Download or read book Musical Heritage of Lucknow written by Susheela Misra and published by . This book was released on 1991 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Tabla of Lucknow written by James Kippen and published by Manohar Publishers. This book was released on 2005 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Tabla Of Lucknow Presents A Synoptic Overview Of Music Making In The City Of Lucknow Based On Ethnomusicological Fieldwork Conducted In The Early To Mid 1980S. Beginning With General Information On The History Of Lucknow And Its Pivotal Role In The Evolution Of Hindustani Music In The Nineteenth Century, The Book Studies And Investigates The Employment Of Musicians, Political Machinations In The Music World, The Social Organization Of Lucknow`S Hereditary Specialists, And Traditional Versus Modern Methods Of Musical Training. Throughout This Book, The Paradigm Of Lucknow`S Cultural Decline From Pre-Eminent Centre Of Excellence To Quiet Backwater Is Reflected In The Lucknow Tabla Tradition`S Fight For Survival And Recognition Amid The Social And Cultural Upheavals Of The Past 150 Years. The Book Comes With A Cd.
Download or read book Musical Heritage of India written by Manorma Sharma and published by APH Publishing. This book was released on 2007 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Garland Encyclopedia of World Music South Asia the Indian subcontinent written by Bruno Nettl and published by Taylor & Francis. This book was released on 1998 with total page 1126 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
Download or read book The Tabla of Lucknow written by James Kippen and published by CUP Archive. This book was released on with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Musical Heritage of India written by Madura Ramaswami Gautam and published by . This book was released on 2001 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: Illustrations: 8 colour and 43 b/w illustrations Description: This book attempts as an authentic presentation of Indian music in various aspects. It doesn't only gives the musicological background but also the predominantly musical content involved in the forms, aesthetics, gharanas and their styles. This book is an epitome of the origin and evolution of Indian music from Vedic to modern film music with special reference to Hindustani music. It has separate chapters dealing with Karnatak music, a comparative study of the essential features of Hindustani and Karnatak music, the dhruvapada, the Khayal, the thumari, and the tappa; Western music and its influence on Indian film music. It also has a separate chapter on Bharat Ratna Srimati M.S. Subbulakshmi, the legend of Karnatak music.
Download or read book The Garland Encyclopedia of World Music written by Alison Arnold and published by Routledge. This book was released on 2017-09-25 with total page 1126 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this volume, sixty-eight of the world's leading authorities explore and describe the wide range of musics of India, Pakistan, Bangladesh, Sri Lanka, Kashmir, Nepal and Afghanistan. Important information about history, religion, dance, theater, the visual arts and philosophy as well as their relationship to music is highlighted in seventy-six in-depth articles.
Download or read book The Table of Lucknow written by James Kippen and published by . This book was released on 1988 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Lineage of Loss written by Max Katz and published by Wesleyan University Press. This book was released on 2017-11-07 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the middle of the nineteenth century a new family of hereditary musicians emerged in the royal court of Lucknow and subsequently rose to the heights of renown throughout North India. Today this musical lineage, or ghar n, lives on in the music and memories of only a small handful of descendants and players of the family instrument, the sarod. Drawing on six years of ethnographic and archival research, and fifteen years of musical apprenticeship, Max Katz explores the oral history and written record of the Lucknow ghar n ,tracing its displacement, loss of prestige, and erasure from the collective memory. In doing so he illuminates a hidden history of ideological and social struggle in North Indian music culture, intervenes in ongoing debates over the anti-Muslim agenda of Hindustani music's reform movement, and reanimates a lost vision in which Muslim scholar-artists defined the music of the nation. An interdisciplinary, postmodern counter-history, Lineage of Loss offers a new and unsettling narrative of Hindustani music's encounter with modernity.
Download or read book India s Kathak Dance in Historical Perspective written by Margaret E. Walker and published by Routledge. This book was released on 2016-05-23 with total page 174 pages. Available in PDF, EPUB and Kindle. Book excerpt: Kathak, the classical dance of North India, combines virtuosic footwork and dazzling spins with subtle pantomime and soft gestures. As a global practice and one of India's cultural markers, kathak dance is often presented as heir to an ancient Hindu devotional tradition in which men called Kathakas danced and told stories in temples. The dance's repertoire and movement vocabulary, however, tell a different story of syncretic origins and hybrid history - it is a dance that is both Muslim and Hindu, both devotional and entertaining, and both male and female. Kathak's multiple roots can be found in rural theatre, embodied rhythmic repertoire, and courtesan performance practice, and its history is inextricable from the history of empire, colonialism, and independence in India. Through an analysis both broad and deep of primary and secondary sources, ethnography, iconography and current performance practice, Margaret Walker undertakes a critical approach to the history of kathak dance and presents new data about hereditary performing artists, gendered contexts and practices, and postcolonial cultural reclamation. The account that emerges places kathak and the Kathaks firmly into the living context of North Indian performing arts.
