Download or read book Picture and Poetry 1560 1620 written by Lucy Gent and published by G. K. Hall. This book was released on 1981 with total page 112 pages. Available in PDF, EPUB and Kindle. Book excerpt: Not just another exercise in analogy between the different arts, this book is a genuinely interdisciplinary study designed to show how in the late sixteenth and early seventeenth centuries 'the way English poets looked at pictures influenced in some respects the way they wrote their poetry'. -- Book cover.
Download or read book The Rule of Art written by Clark Hulse and published by University of Chicago Press. This book was released on 1990 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: What do Renaissance poetry and painting have in common? What are the social, ideological, and aesthetic bases for the links between them? And what role do those links play in creating the humanistic culture that still has power over us today? These are the questions Clark Hulse takes up in this sophisticated interdisciplinary study of Renaissance aesthetics. Proposing an archeology of artistic knowledge, Hulse examines the theoretical language through which the poets, painters, and patrons of the Renaissance conceived of the relationship between the arts. That language is embedded in what he calls a "rule of art," a specific set of categories, assumptions, and practices that defined the two art forms and the relationship between them. Hulse charts the rise of both forms to the status of liberal arts requiring special intellectual training for artist and patron alike. In the process, he uncovers the history of the practice of theory in the Renaissance, revealing how artistic discourse lived in the world.
Download or read book Sir Thomas Browne written by Reid Barbour and published by Oxford University Press, USA. This book was released on 2008-11-13 with total page 381 pages. Available in PDF, EPUB and Kindle. Book excerpt: An impressive line-up of scholars from across the world explore the significance of Sir Thomas Browne (1605-82), a virtuoso in learning whose many interests form a representative portrait of his age. Doctor, linguist, scientist, and natural historian, Browne was also the writer of some of the most remarkable prose in the English language.
Download or read book The Subtext of Form in the English Renaissance written by S. K. Heninger and published by Penn State Press. This book was released on 1994 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the sixteenth century in England the logocentrism of the Middle Ages was confronted by a materialism that heralded the modern world. With remarkable tenacity in music, poetry, and painting, the orthodox aesthetic persisted as formal features which served as nonverbal signs and provided a subtext of form. In opposition, however, a radical aesthetic emerged to accommodate the new attention to physical nature. The growing force of materialism occasioned a fundamental rethinking of what an artifact might represent and how that representation might be achieved. This book explores the ontological and epistemological issues that poststructuralist thought raises about that shift in our cultural history. In doing so, it charts a course for Renaissance studies, now in disarray, that avoids the old positivism while not succumbing to the new nihilism.
Download or read book Printed Images in Early Modern Britain written by Michael Hunter and published by Routledge. This book was released on 2016-12-05 with total page 409 pages. Available in PDF, EPUB and Kindle. Book excerpt: Printed images were ubiquitous in early modern Britain, and they often convey powerful messages which are all the more important for having circulated widely at the time. Yet, by comparison with printed texts, these images have been neglected, particularly by historians to whom they ought to be of the greatest interest. This volume helps remedy this state of affairs. Complementing the online digital library of British Printed Images to 1700 (www.bpi1700.org.uk), it offers a series of essays which exemplify the many ways in which such visual material can throw light on the history of the period. Ranging from religion to politics, polemic to satire, natural science to consumer culture, the collection explores how printed images need to be read in terms of the visual syntax understood by contemporaries, their full meaning often only becoming clear when they are located in the context in which they were produced and deployed. The result is not only to illustrate the sheer richness of material of this kind, but also to underline the importance of the messages which it conveys, which often come across more strongly in visual form than through textual commentaries. With contributions from many leading exponents of the cultural history of early modern Britain, including experts on religion, politics, science and art, the book's appeal will be equally wide, demonstrating how every facet of British culture in the period can be illuminated through the study of printed images.
Download or read book The Idolatrous Eye written by Michael O'Connell and published by Oxford University Press, USA. This book was released on 2000 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: Michael O'Connell shows that Reformation culture was preoccupied with idolatry and that the theatre was attacked as idolatrous. This anti-theatricalism targeted the traditional mystery plays. The text aims to explain what this meant for the secular theatre that followed.
