Download or read book On Opera written by Bernard Williams and published by Yale University Press. This book was released on 2006-11-16 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bernard Williams, who died in 2003, was one of the most influential moral philosophers of his generation. A lifelong opera lover, his articles and essays, talks for the BBC, contributions to the Grove Dictionary of Opera, and program notes for the Royal Opera House, Covent Garden, and the English National Opera, generated a devoted following. This elegant volume brings together these widely scattered and largely unobtainable pieces, including two that have not been previously published. It covers an engaging range of topics from Mozart to Wagner, including sparkling essays on specific operas by those composers as well as Verdi, Puccini, Strauss, Debussy, Janacek, and Tippett. Reflecting Williams's brilliance, passion, and clarity of mind, these essays engage with, and illustrate, the enduring appeal of opera as an art form.
Download or read book Between Opera and Cinema written by Jeongwon Joe and published by Routledge. This book was released on 2012-12-06 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Leading scholars of opera and film explore the many ways these two seemingly unrelated genres have come together from the silent-film era to today.
Download or read book Opera Cinema written by Joseph Attard and published by Bloomsbury Publishing USA. This book was released on 2022-06-16 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since 2006, leading opera companies have beamed their shows to thousands of cinema screens all over the world – live. 'Opera cinema' is the most successful marriage of this elaborate, esoteric artform and the silver screen. In the twenty-first century, more people watch opera on cinema screens than the stage. But what is different about watching Massenet at the multiplex, compared to a traditional stage performance? Is opera cinema a new, hybrid artform in its own right, or merely a new way of engaging with an old one? Is it bringing new opera fans into the fold? Is there a danger it could one day eclipse the stage altogether? This book deals with these questions by charting the history of opera transmissions, exploring how digital media changes our relationship with culture and inviting a group of 'opera virgins' to give their impressions on this developing cultural experience.
Download or read book Opera Scenes for Class and Stage written by Mary Elaine Wallace and published by SIU Press. This book was released on 2013-10-01 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: Musically sound and fully annotated, this new reference work provides ready access to over 700 excerpts from 100 operas, by voice categories, and thus provides information on a wide variety of matters of interest to directors, teachers, and singers. A table of voice categories, coded excerpts (including length and reference to accessible scores), character descriptions (including estimations of degrees of difficulty of the music), summaries of the action of each excerpt, and indexes to titles, composers, and well-known arias and ensembles make this book an indispensable tool.
Download or read book The La Scala Encyclopedia of the Opera written by Giorgio Bagnoli and published by Simon and Schuster. This book was released on 1993 with total page 408 pages. Available in PDF, EPUB and Kindle. Book excerpt: Covering a broad range of styles, this comprehensive volume includes entries for more than 450 operas that have been performed over the last four centuries. Organized from A to Z for easy reference, it's a complete guide that's certain to inform and entertain any opera buff. 500 photos.
Download or read book The Work of Opera written by Richard Dellamora and published by Columbia University Press. This book was released on 1997 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this significant collection of original essays, preeminent literary and cultural critics, musicologists, and queer theorists delve into the way opera shapes national character through its representations of gender, sexuality, and class. The book includes essays on the works of Mozart, Verdi, Wagner, and others and examines the impact of such modern phenomena as AIDS. 10 photos. 15 music examples.
Download or read book What to Listen For in Opera written by Charles R. Beck and published by McFarland. This book was released on 2014-10-06 with total page 287 pages. Available in PDF, EPUB and Kindle. Book excerpt: Covering famous operas from 14 Italian, French and German composers, this handbook is designed to help listeners understand and appreciate the special skills required to sing famous operatic songs. The book includes a plot synopsis of each opera with information about each song, which are introduced in their dramatic settings along with the vocal requirements for the most demanding passages. Interactive literary and rhyming exercises help the reader become more engaged and knowledgeable. Foreign language passages are translated into English and key words are highlighted in each language. The operatic vocabulary is defined to help the listener better understand the technical demands for a highly trained voice. The book is designed as a useful handbook for both experienced and beginning opera listeners. Appendices provide information on singers, recordings and useful references.