Download or read book Film Music in the Sound Era written by Jonathan Rhodes Lee and published by Routledge. This book was released on 2020-03-10 with total page 1096 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film Music in the Sound Era: A Research and Information Guide offers a comprehensive bibliography of scholarship on music in sound film (1927–2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of works from around the globe, paired with robust indexes and thorough cross-referencing, make this research guide an invaluable tool for all scholars and students investigating the intersection of music and film. This guide is published in two volumes: Volume 1: Histories, Theories, and Genres covers overviews, historical surveys, theory and criticism, studies of film genres, and case studies of individual films. Volume 2: People, Cultures, and Contexts covers individual people, social and cultural studies, studies of musical genre, pedagogy, and the industry. A complete index is included in each volume.
Download or read book Musical Heritage of India written by Lalita Ramakrishna and published by . This book was released on 2003 with total page 454 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nataraj is not only the lord of dance and rhythm but symbolizes classical music as well.His body is made of melody (Nada Tanu) and he shares this propensity with Saraswati,his sister. India s heritage of music is yet to be discovered and fully appreciated. Plantedin the rich soil of mythology, philosophy and folk idiom, classical music has sproutedfoliage and flowers of exquisite beauty.This book is a pleasing work that will satisfy the general reader as well as the seriousstudent. A knowledge of raga, tala and musical form is necessary to fully enjoy aconcert. In addition, we need to know the basic differences between the two sistersystems-the Hindustani and the Karnatak. Both these highly complex art forms originatefrom the same ancient tradition. The major vidwans from the 14 c A.D. till today arechronicled. The highly scientific Mela (scale) system that encompasses the ragas, themathematical accuracy of talal rhythms, the importance of words and lyric in the Kritiand Pallavi forms, the various important musical instruments - are all given in succinctform.
Download or read book The Garland Encyclopedia of World Music written by Ruth M. Stone and published by Routledge. This book was released on 2017-09-25 with total page 3969 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Garland Encyclopedia of World Music is a ten-volume reference work, organized geographically by continent to represent the musics of the world in nine volumes. The tenth volume houses reference tools and descriptive information about the encyclopedia’s structure, criteria for inclusion and other information specific to the field of ethnomusicology. An award-winning reference, its contributions are from top researchers around the world who were active in fieldwork and from key institutions with programs in ethnomusicology. GEWM has become a familiar acronym, and it remains highly revered for its scholarship, uncontested in being the sole encompassing reference work with a broad survey of world music. More than 9,000 pages, with musical illustrations, photographs and drawings, it is accompanied by 300+ audio examples.
Download or read book Indian Classical Music and the Gramophone 1900 1930 written by Vikram Sampath and published by Taylor & Francis. This book was released on 2022-06-30 with total page 229 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1902 The Gramophone Company in London sent out recording experts on "expeditions" across the world to record voices from different cultures and backgrounds. All over India, it was women who embraced the challenge of overcoming numerous social taboos and aesthetic handicaps that came along with this nascent technology. Women who took the plunge and recorded largely belonged to the courtesan community, called tawaifs and devadasis, in North and South India, respectively. Recording brought with it great fame, brand recognition, freedom from exploitative patrons, and monetary benefits to the women singers. They were to become pioneers of the music industry in the Indian sub-continent. However, despite the pioneering role played by these women, their stories have largely been forgotten. Contemporaneous with the courtesan women adapting to recording technology was the anti-nautch campaign that sought to abolish these women from the performing space and brand them as common prostitutes. A vigorous renaissance and arts revival movement followed, leading to the creation of a new classical paradigm in both North Indian (Hindustani) and South Indian (Carnatic) classical music. This resulted in the standardization, universalization, and institutionalization of Indian classical music. This newly created classical paradigm impacted future recordings of The Gramophone Company in terms of a shift in genres and styles. Vikram Sampath sheds light on the role and impact of The Gramophone Company’s early recording expeditions on Indian classical music by examining the phenomenon through a sociocultural, historical and musical lens. The book features the indefatigable stories of the women and their experiences in adapting to recording technology. The artists from across India featured are: Gauhar Jaan of Calcutta, Janki Bai of Allahabad, Zohra Bai of Agra, Malka Jaan of Agra, Salem Godavari, Bangalore Nagarathnamma, Coimbatore Thayi, Dhanakoti of Kanchipuram, Bai Sundarabai of Pune, and Husna Jaan of Banaras.