Download or read book A Companion to English Renaissance Literature and Culture written by Michael Hattaway and published by John Wiley & Sons. This book was released on 2008-04-15 with total page 792 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a one volume, up-to-date collection of more than fifty wide-ranging essays which will inspire and guide students of the Renaissance and provide course leaders with a substantial and helpful frame of reference. Provides new perspectives on established texts. Orientates the new student, while providing advanced students with current and new directions. Pioneered by leading scholars. Occupies a unique niche in Renaissance studies. Illustrated with 12 single-page black and white prints.
Download or read book The Ashgate Research Companion to The Sidneys 1500 1700 written by Michael G. Brennan and published by Routledge. This book was released on 2020-07-26 with total page 505 pages. Available in PDF, EPUB and Kindle. Book excerpt: Few families have contributed as much to English history and literature-indeed, to the arts generally-as the Sidney family. This two-volume Ashgate Research Companion assesses the current state of scholarship on family members and their impact, as historical and literary figures, in the period 1500-1700. Volume 1: Lives, begins with an overview of the Sidneys and politics, providing some links to court events, entertainments, literature, and patronage. The volume gives biographies to prominent high-profile Sidney women and men, as well as sections assessing the influence of the family in the areas of the English court, international politics, patronage, religion, public entertainment, the visual arts, and music. The focus of the second volume is the literary contributions of Sir Philip Sidney; Mary Sidney Herbert, Countess of Pembroke; Lady Mary Wroth; Robert Sidney, Earl of Leicester; and William Herbert, Earl of Pembroke.
Download or read book Religion Culture and Society in Early Modern Britain written by Patrick Collinson and published by Cambridge University Press. This book was released on 2006-11-02 with total page 402 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seventeen distinguished historians of early modern Britain pay tribute to an outstanding scholar and teacher, presenting reviews of major areas of debate.
Download or read book The Painted Closet of Lady Anne Bacon Drury written by H.L. Meakin and published by Routledge. This book was released on 2017-07-05 with total page 411 pages. Available in PDF, EPUB and Kindle. Book excerpt: Lady Anne Bacon Drury (1572-1624) was the granddaughter and niece of two of England's Lord Keepers of the Great Seal, Sir Nicholas Bacon and Sir Francis Bacon. Lady Anne was also the friend and patroness of John Donne and Joseph Hall; however, she deserves to be remembered in her own right. Within her massive country house, Lady Anne created a tiny painted room that she seems to have used as a kind of three-dimensional book. The walls consisted of panels of pictures and mottoes, grouped under Latin sentences. These panels can still be viewed in a Suffolk museum: Christchurch Mansion in Ipswich. Some panels point to classical and Biblical sources, and to popular emblem books. The sources of other panels are more recondite, while still others are original compositions by Lady Anne. The panels exhibit a contemptus mundi theme and reflect a struggle with ambition, pride, and even despair. Some panels also appear to register carefully veiled but pointed critiques of political and religious events and figures. Lady Anne's painted closet or 'architext' is thus relevant to a wide range of early modern scholarship in various disciplines but is as yet largely unappreciated. For the first time in four hundred years, this book fully describes the closet and places it in its personal, social, intellectual, and aesthetic contexts. It argues for the painted closet's importance for understanding early modern conceptualizations of private and public spaces, and for illuminating fundamental early modern habits of seeing and reading (especially combinations of text and image). Finally, this book explores the closet as an example of the ingenious ways in which female subjectivity found ways to express itself even within the constraints of early modern patriarchal society in England.
Download or read book Pencils Rhetorique written by Judith Dundas and published by University of Delaware Press. This book was released on 1993 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: The painting and the poetry of the Renaissance shared the same goal of imitating nature. English poets of the sixteenth and seventeenth centuries frequently underlined the force of ut pictura poesis - the ancient analogy between poetry and painting - by means of ekphrases, or descriptions of works of art, and through metaphors drawn from the visual arts. The present study is concerned with various kinds of allusions and what they can tell us not only about Renaissance poets' attitudes toward the visual arts, but also about their attitudes toward their own art of representation. In their poems lies a neglected source of art criticism. Since, in her view, the language of Renaissance criticism offers our best approach to an understanding of the poetry of the period, Judith Dundas begins her book with Sir Philip Sidney and ends it with John Dryden - the two poet-critics who most clearly enunciate the importance of the analogy between poetry and painting. Between these boundaries are chapters on Shakespeare, Spenser, Chapman, Jonson, a group of seventeenth-century minor poets, and Milton. The order of the chapters is partly chronological and partly thematic - depending on the interest of particular developments in the poets' allusions to the visual arts. The illustrations that accompany the text are chosen to suggest the background of pictorial reality against which the Renaissance poets were writing. They also show the painters' response to the accomplishments of poetry that are, in themselves, a response to nature. In including illustrations, Dundas does not wish to blur the distinction between poetry and painting, since it is in their very difference of medium that the arts achieve their triumphs. These triumphs led to the debate, known as the paragone, about which art is the superior; but, as Dundas notes, the significance of this debate is that it served as a topos for discussing the relationship of art to truth.
