Download or read book Philosophy en noir written by Miroslav Petříček and published by Charles University in Prague, Karolinum Press. This book was released on 2019-11-01 with total page 381 pages. Available in PDF, EPUB and Kindle. Book excerpt: Thought necessarily reflects the times. Following the tragedy of the Holocaust, this fact became ever more clear. And it may be the reason postwar philosophical texts are so difficult to understand, since they confront incomprehensibly traumatic experiences. In this first English-language translation of any of his books, Miroslav Petříček — one of the most influential and erudite Czech philosophers, and a student of Jan Patočka — argues that to exist in the second half of the twentieth century and beyond, Western philosophy has had to rewrite its tradition and its discourse, radically transforming itself. Should philosophy be capable of bearing witness to the time, Petříček contends, this metamorphosis in philosophy is necessary. Offering an original Central European perspective on postwar philosophical discourse that reflects upon the historical underpinnings of pop culture phenomena and complex philosophical schools — including Adorno, Agamben, Benjamin, Derrida, Husserl, Kracauer, and many others — Philosophy en noir is a record of this transformation

Download or read book The Philosophy of Film Noir written by Mark T. Conard and published by University Press of Kentucky. This book was released on 2005-01-27 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: A drifter with no name and no past, driven purely by desire, is convinced by a beautiful woman to murder her husband. A hard-drinking detective down on his luck becomes involved with a gang of criminals in pursuit of a priceless artifact. The stories are at once romantic, pessimistic, filled with anxiety and a sense of alienation, and they define the essence of film noir. Noir emerged as a prominent American film genre in the early 1940s, distinguishable by its use of unusual lighting, sinister plots, mysterious characters, and dark themes. From The Maltese Falcon (1941) to Touch of Evil (1958), films from this classic period reflect an atmosphere of corruption and social decay that attracted such accomplished directors as John Huston, Alfred Hitchcock, Billy Wilder, and Orson Welles. The Philosophy of Film Noir is the first volume to focus exclusively on the philosophical underpinnings of these iconic films. Drawing on the work of diverse thinkers, from the French existentialist Albert Camus to the Frankurt school theorists Max Horkheimer and Theodor Adorno, the volume connects film noir to the philosophical questions of a modern, often nihilistic, world. Opening with an examination of what constitutes noir cinema, the book interprets the philosophical elements consistently present in the films—themes such as moral ambiguity, reason versus passion, and pessimism. The contributors to the volume also argue that the essence and elements of noir have fundamentally influenced movies outside of the traditional noir period. Neo-noir films such as Pulp Fiction (1994), Fight Club (1999), and Memento (2000) have reintroduced the genre to a contemporary audience. As they assess the concepts present in individual films, the contributors also illuminate and explore the philosophical themes that surface in popular culture. A close examination of one of the most significant artistic movements of the twentieth century, The Philosophy of Film Noir reinvigorates an intellectual discussion at the intersection of popular culture and philosophy.

Download or read book Philosophy Black Film Film Noir written by and published by Penn State Press. This book was released on 2008 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Examines how African-American as well as international films deploy film noir techniques in ways that encourage philosophical reflection. Combines philosophy, film studies, and cultural studies"--Provided by publisher.

Download or read book The Philosophy of Neo Noir written by Mark T. Conard and published by University Press of Kentucky. This book was released on 2007-01-05 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film noir is a classic genre characterized by visual elements such as tilted camera angles, skewed scene compositions, and an interplay between darkness and light. Common motifs include crime and punishment, the upheaval of traditional moral values, and a pessimistic stance on the meaning of life and on the place of humankind in the universe. Spanning the 1940s and 1950s, the classic film noir era saw the release of many of Hollywood's best-loved studies of shady characters and shadowy underworlds, including Double Indemnity, The Big Sleep, Touch of Evil, and The Maltese Falcon. Neo-noir is a somewhat loosely defined genre of films produced after the classic noir era that display the visual or thematic hallmarks of the noir sensibility. The essays collected in The Philosophy of Neo-Noir explore the philosophical implications of neo-noir touchstones such as Blade Runner, Chinatown, Reservoir Dogs, Memento, and the films of the Coen brothers. Through the lens of philosophy, Mark T. Conard and the contributors examine previously obscure layers of meaning in these challenging films. The contributors also consider these neo-noir films as a means of addressing philosophical questions about guilt, redemption, the essence of human nature, and problems of knowledge, memory and identity. In the neo-noir universe, the lines between right and wrong and good and evil are blurred, and the detective and the criminal frequently mirror each other's most debilitating personality traits. The neo-noir detective—more antihero than hero—is frequently a morally compromised and spiritually shaken individual whose pursuit of a criminal masks the search for lost or unattainable aspects of the self. Conard argues that the films discussed in The Philosophy of Neo-Noir convey ambiguity, disillusionment, and disorientation more effectively than even the most iconic films of the classic noir era. Able to self-consciously draw upon noir conventions and simultaneously subvert them, neo-noir directors push beyond the earlier genre's limitations and open new paths of cinematic and philosophical exploration.

