Download or read book Pierre Boulez Studies written by Edward Campbell and published by Cambridge University Press. This book was released on 2016-10-13 with total page 413 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection explores the works, influence, reception and legacy of one of the most important composers in contemporary musical life.
Download or read book Pierre Boulez written by Lev Koblyakov and published by Routledge. This book was released on 2013-01-11 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this significant study of the music of Pierre Boulez, Dr. Koblyakov provides a complete analysis of Le Marteau sand Maître and deals with the development of serial music in the twentieth century and the problems of serial organization in general. He reaches stimulating conclusions about serial thinking and harmony in themusic of Pierre Boulez, thus enabling an understanding of the intricacies of this major composer's compositional techniques.
Download or read book Pierre Boulez and the Piano written by Peter O'Hagan and published by Taylor & Francis. This book was released on 2016-09-30 with total page 365 pages. Available in PDF, EPUB and Kindle. Book excerpt: Pierre Boulez's first piano pieces date from his youth, prior to his studies in Paris with Messiaen, and his subsequent meteoric rise to international acclaim as the leader of the musical avant-garde during the 1950s. His most recent published work is a solo piano piece, Une page d’éphéméride, written some sixty years after his first attempts at composition. The piano has remained central to Boulez's creative work throughout his career, and although his renown as a conductor has to some extent overshadowed his other achievements, it was as a performer of his own piano music that his practical gifts first found expression. Peter O'Hagan has given performances of various unpublished piano works by Boulez, including Antiphonie from the Third Sonata and Trois Psalmodies. In this study, he considers Boulez's writing for the piano in the context of the composer's stylistic evolution throughout the course of his development. Each of the principal works is considered in detail, not only on its own terms, but also as a stage in Boulez's ongoing quest to invent radical solutions to the renewal of musical language and to reinvigorate tradition. The volume includes reference to hitherto unpublished source material, which sheds light on his working methods and on the interrelationship between works.
Download or read book Orientations written by Pierre Boulez and published by London : Faber and Faber. This book was released on 1986 with total page 541 pages. Available in PDF, EPUB and Kindle. Book excerpt: Pierre Boulez is arguably the single most influential - and controversial - figure in the world of contemporary music. As composer, conductor and personality, his challenging views of modern developments are lent a special authority by his very high standing as an interpreter of great composers like Wagner, Debussy, Bart k and Stravinsky. This collection of writings enhances his unrivalled reputation as a lucid and compelling expositor of the modern composer's world.
Download or read book Boulez Music and Philosophy written by Edward Campbell and published by Cambridge University Press. This book was released on 2010-08-19 with total page 299 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book, Campbell explores the relationships of music, philosophy and intellectual culture in the work of Pierre Boulez.
Download or read book Music Lessons written by Pierre Boulez and published by University of Chicago Press. This book was released on 2019-10-17 with total page 689 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music Lessons marks the first publication in English of a groundbreaking group of writings by French composer Pierre Boulez, his yearly lectures prepared for the Collège de France between 1976 and 1995. The lectures presented here offer a sustained intellectual engagement with themes of creativity in music by a widely influential cultural figure, who has long been central to the conversation around contemporary music. In his essays Boulez explores, among other topics, the process through which a musical idea is realized in a full-fledged composition, the complementary roles of craft and inspiration, and the degree to which the memory of other musical works can influence and change the act of creation. Boulez also gives a penetrating account of problems in classical music that are still present today, such as the often crippling conservatism of established musical institutions. Woven into the discussion are stories of his own compositions and those of fellow composers whose work he championed, as both a critic and conductor: from Stravinsky to Stockhausen and Varèse, from Bartók to Berg, Debussy to Mahler and Wagner, and all the way back to Bach. Including a foreword by famed semiologist Jean-Jacques Nattiez, who was for years a close collaborator and friend of the composer, this edition is also enriched by an illuminating preface by Jonathan Goldman. With a masterful translation retaining Boulez’s fierce convictions, cutting opinions, and signature wit, Music Lessons will be an essential and entertaining volume.
