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Book Music Philology

    Book Details:
  • Author : Georg Feder
  • Publisher :
  • Release : 2011
  • ISBN : 9780945193272
  • Pages : 195 pages

Download or read book Music Philology written by Georg Feder and published by . This book was released on 2011 with total page 195 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The Critical Editing of Music (1996) James Grier called Georg Feder's Musikphilologie (Darmstadt: Wissenschaftliche Buchgesellschaft, 1987) "the most important contribution to date" on textual criticism in music and "the only one that considers the full range of critical issues in editing" (Grier, p. 14). Pendragon Press's edition of Feder's Music Philology now makes available in English translation this essential, intellectually engaging but concise discussion of the complex and multi-faceted tasks in traditional scholarly editing of music. --

Book Music Philology

    Book Details:
  • Author : Georg Feder
  • Publisher :
  • Release : 2011
  • ISBN : 9781576471135
  • Pages : 195 pages

Download or read book Music Philology written by Georg Feder and published by . This book was released on 2011 with total page 195 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The Critical Editing of Music (1996) James Grier called Georg Feder's Musikphilologie (Darmstadt: Wissenschaftliche Buchgesellschaft, 1987) "the most important contribution to date" on textual criticism in music and "the only one that considers the full range of critical issues in editing" (Grier, p. 14). Pendragon Press's edition of Feder's Music Philology now makes available in English translation this essential, intellectually engaging but concise discussion of the complex and multi-faceted tasks in traditional scholarly editing of music. From the Middle Ages to the present, music has been written down and disseminated in notated form. In evaluating music notation, philological methods have been used more and more. These methods come from linguistic disciplines and are linked with specifically musical traditions and subjects. Starting with the relationships of music and language, tradition and understanding, work and text, Feder describes the fundamentals of music philology and its tasks. In addition to the musical sources themselves, theoretical and historical sources enable the critical study of questions about authenticity, dating, origin, and dissemination.

Book The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century

Download or read book The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century written by Paul Watt and published by Oxford Handbooks. This book was released on 2020 with total page 568 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rarely studied in their own right, writings about music are often viewed as merely supplemental to understanding music itself. Yet in the nineteenth century, scholarly interest in music flourished in fields as disparate as philosophy and natural science, dramatically shifting the relationship between music and the academy. An exciting and much-needed new volume, The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century draws deserved attention to the people and institutions of this period who worked to produce these writings. Editors Paul Watt, Sarah Collins, and Michael Allis, along with an international slate of contributors, discuss music's fascinating and unexpected interactions with debates about evolution, the scientific method, psychology, exoticism, gender, and the divide between high and low culture. Part I of the handbook establishes the historical context for the intellectual world of the period, including the significant genres and disciplines of its music literature, while Part II focuses on the century's institutions and networks - from journalists to monasteries - that circulated ideas about music throughout the world. Finally, Part III assesses how the music research of the period reverberates in the present, connecting studies in aestheticism, cosmopolitanism, and intertextuality to their nineteenth-century origins. The Handbook challenges Western music history's traditionally sole focus on musical work by treating writings about music as valuable cultural artifacts in themselves. Engaging and comprehensive, The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century brings together a wealth of new interdisciplinary research into this critical area of study.

Book Philology and Performing Arts

Download or read book Philology and Performing Arts written by Mattia Cavagna and published by Presses universitaires de Louvain. This book was released on 2014-10-30 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume invites to bridge the traditional gap between the author and the scribes, which means between the "original text" and the “copies” in order deal with more complex situations, in which the performer, the screenwriter, or the director...

Book Music Sketches

    Book Details:
  • Author : Friedemann Sallis
  • Publisher : Cambridge University Press
  • Release : 2015-01-29
  • ISBN : 1316239608
  • Pages : 297 pages

Download or read book Music Sketches written by Friedemann Sallis and published by Cambridge University Press. This book was released on 2015-01-29 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: The term 'music sketch' relates to the vast variety of documents that are used by composers to work out a musical technique or idea and to prepare their work for performance or publication. These documents can often provide crucial insights into authorship, biography, editorial practice and musical analysis. This introduction provides students and scholars with the knowledge and skills they need to embark on research projects involving the study of composers' working documents. Presenting examples of the compositional process over a 400-year period, it includes a selection of detailed case studies on how sketches were created and the techniques that were used, such as transcription and the sorting of loose leaves. Numerous illustrations of manuscripts and autographs, many of which have never been published before, show how these vital documents can be used to better understand compositional processes.

Book Sourcebook for Research in Music  Third Edition

Download or read book Sourcebook for Research in Music Third Edition written by Allen Scott and published by Indiana University Press. This book was released on 2015-06-01 with total page 518 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since it was first published in 1993, the Sourcebook for Research in Music has become an invaluable resource in musical scholarship. The balance between depth of content and brevity of format makes it ideal for use as a textbook for students, a reference work for faculty and professional musicians, and as an aid for librarians. The introductory chapter includes a comprehensive list of bibliographical terms with definitions; bibliographic terms in German, French, and Italian; and the plan of the Library of Congress and the Dewey Decimal music classification systems. Integrating helpful commentary to instruct the reader on the scope and usefulness of specific items, this updated and expanded edition accounts for the rapid growth in new editions of standard works, in fields such as ethnomusicology, performance practice, women in music, popular music, education, business, and music technology. These enhancements to its already extensive bibliographies ensures that the Sourcebook will continue to be an indispensable reference for years to come.

