Download or read book Museums and the Representation of Native Canadians written by Moira McLoughlin and published by Routledge. This book was released on 2018-10-24 with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt: If we were to think about museums as three dimensional maps-as spaces to be divided, defended, and privileged-what would they tell us about the place of Native Canadians within the larger nation? Utilizing a combination of exhibit analysis and interviews, this book explores how Canadian history, anthropology, and art museums have situated Native Canadian history and culture within a larger narrative of nationhood. Until very recently, these museums have, with few exceptions, perpetuated the continued isolation of Native Canadians on the Other side of carefully demarcated boundaries of time, space, and culture. Despite a living and highly politicized presence outside their walls, inside these museums Native Canadians have remained fixed and isolated in time and space. This book discusses how this particular image of Native Canadians has been translated into the numerous dichotomies and borders of the museum; between modern and traditional, past and present, myth and science, progress and stasis, active and passive, and, ultimately, us and them. However, in tribal museums and more recent programming at the larger museums we are able to identify alternative maps that realign these borders and give voice to alternative constructions of these histories. The past decade has seen enormous change in how museum curators, educators, and directors imagine their role in these museums and, more particularly, in the construction of a history of Native Canadians. This book considers how museums, and those who work within them, have responded to the challenge of writing a more complex and multivocal history for the nation. (Ph.D. dissertation, the Annenberg School for Communication, University of Pennsylvania, 1992; revised with new preface, bibliography, and index)
Download or read book On Aboriginal Representation in the Gallery written by Canadian Ethnology Service and published by Hull, Quebec : Canadian Museum of Civilization. This book was released on 2002 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides a glimpse of thirteenth-century life and death in a southern Ontario Iroquoian community. The renovation of a Toronto soccer field in 1997 resulted in the accidental discovery of an Iroquoian ossuary--a large pit containing the remains of at least 87 people. The pit was excavated and recorded, and the remains reburied in accordance with the wishes of the Six Nations Council of Oshweken. Scientific analyses of the bones resulted in a remarkably detailed demographic profile of the Moatfield people, along with indicators of their health and diet. The book reports these findings and includes a complete database of maps and profiles on an accompanying CD-ROM. Ronald F. Williamson is president of Archaeological Services Inc., Toronto. Susan Pfeiffer is professor of anthropology at the University of Toronto.
Download or read book On Aboriginal representation in the Gallery written by Lydia Jessup and published by University of Ottawa Press. This book was released on 2002-01-01 with total page 342 pages. Available in PDF, EPUB and Kindle. Book excerpt: In recognizing the established intellectual and institutional authority of Aboriginal artists, curators, and academics working in cultural institutions and universities, this volume serves as an important primer on key questions and issues accompanying the changing representational practices of the community cultural center, the public art gallery and the anthropological museum.
Download or read book Museum Pieces written by Ruth Bliss Phillips and published by McGill-Queen's Press - MQUP. This book was released on 2011 with total page 394 pages. Available in PDF, EPUB and Kindle. Book excerpt: The ways in which Aboriginal people and museums work together have changed drastically in recent decades. This historic process of decolonization, including distinctive attempts to institutionalize multiculturalism, has pushed Canadian museums to pioneer new practices that can accommodate both difference and inclusivity. Ruth Phillips argues that these practices are "indigenous" not only because they originate in Aboriginal activism but because they draw on a distinctively Canadian preference for compromise and tolerance for ambiguity. Phillips dissects seminal exhibitions of Indigenous art to show how changes in display, curatorial voice, and authority stem from broad social, economic, and political forces outside the museum and moves beyond Canadian institutions and practices to discuss historically interrelated developments and exhibitions in the United States, Britain, Australia, and elsewhere. Drawing on forty years of experience as an art historian, curator, exhibition critic, and museum director, she emphasizes the complex and situated nature of the problems that face museums, introducing new perspectives on controversial exhibitions and moments of contestation. A manifesto that calls on us to re-imagine the museum as a place to embrace global interconnectedness, Museum Pieces emphasizes the transformative power of museum controversy and analyses shifting ideas about art, authenticity, and power in the modern museum.
