Download or read book New York Dada 1915 23 written by Francis M. Naumann and published by ABRAMS. This book was released on 1994 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: Among the Americans were the photographer/painter/constructor Man Ray, the Precisionist painter and Fortune photographer Charles Sheeler, the Futurist Joseph Stella, and the Pennsylvania artists Charles Demuth and Morton Schamberg.
Download or read book Making Mischief written by Francis M. Naumann and published by . This book was released on 1996 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the catalogue for the landmark exhibition that opens at the Whitney Museum of American Art in November 1996. Hundreds of paintings, sculptures, drawings, etc. will explore the branch of Dada that flourished in N.Y. from about 1915 to the early 1920
Download or read book Dada written by Leah Dickerman and published by National Gallery of Art, Washington/D.A.P.. This book was released on 2005 with total page 542 pages. Available in PDF, EPUB and Kindle. Book excerpt: Edited by Leah Dickerman. Essays by Brigid Doherty, Sabine T. Kriebel, Dorothea Dietrich, Michael R. Taylor, Janine Mileaf and Matthew S. Witkovsky. Foreword by Earl A. Powell III.
Download or read book Marcel Duchamp Richard Mutt s Fountain written by Stefan Banz and published by Les presses du réel. This book was released on 2020-07-13 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: Stefan Banz rassemble des preuves et des documents jusqu'alors inconnus sur l'émergence, la disparition et la réception du célèbre readymade de Marcel Duchamp, Fontaine, et offre une perspective nouvelle sur cette œuvre qui apparaît comme la plus importante du XXe siècle. Stefan Banz examine en détail les cinq différentes répliques de Fountain réalisées en 1918, 1938, 1950, 1963 et 1964. Cette œuvre questionne la question de l'auteur et elle est posée pour la première fois dans l'histoire par des moyens artistiques. On découvre dans son étude que l'urinoir des deux photographies de Roché de 1918 n'est pas le même modèle que celui de la célèbre photographie de Stieglitz de 1917 : l'urinoir des photographies de Roché peut être clairement identifié à un modèle commercial, tandis que celui de la photographie de Stieglitz ne peut être identifié à aucun modèle industriel. Dans ce contexte, l'auteur propose également une nouvelle théorie sur l'origine réelle de cet urinoir qui est aujourd'hui considéré comme le célèbre « original » disparu de Fountain. On y trouve aussi des indices sur la raison pour laquelle Duchamp a signé cette œuvre avec le pseudonyme R. Mutt. Les sources et les documents de cet ouvrage prouvent aussi que la proposition d'Irene Gammel, de Glyn Thompson et surtout de Siri Hustvedt concernant l'implication de La Baronne von Freytag-Loringhoven dans la conception de Fountain est plus qu'improbable. Curieusement c'est Francis Naumann, le plus célèbre spécialiste américain de Duchamp, qui s'est involontairement trouvé à la base de cette fausse nouvelle, en essayant, en 1994, d'améliorer le travail artistique de la Baronne dans son célèbre livre New York Dada 1915-23 (également par intérêt personnel, car il est aussi marchand d'art et possédait de nombreuses œuvres de la Baronne). Il lui a attribué par exemple, comme co-autrice, le Readymade God de Morton Schamberg de 1917 (aujourd'hui au Philadelphia Museum of Art), qui représente en quelque sorte une réaction à Fountain. Quand Irene Gammel (qui a écrit une monographie sur la La Baronne von Freytag-Loringhoven) a lu ce texte en 2001, elle a poussé l'allégation jusqu'à à prétendre (sans avoir de preuve) que la Baronne pourrait aussi être l'auteur de Fountain de Duchamp. Et l'idée fait son chemin, reprise entre autres par la femme d'une superstar (Paul Auster), et la fausse nouvelle se répand sur Internet, appuyée par la vague de #metoo.