Download or read book The Oxford Handbook of Critical Concepts in Music Theory written by Alexander Rehding and published by Oxford University Press, USA. This book was released on 2019 with total page 849 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music Theory operates with a number of fundamental terms that are rarely explored in detail. This book offers in-depth reflections on key concepts from a range of philosophical and critical approaches that reflect the diversity of the contemporary music theory landscape.
Download or read book Pierre Boulez Studies written by Edward Campbell and published by Cambridge University Press. This book was released on 2016-10-13 with total page 413 pages. Available in PDF, EPUB and Kindle. Book excerpt: Pierre Boulez is acknowledged as one of the most important composers in contemporary musical life. This collection explores his works, influence, reception and legacy, shedding new light on Boulez's music and its historical and cultural contexts. In two sections that focus firstly on the context of the 1940s and 1950s, and secondly on the development of the composer's style, the contributors address recurring themes such as Boulez's approach to the serial principle and the related issues of form and large-scale structure. Featuring excerpts from Boulez's correspondence with a range of his contemporaries here published for the first time, the book illuminates both Boulez's relationship with them and his thinking concerning the challenges which confronted both him and other leading figures of the European avant-garde. In the final section, three chapters examine Boulez's relationship with audiences in the United Kingdom, and the development of the appreciation of his music.
Download or read book The Musical Language of Pierre Boulez written by Jonathan Goldman and published by Cambridge University Press. This book was released on 2011-02-17 with total page 269 pages. Available in PDF, EPUB and Kindle. Book excerpt: A fresh look at the musical universe of arguably one of the most influential composers of the twentieth century.
Download or read book The Dawn of Music Semiology written by Jonathan Dunsby and published by Boydell & Brewer. This book was released on 2017 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: The dawn of music semiology showcases the work of ten leading musicologists inspired by the work of Jean-Jacques Nattiez. Reflecting the energy and diversity of the young field of music semiology, chapters in this volume discuss music and gesture, the psychology of music, and the role of ethnotheory, and offer new research on topics as diverse as modeling folk polyphony, spatialization in the Darmstadt repertoire, Schenker's theory of musical content, and modernism from Wagner to Boulez.
Download or read book The Boulez Cage Correspondence written by Pierre Boulez and published by Cambridge University Press. This book was released on 1993 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study of two of the greatest composers of the twentieth century through their correspondence, now available for the first time in English in a paperback edition.
Download or read book Rationalizing Culture written by Georgina Born and published by Univ of California Press. This book was released on 1995-09-08 with total page 415 pages. Available in PDF, EPUB and Kindle. Book excerpt: As a year-long participant-observer, Born studied the social and cultural economy of an institution for research and production of avant-garde and computer music. She gives a unique portrait of IRCAM's composers, computer scientists, technicians, and secretaries, interrogating the effects of the cultural philosophy of the controversial avant-garde composer, Pierre Boulez, who directed the institute until 1992.
Download or read book Debussy Studies written by Richard Langham Smith and published by Cambridge University Press. This book was released on 1997-04-10 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: A collection of essays on Debussy exploring his working methods, visual tastes and his performance practice.
Download or read book Thomas Ad s Studies written by Edward Venn and published by Cambridge University Press. This book was released on 2021-11-25 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: Thomas Adès is a dominant force in contemporary music, whose work attracts significant attention and acclaim, and has been performed by many renowned ensembles. This volume – the first to present a range of scholarly essays on every aspect of Adès's music – offers authoritative accounts of Adès's major compositions from a variety of analytical, critical, cultural and historical perspectives. The opening chapters focus on Adès's earlier music, offering close readings of key works. Further essays focus on his engagement with forms and instrumental genres. The final chapters turn to Adès's texted music and highlight how themes introduced in earlier chapters cut across Adès's entire output. Richly illustrated with musical examples and supported by further online material, this book provides a multi-faceted portrait of Adès's work that opens up new ways of thinking about, and engaging with, his music.