Download or read book The Scattered Court written by Richard David Williams and published by University of Chicago Press. This book was released on 2023-04-24 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: "How far did colonialism transform north Indian art music? In the period between the Mughal empire and the British Raj, did the political landscape bleed into aesthetics, music, dance, and poetry? The Scattered Court presents a new history of how Hindustani court music responded to the political transitions of the nineteenth century. Examining musical culture through a diverse and multilingual archive, primarily using sources in Urdu, Bengali, and Hindi that have not been translated or critically examined before, challenges our assumptions about the period. The book presents a longer history of interactions between northern India and Bengal, with a core focus on the two courts of Wajid Ali Shah (1822-1887), the last ruler of the kingdom of Awadh. Wajid Ali Shah was one of the most colorful and controversial characters of the nineteenth century and has had a polarizing legacy. According to political histories and popular memory, he was a failure of a king, who was forced to surrender his kingdom to the East India Company, on the eve of the Indian Uprising of 1857. On the other hand, in musical histories, he is remembered either as a decadent aesthete or a path-breaking genius. The Scattered Court excavates the place of music in his court in Lucknow and his court-in-exile at Matiyaburj, Calcutta (1856-1887). The book charts the movement of musicians and dancers between these courts, as well as the transregional circulation of intellectual traditions and musical genres, and demonstrates the importance of the exile period for the rise of Calcutta as a celebrated center of Hindustani classical music. Since Lucknow is associated with late Mughal or Nawabi society, and Calcutta with colonial modernity, examining the relationship between the two cities sheds light on forms of continuity and transition over the nineteenth century, as artists and their patrons navigated political ruptures and social transformations. The Scattered Court challenges the existing historiography of Hindustani music and Indian culture under colonialism, by arguing that our focus on Anglophone sources and modernizing impulses has directed us away from the aesthetic subtleties, historical continuities, and emotional dimensions of nineteenth-century music"--
Download or read book Lineage of Loss written by Max Katz and published by Wesleyan. This book was released on 2017 with total page 72 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the middle of the nineteenth century a new family of hereditary musicians emerged in the royal court of Lucknow and subsequently rose to the heights of renown throughout North India. Today this musical lineage, or ghar n , lives on in the music and memories of only a small handful of descendants and players of the family instrument, the sarod. Drawing on six years of ethnographic and archival research, and fifteen years of musical apprenticeship, Max Katz explores the oral history and written record of the Lucknow ghar n ,tracing its displacement, loss of prestige, and erasure from the collective memory. In doing so he illuminates a hidden history of ideological and social struggle in North Indian music culture, intervenes in ongoing debates over the anti-Muslim agenda of Hindustani music’s reform movement, and reanimates a lost vision in which Muslim scholar-artists defined the music of the nation. An interdisciplinary, postmodern counter-history, Lineage of Loss offers a new and unsettling narrative of Hindustani music’s encounter with modernity. Hardcover is un-jacketed.
Download or read book Iranian Classical Music written by Laudan Nooshin and published by Taylor & Francis. This book was released on 2017-03-02 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: Questions of creativity, and particularly the processes which underlie creative performance or ’improvisation’, form some of the central areas of interest in current musicology. Yet the predominant discourses on which musicological thought in this area are based have rarely been challenged. In this book Laudan Nooshin interrogates musicological discourses of creativity from the perspective of critical theory and postcolonial studies, examining their ideological underpinnings, the relationships of alterity which they sustain, and the profound implications for our understanding of creative processes in music. The repertoire which forms the book’s main focus is Iranian classical music, a tradition in which the performer plays a central creative role. Addressing a number of issues regarding the nature of musical creativity, the author explores both the discourses through which ideas about creativity are constructed, exchanged and negotiated within this tradition, and the practice by which new music comes into being. For the latter she compares a number of performances by musicians playing a range of instruments and spanning a period of more than 30 years, focusing on one particular section of repertoire, dastgāh Segāh, and providing transcriptions of the performances as the basis for analytical exploration of the music’s underlying compositional principles. This book is about understanding musical creativity as a meaningful social practice. It is the first to examine the ways in which ideas about tradition, authenticity, innovation and modernity in Iranian classical music form part of a wider social discourse on creativity, and in particular how they inform debates regarding national and cultural identity.
