Download or read book The Site of Petrarchism written by William J. Kennedy and published by JHU Press. This book was released on 2004-12-01 with total page 398 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing upon poststructuralist theories of nationalism and national identity developed by such writers as Etienne Balibar, Emmanuel Levinas, Julia Kristeva, Antonio Negri, and Slavoj Zizek, noted Renaissance scholar William J. Kennedy argues that the Petrarchan sonnet serves as a site for early modern expressions of national sentiment in Italy, France, England, Spain, and Germany. Kennedy pursues this argument through historical research into Renaissance commentaries on Petrarch's poetry and critical studies of such poets as Lorenzo de' Medici, Joachim du Bellay and the Pléiade brigade, Philip and Mary Sidney, and Mary Wroth. Kennedy begins with a survey of Petrarch's poetry and its citation in Italy, explaining how major commentators tried to present Petrarch as a spokesperson for competing versions of national identity. He then shows how Petrarch's model helped define social class, political power, and national identity in mid-sixteenth-century France, particularly in the nationalistic sonnet cycles of Joachim Du Bellay. Finally, Kennedy discusses how Philip Sidney and his sister Mary and niece Mary Wroth reworked Petrarch's model to secure their family's involvement in forging a national policy under Elizabeth I and James I . Treating the subject of early modern national expression from a broad comparative perspective, The Site of Petrarchism will be of interest to scholars of late medieval and early modern literature in Europe, historians of culture, and critical theorists.

Download or read book Post Petrarchism written by Roland Greene and published by Princeton University Press. This book was released on 2014-07-14 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: Post-Petrarchism offers a theoretical study of lyric poetry through one of its most long-lived and widely practiced models: the lyric sequence, originated by Francis Petrarch in his Canzoniere of the late fourteenth century. A framework in which poems are suspended according to some organizing or unifying principle, the lyric sequence emerges from European humanist culture as a poetic discourse that represents personal experience and operates as a kind of fiction. Here Roland Greene proposes that since Petrarch the lyric sequence has survived in European and American literatures--from Shakespeare's Sonnets to The Waste Land to Trilce--as a complex in which formal, generic, and cultural designs intersect, and as an embodiment of lyric discourse at its most extensive, inclusive, and ambitious. Enabled by a theoretical introduction to the genre at large, the book treats the founding and elaboration of the vernacular sequence in six major texts by Petrarch, Philip Sidney, Edward Taylor, Walt Whitman, W. B. Yeats, Pablo Neruda, and Martin Adan. Throughout Greene shows how Petrarchism has evolved as lyric discourse through its exposure to such events as the Reformation and Puritanism, the settlement of the New World, and the various modernisms of Europe and the Americas. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Download or read book Desiring Voices written by Mary B. Moore and published by SIU Press. This book was released on 2000 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: Moore (English, Marshall U.) analyzes and contextualizes the Petrarchan love sonnet sequences of Gaspara Stampa, Louise Labe, Lady Mary Wroth, Charlotte Smith, Elizabeth Barrett Browning, and Edna St. Vincent Millay. Close readings of the poems are accompanied by theory and criticism regarding constructs of women, historical events, and biographical material, illuminating the poets, Petrarchism as a convention, ideas about women, and the range and limitations of female roles as erotic subjects and objects. Annotation copyrighted by Book News Inc., Portland, OR

Download or read book Poetry as Play written by Maria Cristina Quintero and published by John Benjamins Publishing. This book was released on 1991-01-01 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the Golden Age, poetry and drama entered into a dynamic intertextual and intergeneric exchange. The Comedia appropriated the different poetic currents prevalent during the Renaissance and also often enacted the controversies surrounding poetic language. Of particular interest is the influence of gongorismo on the comedia. Luis de Gongora himself experimented with dramatic form in his two little-known plays, "Las firmezas de Isabela and El doctor Carlino." In his quest for effective dramatic language, Lope de Vega dramatized Gongorine language through both parody and respectful imitation. Calderon de la Barca, whose plays represent the culmination of Gongora's influence on Golden Age theater, transformed gongorismo into a rich, performative code that functions simultaneously as poetic discourse and dramatic convention.

Download or read book Echoes of Desire written by Heather Dubrow and published by Cornell University Press. This book was released on 2018-03-15 with total page 435 pages. Available in PDF, EPUB and Kindle. Book excerpt: Echoes of Desire variously invokes and interrogates a number of historicist and feminist premises about Tudor and Stuart literature by examining the connections between the anti-Petrarchan tradition and mainstream Petrarchan poetry. It also addresses some of the broader implications of contemporary critical methodologies. Heather Dubrow offers an alternative to the two predominant models used in previous treatments of Petrarchism: the all-powerful poet and silenced mistress on the one hand and the poet as subservient patron on the other.