Book Animals and Their People

Download or read book Animals and Their People written by Anna Barcz and published by BRILL. This book was released on 2018-10-16 with total page 303 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Animals and Their People, editors Anna Barcz and Dorota Łagodzka present a collection of texts providing a zoocentric insight into philosophical, artistic, and literary issues in Anglo-American and Central-Eastern European thought.

Book From Philosophy to Philology

Download or read book From Philosophy to Philology written by Benjamin A. Elman and published by BRILL. This book was released on 2020-03-17 with total page 398 pages. Available in PDF, EPUB and Kindle. Book excerpt: From Philosophy to Philology is an indispensable work on the intellectual life of China’s literati in the seventeenth and eighteenth centuries. While there was not a scientific revolution in China, there was an intellectual one. The shock of the Manchu conquest and the collapse of the Ming dynasty in 1644 led to a rejection of the moral self-cultivation that dominated intellectual life under the Ming. China’s scholars, particularly in the Yangzi River Basin, sought to restore China’s greatness by recapturing the wisdom of the ancients from the Warring States period (403–221 B.C.) and the Former Han dynasty (202 B.C.–9 A.D.), much as Renaissance Europe rediscovered the Greeks and Romans. But in China scholars faced the daunting task of determining which of many editions of the Classics were the true originals and which were forged additions of later centuries. The ensuing search for authentic texts led to the founding of academies and libraries, the compiling of bibliographies, the rise of printing of editions of the Classics and Histories and commentaries on their components, the study of ancient inscriptions, and a two-hundred-year effort to discover and discard forged texts. In the process rigorous standards of scholarly training were adopted, and scholarship became a full-time profession distinct from gentry farmers or imperial officials.

Book The Influence of Music on Behavior

Download or read book The Influence of Music on Behavior written by Charles M. Diserens and published by . This book was released on 1926 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book European Music  1520 1640

    Book Details:
  • Author : James Haar
  • Publisher : Boydell Press
  • Release : 2006
  • ISBN : 9781843832003
  • Pages : 606 pages

Download or read book European Music 1520 1640 written by James Haar and published by Boydell Press. This book was released on 2006 with total page 606 pages. Available in PDF, EPUB and Kindle. Book excerpt: The sixteenth and early seventeenth centuries - the so-called Golden Age of Polyphony - represent a time of great change and development in European music, with the flourishing of Orlando di Lasso, Palestrina, Byrd, Victoria, Monteverdi and Schütz among others. The thirty chapters of this book, contributed by established scholars on subjects within their fields of expertise, deal with polyphonic music - sacred and secular, vocal and instrumental - during this period. The volume offers chronological surveys of national musical cultures (in Italy, France, the Netherlands, Germany, England, and Spain); genre studies (Mass, motet, madrigal, chanson, instrumental music, opera); and is completed with essays on intellectual and cultural developments and concepts relevant to music (music theory, printing, the Protestant Reformation and the corresponding Catholic movement, humanism, concepts of 'Renaissance' and 'Baroque'). It thus provides a complete overview of the music and its context. Contributors: GARY TOMLINSON, JAMES HAAR, TIM CARTER, GIULIO ONGARO, NOEL O'REGAN, ALLAN ATLAS, ANTHONY CUMMINGS, RICHARD FREEDMAN, JEANICE BROOKS, DAVID TUNLEY, KATE VAN ORDEN, KRISTINE FORNEY, IAIN FENLON, KAROL BERGER, PETER BERGQUIST, DAVID CROOK, ROBIN LEAVER, CRAIG MONSON, TODD BORGERDING, LOUISE K. STEIN, GIUSEPPE GERBINO, ROGER BRAY, JONATHAN WAINWRIGHT, VICTOR COELHO, KEITH POLK

Book Music and Fuzzy Logic

Download or read book Music and Fuzzy Logic written by Hanns-Werner Heister and published by Springer Nature. This book was released on 2021-02-21 with total page 724 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book unfolds the manifold, complex and intertwined relations between Fuzzy Logic and music in a first comprehensive overview on this topic: systematically as an outline, as completely as possible, in the aspects of Fuzzy Logic in this relation, and especially in music as a process with three main phases, five anthropological layers, and thirteen forms of existence of the art work (Classics, Jazz, Pop, Folklore). Being concerned with the ontological, gnoseological, psychological, and (music-) aesthetical status and the relative importance of different phenomena of relationship between music and Fuzzy Logic, the explication follows the four main principles (with five phenotypes) of Fuzzy Logic with respect to music: similarity, sharpening 1 as filtering, sharpening 2 as crystallization, blurring, and variation. The book reports on years of author’s research on topics that have been only little explored so far in the area of Music and Fuzzy Logic. It merges concepts of music analysis with fuzzy logical modes of thinking, in a unique way that is expected to attract both specialists of music and specialists of Fuzzy Logic, and also non-specialists in both fields. The book introduces the concept of dialectic between sharpening and – conscious – “blurring”. In turn, some important aspects of this dialectic are discussed, placing them in an historical dimension, and ending in the postulation of a 'musical turn' in the sciences, with some important reflections concerning a “Philosophy of Fuzzy Logic”. Moreover, a production-oriented thinking is borrowed from fuzzy logic to musicology in this book, opening new perspectives in music, and possibly also in other artistic fields.