Download or read book An Analysis of the Task Force on Museums and First Peoples microform the Changing Representation of Aboriginal Histories in Museums written by Stephanie Bolton and published by Library and Archives Canada = Bibliothèque et Archives Canada. This book was released on 2004 with total page 186 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Making Representations written by Moira G. Simpson and published by Routledge. This book was released on 2012-12-06 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing upon material from Britain, Canada, the United States, Australia and New Zealand, Making Representations explores the ways in which museums and anthropologists are responding to pressures in the field by developing new policies and practices, and forging new relationships with communities. Simpson examines the increasing number of museums and cultural centres being established by indigenous and immigrant communities as they take control of the interpretive process and challenge the traditional role of the museum. Museum studies students and museum professionals will all find this a stimulating and valuable read.
Download or read book Museums Heritage and Indigenous Voice written by Bryony Onciul and published by Routledge. This book was released on 2015-07-03 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: Current discourse on Indigenous engagement in museum studies is often dominated by curatorial and academic perspectives, in which community voice, viewpoints, and reflections on their collaborations can be under-represented. This book provides a unique look at Indigenous perspectives on museum community engagement and the process of self-representation, specifically how the First Nations Elders of the Blackfoot Confederacy have worked with museums and heritage sites in Alberta, Canada, to represent their own culture and history. Situated in a post-colonial context, the case-study sites are places of contention, a politicized environment that highlights commonly hidden issues and naturalized inequalities built into current approaches to community engagement. Data from participant observation, archives, and in-depth interviewing with participants brings Blackfoot community voice into the text and provides an alternative understanding of self and cross-cultural representation. Focusing on the experiences of museum professionals and Blackfoot Elders who have worked with a number of museums and heritage sites, Indigenous Voices in Cultural Institutions unpicks the power and politics of engagement on a micro level and how it can be applied more broadly, by exposing the limits and challenges of cross-cultural engagement and community self-representation. The result is a volume that provides readers with an in-depth understanding of the nuances of self-representation and decolonization.
Download or read book Decolonizing Museums written by Amy Lonetree and published by Univ of North Carolina Press. This book was released on 2012 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: Museum exhibitions focusing on Native American history have long been curator controlled. However, a shift is occurring, giving Indigenous people a larger role in determining exhibition content. In Decolonizing Museums, Amy Lonetree examines the co
Download or read book Liberating Culture written by Christina Kreps and published by Routledge. This book was released on 2013-04-15 with total page 201 pages. Available in PDF, EPUB and Kindle. Book excerpt: Using examples of indigenous models from Indonesia, the Pacific, Africa and native North America, Christina Kreps illustrates how the growing recognition of indigenous curation and concepts of cultural heritage preservation is transforming conventional museum practice. Liberating Culture explores the similarities and differences between Western and non-Western approaches to objects, museums, and curation, revealing how what is culturally appropriate in one context may not be in another. For those studying museum culture across the world, this book is essential reading.
Download or read book Exhibiting Nation written by Caitlin Gordon-Walker and published by UBC Press. This book was released on 2016-11-01 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt: Canada’s brand of nationalism celebrates diversity – as long as it doesn’t challenge the unity, authority, or legitimacy of the state. In Exhibiting Nation, Caitlin Gordon-Walker explores this tension between unity and diversity in three nationally recognized museums, institutions that must make judgments about what counts as “too different” in order to celebrate who we are as a people and a nation. Exhibiting Nation takes readers on a journey through the Royal BC Museum, the Royal Alberta Museum, and the Royal Ontario Museum, stopping to focus on exhibitions, programs, and architectural features that demonstrate how notions of unity in diversity have shaped the way museums engage visitors’ senses and make use of space. Although the contradictions that lie at the heart of multicultural nationalism have the potential to constrain political engagement and dialogue, Gordon-Walker concludes that the sensory feasts on display in Canada’s museums provide a space for citizens to both question and renegotiate the limits of their national vision.
Download or read book Canadian Cultural Poesis written by Garry Sherbert and published by Wilfrid Laurier Univ. Press. This book was released on 2006-02-03 with total page 541 pages. Available in PDF, EPUB and Kindle. Book excerpt: Annotation Examining culture as social identity, this collection explores issues such as gender, technology, cultural ethnicity, and regionalism in four general areas: the media, individual and national identity, languages, and cultural dissent.