Download or read book The Limits of Eroticism in Post Petrarchan Narrative written by Dorothy Stephens and published by Cambridge University Press. This book was released on 1998-11-26 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although theories of exploitation and subversion have radically changed our understanding of gender in Renaissance literature, to favour only those theories is to risk ignoring productive exchanges between 'masculine' and 'feminine' in Renaissance culture. 'Appropriation' is too simple a term to describe these exchanges - as when Petrarchan lovers flirt dangerously with potentially destructive femininity. Spenser revises this Petrarchan phenomenon, constructing flirtations whose participants are figures of speech, readers or narrative voices. His plots allow such exchanges to occur only through conditional speech, but this very conditionality powerfully shapes his work. Seventeenth-century works - including a comedy by Jane Cavendish and Elizabeth Brackley, and Upon Appleton House by Andrew Marvell - suggest that the civil war and the upsurge of female writers necessitated a reformulation of conditional erotics.

Download or read book The Cambridge Companion to Petrarch written by Albert Russell Ascoli and published by Cambridge University Press. This book was released on 2015-11-26 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: An account of the life and works of Petrarch, scholar and poet, and his influence on European literature and culture.

Download or read book Writing Beloveds written by Aileen A. Feng and published by University of Toronto Press. This book was released on 2017-01-01 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This study considers the way in which a poetic convention, the beloved to whom Renaissance amatory poetry was addessed, becomes influential political rhetoric, an instrument that both men and women used to shape and justify their claims to power. The author argues that Petrarchan poetic conventions were part of a social discourse that signaled anxiety concerning the rising place of women as intellectual interlocators, public figures, and patrons of the arts."--

Download or read book Anxious Masculinity in Early Modern England written by Mark Breitenberg and published by Cambridge University Press. This book was released on 1996-03-14 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores the importance of heterosexual masculine identity in Renaissance literature and culture.

Download or read book Petrarchism at Work written by William J. Kennedy and published by Cornell University Press. This book was released on 2016-03-07 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Italian scholar and poet Francesco Petrarch (1304–1374) is best remembered today for vibrant and impassioned love poetry that helped to establish Italian as a literary language. Petrarch inspired later Renaissance writers, who produced an extraordinary body of work regarded today as perhaps the high-water mark of poetic productivity in the European West. These "Petrarchan" poets were self-consciously aware of themselves as poets—as craftsmen, revisers, and professionals. As William J. Kennedy shows in Petrarchism at Work, this commitment to professionalism and the mastery of poetic craft is essential to understanding Petrarch’s legacy. Petrarchism at Work contributes to recent scholarship that explores relationships between poetics and economic history in early-modern European literature. Kennedy traces the development of a Renaissance aesthetics from one based upon Platonic intuition and visionary furor to one grounded in Aristotelian craftsmanship and technique. Their polarities harbor economic consequences, the first privileging the poet’s divinely endowed talent, rewarded by the autocratic largess of patrons, the other emphasizing the poet’s acquired skill and hard work. Petrarch was the first to exploit the tensions between these polarities, followed by his poetic successors. These include Gaspara Stampa in the emergent salon society of Venice, Michelangelo Buonarroti in the "gift" economy of Medici Florence and papal Rome, Pierre de Ronsard and the poets of his Pléiade brigade in the fluctuant Valois court, and William Shakespeare and his contemporaries in the commercial world of Elizabethan and early Stuart London. As Kennedy shows, the poetic practices of revision and redaction by Petrarch and his successors exemplify the transition from a premodern economy of patronage to an early modern economy dominated by unstable market forces.

Download or read book English Poetry of the Sixteenth Century written by Gary F. Waller and published by Routledge. This book was released on 2014-07-15 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores the poetry of the Renaissance, from Dunbar in the late 15th century to the Songs and Sonnets of John Donne in the early 17th. The book offers more than the wealth of literature discussed: it is a pioneering work in its own right, bringing the insights of contemporary literary and cultural theory to an overview of the period.

Download or read book A New History of French Literature written by Denis Hollier and published by Harvard University Press. This book was released on 1994 with total page 1202 pages. Available in PDF, EPUB and Kindle. Book excerpt: An introduction to the history of French literature, covering from 842 to 1990.

Download or read book The Icy Fire written by Leonard Forster and published by CUP Archive. This book was released on 1969 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this short introductory book, Professor Forster examines Petrarchism as a European phenomenon transcending national boundaries. He begins with a general survey of themes and conventions, providing, with quotation, something like a repertory of the devices. He then shows in an important historical study how various vernacular literatures were seeking for a renewal of poetic diction at the moment when Petrarchism was available to meet the need. The third study examines specific forms and shows how realism in love-relationships could be accommodated within the tradition. A fourth shows how the literary conventions, applied to England's Virgin queen, could serve political and national ends; and the last shows the devices still being used in Goethe's Faust. This is a learned and engaging book, ranging freely among literatures: Latin, Italian, French, Dutch, English, and German, with translations provided. It gives an introduction to one of the most important and longest-lasting traditions in comparative literary studies.