Download or read book Fatalism in American Film Noir written by Robert B. Pippin and published by University of Virginia Press. This book was released on 2012 with total page 136 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book reveals the ways in which American film noir explore the declining credibility of individuals as causal centers of agency, and how we live with the acknowledgment of such limitations.

Download or read book Existentialism Film Noir and Hard Boiled Fiction written by and published by Cambria Press. This book was released on with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Philosophy of the Coen Brothers written by Mark T. Conard and published by University Press of Kentucky. This book was released on 2008-12-12 with total page 467 pages. Available in PDF, EPUB and Kindle. Book excerpt: “Written for both fans of the Coen brothers and the philosophically curious, without the technical language . . . educational and entertaining.” —Library Journal Joel and Ethan Coen have made films that redefined the gangster movie, the screwball comedy, the fable, and the film noir, but no matter what genre they’re playing with, they consistently focus on the struggles of complex characters to understand themselves and their places in the strange worlds they inhabit. To borrow a phrase from Barton Fink, all Coen films explore “the life of the mind” and show that the human condition can often be simultaneously comic and tragic, profound and absurd. The essays in this book explore the challenging moral and philosophical terrain of the Coen repertoire. Several address how Coen films often share film noir’s essential philosophical assumptions: power corrupts, evil is real, and human control of fate is an illusion. In Fargo, not even Minnesota’s blankets of snow can hide Jerry Lundegaard’s crimes or brighten his long, dark night of the soul. The tale of love, marriage, betrayal, and divorce in Intolerable Cruelty transcends the plight of the characters to illuminate competing theories of justice. Even in lighter fare, such as Raising Arizona and The Big Lebowski, the comedy emerges from characters’ journeys to the brink of an amoral abyss. However, the Coens often knowingly and gleefully subvert conventions and occasionally offer symbolic rebirths and other hopeful outcomes. At the end of The Big Lebowski, for example, the Dude abides, his laziness has become a virtue, and the human comedy is perpetuating itself with the promised arrival of a newborn Lebowski. The Philosophy of the Coen Brothers sheds new light on the work of these cinematic visionaries. From Blood Simple to No Country for Old Men, the Coens’ characters look for answers—though in some cases, their quest for answers leads, at best, only to more questions.

Download or read book The Philosophy of Steven Soderbergh written by R. Barton Palmer and published by University Press of Kentucky. This book was released on 2011-01-28 with total page 500 pages. Available in PDF, EPUB and Kindle. Book excerpt: “Provocative, insightful, and instructive analysis of the cinematic and philosophical significance of Steven Soderbergh’s work.” —Jason Holt, editor of The Daily Show and Philosophy: Moments of Zen in the Art of Fake News Widely regarded as a turning point in American independent cinema, Steven Soderbergh's sex, lies, and videotape launched the career of its twenty-six-year-old director, whose debut film was nominated for an Academy Award and went on to win the Cannes Film Festival’s top award, the Palme d’Or. The Philosophy of Steven Soderbergh breaks new ground by investigating salient philosophical themes through the unique story lines and innovative approaches to filmmaking that distinguish this celebrated artist. Editors R. Barton Palmer and Steven M. Sanders have brought together leading scholars in philosophy and film studies for the first systematic analysis of Soderbergh’s entire body of work, offering the first in-depth exploration of the philosophical ideas that form the basis of the work of one of the most commercially successful and consistently inventive filmmakers of our time.

