai)／Langasan Theatre (Hualien)／Makhampom Theatre Group (Ching Dao/Bangkok)／Oz Theatre Company (Taipei)／Philippine Educational Theater Association, PETA (Manila)／Shigang Mama Theater (Taichung Shigang)／Teater Kubur (Jakarta)／Teatro em Casa (Mozambique)／Theater Playground SHIIM (Busan)／Trans-Asia Sisters Theater (Taiwan)／WANG Mo-lin (Taiwan)／Wiji Thukul (Solo)／Yasen no Tsuki (Tokyo) ▍Characteristics of this book 1.Beyond the geographical limitations of Taiwan and East Asia, combined the context of Inter-Asian societies and Third-World society, appreciate the theater work methods that are intertwined with folk culture and community traditions, and promote the practice of public theater. 2. This book focuses on depicting network relationships in specific historical periods, and explores how the cooperation and interaction of troupes in these heterogeneous regions occurred. And how do these interactions affect the characteristics and forms of popular theater organizations in the transition of different policies? 3. What this book looks back on is not only the continuation and development of troupes but also the sudden change or gap between new people theaters and old people theaters.
Download or read book Western Speech written by and published by . This book was released on 1947 with total page 138 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Performing the Nation in Global Korea written by H. Lee and published by Springer. This book was released on 2015-03-24 with total page 171 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book illustrates how local awareness of Western cultural hegemonic entities such as Broadway and Shakespeare have been implemented within South Korean theatre in the global era. With a focus on performances that targeted global audiences, Lee explores the ways in which Korea's nationalistic desires for global visibility are projected on stage.
Download or read book World Encyclopedia of Contemporary Theatre written by Peter Nagy and published by Routledge. This book was released on 2014-10-03 with total page 1065 pages. Available in PDF, EPUB and Kindle. Book excerpt: The World Encyclopedia of Contemporary Theatre:Europe covers theatre since World War II in forty-seven European nations, including the nations which re-emerged following the break-up of the former USSR, Czechoslovakia and Yugoslavia. Each national article is divided into twelve sections - History, Structure of the National Theatre Community, Artistic Profile, Music Theatre, Theatre for Young Audiences, Puppet Theatre, Design, Theatre, Space and Architecture, Training, Criticism, Scholarship and Publishing and Further Reading - allowing the reader to use the book as a source for both area and subject studies.
Download or read book The African American Theatre Directory 1816 1960 written by Lena McPhatter Gore and published by Bloomsbury Publishing USA. This book was released on 1997-05-28 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: A comprehensive directory of more than 600 entries, this detailed ready reference features professional, semi-professional, and academic stage organizations and theatres that have been in the forefront in pioneering most of the advances that African Americans have made in the theatre. It includes groups from the early 19th century to the dawn of the revolutionary Black theatre movement of the 1960s. It is an effort to bring together into one volume information that has hitherto been scattered throughout a number of different sources. The volume begins with an illuminating foreword by Errol Hill, a noted critic, playwright, scholar and Willard Professor of Drama Emeritus, Dartmouth College. A comprehensive directory of more than 600 entries, this detailed ready reference features professional, semi-professional, and academic stage organizations and theatres that have been in the forefront in pioneering most of the advances that African Americans have made in the theatre. It includes groups from the early 19th century to the dawn of the revolutionary Black theatre movement of the 1960s. It is an effort to bring together into one volume information that has hitherto been scattered throughout a number of different sources. The volume begins with an illuminating foreword by Errol Hill, a noted critic, playwright, scholar and Willard Professor of Drama Emeritus, Dartmouth College. Included in the volume are the earliest organizations that existed before the Civil War, Black minstrel troupes, pioneer musical show companies, selected vaudeville and road show troupes, professional theatrical associations, booking agencies, stock companies, significant amateur and little theatre groups, Black units of the WPA Federal Theatre, and semi-professional groups in Harlem after the Federal Theatre. The A-Z entries are supplemented with a classified appendix that also includes additional organizations not listed in the main directory, a bibliography, and three indexes for shows, showpeople, and general subjects. Cross referencing makes related information easy to find.
Download or read book World Encyclopedia of Contemporary Theatre written by Irving Brown (Consulting Bibliographer) and published by Routledge. This book was released on 2013-10-11 with total page 546 pages. Available in PDF, EPUB and Kindle. Book excerpt: An annotated world theatre bibliography documenting significant theatre materials published world wide since 1945, plus an index to key names throughout the six volumes of the series.