Download or read book Shakespeare s sonnets and the Petrarchan tradition written by Stefan Ruhnke and published by GRIN Verlag. This book was released on 2008-02-01 with total page 31 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seminar paper from the year 2007 in the subject English Language and Literature Studies - Literature, grade: 1,3, Ernst Moritz Arndt University of Greifswald, course: Petrarchism in English Renaissance Poetry, language: English, abstract: Ever since the first publication of Shakespeare’s Sonnets in Thomas Thorpe’s, very likely unauthorized, Quarto-edition in 1609, these poetic masterpieces have interested and captivated readers and critics alike for the following centuries. Shakespeare’s exceptional abilities as a playwright as well as a poet have always drawn the attention of literary criticism towards his works and also to his sonnets. In the past, critics have often tried to answer all sorts of questions concerning the sonnets. Among the questions dealt with, like the identity of the persons mentioned in the poems, the correct order and structure of the sonnet cycle and many others, critics also tried to answer in which ways Shakespeare used and incorporated already existing poetic conventions and in how far he wrote against, contrasted and overcame common literary traditions by producing, according to Pequigney’s praise, “the greatest of all love-sonnet sequences”. The common literary tradition for writing love poetry that not only English but also continental poets followed in the sixteenth century was that of Petrarchism. Already after Francesco Petrarca, or Petrarch, had introduced this way of writing love poetry, the fashion of imitating or adopting and sometimes contrasting the Petrarchan way of writing poetry spread from Italy to France, Spain, the Netherlands and also to England4, where Wyatt and Surrey introduced the sonnet form and the thematic aspects which characterize Petrarchism5. Although Petrarchism, with its many followers who, despite striking similarities, often exhibit different ways of adopting the model set by Petrarch, seems not too easy to define6, this paper aims to show how this prominent love poetry tradition was adopted and adapted by Shakespeare for his Sonnets. To achieve this goal it seems essential to try to define what the Petrarchan way of writing love poetry is and why it became a predominant fashion in England before and during the time Shakespeare wrote his sonnets. This is to be the purpose of the following chapter.

Download or read book Canzoniere written by Petrarch and published by Penguin UK. This book was released on 2002-10-31 with total page 188 pages. Available in PDF, EPUB and Kindle. Book excerpt: The 'Canzoniere', a sequence of sonnets and other verse forms, were written over a period of about 40 years. They describe Petrarch's intense love for Laura, whom he first met in Avignon in 1327, and her effect on him after she died in 1348. The collection is an examination of the poet's growing spiritual crisis, and also explores important contemporary issues such as the role of the papacy and religion.

Download or read book The Ashgate Research Companion to The Sidneys 1500 1700 written by Mary Ellen Lamb and published by Routledge. This book was released on 2017-02-17 with total page 476 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presented in two volumes, The Ashgate Research Companion to The Sidneys, 1500-1700 assesses the current state of scholarship on members of the Sidney family and their impact, as historical and/or literary figures, in the period 1500-1700. Volume 2: Literature, begins with an exploration of the Sidneys' books and manuscripts and how they circulated, followed by an overview of the contributions of family members -Sir Philip Sidney; Mary Sidney Herbert, Countess of Pembroke; Lady Mary Wroth; Robert Sidney, Earl of Leicester; and William Herbert, Earl of Pembroke - in the genres of prose romance, drama, poetry, psalms and prose. These essays outline major controversies and areas for further research, as well as conducting literary analysis.

Download or read book On Biblical Poetry written by F.W. Dobbs-Allsopp and published by Oxford University Press. This book was released on 2015-08-26 with total page 620 pages. Available in PDF, EPUB and Kindle. Book excerpt: On Biblical Poetry takes a fresh look at the nature of biblical Hebrew poetry beyond its currently best-known feature, parallelism. F.W. Dobbs-Allsopp argues that biblical poetry is in most respects just like any other verse tradition, and therefore biblical poems should be read and interpreted like other poems, using the same critical tools and with the same kinds of guiding assumptions in place. He offers a series of programmatic essays on major facets of biblical verse, each aspiring to alter currently regnant conceptualizations in the field and to show that attention to aspects of prosody--rhythm, lineation, and the like--allied with close reading can yield interesting, valuable, and even pleasurable interpretations. What distinguishes the verse of the Bible, says Dobbs-Allsopp, is its historicity and cultural specificity, those peculiar encrustations and encumbrances that typify all human artifacts. Both the literary and the historical, then, are in view throughout. The concluding essay elaborates a close reading of Psalm 133. This chapter enacts the final movement to the set of literary and historical arguments mounted throughout the volume--an example of the holistic staging which, Dobbs-Allsopp argues, is much needed in the field of Biblical Studies.