Download or read book Personalities in American Art written by William Francklyn Paris and published by . This book was released on 1970 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Personalities in Art written by Royal Cortissoz and published by . This book was released on 1925 with total page 512 pages. Available in PDF, EPUB and Kindle. Book excerpt: For contents, see Author Catalog.
Download or read book Personalities in American Art written by William Francklyn Paris and published by . This book was released on 1930 with total page 194 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Masters of Traditional Arts written by Alan B. Govenar and published by . This book was released on 2001 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: On DVD-ROM: Some of the artists who have won a National Heritage Fellowship between 1982 and 2002: user may click on an index of names, and retrieve biographical information, photographs, voice and music clips, and/or film and video clips on each artist.
Download or read book Personalities in American Art By W Francklyn Paris The Hall of American Artists New York University W Francklyn Paris Director Vol 2 10 With Plates written by New York University (NEW YORK). Hall of American Artists and published by . This book was released on 1930 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Personalities in American Art written by Francklyn Paris (William Francklyn.) and published by . This book was released on 1930 with total page 112 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Becoming Mary Sully written by Philip J. Deloria and published by University of Washington Press. This book was released on 2019-04-24 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dakota Sioux artist Mary Sully was the great-granddaughter of respected nineteenth-century portraitist Thomas Sully, who captured the personalities of America’s first generation of celebrities (including the figure of Andrew Jackson immortalized on the twenty-dollar bill). Born on the Standing Rock reservation in South Dakota in 1896, she was largely self-taught. Steeped in the visual traditions of beadwork, quilling, and hide painting, she also engaged with the experiments in time, space, symbolism, and representation characteristic of early twentieth-century modernist art. And like her great-grandfather Sully was fascinated by celebrity: over two decades, she produced hundreds of colorful and dynamic abstract triptychs, a series of “personality prints” of American public figures like Amelia Earhart, Babe Ruth, and Gertrude Stein. Sully’s position on the margins of the art world meant that her work was exhibited only a handful of times during her life. In Becoming Mary Sully, Philip J. Deloria reclaims that work from obscurity, exploring her stunning portfolio through the lenses of modernism, industrial design, Dakota women’s aesthetics, mental health, ethnography and anthropology, primitivism, and the American Indian politics of the 1930s. Working in a complex territory oscillating between representation, symbolism, and abstraction, Sully evoked multiple and simultaneous perspectives of time and space. With an intimate yet sweeping style, Deloria recovers in Sully’s work a move toward an anti-colonial aesthetic that claimed a critical role for Indigenous women in American Indian futures—within and distinct from American modernity and modernism.
Download or read book Inventing the Modern Artist written by Sarah Burns and published by Yale University Press. This book was released on 1996-01-01 with total page 396 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sarah Burns tells the story of artists in American society during a period of critical transition from Victorian to modern values, examining how culture shaped the artists and how artists shaped their culture. Focusing on such important painters as James McNeill Whistler, William Merritt Chase, Cecilia Beaux, Winslow Homer, and Albert Pinkham Ryder, she investigates how artists reacted to the growing power of the media, to an expanding consumer society, to the need for a specifically American artist type, and to the problem of gender.
Download or read book Collecting African American Art written by Halima Taha and published by Crown Publishing Group (NY). This book was released on 1998 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presents African American artists, identifies dealers, and offers practical advice on insurance, framing, and tax and estate planning.
Download or read book On Modern American Art written by Robert Rosenblum and published by Harry N. Abrams. This book was released on 1999-09-01 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: Collects essays that explore the meanings, movements, personalities, and paradoxes of twentieth-century American art
Download or read book The American Personality written by Grunwald Center for the Graphic Arts and published by . This book was released on 1976 with total page 188 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book American Visions written by Robert Hughes and published by Vintage. This book was released on 1997 with total page 635 pages. Available in PDF, EPUB and Kindle. Book excerpt: Robert Hughes begins where American art itself began, with the Native Americans and the first Spanish invaders in the Southwest; he ends with the art of today. In between, in a scholarly text that crackles with wit, intelligence and insight, he tells the story of how American art developed. Hughes investigates the changing tastes of the American public; he explores the effects on art of America's landscape of unparalleled variety and richness; he examines the impact of the melting-pot of cultures that America has always been. Most of all he concentrates on the paintings and art objects themselves and on the men and women - from Winslow Homer and Thomas Eakins to Edward Hopper and Georgia O'Keeffe, from Arthur Dove and George Bellows to Jackson Pollock and Mark Rothko -awho created them. This is an uncompromising and refreshingly opinionated exploration of America, told through the lens of its art.
