Download or read book Musical Debate and Political Culture in France 1700 1830 written by Robert James Arnold and published by Boydell & Brewer. This book was released on 2017 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first full-length treatment of the operatic querelles in eighteenth-century France, placing individual querelles in historical context and tracing common themes of authority, national prestige and the power of music over popular sentiment.
Download or read book Consuming Music written by Emily H. Green and published by Boydell & Brewer. This book was released on 2017 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of nine essays investigates the consumption of music during the long eighteenth century, providing insights into the activities of composers, performers, patrons, publishers, theorists, impresarios, and critics.
Download or read book America in the French Imaginary 1789 1914 written by Diana R. Hallman and published by Boydell & Brewer. This book was released on 2022-05-17 with total page 410 pages. Available in PDF, EPUB and Kindle. Book excerpt: Following the American Revolution, French observers often viewed the United States as a laboratory for the forging of new practices of liberté and égalité, in affinity with and divergence from France's own Revolutionary ideals and experiences. The volume examines French views through musical/theatrical portrayals of the American Revolution and Republic, soundscapes of the Statue of Liberty, and homages to the glorified figures of Washington, Franklin and Lafayette. Essays investigate paradoxical depictions of slavery in the United States and French Caribbean colonies of 'Amérique'. French critiques of American music and musicians, including the reception of Americanized or Creolized adaptations of European art traditions as well as American popular music and dance, are also presented. The subject of race features prominently in French interpretations of American music and identity. These interpretations see French constructions of the Indigenous American and African American "exotic" that intersect with tropes of noble, pastoral savagery, menacing barbarism, and the "civilizing" potency of French culture. The French reinterpretation of African American music and dance reveals both a revulsion of Black alterity and an attraction to the expressive freedom, and even subversiveness, of these "foreign" forms of music and dance. Contributions include essays by music, dance, theatre and opera scholars, and the volume will be essential reading for students and scholars of these disciplines.
Download or read book Benjamin Britten Studies written by Vicki P. Stroeher and published by Boydell & Brewer. This book was released on 2017 with total page 556 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bringing together established authorities and new voices, this book takes off the 'protective arm' around Britten.
Download or read book The Cambridge Companion to British Literature of the French Revolution in the 1790s written by Pamela Clemit and published by Cambridge University Press. This book was released on 2011-02-10 with total page 261 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first major collection of essays to provide a comprehensive examination of the British literature of the French Revolution.
Download or read book The Creative Labor of Music Patronage in Interwar France written by Louis K. Epstein and published by Boydell & Brewer. This book was released on 2022 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Challenges the longstanding perception that modernist composers made art, not money, and that those who made money somehow failed to make art.Patrons have long appeared as colorful, exceptional figures in music history, but this book recasts patrons and patronage as creative forces that shaped the sounds and meanings of new French music between the world wars. Far from mere sources of funding, early twentieth-century patrons collaborated closely with composers, treating commissions for new music as opportunities to express their own artistry. Patrons developed new pathways to participate in music-making, going beyond commissions to establish ballet companies, manage performance venues, and establish state programs. The impressive variety of patronage activities led to an explosion of new music as well as new styles and -isms, indelibly marking the repertoire that this book examines, including a number of pieces frequently heard in concert halls today. In addition to offering new perspectives on well-known French repertoire, this book challenges conceptions of patronage as a bygone phenomenon. Complementing a dwindling cast of aristocratic patrons were new ranks of music publishers, impresarios, state bureaucrats, opera directors, and others capitalizing on their savings, social connections, and artistic vision to bring new music into the world. In chapters on French discourse around patronage, aristocratic commissions, the stimulus provided by the interwar dance craze, music publishing, the Paris Opéra, state intervention in French musical life, and transatlantic musical exchanges, the book blends cultural history with primary source study and music analysis. It not only improves our understanding of French musical life and culture during the early twentieth century but also supplies us with essential insights into the ways modern music emerged at the intersection of music composition, aesthetic and national politics, and the creative labor of patrons.nch repertoire, this book challenges conceptions of patronage as a bygone phenomenon. Complementing a dwindling cast of aristocratic patrons were new ranks of music publishers, impresarios, state bureaucrats, opera directors, and others capitalizing on their savings, social connections, and artistic vision to bring new music into the world. In chapters on French discourse around