Download or read book How When and Why Modern Art Came to New York written by Marius de Zayas and published by MIT Press. This book was released on 1998 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Marius de Zayas (1880-1961), a Mexican artist and writer whose witty caricatures of New York's theater, dance, and social elite brought him to the attention of Alfred Stieglitz and his circle at "291," was among the most dedicated and effective propagandists of modern art during the early years of this century. His writings were the first to provide the American public with an intellectual basis upon which to understand and eventually appreciate the newest artistic developments. How, When, and Why Modern Art Came to New York, originally written in the 1940s, is a fascinating chronicle assembled from de Zayas's personal archive of photographs and from newspaper reviews of the exhibitions he discusses, beginning with those held at the Stieglitz gallery and including important shows mounted in his own galleries: the Modern Gallery (1915-1918) and the De Zayas Gallery (1919-1921)
Download or read book The Recurrent Haunting Ghost written by Francis M. Naumann and published by . This book was released on 2012 with total page 830 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Reading about Marcel Duchamp can be hard work, unless the writer has Francis Naumann's ability to leaven imaginitive scholarship with clarity, candor, insight, and high spirits. The most influential artist of the last century caught Naumann's attention more than forty years ago, when he saw a reproduction of Duchamp's bicucle wheel mounted on a kitchen stool, and asked himself how this could be art. The question has pursued him ever since, and his consistently fresh approaches to Duchamp's work and Duchamp's life, set down in agile and jargon-free prose, make these collected essays the single most informative book you will find on the endlessly fascinating artist."--Calvin Tomkins.
Download or read book Irrational Modernism written by Amelia Jones and published by MIT Press (MA). This book was released on 2004 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: A revisionist history of New York Dada, with appearances by Baroness Elsa as the embodiment of irrational modernism.
Download or read book Duchamp Man Ray Picabia written by Jennifer Mundy and published by Tate. This book was released on 2008-03 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: "For the first time, the friendships that existed between this triumvirate are examined in depth, revealing the way their mutual admiration inspired and sustained their creative output at different stages during their careers. All three were fascinated with new technologies that evolved during their lifetimes, including photography, film, mechanisation and mass production. All three lampooned the pretensions of high art, employing humour, eroticism and word play to great effect."--Back cover.
Download or read book The Dada Painters and Poets written by Robert Motherwell and published by Harvard University Press. This book was released on 1989 with total page 466 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presents a collection of essays, manifestos, and illustrations that provide an overview of the Dada movement in art, describing its convictions, antics, and spirit, through the words and art of its principal practitioners.
Download or read book A Companion to Dada and Surrealism written by David Hopkins and published by John Wiley & Sons. This book was released on 2016-05-10 with total page 496 pages. Available in PDF, EPUB and Kindle. Book excerpt: This excellent overview of new research on Dada and Surrealism blends expert synthesis of the latest scholarship with completely new research, offering historical coverage as well as in-depth discussion of thematic areas ranging from criminality to gender. This book provides an excellent overview of new research on Dada and Surrealism from some of the finest established and up-and-coming scholars in the field Offers historical coverage as well as in–depth discussion of thematic areas ranging from criminality to gender One of the first studies to produce global coverage of the two movements, it also includes a section dealing with the critical and cultural aftermath of Dada and Surrealism in the later twentieth century Dada and Surrealism are arguably the most popular areas of modern art, both in the academic and public spheres
Download or read book Dada written by John D. Erickson and published by Boston : Twayne Publishers. This book was released on 1984 with total page 182 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Women in Dada written by Naomi Sawelson-Gorse and published by MIT Press. This book was released on 2001 with total page 720 pages. Available in PDF, EPUB and Kindle. Book excerpt: his book is the first to make the case that women's changing role in European and American society was critical to Dada.