Download or read book The Philosophy of Film Noir written by Mark T. Conard and published by University Press of Kentucky. This book was released on 2007-08-17 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: From The Maltese Falcon (1941) to Touch of Evil (1958), the classic film noir is easily recognizable for its unusual lighting, sinister plots, and feeling of paranoia. For critics and fans alike, these films defined an era. The Philosophy of Film Noir explores philosophical themes and ideas inherent in classic noir and neo-noir films, establishing connections to diverse thinkers ranging from Camus to the Frankfurt School. The authors, each focusing on a different aspect of the genre, explore the philosophical underpinnings of classic films such as The Big Sleep (1946), Out of the Past (1947), and Pulp Fiction (1994). They show how existentialism and nihilism dominate the genre as they explore profound themes in a vital area of popular culture.

Download or read book True Detective and Philosophy written by Jacob Graham and published by John Wiley & Sons. This book was released on 2017-11-13 with total page 231 pages. Available in PDF, EPUB and Kindle. Book excerpt: Investigating the trail of philosophical leads in HBO’s chilling True Detective series, an elite team of philosophers examine far-reaching riddles including human pessimism, Rust’s anti-natalism, the problem of evil, and the ‘flat circle’. The first book dedicated to exploring the far-reaching philosophical questions behind the darkly complex and Emmy-nominated HBO True Detective series Explores in a fun but insightful way the rich philosophical and existential experiences that arise from this gripping show Gives new perspectives on the characters in the series, its storylines, and its themes by investigating core questions such as: Why Life Rather Than Death? Cosmic Horror and Hopeful Pessimism, the Illusion of Self, Noir, Tragedy, Philosopher-Detectives, and much, much more Draws together an elite team of philosophers to shine new light on why this genre-expanding show has inspired such a fervently questioning fan-base

Download or read book Film Noir Reader 2 written by Alain Silver and published by Hal Leonard Corporation. This book was released on 1999 with total page 359 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the wake of the remarkable success of Film Noir Reader, this new collection further explores a genre of limitless fascination -- and one that continues to inspire and galvanise the latest generation of film-makers. Again heavily illustrated, with close to 150 stills, Film Noir Reader 2 is organised much like the earlier volume.

Download or read book Philadelphia Noir written by Carlin Romano and published by Akashic Books. This book was released on 2010 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: Residents of Philadelphia have been nagging Akashic Books for years to see their own entry in the award-winning Noir series. The time has finally arrived - but the city must beware as there may be no recovery from the tarnishing of this collection of 15 original crime stories. Features brand-new stories by Diane Ayres, Cordelia Frances Biddle, Keith Gilman, Cary Holladay, Solomon Jones, Gerald Kolpan, Aimee LaBrie, Halimah Marcus, Carlin Romano, Asali Solomon, Laura Spagnoli, Duane Swierczynski, Dennis Tafoya and Jim Zervanos.

Download or read book Philosophy Black Film Film Noir written by Dan Flory and published by Penn State Press. This book was released on 2008-01-01 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Examines how African-American as well as international films deploy film noir techniques in ways that encourage philosophical reflection. Combines philosophy, film studies, and cultural studies"--Provided by publisher.

Download or read book Night Passages written by Elisabeth Bronfen and published by Columbia University Press. This book was released on 2013 with total page 473 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the beginning was the night. All light, shapes, language, and subjective consciousness, as well as the world and art depicting them, emerged from this formless chaos. In fantasy, we seek to return to this original darkness. Particularly in literature, visual representations, and film, the night resiliently resurfaces from the margins of the knowable, acting as a stage and state of mind in which exceptional perceptions, discoveries, and decisions play out. Elisabeth Bronfen follows nocturnal spaces in which extraordinary events unfold, enabling the irrational exploration of desire, transformation, ecstasy, transgression, spiritual illumination, and moral choice. She begins with classical myths depicting the creation of the world and moves through nocturnal scenes in Shakespeare and Milton, Gothic figurations, Hegel's romantic philosophy, and Freud's psychoanalysis. In modern times, she shows how literature and film, particularly film noir, transmit that piece of night the modern subject carries within. From Mozart's "Queen of the Night" to Virginia Woolf 's oscillation between day and night, life and death, and chaos and aesthetic form, Bronfen renders something visible, conceivable, and tellable from the dark realms of the unknown.