Download or read book Andrew Marvell s Liminal Lyrics written by Joan Faust and published by Rowman & Littlefield. This book was released on 2012 with total page 247 pages. Available in PDF, EPUB and Kindle. Book excerpt: Andrew Marvell's Liminal Lyrics: The Space Between is an interdisciplinary study of the major lyric poems of seventeenth-century British metaphysical poet Andrew Marvell. The poet and his work have generally proven enigmatic to scholars because both refuse to fit into normal categories and expectations. This study invites Marvell readers to view the poet and some of his representative lyrics in the context of the anthropological concept of liminality as developed by Victor Turner and enriched by Arnold Van Gennep, Jacques Lacan, and other observers of the in-between aspects of experience. The approach differs from previous attempts to "explain" Marvell in that it allows multidisciplinary and multi-media contexts in a broad matrix of the areas of experience and representation that defy boundaries, that blur the line at which entrance becomes exit. This study acknowledges that the poems discussed, and, by implication, the entire corpus of Marvell's work and the life that produced it, derive from a refusal to draw a definite divide. In analyzing a small selection of Marvell's life and lyrics as explorations of various realms of liminality in word and image, readers can see a passageway to the poet's works that never really reaches a destination; instead, the unlimited possibilities of the journey remain. Thus, the in-between aspects of the poet and his poetry actually define his technique as well as his brilliance.
Download or read book Shakespeare and the Visual Imagination written by Stuart Sillars and published by Cambridge University Press. This book was released on 2015-08-06 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: A fully illustrated study of Shakespeare's awareness of traditions in visual art and their presence in his plays and poems.
Download or read book Renaissance and Reformations written by Michael Hattaway and published by John Wiley & Sons. This book was released on 2008-04-15 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume offers a description of early modern habits of writing and reading, of publication and stage performance, and of political and religious writing. An introduction to early modern English literature for students and general readers. Considers the ways in which early modern writers construct the past, recover and adapt classical genres, write about people and places, and tackle religious and secular controversies. Illustrated with a profusion of excerpts from early modern texts. Writers represented include More, Erasmus, Spenser, Marlowe, Shakespeare, Donne, and Milton, as well as less well known authors.
Download or read book Shakespeare and the Visual Arts written by Michele Marrapodi and published by Taylor & Francis. This book was released on 2017-02-17 with total page 425 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing on the poetics of intertextuality and profiting from the more recent concepts of cultural mobility and permeability between cultures in the early modern period, this volume’s tripartite structure considers the relationship between Renaissance material arts, theatre, and emblems as an integrated and intermedial genre, explores the use and function of Italian visual culture in Shakespeare’s oeuvre, and questions the appropriation of the arts in the production of the drama of Shakespeare and his contemporaries. An afterword, a rich bibliography of primary and secondary literature, and a detailed Index round off the volume.
Download or read book The European Emblem written by Bernard F. Scholz and published by BRILL. This book was released on 2024-01-08 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt: The ten papers in this volume were all presented at the first International Conference "The European Emblem", held in Glasgow in August, 1987 under the auspices of the Society for Emblem Studies. The conference included papers discussing most of the major European languages in which emblem books flourished, and the papers selected for the presented volume represent something of the variety and scope of current scholarship in this field. Subjects dealt with include a protoemblematic Latin translation of the Tabula Cebetis, the Emblematum Liber by Andreas Alciat, the earliest reception of the 'Ars Emblematica' in Dutch, the career of Thomas Palmer, Daniel Cramers 80 Emblemata moralia nova, and the Emlimata of Polockij. The papers selected for this volume demonstrate the vigor and variety of work in this field, whilst also suggesting some of the directions and opportunities for further research.