patronage, aristocratic commissions, the stimulus provided by the interwar dance craze, music publishing, the Paris Opéra, state intervention in French musical life, and transatlantic musical exchanges, the book blends cultural history with primary source study and music analysis. It not only improves our understanding of French musical life and culture during the early twentieth century but also supplies us with essential insights into the ways modern music emerged at the intersection of music composition, aesthetic and national politics, and the creative labor of patrons.nch repertoire, this book challenges conceptions of patronage as a bygone phenomenon. Complementing a dwindling cast of aristocratic patrons were new ranks of music publishers, impresarios, state bureaucrats, opera directors, and others capitalizing on their savings, social connections, and artistic vision to bring new music into the world. In chapters on French discourse around patronage, aristocratic commissions, the stimulus provided by the interwar dance craze, music publishing, the Paris Opéra, state intervention in French musical life, and transatlantic musical exchanges, the book blends cultural history with primary source study and music analysis. It not only improves our understanding of French musical life and culture during the early twentieth century but also supplies us with essential insights into the ways modern music emerged at the intersection of music composition, aesthetic and national politics, and the creative labor of patrons.nch repertoire, this book challenges conceptions of patronage as a bygone phenomenon. Complementing a dwindling cast of aristocratic patrons were new ranks of music publishers, impresarios, state bureaucrats, opera directors, and others capitalizing on their savings, social connections, and artistic vision to bring new music into the world. In chapters on French discourse around patronage, aristocratic commissions, the stimulus provided by the interwar dance craze, music publishing, the Paris Opéra, state intervention in French musical life, and transatlantic musical exchanges, the book blends cultural history with primary source study and music analysis. It not only improves our understanding of French musical life and culture during the early twentieth century but also supplies us with essential insights into the ways modern music emerged at the intersection of music composition, aesthetic and national politics, and the creative labor of patrons. as a bygone phenomenon. Complementing a dwindling cast of aristocratic patrons were new ranks of music publishers, impresarios, state bureaucrats, opera directors, and others capitalizing on their savings, social connections, and artistic vision to bring new music into the world. In chapters on French discourse around patronage, aristocratic commissions, the stimulus provided by the interwar dance craze, music publishing, the Paris Opéra, state intervention in French musical life, and transatlantic musical exchanges, the book blends cultural history with primary source study and music analysis. It not only improves our understanding of French musical life and culture during the early twentieth century but also supplies us with essential insights into the ways modern music emerged at the intersection of music composition, aesthetic and national politics, and the creative labor of patrons.
Download or read book The Family on Trial in Revolutionary France written by Suzanne Desan and published by Univ of California Press. This book was released on 2006-06-19 with total page 475 pages. Available in PDF, EPUB and Kindle. Book excerpt: Annotation A sophisticated and groundbreaking book on what women actually did and what actually happened to them during the French Revolution.
Download or read book Performing Propaganda written by Rachel Moore and published by Music in Society and Culture. This book was released on 2018 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the First World War, civilian life played a fundamental part in the war effort; and music was no exception.
Download or read book Nation and Classical Music written by Matthew Riley and published by Boydell & Brewer. This book was released on 2016 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: How and why do listeners come over time to 'feel the nation' through particular musical works?
Download or read book The Cambridge Companion to Music and Romanticism written by Benedict Taylor and published by Cambridge University Press. This book was released on 2021-08-26 with total page 403 pages. Available in PDF, EPUB and Kindle. Book excerpt: A stimulating new approach to understanding the relationship between music and culture in the long nineteenth century.
Download or read book Canonic Repertories and the French Musical Press written by William Weber and published by Boydell & Brewer. This book was released on 2021 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: A bold application of the concept of canonical works to the development of French operatic and concert life in the eighteenth and nineteenth centuries.
Download or read book Music and Ultra modernism in France written by Barbara L. Kelly and published by Boydell & Brewer Ltd. This book was released on 2013 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exploring the ideas of consensus, resistance and rupture, this book contributes an important and nuanced reflection to the current debate on modernism in music.
Download or read book Women s Rights and Transatlantic Antislavery in the Era of Emancipation written by Kathryn Kish Sklar and published by Yale University Press. This book was released on 2007-01-01 with total page 409 pages. Available in PDF, EPUB and Kindle. Book excerpt: Approaching a wide range of transnational topics, the editors ask how conceptions of slavery & gendered society differed in the United States, France, Germany, & Britain.