Download or read book The Oxford Dictionary of American Art Artists written by Ann Lee Morgan and published by Oxford University Press. This book was released on 2018-10-04 with total page 559 pages. Available in PDF, EPUB and Kindle. Book excerpt: This new edition of The Oxford Dictionary of American Art and Artists has been fully revised and updated as well as including dozens of new entries offering an insightful and informative view of America's artistic heritage. An indispensable biographical and critical guide to American art from colonial times to contemporary postmodernism, this valuable resource provides readers with a wealth of factual detail and perceptive analysis of America's leading artists. This new edition has been updated to include a number of entries on prevailing topics such as body art, light and space, Indian-American art, scatter art, and transactional art, and features many new or greatly expanded biographical entries on artists such as Ida Applebroog, Guerilla Girls, Peter Hujar and Shirin Neshat. Morgan offers readers a wealth of authoritative information as well as well-informed analysis and criticism of artists and their work. Filled with fascinating historical background and penetrating insight, The Oxford Dictionary of American Art and Artists is an essential resource for art lovers everywhere.
Download or read book The Rise and Fall of American Art 1940s 1980s written by Catherine Dossin and published by Routledge. This book was released on 2016-03-03 with total page 325 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The Rise and Fall of American Art, 1940s-1980s, Catherine Dossin challenges the now-mythic perception of New York as the undisputed center of the art world between the end of World War II and the fall of the Berlin Wall, a position of power that brought the city prestige, money, and historical recognition. Dossin reconstructs the concrete factors that led to the shift of international attention from Paris to New York in the 1950s, and documents how ’peripheries’ such as Italy, Belgium, and West Germany exerted a decisive influence on this displacement of power. As the US economy sank into recession in the 1970s, however, American artists and dealers became increasingly dependent on the support of Western Europeans, and cities like Cologne and Turin emerged as major commercial and artistic hubs - a development that enabled European artists to return to the forefront of the international art scene in the 1980s. Dossin analyses in detail these changing distributions of geopolitical and symbolic power in the Western art worlds - a story that spans two continents, forty years, and hundreds of actors. Her transnational and interdisciplinary study provides an original and welcome supplement to more traditional formal and national readings of the period.
Download or read book The Rise and Fall of American Art 1940s 1980s written by Assoc Prof Catherine Dossin and published by Ashgate Publishing, Ltd.. This book was released on 2015-03-28 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book challenges the perception of New York as the undisputed center of the art world between the end of World War II and the fall of the Berlin Wall, a position of power that brought the city prestige, money, and historical recognition. In her transnational and interdisciplinary study, Dossin analyses changing distributions of geopolitical and symbolic power in the Western art worlds - a story that spans two continents, forty years, and hundreds of actors.
Download or read book Book of the Artists written by Henry Theodore Tuckerman and published by . This book was released on 1867 with total page 476 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book An Artist in America written by Thomas Hart Benton and published by . This book was released on 1983 with total page 502 pages. Available in PDF, EPUB and Kindle. Book excerpt: Controversial, flamboyant, contentious, brilliant--Thomas Hart Benton (1889-1975) was certainly all of those. Few American artists have stirred so much love and hatred as he did in a career that lasted almost seventy years. Although his painting aroused much controversy, perhaps equally as much was created by his words, for his piercing wit, profane sarcasms, and insightful condemnations were fired off without restraint. In this fiery and provocative autobiography, Benton presents an intriguing records of American art and society during his lifetime. The first installment of this work was published in 1937, but Benton continued his life story in chapters added to editions published in 1951 and 1968. This new edition includes seventy-six drawings that add much to his narrative, plus a foreword discussing Benton's place in American art and an afterword covering his career after 1968, both written by art historian Matthew Baigell. Although Benton is most famous as a regionalist painter and muralist, his complex and fascinating career brought him into contact with many of the most important artists and thinkers of the century, including Jackson Pollock, Grant Wood, Julian Huxley, Felix Frankfurter, Eugene Debbs, John Reed, and Harry Truman. While living in New York and on Martha's Vineyard in the 1920s and 1930s, Benton often associated with leading intellectuals and radicals. However, when his evolving principles of art led him away from an interest in Marxism, he was bitterly attacked by many of his former friends, and his account of that time reveals strikingly the fierce critical battles he faced in trying to establish his own artistic vision. Critics on the Left were not his only opponents, however, and equally revealing are his responses to the moral condemnations heaped on his murals done for the states of Indiana and Missouri and on his realistic nudes of the late 1930s. Throughout his account, from descriptions of his boyhood in southwest Missouri, his travels, and his career to discussions of specific works of art and other artists, Benton portrays people and events as vividly in words as he does in his paintings.