Download or read book Collections and Objections written by Michelle Hamilton and published by McGill-Queen's Press - MQUP. This book was released on 2010-09-22 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: North America's museums are treasured for their collections of Aboriginal ethnographic and archaeological objects. Yet stories of how these artifacts were acquired often reveal unethical acts and troubling chains of possession, as well as unexpected instances of collaboration. For instance, archaeological excavation of Aboriginal graves was so prevalent in the late-eighteenth century that the government of Upper Canada legislated against it, although this did little to stop the practice. Many objects were collected by non-Native outsiders to preserve cultures perceived to be nearing extinction, while other objects were donated or sold by the same Native communities that later demanded their return. Some Native people collected for museums and even created their own.
Download or read book Curatorship written by Canadian Museum of Civilization and published by University of Ottawa Press. This book was released on 1996-01-01 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: Museums and cultural centres play an important role in the re-emergence of cultural autonomy in indigenous societies. The May 1994 symposium, Curatorship: Indigenous Perspectives in Post-Colonial Societies, examined the realignment of relationships between indigenous and non-indigenous peoples of the Commonwealth in the context of traditional museum practices. It supported the right of Indigenous peoples to control the management of their cultural heritage and underlined the need for redefining museum models.
Download or read book Indigenous and Canadian Art at the AGO written by Wanda Nanibush and published by . This book was released on 2020-09-15 with total page 140 pages. Available in PDF, EPUB and Kindle. Book excerpt: Moving the Museum documents the reopening of the J.S. McLean Centre for Indigenous & Canadian Art with a renewed focus on the AGO's Indigenous art collection. The volume reflects the nation-to-nation treaty relationship that is the foundation of Canada, asking questions, discovering truths, and leading conversations that address the weight of history. Lavishly illustrated with more than 100 reproductions, Moving the Museum: Indigenous and Canadian Art at the AGO features the work of First Nations artists -- including Carl Beam, Rebecca Belmore, and Kent Monkman -- along with work by Inuit artists like Shuvinai Ashoona and Annie Pootoogook. Canadian artists include Lawren Harris, Kazuo Nakamura, Joyce Wieland, and many others. Drawing from stories about our origins and identities, the featured artists and essayists invite readers to engage with issues of land, water, transformation, and sovereignty and to contemplate the historic representation of Indigenous and Canadian art in museums.
Download or read book Performance in the Borderlands written by R. Rivera-Servera and published by Springer. This book was released on 2010-11-17 with total page 295 pages. Available in PDF, EPUB and Kindle. Book excerpt: A border is a force of containment that inspires dreams of being overcome and crossed; motivates bodies to climb over; and threatens physical harm. This book critically examines a range of cultural performances produced in relation to the tensions and movements of/about the borders dividing North America, including the Caribbean.
Download or read book Land Spirit Power written by Diana Nemiroff and published by . This book was released on 1992 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exhibition catalogue for 'Land, Spirit, Power' at the National Gallery of Canada, Ottawa, in 1992, a collection of contemporary art intended as a response and contribution to current discussions on questions of cultural identity, from the specific perspective of First Nations. Includes three essays, and data on each artist.
Download or read book Museums Heritage and Indigenous Voice written by Bryony Onciul and published by Routledge. This book was released on 2015-07-03 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: Current discourse on Indigenous engagement in museum studies is often dominated by curatorial and academic perspectives, in which community voice, viewpoints, and reflections on their collaborations can be under-represented. This book provides a unique look at Indigenous perspectives on museum community engagement and the process of self-representation, specifically how the First Nations Elders of the Blackfoot Confederacy have worked with museums and heritage sites in Alberta, Canada, to represent their own culture and history. Situated in a post-colonial context, the case-study sites are places of contention, a politicized environment that highlights commonly hidden issues and naturalized inequalities built into current approaches to community engagement. Data from participant observation, archives, and in-depth interviewing with participants brings Blackfoot community voice into the text and provides an alternative understanding of self and cross-cultural representation. Focusing on the experiences of museum professionals and Blackfoot Elders who have worked with a number of museums and heritage sites, Indigenous Voices in Cultural Institutions unpicks the power and politics of engagement on a micro level and how it can be applied more broadly, by exposing the limits and challenges of cross-cultural engagement and community self-representation. The result is a volume that provides readers with an in-depth understanding of the nuances of self-representation and decolonization.