Download or read book Nasty Brutish and Short written by Scott Hershovitz and published by Penguin. This book was released on 2022-05-03 with total page 385 pages. Available in PDF, EPUB and Kindle. Book excerpt: An NPR Best Book of 2022 * One of Christian Science Monitor's 10 best books of May “This amazing new book . . . takes us on a journey through classic and contemporary philosophy powered by questions like ‘What do we have the right to do? When is it okay to do this or that?’ They explore punishment and authority and sex and gender and race and the nature of truth and knowledge and the existence of God and the meaning of life and Scott just does an incredible job.” —Ryan Holiday, The Daily Stoic Some of the best philosophers in the world gather in surprising places—preschools and playgrounds. They debate questions about metaphysics and morality, even though they’ve never heard the words and perhaps can’t even tie their shoes. They’re kids. And as Scott Hershovitz shows in this delightful debut, they’re astoundingly good philosophers. Hershovitz has two young sons, Rex and Hank. From the time they could talk, he noticed that they raised philosophical questions and were determined to answer them. They re-created ancient arguments. And they advanced entirely new ones. That’s not unusual, Hershovitz says. Every kid is a philosopher. Following an agenda set by Rex and Hank, Hershovitz takes us on a fun romp through classic and contemporary philosophy, powered by questions like, Does Hank have the right to drink soda? When is it okay to swear? and, Does the number six exist? Hershovitz and his boys take on more weighty issues too. They explore punishment, authority, sex, gender, race, the nature of truth and knowledge, and the existence of God. Along the way, they get help from professional philosophers, famous and obscure. And they show that all of us have a lot to learn from listening to kids—and thinking with them. Hershovitz calls on us to support kids in their philosophical adventures. But more than that, he challenges us to join them so that we can become better, more discerning thinkers and recapture some of the wonder kids have at the world.

Download or read book Arts of Darkness written by Thomas S. Hibbs and published by . This book was released on 2008 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Often denounced as nihilistic and even degenerate, film noir seems an unlikely antidote to the despair of contemporary popular culture. But at the heart of these dark films is a spiritual quest that is profoundly hopeful. In a fascinating re-evaluation of "American noir," Thomas Hibbs argues that these powerful tales of sin and redemption embody religious themes that are essential for cultural renewal." "Starting with early noir classics such as Double Indemnity and The Maltese Falcon, Hibbs reveals their surprising connection with contemporary quest films such as The Passion, The Sixth Sense, and Spider-Man. Despite its roots in the heyday of Hollywood Marxism, noir even displays a distinctly conservative bent - redemption is personal, not political, and scientific rationalism fails to deliver on its sunny promises." "Arts of Darkness explores not only the shadowy works of the 1940s and 1950s but also recent films in which the dark themes of noir converge with the quest for redemption. Hibbs dubs these diverse but related works "American noir," a term that encompasses Chinatown and Taxi Driver, The Matrix and The Terminator, American Beauty and Thelma and Louise. Hibbs insists that these tragic and gritty films stand among the most powerful religious narratives of our time."--BOOK JACKET.

Download or read book Medieval Jewish Philosophy and Its Literary Forms written by Aaron W. Hughes and published by Indiana University Press. This book was released on 2019-07-11 with total page 374 pages. Available in PDF, EPUB and Kindle. Book excerpt: “This well-written, accessible [essay] collection demonstrates a maturation in Jewish studies and medieval philosophy” (Choice). Too often the study of philosophical texts is carried out in ways that do not pay significant attention to how the ideas contained within them are presented, articulated, and developed. This was not always the case. The contributors to this collected work consider Jewish philosophy in the medieval period, when new genres and forms of written expression were flourishing in the wake of renewed interest in ancient philosophy. Many medieval Jewish philosophers were highly accomplished poets, for example, and made conscious efforts to write in a poetic style. This volume turns attention to the connections that medieval Jewish thinkers made between the literary, the exegetical, the philosophical, and the mystical to shed light on the creativity and diversity of medieval thought. As they broaden the scope of what counts as medieval Jewish philosophy, the essays collected here consider questions about how an argument is formed, how text is put into the service of philosophy, and the social and intellectual environment in which philosophical texts were produced.