Download or read book History in Mighty Sounds written by Barbara Eichner and published by Boydell Press. This book was released on 2012 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: An indispensable study of nineteenth-century German music, history and nationalism. Music played a central role in the self-conception of middle-class Germans between the March Revolution of 1848 and the First World War. Although German music was widely held to be 'universal' and thus apolitical, it participated- like the other arts - in the historicist project of shaping the nation's future by calling on the national heritage. Compositions based on - often heavily mythologised - historical events and heroes, such as the Battle of the Teutoburg Forest or the medieval Emperor Barbarossa, invited individual as well as collective identification and brought alive a past that compared favourably with contemporary conditions. History in Mighty Sounds mapsout a varied picture of these 'invented traditions' and the manifold ideas of 'Germanness' to which they gave rise, exemplified through works by familiar composers like Max Bruch or Carl Reinecke as well as their nowadays little-known contemporaries. The whole gamut of musical genres, ranging from pre- and post-Wagnerian opera to popular choruses to symphonic poems, contributes to a novel view of the many ways in which national identities were constructed, shaped and celebrated in and through music. How did artists adapt historical or literary sources to their purpose, how did they negotiate the precarious balance of aesthetic autonomy and political relevance, and how did notions of gender, landscape and religion influence artistic choices? All musical works are placed within their broader historical and biographical contexts, with frequent nods to other arts and popular culture. History in Mighty Sounds will be indispensable reading for anyone interested in nineteenth-century German music, history and nationalism. Barbara Eichner is Senior Lecturer in Musicology at Oxford Brookes University.
Download or read book War Revolution and Nation making in Lithuania 1914 1923 written by Tomas Balkelis and published by Oxford University Press. This book was released on 2018 with total page 197 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book, Tomas Balkelis explores how the Lithuanian state was created and shaped by the Great War from its onset in 1914 to the last waves of violence in 1923. As the very notion of independent Lithuania was constructed during the war, violence is seen as an essential part of the formation of Lithuanian state, nation, and identity. War was much more than simply the historical context in which the tectonic shift from empire to nation-state took place. It transformed people, policies, institutions, and modes of thought in ways that would continue to shape the nation for decades after the conflict subsided. In telling the story of the post-WWI conflict in Lithuania, War, Revolution, and Nation-Making in Lithuania, 1914-1923 focuses on the soldiers and civilians involved in the conflict, rather than the strategies and acts of politicians, generals, or diplomats. The volume's two main themes are the impact of military, social, and cultural mobilizations on the local population, and different types of violence that were so characteristic of the region throughout the period. The actors in this story are people displaced by war and mobilized for war: refugees, veterans, volunteers, peasant conscripts, POWs, paramilitary fighters, and others who took to guns, not diplomacy, to assert their power. This is the story of how their lives were changed by war and how they shaped the society that emerged after war.
Download or read book Politics Culture and Class in the French Revolution written by Lynn Hunt and published by Univ of California Press. This book was released on 2016-10-17 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: When this book was published in 1984, it reframed the debate on the French Revolution, shifting the discussion from the Revolution's role in wider, extrinsic processes (such as modernization, capitalist development, and the rise of twentieth-century totalitarian regimes) to its central political significance: the discovery of the potential of political action to consciously transform society by molding character, culture, and social relations. In a new preface to this twentieth-anniversary edition, Hunt reconsiders her work in the light of the past twenty years' scholarship.
Download or read book The Art of Peacemaking written by István Bibó and published by Yale University Press. This book was released on 2015-01-01 with total page 486 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Istvâan Bibâo (1911-1979) was a Hungarian lawyer, political thinker, prolific essayist, and minister of state for the Hungarian national government during the Hungarian Revolution of 1956. This magisterial compendium of Bibâo's essays introduces English-speaking audiences to the writings of one of the foremost theorists and psychologists of twentieth-century European politics and culture. Elegantly translated by Pâeter Pâasztor and with a scholarly introduction by Ivâan Zoltâan Dâenes, the essays in this volume address the causes and fallout of European political crises, postwar changes in the balance of power among countries, and nation-building processes"--