Download or read book Opera on Stage written by Lorenzo Bianconi and published by University of Chicago Press. This book was released on 2002-07 with total page 449 pages. Available in PDF, EPUB and Kindle. Book excerpt: The History of Italian Opera marks the first time a team of expert scholars has worked together to investigate the Italian operatic tradition in its entirety, rather than limiting its focus to individual eras or major composers and their masterworks. Including both musicologists and historians of other arts, the contributors approach opera not only as a distinctive musical genre but also as a form of extravagant theater and a complex social phenomenon-resulting in the sort of panoramic view critical to a deep and fruitful understanding of the art. Opera on Stage, the second book of this multi-volume work to be published in English-in an expanded and updated version-focuses on staging and viewing Italian opera, from the court spectacles of the late sixteenth century to modern-day commercial productions. Mercedes Viale Ferrero describes the history of theater and stage design, detailing the evolution of the art well into the twentieth century. Gerardo Guccini does the same for stage and opera direction and the development of the director's role as an autonomous creative force. Kathleen Kuzmick Hansell discusses the interrelationships between theatrical ballet and Italian opera, from the age of Venetian opera to the early twentieth century. The visual emphasis of all three contributions is supplemented by over one hundred illustrations, and because much of this material-on the more "spectacular" visual aspects of Italian opera-has never before appeared in English, Opera on Stage will be welcomed by scholars and opera enthusiasts alike.
Download or read book Black Opera written by Naomi Andre and published by University of Illinois Press. This book was released on 2018-05-04 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: From classic films like Carmen Jones to contemporary works like The Diary of Sally Hemmings and U-Carmen eKhayelitsa, American and South African artists and composers have used opera to reclaim black people's place in history. Naomi André draws on the experiences of performers and audiences to explore this music's resonance with today's listeners. Interacting with creators and performers, as well as with the works themselves, André reveals how black opera unearths suppressed truths. These truths provoke complex, if uncomfortable, reconsideration of racial, gender, sexual, and other oppressive ideologies. Opera, in turn, operates as a cultural and political force that employs an immense, transformative power to represent or even liberate. Viewing opera as a fertile site for critical inquiry, political activism, and social change, Black Opera lays the foundation for innovative new approaches to applied scholarship.
Download or read book Eyewitness Companions Opera written by Leslie Dunton-Downer and published by Penguin. This book was released on 2006-10-30 with total page 436 pages. Available in PDF, EPUB and Kindle. Book excerpt: Spanning 400 years of musical drama, Eyewitness Companions: Opera is your guide to the musical world. Explore operas and composers from the late Renaissance on, including such classical masters as Verdi, Puccini, and Bizet. Eyewitness Companions: Opera is the complete visual guidebook to the great operas, their composers and performance history. Eyewitness Companions: Opera includes more than 160 operas by 66 composers around the world. This richly illustrated eBook includes act-by-act plot synopses and storyline highlights, plus detailed profiles cover composers, Librettists, singers, and more.
Download or read book Opera and Politics written by John Bokina and published by Yale University Press. This book was released on 1997-01-01 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: To what extent do operas express the political and cultural ideas of their age? How do they reflect the composer's view of the changing relations among art, politics, and society? In this book John Bokina focuses on political aspects and meanings of operas from the baroque to postmodern period, showing the varied ways that operas become sensuous vehicles for the articulation of political ideas. Bokina begins with an analysis of Monteverdi's three extant operas, which address in an oblique way the political and ideological dualities of aristocratic rule in the seventeenth-century Italy. He then moves to Mozart's "Don Giovanni", which he views as a celebration of the demise of a predatory aristocracy. He presents Beethoven's "Fidelio" as an example of the political spirit of a revolution based on republican virtue, and Wagner's "Parsifal" as a utopian music drama that projects romantic anticapitalist ideals onto an imagined past. He shows that Strauss's "Elektra" and Schoenberg's "Erwartung" transform the traditional operatic depiction of madness by reflecting the emerging Freudian psychoanalysis of that era. And he argues that operas by Pfitzner, Hindemith, and Schoenberg explore the political roles of art and the artists, each couching contemporary conditions in an allegory about the fate of art in a historical period of transition. Finally, Bokina offers a reappraisal of Henze's "The Bassarids" as a political opera that confronts the promise and limits of the sensual-sexual revolt of the twentieth-century.