Download or read book Elliott Carter Studies written by Marguerite Boland and published by Cambridge University Press. This book was released on 2012-07-26 with total page 365 pages. Available in PDF, EPUB and Kindle. Book excerpt: An international team of scholars presents historic, philosophic, philological and theoretical perspectives on Carter's extensive musical repertoire.
Download or read book The Pleasure of Modernist Music written by Arved Mark Ashby and published by Boydell & Brewer. This book was released on 2004 with total page 417 pages. Available in PDF, EPUB and Kindle. Book excerpt: The debate over modernist music has continued for almost a century: from Berg's Wozzeck and Webern's Symphony Op.21 to John Cage's renegotiation of musical control, the unusual musical practices of the Velvet Underground, and Stanley Kubrick's use of Ligeti's Lux Aeterna in the epic film 2001. The composers discussed in these pages -- including Bartók, Stockhausen, Bernard Herrmann, Steve Reich, and many others -- are modernists in that they are defined by their individualism, whether covert or overt, and share a basic urge toward redesigning musical discourse. The aim of this volume is to negotiate a varied and open middle ground between polemical extremes of reception. The contributors sketch out the possible significance of a repertory that in past discussions has been deemed either meaningless or beyond describable meaning. With an emphasis on recent aesthetics and contexts -- including film music, sexuality, metaphor, and ideas of a listening grammar -- they trace the meanings that such works and composers have held for listeners of different kinds. None of them takes up the usual mandate of "educated listening" to modernist works: the notion that a person can appreciate "difficult" music if given enough time and schooling. Instead the book defines novel but meaningful avenues of significance for modernist music, avenues beyond those deemed appropriate or acceptable by the academy. While some contributors offer new listening strategies, most interpret the listening premise more loosely: as a metaphor for any manner of personal and immediate connection with music. In addition to a previously untranslated article by Pierre Boulez, the volume contains articles (all but one previously unpublished) by twelve distinctive and prominent composers, music critics, and music theorists from America, Europe, Australia, and South Africa: Arved Ashby, Amy Bauer, William Bolcom, Jonathan Bernard, Judy Lochhead, Fred Maus, Andrew Mead, Greg Sandow, Martin Scherzinger, Jeremy Tambling, Richard Toop, and Lloyd Whitesell. Arved Ashby is Associate Professor of Music at the Ohio State University.
Download or read book Variations on the Canon written by Charles Rosen and published by University Rochester Press. This book was released on 2008 with total page 398 pages. Available in PDF, EPUB and Kindle. Book excerpt: Masterful essays honoring the great pianist and critic Charles Rosen, on masterpieces from Bach and Beethoven to Chopin, Verdi, and Stockhausen. Charles Rosen, the pianist and man of letters, is perhaps the single most influential writer on music of the past half-century. While Rosen's vast range as a writer and performer is encyclopedic, it has focused particularly on theliving "canonical" repertory extending from Bach to Boulez. Inspired in its liveliness and variety of critical approaches by Charles Rosen's challenging work, Variations on the Canon offers original essays by some of the world's most eminent musical scholars. Contributors address such issues as style and compositional technique, genre, influence and modeling, and reception history; develop insights afforded by close examination of compositional sketches; and consider what language and metaphors might most meaningfully convey insights into music. However diverse the modes of inquiry, each essay sheds new light on the works of those composers posterity has deemed central to the modern Western musical tradition. Contributors: Pierre Boulez, Scott Burnham, Elliott Carter, Robert Curry, Walter Frisch, David Gable, Philip Gossett, Jeffrey Kallberg, Joseph Kerman, Richard Kramer, William Kinderman, Lewis Lockwood, Sir Charles Mackerras, Robert L. Marshall, Robert P. Morgan, Charles Rosen, Julian Rushton, David Schulenberg, László Somfai, Leo Treitler, James Webster, and Robert Winter. Robert Curry is principalof the Conservatorium High School and honorary senior lecturer in the Centre for Medieval Studies, University of Sydney; David Gable is Assistant Professor of Music at Clark-Atlanta University; Robert L. Marshall is Louis, Frances, and Jeffrey Sachar Professor Emeritus of Music at Brandeis University.