Download or read book Fantastic Art Dada Surrealism written by Museum of Modern Art (New York, N.Y.) and published by . This book was released on 1936 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Dada Surrealism and Their Heritage written by William Stanley Rubin and published by . This book was released on 1968 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Baroness Elsa written by Irene Gammel and published by MIT Press. This book was released on 2003-08-29 with total page 580 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first biography of the enigmatic dadaist known as "the Baroness"—Elsa von Freytag-Loringhoven. Elsa von Freytag-Loringhoven (1874–1927) is considered by many to be the first American dadaist as well as the mother of dada. An innovator in poetic form and an early creator of junk sculpture, "the Baroness" was best known for her sexually charged, often controversial performances. Some thought her merely crazed, others thought her a genius. The editor Margaret Anderson called her "perhaps the only figure of our generation who deserves the epithet extraordinary." Yet despite her great notoriety and influence, until recently her story and work have been little known outside the circle of modernist scholars. In Baroness Elsa, Irene Gammel traces the extraordinary life and work of this daring woman, viewing her in the context of female dada and the historical battles fought by women in the early twentieth century. Striding through the streets of Berlin, Munich, New York, and Paris wearing such adornments as a tomato-soup can bra, teaspoon earrings, and black lipstick, the Baroness erased the boundaries between life and art, between the everyday and the outrageous, between the creative and the dangerous. Her art objects were precursors to dada objects of the teens and twenties, her sound and visual poetry were far more daring than those of the male modernists of her time, and her performances prefigured feminist body art and performance art by nearly half a century.
Download or read book Deus in Machina written by Jeremy Stolow and published by Fordham Univ Press. This book was released on 2012-11-05 with total page 554 pages. Available in PDF, EPUB and Kindle. Book excerpt: The essays in this volume explore how two domains of human experience and action—religion and technology—are implicated in each other. Contrary to commonsense understandings of both religion (as an “otherworldly” orientation) and technology (as the name for tools, techniques, and expert knowledges oriented to “this” world), the contributors to this volume challenge the grounds on which this division has been erected in the first place. What sorts of things come to light when one allows religion and technology to mingle freely? In an effort to answer that question, Deus in Machina embarks upon an interdisciplinary voyage across diverse traditions and contexts where religion and technology meet: from the design of clocks in medieval Christian Europe, to the healing power of prayer in premodern Buddhist Japan, to 19th-century Spiritualist devices for communicating with the dead, to Islamic debates about kidney dialysis in contemporary Egypt, to the work of disability activists using documentary film to reimagine Jewish kinship, to the representation of Haitian Vodou on the Internet, among other case studies. Combining rich historical and ethnographic detail with extended theoretical reflection, Deus in Machina outlines new directions for the study of religion and/as technology that will resonate across the human sciences, including religious studies, science and technology studies, communication studies, history, anthropology, and philosophy.
Download or read book All night Party written by Andrea Barnet and published by Algonquin Books. This book was released on 2004-01-01 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: They were smart. Sassy. Daring. Exotic. Eclectic. Sexy. And influential. One could call them the first divas--and they ran absolutely wild. They were poets, actresses, singers, artists, journalists, publishers, baronesses, and benefactresses. They were thinkers and they were drinkers. They eschewed the social conventions expected of them--to be wives and mothers--and decided to live on their own terms. In the process, they became the voices of a new, fierce feminine spirit. There's Mina Loy, a modernist poet and much-photographed beauty who traveled in pivotal international art circles; blues divas Bessie Smith and Ethel Waters; Edna St. Vincent Millay, the lyric poet who, with her earthy charm and passion, embodied the '20s ideal of sexual daring; the avant-garde publishers Margaret Anderson and Jane Heap; and the wealthy hostesses of the salons, A'Lelia Walker and Mabel Dodge. Among the supporting cast are Emma Goldman, Isadora Duncan, Ma Rainey, Margaret Sanger, and Gertrude Stein. Andrea Barnet's fascinating accounts of the emotional and artistic lives of these women--together with rare black-and-white photographs, taken by photographers such as Berenice Abbott and Man Ray--capture the women in all their glory. This is a history of the early feminists who didn't set out to be feminists, a celebration of the rebellious women who paved the way for future generations.