Download or read book Chapters of Opera written by Henry Edward Krehbiel and published by BoD – Books on Demand. This book was released on 2020-07-16 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reproduction of the original: Chapters of Opera by Henry Edward Krehbiel
Download or read book Opera in the Viennese Home from Mozart to Rossini written by Nancy November and published by Cambridge University Press. This book was released on 2024-01-18 with total page 267 pages. Available in PDF, EPUB and Kindle. Book excerpt: A unique window on the world of nineteenth-century amateur music-making provided by the study of domestic musical arrangements of opera.
Download or read book Opera in the Age of Rousseau written by David Charlton and published by Cambridge University Press. This book was released on 2012-10-25 with total page 437 pages. Available in PDF, EPUB and Kindle. Book excerpt: A wide-ranging account of opera on stage and in society in the age of Rousseau, from Rameau to Gluck.
Download or read book Aesthetics of Opera in the Ancien R gime 1647 1785 written by Downing A. Thomas and published by Cambridge University Press. This book was released on 2002 with total page 426 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study recognizes the broad impact of opera in early-modern French culture.
Download or read book Cinema s Illusions Opera s Allure written by David Schroeder and published by Bloomsbury Publishing. This book was released on 2016-10-06 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: The invention of cinema was ingenious, so much so that virtually no-one quite knew what to do with it. In its earliest stages, especially with the advent of the feature film, it needed models, and opera proved to be especially useful in that regard. The allure of opera to cinema early in the twentieth century held up through the silent era, into sound films, through the golden age of movies, and beyond. This book explores the numerous ways – some predictable, some unexpected, and some bizarre – in which this has happened. The influence of Richard Wagner on filmmakers has been especially striking, and some have even devised visual images that seem to emerge from a kind of non-verbal Wagnerian essence – a formative, musical urge that can underlie a cinematic idea, defying explanation and remaining purely sensory. Directors like Griffith, DeMille, Eisenstein, Chaplin, Bunuel or Hitchcock have intuited this possibility. Schroeder provides a fascinating, well-researched and always entertaining account of the influence of one medium on another, and shows that opera can often be found lurking in the background (or booming in the foreground) of an impressive range of films.
Download or read book Ballet and Opera in the Age of Giselle written by Marian Smith and published by Princeton University Press. This book was released on 2010-08-09 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: Marian Smith recaptures a rich period in French musical theater when ballet and opera were intimately connected. Focusing on the age of Giselle at the Paris Opéra (from the 1830s through the 1840s), Smith offers an unprecedented look at the structural and thematic relationship between the two genres. She argues that a deeper understanding of both ballet and opera--and of nineteenth-century theater-going culture in general--may be gained by examining them within the same framework instead of following the usual practice of telling their histories separately. This handsomely illustrated book ultimately provides a new portrait of the Opéra during a period long celebrated for its box-office successes in both genres. Smith begins by showing how gestures were encoded in the musical language that composers used in ballet and in opera. She moves on to a wide range of topics, including the relationship between the gestures of the singers and the movements of the dancers, and the distinction between dance that represents dancing (entertainment staged within the story of the opera) and dance that represents action. Smith maintains that ballet-pantomime and opera continued to rely on each other well into the nineteenth century, even as they thrived independently. The "divorce" between the two arts occurred little by little, and may be traced through unlikely sources: controversies in the press about the changing nature of ballet-pantomime music, shifting ideas about originality, complaints about the ridiculousness of pantomime, and a little-known rehearsal score for Giselle. ?