Book Philology of the Flesh

Download or read book Philology of the Flesh written by John T. Hamilton and published by University of Chicago Press. This book was released on 2018-08-03 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: As the Christian doctrine of Incarnation asserts, “the Word became Flesh.” Yet, while this metaphor is grounded in Christian tradition, its varied functions far exceed any purely theological import. It speaks to the nature of God just as much as to the nature of language. In Philology of the Flesh, John T. Hamilton explores writing and reading practices that engage this notion in a range of poetic enterprises and theoretical reflections. By pressing the notion of philology as “love” (philia) for the “word” (logos), Hamilton’s readings investigate the breadth, depth, and limits of verbal styles that are irreducible to mere information. While a philologist of the body might understand words as corporeal vessels of core meaning, the philologist of the flesh, by focusing on the carnal qualities of language, resists taking words as mere containers. By examining a series of intellectual episodes—from the fifteenth-century Humanism of Lorenzo Valla to the poetry of Emily Dickinson, from Immanuel Kant and Johann Georg Hamann to Friedrich Nietzsche, Franz Kafka, and Paul Celan—Philology of the Flesh considers the far-reaching ramifications of the incarnational metaphor, insisting on the inseparability of form and content, an insistence that allows us to rethink our relation to the concrete languages in which we think and live.

Book A Life Devoted to Plutarch  Philology  Philosophy  and Reception

Download or read book A Life Devoted to Plutarch Philology Philosophy and Reception written by Paola Volpe Cacciatore and published by BRILL. This book was released on 2021-09-20 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: Philology, philosophy, commentary and reception in Plutarch's work are only some of the main topics discussed within a large academic output devoted to the writer of Chaeronea by Professor Paola Volpe Cacciatore. The volume is divided into four sections: Plutarchean Fragments, Quaestiones convivales, Religion & Philosophy, and Plutarch's Reception from Humanism to Modern Times. The eighteen studies collected in this volume, originally published in Italian and here translated into English, concern the Corpus Plutarcheum, including Table-Talks, De Iside et Osiride, the treatises against the Stoics, De genio Socratis, De liberis educandis, De musica, and some Plutarchean fragments. The volume is a tribute to celebrate the lifelong study of Plutarch's work by Professor Paola Volpe Cacciatore, one of the most remarkable Plutarchean scholars of the last decades.

Book Nietzsche and the Philology of the Future

Download or read book Nietzsche and the Philology of the Future written by James I. Porter and published by Stanford University Press. This book was released on 2000 with total page 476 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing on Nietzsche's prolific early notebooks and correspondence, this book challenges the polarized picture of Nietzsche as a philosopher who abandoned classical philology. By showing how frequently the "later" Nietzsche appears in the early writings, the author hopes to provoke reflection on the adequacy of the developmental logic that has been a controlling factor in Nietzsche's reception.

Book The Bulletin of the Brooklyn Institute of Arts and Sciences

Download or read book The Bulletin of the Brooklyn Institute of Arts and Sciences written by Brooklyn Institute of Arts and Sciences and published by . This book was released on 1908 with total page 556 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Classical Music and Postmodern Knowledge

Download or read book Classical Music and Postmodern Knowledge written by Lawrence Kramer and published by Univ of California Press. This book was released on 1995 with total page 315 pages. Available in PDF, EPUB and Kindle. Book excerpt: "In this pathbreaking new book, Lawrence Kramer extends the theoretical and scholarly frontiers of musicology with every chapter, each of which explores a different case study in depth. In short, [he] demonstrates repeatedly that classical music is a far more significant force in history than its champions (who want music to transcend 'mere' social formations) usually allow."—Susan McClary, author of Feminine Endings: Music, Gender, and Sexuality "Kramer continues his project to steer the criticism of Western art music onto the paths of contemporary intellectual discourse. No one is better equipped for the task: Kramer's range is extraordinary, his scholarship impeccable, his arguments incisive. But above all, his values are humane. He cares passionately about this precious musical heritage, and his commitment can be felt on every page, including the dazzling performative and postmodern epilogue."—Walter Frisch, author of The Early Works of Arnold Schoenberg, 1893-1908 "This book will (I hope) be one of the foundational moments of a thriving and much-needed discourse. Kramer demonstrates the power to interpret that comes with fully integrating up-to-date critical literary theory with musical analysis. The risks he takes are absolutely necessary to our discipline if it is not, along with the music it professes to enshrine, to fade away into total cultural irrelevance and oblivion. Those scholars to whom postmodernism is a liberating and not a frightening concept will welcome this book with uncommon interest."—Robert Fink, founding editor of Repercussions: Critical and Alternative Viewpoints on Music and Scholarship